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Nathan Hale taught in this one-room school house in 1773/74. He was executed by the British for being a spy during the Revolutionary War. Before being hanged, he said the words I put in this photo's title. He was just 21 at the time of his death. en.wikipedia.org/wiki/Nathan_Hale
Whitmore also commissioned the gardener and landscape designer William Emes to produce a scheme for the grounds. Emes came up with a formal plan but it was never executed. Instead, Whitmore left his wife, Frances Lister, and his own gardener, Walter Wood, to develop the grounds. Wood had previously worked on a Picturesque-style garden for the poet William Shenstone at The Leasowes, near Halesowen, then also part of the county of Shropshire. Carefully controlling the Quatt Brook, a small tributary of the Severn to the south of the hall, he now reshaped its course through the Dingle, a small, wooded valley, which was itself artfully quarried and sculpted. His small cliffs, waterfalls and rustic bridges created a framework for the winding paths and seating areas, laid out by Frances. It is unclear which Dingle came first, but it is likely there were cross-influences with that at Badger, Shropshire, where Emes certainly was involved in the design, and where the squire, Isaac Hawkins Browne was an associate of Whitmore
Information by Wikipedia.
Special Effect's by William Walton & Topaz.
If you can create a carefully executed image so that your understanding of the subject comes together with the ephemeral qualities of the moment, it can create something that has more resonance, and can be more enduring, than all those thousands of fleeting impressions :-)
Frans Lanting
HBW!! Justice Matters! Indict Trump!
prunus, weeping fuji cherry, 'Shikizaki', j c raulston arboretum, ncsu, raleigh, north carolina
I was out photographing the sunrise around the pier. An hour after sunrise a lot of people began to arrive at the beach. Luckily I stayed to capture this photo.
See the two frames prior to this below to see how she executed this move.
Cocoa Beach Pro-Am Surfing Contest
Women's Pro Short Board Semi-Final Heat
Baboom-Ariana-Pant
Landmark
SYNNERGY.TAVIS// Strange Domain Backdrop
Something Strange Collection - Strange Domain [360] Backdrop
Marketplace
[Chris Two Designs] Basketball - Fatpack
Basketball is an interactive game to play with your friends. Launching at the N21 Event
Photo taken on the Execution site Ghent-Oostakker.
This is the location where 66 members of the Resistance were executed during WWII
The statue was made by the Ghent sculptor Geo Vindevogel.
ⓒRebecca Bugge, All Rights Reserved
Do not use without permission.
Tomb from the church of Näshult, which predates the current church (the church is from 1735 - the burial from 1572). And the photo lies a bit - the stone is placed in the floor, not standing up, but I liked the effect from this angle.
The man buried here is Nils Persson from Holma, of the noble Silfversparre family (Silfversparre is a description of the coat of arms which later was used as a family name, so if you look at the stone you can see that coat of arms, but the name Silfversparre isn't actually mentioned). Nils Persson was first mentioned in 1529 and had several important functions in the higher echelons of society - though they are hard to translate to English so I won't try. He died October 19 1572, at six in the afternoon (according to the stone). Nils Persson had acquired a lot of land in his life-time and he seems to have been rather ruthless - and he had actually killed a man in 1551. He had at least three children, including a daughter - who was also accused of murder. She was later executed, but not for that, but for treachery towards the king. You can't help but get the feeling that if you were important enough, back in the day, you really could get away with murder...
Jan Hus was a Czech church reformer executed in 1415. His teachings had a profound influence on the history of the Czech nation.
Jan Hus’s contribution to the development of the Czech literary language was the introduction of diacritical marks, such as: č, š, ř, ž, á, í, é. The purpose of this innovation was representing each sound by only one symbol and eleminating digraphs (sounds represented by two letters).
The inscription on the monument reads “Milujte se, pravdy každému přejte”, which means more or less: “Love one another, wish the truth to everyone”. This is a shortened version of a quote from one of Hus’s letters from prison. The day of his execution, July 6th, is a public holiday in Czechia (Jan Hus Day).
by me.
Eyes: + Nightfall Eye {aii}
Hair: Dura-B97
Uniform: Remnant by toksik
Rapier: [VALR] Rapier
Pistol: [VALR] Bryar Pistol
Monocle: [ContraptioN] Bramley's Monocle
Mask: [ContraptioN] Masks: Deck Captain's Breather
Arm: [ConptraptioN] SP1NDL Prosthetic arm
Ears: [CX] Withered Berzerker Ear
Body: Signature
Head: Catwa HEAD Daniel
Skin: STRAYDOG
Scars: . MILA . Scars of Battle
Doune Castle is a medieval stronghold near the village of Doune, in the Stirling district of central Scotland. The castle is sited on a wooded bend where the Ardoch Burn flows into the River Teith. It lies 8 miles (13 kilometres) northwest of Stirling, where the Teith flows into the River Forth. Upstream, 8 miles (13 kilometres) further northwest, the town of Callander lies at the edge of the Trossachs, on the fringe of the Scottish Highlands.
Recent research has shown that Doune Castle was originally built in the thirteenth century, then probably damaged in the Scottish Wars of Independence, before being rebuilt in its present form in the late 14th century by Robert Stewart, Duke of Albany (c. 1340–1420), the son of King Robert II of Scots, and Regent of Scotland from 1388 until his death. Duke Robert's stronghold has survived relatively unchanged and complete, and the whole castle was traditionally thought of as the result of a single period of construction at this time. The castle passed to the crown in 1425, when Albany's son was executed, and was used as a royal hunting lodge and dower house. In the later 16th century, Doune became the property of the Earls of Moray. The castle saw military action during the Wars of the Three Kingdoms and Glencairn's rising in the mid-17th century, and during the Jacobite risings of the late 17th century and 18th century. By 1800 the castle was ruined, but restoration works were carried out in the 1880s, prior to its passing into state care in the 20th century. It is now maintained by Historic Environment Scotland.
Due to the status of its builder, Doune reflected current ideas of what a royal castle building should be. It was planned as a courtyard with ranges of buildings on each side, although only the northern and north-western buildings were completed. These comprise a large tower house over the entrance, containing the rooms of the Lord and his family, and a separate tower containing the kitchen and guest rooms. The two are linked by the great hall. The stonework is almost all from the late 14th century, with only minor repairs carried out in the 1580s. The restoration of the 1880s replaced the timber roofs and internal floors, as well as interior fittings.
Executing my best Matrix move, here is a simultaneous view of the previous post, 90 degrees to the right, as the Sora moves through a cauldron of duckweed on Horsepen Bayou.
Stone bridge, constructed in 1674, at Corbridge, Northumberland.
The (original) bridge at Corbridge was built in 1235. Described in 1306 as the only bridge between Newcastle and Carlisle, it was maintained also as a link between England and Scotland. In 1674 it was replaced by the seven-arched bridge we see today. So well did the builder of this bridge execute his contract that his was the only one on the Tyne to withstand the famous flood of 1771. [Wikipedia]
Topaz/PS
Regno Unito, Scozia, Edimburgo, Primavera 2023
Victoria Street, nel centro storico di Edimburgo, è uno dei luoghi più fotografati della città. la sua curva dolce e le facciate colorate dei negozi la rendono meta preferita per turisti, cartoline e spot televisivi.
Victoria Street fu costruita tra il 1829-1834 come parte di una serie di miglioramenti al centro storico, con l'obiettivo di migliorare l'accesso alla città. Sul lato nord della strada, vi è una terrazza, sopra una serie di archi che si è successivamente riempita di negozi. Oggi la strada è un incantevole angolo del centro storico, ma ci sono ancora alcuni aspetti di un oscuro passato. Qui vi era la casa del maggiore Weir, un uomo noto come 'il Mago del West Bow', che fu giustiziato per stregoneria nel 1670. Si pensava che la sua casa fosse stata completamente demolita al tempo della costruzione di Victoria Street, ma ora sembra alcune parti siano sopravvissute, nascoste nel Quaker Meeting House sulla terrazza superiore. Un pensiero interessante i turisti in cerca dell'imprevisto.
Victoria Street in Edinburgh Old Town is one of the most photographed locations in the city. Its gentle curve and colourful shopfronts making it favourite spot for tourist photos, postcards and TV adverts.
Victoria Street was built between 1829-34 as part of a series of improvements to the Old Town, with the aim of improving access around the city. On the north side of the street a terrace was built, with a series of arches underneath which were later filled with shops. Today the street is a charming corner of the Old Town, but recent speculation suggests that a relic of its darker past may still exist. This was the location of Major Weir’s house, a man notorious as ‘the Wizard of the West Bow’, who was executed for witchcraft in 1670. It was thought that his house was completely demolished when Victoria Street was built, but it now seems that some parts may still exist, hidden in the Quaker Meeting House on the upper terrace. An intriguing thought for those visiting to shop, dine or looking for the unexpected.
Great egret executing a graceful landing.
Thank you so much for the visit!
Saturday, April 21, 2018 6:21 PM
1/2000 sec. f/5.6 400mm ISO200
Monument in honour of the victims of two totalitarian regimes, Nazi & Communist throughout 20th. century, exemplified by Dr. Milada Horáková who was imprisoned with her husband by the nazis and executed by the communist regime (27/06/1950) after a fabricated trial.
The immaculate white of the marble pebble stands for kindness and goodness of all the fighters against totalitarian regimes. The black granite boulders symbolise the self-evident menace that only a few brave enough to resist.
Monument by Ladislav Sorokáč & Ondřej Tuček (01/10/2018)
klub@miladahorakova.cz.
Thank you for your comments & fav.!
Le 40 Victoria Street était autrefois un magasin de brosses. On y trouvait toute la gamme des brosses, des balais, des nettoyeurs de cornemuses aux brosses à cheminée. La famille aurait d’abord vécu au dernier étage, fabriquant des brosses et des balais dans l’atelier et les vendant dans le magasin du rez-de-chaussée. Le Robert Cresser’s Brush Shop est resté ouvert de 1873 à 2004. C’est la raison pour laquelle la boutique occupe une place particulière dans le cœur des habitants d’Édimbourg. Bien que les films d’Harry Potter n’aient pas été tournés dans cette ville, Édimbourg a longtemps été associée au monde des sorciers. Les immenses façades de Victoria Street nous rappellent l’époque où le « magicien de l’arc ouest » habitait une maison dans les environs avant d’être exécuté en 1670 pour sorcellerie. Si l’on rajoute que J. K. Rowling a écrit le tout premier chapitre d‘Harry Potter dans des cafés de la ville, à quelques centaines de mètres de Victoria Street, on peut penser que nous sommes à l’endroit où tout a commencé. Situé dans cette rue historique qui présente d’étranges similitudes avec Diagon Alley, Museum Context est un aimant pour les Potterheads qui veulent voyager dans le monde des sorciers à Édimbourg. Ce magasin de renommée mondiale a trois niveaux de marchandises magiques. Le bâtiment lui-même est assez petit, de sorte que seuls quelques moldus et sorciers peuvent entrer à la fois. Débordant de produits officiels Harry Potter et d’articles fabriqués par des artisans locaux, l’établissement offre une expérience immersive à ses visiteurs. Les curiosités vont des Hedwigs en peluche et des badges d’épingles Potter, aux grenouilles en chocolat. En remontant deux étages d’escaliers, les étagères, les murs et les plafonds sont remplis de baguettes, d’enseignes, de t-shirts et même de répliques de balais Nimbus. Ajoutant à l’authentique Diagon Alley-esque, le comptoir du magasin avec la caisse enregistreuse nationale séculaire, datant des années 1800. C’est avec regret que l’on quitte cette boutique pour se retrouver heureusement l'instant d'après dans la Diagon Alley …
40 Victoria Street was once a brush shop. It featured the full range of brushes, brooms, bagpipe cleaners to chimney brushes. The family is said to have first lived on the top floor, making brushes and brooms in the workshop and selling them in the shop downstairs. Robert Cresser's Brush Shop remained open from 1873 to 2004. This is why the shop holds a special place in the hearts of Edinburgh locals. Although the Harry Potter films were not filmed in this city, Edinburgh has long been associated with the wizarding world. The towering Victoria Street facades remind us of when the 'Wizard of the West Arc' lived in a house nearby before he was executed in 1670 for witchcraft. If we add that J. K. Rowling wrote the very first chapter of Harry Potter in cafes around the city, a few hundred meters from Victoria Street, we can think that we are at the place where it all began. Located on this historic street that bears eerie similarities to Diagon Alley, Museum Context is a magnet for Potterheads who want to journey into the wizarding world of Edinburgh. This world famous store has three levels of magic goods. The building itself is quite small, so only a few muggles and wizards can enter at a time. Brimming with official Harry Potter merchandise and items made by local artisans, the facility offers an immersive experience for its visitors. Curiosities range from plush Hedwigs and Potter pin badges, to chocolate frogs. As you ascend two flights of stairs, the shelves, walls, and ceilings are filled with wands, signs, t-shirts, and even replica Nimbus broomsticks. Adding to the authentic Diagon Alley-esque is the store counter with the age-old national cash register, dating back to the 1800s. It is with regret that we leave this shop to find ourselves fortunately the next moment in Diagon Alley...
The bridge with the last breath, sigh and similar attributes. The bridge where people can see their relatives for the last time while being taken from the court in the palace of Dukler and then to the other building to be sentenced and executed. While the close ones cannot see the prisoner, the prisoner could see his loved ones for the last time
A snowboarder executed a nice jump but then crashed into the deep snow. The hill in the foreground blocks the view of the man's torso, giving the illusion that he is buried under the deep snow.
The official snowfall for the weekend was 54 inches!
Palpatine has executed the Order Red to prepare his Last Order army !
However, I think the First Order is gonna lack of red paint...
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Original picture by me
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Alex THELEGOFAN | My shop | Instagram
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The gallows was erected in 1597 instead of a wooden gallows. The number of people executed is unclear, but there are some indications that relatively few people died there, which is also due to the relatively liberal jurisprudence of the Count House of Erbach. Only one execution in 1746 is documented in the church records, which is considered certain. Johann Adam Beisel from Unter-Sensbach was hanged for theft and adultery. [2] According to the inscription on a memorial stone next to the gallows, the "last execution in 1804, a gypsy woman for stealing a chicken and two loaves of bread" should have taken placeThree red sandstone columns about five meters high were set up so that they form the corners of an equilateral triangle. They carry three crossbars arranged in a triangle, which is why the place of execution is also known as the so-called "three-sleeper gallows". The gallows served the high court of the Oberzent under the rule of the Counts of Erbach; In 1806 they were deprived of their jurisdiction by Napoleonic law, which also ended the right to impose the death penalty. The gallows was erected in 1597 instead of a wooden gallows. The number of people executed is unclear, but there are some indications that relatively few people died there, which is also due to the relatively liberal jurisprudence of the Count House of Erbach. Only one execution in 1746 is documented in the church records, which is considered certain. Johann Adam Beisel from Unter-Sensbach was hanged for theft and adultery. [2] According to the inscription on a memorial stone next to the gallows, the "last execution in 1804, a gypsy woman for stealing a chicken and two loaves of bread" should have taken place
Une nouvelle installation de l’artiste britannique Linder Sterling dans le jardin de Chatsworth House s’inspire de l’un des épisodes les plus intrigants de l’histoire du domaine, vieille de 500 ans: l’emprisonnement de Mary, reine d’Écosse.
La «Bower of Bliss» de Sterling est une réponse du Queen Mary's Bower, une structure surélevée située dans un jardin de 100 hectares, qui aurait été construite dans les années 1570 pour permettre à Mary d'exercer son activité alors qu'elle était retenue en captivité pour son implication présumée dans des crimes d'assassinat. sa cousine Elizabeth I.
Mary fut forcée d’abdiquer en 1567 après avoir été impliquée dans le meurtre de son mari. Elle fut ensuite emprisonnée en Angleterre par Elizabeth I à partir de 1568 et exécutée en 1587.
L’installation de Sterling est l’un des points forts de la nouvelle exposition de sculptures intitulée «Chatsworth Outdoors: motifs de sculptures», qui s’ouvre dans le jardin du domaine de Derbyshire le 14 septembre. 2018.
Parmi les 35 œuvres présentées, on trouve une figurine masculine en fonte dressée par Antony Gormley intitulée «Learning to be I» et «Into the Wind», une sculpture en bronze de la tête d’un cheval réalisée par Nic Fiddian-Green.
Traduit de :
uk.reuters.com/article/uk-britain-art/captive-queen-inspi...
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A new installation by British artist Linder Sterling in the garden of Chatsworth House draws on one of the most intriguing episodes in the estate’s 500-year-old history: the imprisonment of Mary, Queen of Scots.
Sterling’s “Bower of Bliss” is a response the Queen Mary’s Bower, a raised structure in the 105-acre garden which some believe was built in the 1570s as a space for Mary to exercise while she was held captive for her alleged involvement in plots assassinate her cousin Elizabeth I.
Mary was forced to abdicate in 1567 after she was implicated in her husband’s murder and was then imprisoned in England by Elizabeth I from 1568 and executed in 1587.
Sterling’s installation is one of the highlights of a new sculpture exhibition called “Chatsworth Outdoors: Grounds for Sculpture”, which opens in the garden of the Derbyshire estate on Sept. 14. 2018.
Among the 35 works on show is a standing male cast iron figure by Antony Gormley called “Learning to be I”, and “Into the Wind”, a bronze sculpture of a horse’s head by Nic Fiddian-Green.
uk.reuters.com/article/uk-britain-art/captive-queen-inspi...
Shop guard cat in Antalya, Konyaltii
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Having executed a perfect 'rolling meet' at Bealville the Mojave Sub Dispatcher has kept an eastbound BNSF Z moving up the mountain, while Union Pacific's ZLCLT and its colorful headend consist continues on its quest for Northern California.
UP 1988 ~ ZLCLT ~ Bealville (Allard), California
Union Pacific's Mojave Subdivision
05.12.2015
IMPORTANT: for non-pro users who read the info on a computer, just enlarge your screen to 120% (or more), then the full text will appear below the photo with a white background - which makes reading so much easier.
The color version of the photo above is here: www.lacerta-bilineata.com/ticino-best-photos-of-southern-...
THE STORY BEHIND THE PHOTO:
So far there's only been one photo in my gallery that hasn't been taken in my garden ('The Flame Rider', captured in the Maggia Valley: www.flickr.com/photos/191055893@N07/53563448847/in/datepo... ) - which makes the image above the second time I've "strayed from the path" (although not very far, since the photo was taken only approximately 500 meters from my house).
Overall, I'll stick to my "only-garden rule", but every once in a while I'll show you a little bit of the landscape around my village, because I think it will give you a better sense of just how fascinating this region is, and also of its history.
The title I chose for the photo may seem cheesy, and it's certainly not very original, but I couldn't think of another one, because it's an honest reflection of what I felt when I took it: a profound sense of peace - although if you make it to the end of this text you'll realize my relationship with that word is a bit more complicated.
I got up early that day; it was a beautiful spring morning, and there was still a bit of mist in the valley below my village which I hoped would make for a few nice mood shots, so I quickly grabbed my camera and went down there before the rising sun could dissolve the magical layer on the scenery.
Most human activity hadn't started yet, and I was engulfed in the sounds of the forest as I was walking the narrow trail along the horse pasture; it seemed every little creature around me wanted to make its presence known to potential mates (or rivals) in a myriad of sounds and voices and noises (in case you're interested, here's a taste of what I usually wake up to in spring, but you best use headphones: www.youtube.com/watch?v=AfoCTqdAVCE )
Strolling through such an idyllic landscape next to grazing horses and surrounded by birdsong and beautiful trees, I guess it's kind of obvious one would feel the way I described above and choose the title I did, but as I looked at the old stone buildings - the cattle shelter you can see in the foreground and the stable further up ahead on the right - I also realized how fortunate I was.
It's hard to imagine now, because Switzerland is one of the wealthiest countries in the world today, but the men and women who had carried these stones and constructed the walls of these buildings were among the poorest in Europe. The hardships the people in some of the remote and little developed valleys in Ticino endured only a few generations ago are unimaginable to most folks living in my country today.
It wasn't uncommon that people had to sell their own kids as child slaves - the girls had to work in factories or in rice fields, the boys as "living chimney brushes" in northern Italy - just because there wasn't enough food to support the whole family through the harsh Ticino winters.
If you wonder why contemporary Swiss historians speak of "slaves" as opposed to child laborers, it's because that's what many of them actually were: auctioned off for a negotiable prize at the local market, once sold, these kids were not payed and in many cases not even fed by their masters (they had to beg for food in the streets or steal it).
Translated from German Wikipedia: ...The Piazza grande in Locarno, where the Locarno Film Festival is held today, was one of the places where orphans, foundlings and children from poor families were auctioned off. The boys were sold as chimney sweeps, the girls ended up in the textile industry, in tobacco processing in Brissago or in the rice fields of Novara, which was also extremely hard work: the girls had to stand bent over in the water for twelve to fourteen hours in all weathers. The last verse of the Italian folk song 'Amore mio non piangere' reads: “Mamma, papà, non piangere, se sono consumata, è stata la risaia che mi ha rovinata” (Mom, dad, don't cry when I'm used up, it was the rice field that destroyed me.)... de.wikipedia.org/wiki/Kaminfegerkinder
The conditions for the chimney sweeps - usually boys between the age of 8 and 12 (or younger, because they had to be small enough to be able to crawl into the chimneys) - were so catastrophic that many of them didn't survive; they died of starvation, cold or soot in their lungs - as well as of work-related accidents like breaking their necks when they fell, or suffocatig if they got stuck in inside a chimney. This practice of "child slavery" went on as late as the 1950s (there's a very short article in English on the topic here: en.wikipedia.org/wiki/Spazzacamini and a more in depth account for German speakers in this brief clip: www.youtube.com/watch?v=gda8vZp_zsc ).
Now I don't know if the people who built the old stone houses along my path had to sell any of their kids, but looking at the remnants of their (not so distant) era I felt an immense sense of gratitude that I was born at a time of prosperity - and peace - in my region, my country and my home. Because none of it was my doing: it was simple luck that decided when and where I came into this world.
It also made me think of my own family. Both of my grandparents on my father's side grew up in Ticino (they were both born in 1900), but while they eventually left Switzerland's poorest region to live in its richest, the Kanton of Zurich, my grandfather's parents relocated to northern Italy in the 1920s and unfortunately were still there when WWII broke out.
They lost everything during the war, and it was their youngest daughter - whom I only knew as "Zia" which means "aunt" in Italian - who earned a little money to support herself and my great-grandparents by giving piano lessons to high-ranking Nazi officers and their kids (this was towards the end of the war when German forces had occupied Italy).
I never knew that about her; Zia only very rarely spoke of the war, but one time when I visited her when she was already over a 100 years old (she died at close to 104), I asked her how they had managed to survive, and she told me that she went to the local prefecture nearly every day to teach piano. "And on the way there would be the dangling ones" she said, with a shudder.
I didn't get what she meant, so she explained. Visiting the city center where the high ranking military resided meant she had to walk underneath the executed men and women who were hanging from the lantern posts along the road (these executions - often of civilians - were the Germans' retaliations for attacks by the Italian partisans).
I never forgot her words - nor could I shake the look on her face as she re-lived this memory. And I still can't grasp it; my house in Ticino is only 60 meters from the Italian border, and the idea that there was a brutal war going on three houses down the road from where I live now in Zia's lifetime strikes me as completely surreal.
So, back to my title for the photo above. "Peace". It's such a simple, short word, isn't it? And we use it - or its cousin "peaceful" - quite often when we mean nice and quiet or stress-free. But if I'm honest I don't think I know what it means. My grandaunt Zia did, but I can't know. And I honestly hope I never will.
I'm sorry I led you down such a dark road; I usually intend to make people smile with the anecdotes that go with my photos, but this one demanded a different approach (I guess with this latest image I've strayed from the path in more than one sense, and I hope you'll forgive me).
Ticino today is the region with the second highest average life expectancy in Europe (85.2 years), and "The Human Development Index" of 0.961 in 2021 was one of the highest found anywhere in the world, and northern Italy isn't far behind. But my neighbors, many of whom are now in their 90s, remember well it wasn't always so.
That a region so poor it must have felt like purgatory to many of its inhabitants could turn into something as close to paradise on Earth as I can imagine in a person's lifetime should make us all very hopeful. But, and this is the sad part, it also works the other way 'round. And I believe we'd do well to remember that, too.
To all of you - with my usual tardiness but from the bottom of my heart - a happy, healthy, hopeful 2025 and beyond.
The first castle at Dryslwyn was constructed by the sons of the Lord Rhys in the early part of the 13th century and was further fortified by Rhys ap Maredudd later in the century. By 1287 Dryslwyn was possibly the largest stone castle built by a Welsh prince. In June 1287 Rhys attacked and captured the castles of Dynefor, Carreg Cennen and Llandovery causing the King to raise an army under Edmund Earl of Cornwall and invade Deheubarth. Dryslwyn was besieged and fell after three weeks in August and September. Rhys escaped but was captured and executed in 1292. During the siege part of a wall collapsed and a number of the attackers were buried alive.
The castle now in the hands of the English was repaired but after its surrender to Owain Glyndwr in 1403 and subsequent recapture it was effectively destroyed.
The Midland Camera club planned and executed a wonderful trip to the Jordan Valley and Leelanau peninsula in pursuit of Fall colors, landscapes, farms, sand dunes, Lake Michigan. lighthouses, and a vast assortment of interesting subjects to photograph. All the members came home with a nice collection of photographs and much joy in the adventure spent together. Visit our viewing site to see the work of the members.
www.flickr.com/groups/3021281@N20/
216d 10 - TAC_5614 - lr-ps-wm
Dunstanborough Castle caught in the late afternoon sun, viewed from the beach at low Newton.
Dunstanburgh Castle is a 14th-century fortification on the coast of Northumberland in northern England, between the villages of Craster and Embleton. The castle was built by Earl Thomas of Lancaster between 1313 and 1322, taking advantage of the site's natural defences and the existing earthworks of an Iron Age fort. Thomas was a leader of a baronial faction opposed to King Edward II, and probably intended Dunstanburgh to act as a secure refuge, should the political situation in southern England deteriorate. The castle also served as a statement of the earl's wealth and influence, and would have invited comparisons with the neighbouring royal castle of Bamburgh. Thomas probably only visited his new castle once, before being captured at the Battle of Boroughbridge as he attempted to flee royal forces for the safety of Dunstanburgh. Thomas was executed, and the castle became the property of the Crown before passing into the Duchy of Lancaster.
Autumn colour has been prematurely executed this year by Storm Ashley tearing the foliage from the trees. It really has been a short period of colour here in the NW of England, with most of that wonderful autumnal colour now being on the ground, sadly.
It was very much the same story up in the Lakes last week with those remaining leaves being rather dull in colour.
I shot this in Roddlesworth Woods near home when we had a bit low low cloud and mist this week. You can see all the lovely Beech leaves lying on the ground. The mist at least gave the scene a bit of atmosphere!
Patrick Dougherty conceived this project and it was executed over 3 weeks with 150 volunteers. There are 7 faces nestled in a grove of trees in Hillsboro Oregon.
His inspiration was the masks and totems of the Northwest First Nations people.
The masks reach a height of 18 feet. More of his artwork: www.stickwork.net
READING GLASSES FOR WOMEN AND MAN.
MADE IN CHINA.
5 AMERICAN DOLLAR EACH ONE.
ILLEGAL TRADE...
7/29/2023 9 A.M.
128001
1811
117
My favorite image.
A deliberate photo planned out and executed with meticulous intent towards an specific goal....
The Treasure hunt is executed in sick now.
Cyber suits that I wear now can be gotten by collecting 10 mystery man's masks.
to 6th Sep.
secondlife://sick/234/129/28/
Kilmainham Gaol (Irish: Príosún Chill Mhaighneann) is a former prison in Kilmainham, Dublin, Ireland. It is now a museum run by the Office of Public Works, an agency of the Government of Ireland. Many Irish revolutionaries, including the leaders of the 1916 Easter Rising, were imprisoned and executed in the prison by the orders of the UK Government.When it was first built in 1796, Kilmainham Gaol was called the "New Gaol" to distinguish it from the old prison it was intended to replace – a noisome dungeon, just a few hundred metres from the present site. It was officially called the County of Dublin Gaol, and was originally run by the Grand Jury for County Dublin.
Originally, public hangings took place at the front of the prison. However, from the 1820s onward very few hangings, public or private, took place at Kilmainham. A small hanging cell was built in the prison in 1891. It is located on the first floor, between the west wing and the east wing.
There was no segregation of prisoners; men, women and children were incarcerated up to 5 in each cell, with only a single candle for light and heat. Most of their time was spent in the cold and the dark, and each candle had to last for two weeks. Its cells were roughly 28 square metres in area.
Children were sometimes arrested for petty theft, the youngest said to be a seven-year-old child, while many of the adult prisoners were transported to Australia.
At Kilmainham, the poor conditions in which women prisoners were kept provided the spur for the next stage of development. As early as 1809, in his report, the Inspector had observed that male prisoners were supplied with iron bedsteads while females "lay on straw on the flags in the cells and common halls". Half a century later there was little improvement. The women's section, located in the west wing, remained overcrowded. In an attempt to relieve the overcrowding, 30 female cells were added to the Gaol in 1840. These improvements had not been made long before the Great Famine occurred, and Kilmainham was overwhelmed with the increase of prisoners.
Kilmainham Gaol was decommissioned as a prison by the Irish Free State government in 1924. Seen principally as a site of oppression and suffering, there was at this time no declared interest in its preservation as a monument to the struggle for national independence. The jail's potential function as a location of national memory was also undercut and complicated by the fact that the first four Republican prisoners executed by the Free State government during the Irish Civil War were shot in the prison yard.
The Irish Prison Board contemplated reopening it as a prison during the 1920s but all such plans were finally abandoned in 1929. In 1936 the government considered the demolition of the prison but the price of this undertaking was seen as prohibitive. Republican interest in the site began to develop from the late 1930s, most notably with the proposal by the National Graves Association, a Republican organisation, to preserve the site as both a museum and memorial to the 1916 Easter Rising. This proposal received no objections from the Commissioners of Public Works, who costed it at £600, and negotiations were entered into with the Department of Education about the possibility of relocating artefacts relating to the 1916 Rising housed in the National Museum to a new museum at the Kilmainham Gaol site. The Department of Education rejected this proposal seeing the site as unsuitable for this purpose and suggested instead that paintings of nationalist leaders could be installed in appropriate prison cells. However, with the advent of the Emergency the proposal was shelved for the duration of the war.
An architectural survey commissioned by the Office of Public Works after World War II revealed that the prison was in a ruinous condition. With the Department of Education still intransigent to the site's conversion to a nationalist museum and with no other apparent function for the building, the Commissioners of Public Works proposed only the prison yard and those cell blocks deemed to be of national importance should be preserved and that the rest of the site should be demolished. This proposal was not acted upon.
In 1953 the Department of the Taoiseach, as part of a scheme to generate employment, re-considered the proposal of the National Graves Association to restore the prison and establish a museum at the site. However, no advance was made and the material condition of the prison continued to deteriorate.
From the late 1950s, a grassroots movement for the preservation of Kilmainham Gaol began to develop. Provoked by reports that the Office of Public Works was accepting tenders for the demolition of the building, Lorcan C.G. Leonard, a young engineer from the north side of Dublin, along with a small number of like-minded nationalists, formed the Kilmainham Gaol Restoration Society in 1958. In order to offset any potential division among its members, the society agreed that they should not address any of the events connected with the Civil War period in relation to the restoration project. Instead, a narrative of the unified national struggle was to be articulated. A scheme was then devised that the prison should be restored and a museum built using voluntary labour and donated materials.
With momentum for the project growing, the Irish Congress of Trade Unions informed the society that they would not oppose their plan and the Building Trades Council gave it their support. It is also likely that Dublin Corporation, which had shown an interest in the preservation of the prison, supported the proposal. At this time the Irish government was coming under increasing pressure from the National Graves Association and the Old IRA Literary and Debating Society to take action to preserve the site. Thus, when the society submitted their plan in late 1958 the government looked favourably on a proposal that would achieve this goal without occasioning any significant financial commitment from the state.
In February 1960 the society's detailed plan for the restoration project, which notably also envisioned the site's development as a tourist attraction, received the approval of the notoriously parsimonious Department of Finance. The formal handing over of prison keys to a board of trustees, composed of five members nominated by the society and two by the government, occurred in May 1960. The trustees were charged a nominal rent of one penny rent per annum to extend for a period of five years at which point it was envisaged that the restored prison would be permanently transferred to the trustees' custodial care.
Commencing with a workforce of sixty volunteers in May 1960, the society set about clearing the overgrown vegetation, trees, fallen masonry and bird droppings from the site. By 1962 the symbolically important prison yard where the leaders of the 1916 Rising were executed had been cleared of rubble and weeds and the restoration of the Victorian section of the prison was nearing completion. It opened to the public on 10 April 1966. The final restoration of the site was completed in 1971 when Kilmainham Gaol chapel was re-opened to the public having been reroofed and re-floored and with its altar reconstructed. The Magill family acted as residential caretakers, in particular, Joe Magill who worked on the restoration of the gaol from the start until the Gaol was handed over to the Office of Public works.
It now houses a museum on the history of Irish nationalism and offers guided tours of the building. An art gallery on the top floor exhibits paintings, sculptures and jewellery of prisoners incarcerated in prisons all over contemporary Ireland.
Kilmainham Gaol is one of the biggest unoccupied prisons in Europe. Now empty of prisoners, it is filled with history.
In 2013, Kilmainham courthouse located beside the prison, which had remained in operation as a seat of the Dublin District court until 2008 was handed over to the OPW for refurbishment as part of a broader redevelopment of the Gaol and the surrounding Kilmainham Plaza in advance of the 100th anniversary of the 1916 Rising. The courthouse opened in 2015 as the attached visitor's centre for the Gaol.
En raison des attaques BRUTALES et SANGLANTES exécutés à Paris dans les dernières heures, je décide de supprimer le TITRE, la MUSIQUE, et le TEXT précédent de cette image.
Mon PLUS FORTE et ABSOLUE condamnation de ce nouvel acte de l'HORREUR et de la BARBARIE. Et mon profonde et plus sincère ESTIME et RESPECT pour toutes les victimes, leurs familles et amis, et pour tous le Peuple Français.
Alors que je suis écrivant ces lignes, Paris est encore sous le feu et la méchanceté de ceux qui ne connaissent pas la langue plus que la VIOLENCE et la TERREUR.
Nous sommes tous Paris, nous sommes tous La France.
Debido a los BRUTALES y SANGRIENTOS atentados llevados a cabo en París en las últimas horas, he decidido eliminar el TITULO, la MÚSICA y el TEXTO anterior de esta imagen.
Mi más ENÉRGICA y ABSOLUTA condena ante esta nueva muestra de HORROR y BARBARIE. Y mi más profundo y sincero RESPECTO para todas las víctimas, sus familias y amigos, y para todo el Pueblo Francés.
Mientras escribo estas líneas, París sigue bajo el fuego y la maldad de aquellos que no conocen más lenguaje que la VIOLENCIA y el TERROR.
Todos somos París, todos somos Francia.
Due to the BRUTAL and BLOODY attacks carried out in Paris in the last few hours, I decided to delete the TITLE, MUSIC and previous TEXT of this image.
My most STRONGEST and ABSOLUTE condemnation of this new act of HORROR and BARBARISM. And my deepest and most sincere RESPECT to the victims, their families and friends, and for all the French People.
As I write these lines, Paris is yet under the fire and the wickedness of those who do not know more language than the VIOLENCE and TERROR.
We are all Paris, we are all France.
Ibises are a group of long-legged wading birds in the family Threskiornithidae, that inhabit wetlands, forests and plains. Ibises usually feed as a group, probing mud for food items, usually crustaceans. It is widespread across much of Australia. It has a predominantly white plumage with a bare, black head, long down curved bill and black legs. They are monogamous and highly territorial while nesting and feeding. Most nest in trees, often with spoonbills or herons. Due to its increasing presence in the urban environment and its habit of rummaging in garbage, the species has acquired a variety of colloquial names such as tip turkey; and bin chicken, and in recent years has become an icon of popular culture, being regarded with passion, wit, and, in equal measure, affection and disgust. 41601
Besseggen is Norway’s most frequently executed mountain hike with over 30,000 visitors completing the hike annually.
Most hikers prefer to take the boat from Gjendesheim to Memurubu, and then do the return trip on foot. The hike normally takes 5 to 7 hours. There is a rather steep incline on the way up from Memurubu during the first hour, before the terrain gradually levels off and you descend towards the «strip» between the lakes of Bessvatn (1374 masl) and Gjende (984 masl).
Many visitors choose to take a little rest here and enjoy the view of the dark blue Bessvatn Lake and the emerald green Lake Gjende before proceeding along the actual ridge. There is a roughly 400 metre drop straight down to Lake Gjende in this area.
Other platforms:
PLEASE COMMENT IF YOU FAVE!
Little story:
I saw the funko of this guy in a target, and honestly he just looked so cool. I don't think he's going to be in any The Last Jedi sets, so I made him myself.
First Order Executioner-
The base is a regular first Order storm trooper with tons of additions.
The legs have a bunch of additional details. Arms are sculpted and have etape cause I wasn't painting a straight line.
The helmet is modded a bit, and yeah that's pretty much it.
The staff is made of a rod and chain parts.
And that's it!
Thanks!
-Boss