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“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Since 2009, Daniel Kerkhoff, from Minneapolis, Minnesota, U.S.A., has been creating his own artist-in-residencies in communities in Ghana, Ecuador, and Vietnam.
Embedding himself in a community, he develops multiple connections through creating art (installations), writing poetic journals, making art with children, curating exhibitions, working with artists, assisting art libraries and community libraries, documenting walks and the community, and just being a part of everyday life.
Along with painting, collage, art installations, photography, and writing, his art practice involves connecting, sharing, and weaving people and places.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Assisting and creating libraries is part of my art practice.
During my art residencies, I continue to bring books and materials, art work, maps, magazines and journals, CDs, DVDs, and photos to the community centers in Adugyama, Ashanti Region Ghana and Sisid-anejo, Cañar, Ecuador. I also give a variety of art books, journals, and materials to fellow artists and art spaces.
In Accra, Ghana, I bring art books and magazines to The Nubuke Foundation and The Center for Contemporary Art, Ghana. In Cuenca, Ecuador, I'm connected to In-Arte Contemporáneo and bring art magazines and information. In Hanoi, I have provided various art publications and books to Cuci Fine Art, Chay Art, and Chaap Collective.
I bring art publications, art work, and music created by friends and colleagues of mine. I document their work in these different communities, creating another form of connection and awareness.
I consider this a weaving project, a form of sharing that can have many on-going effects. –Daniel Kerkhoff, www.danielkerkhoff.com
“Playing Catch, Giving and Receiving”
You are invited to play catch with my prints. Two dimensional prints that hang on the wall are transformed into three dimensional balls, a form of sculpture that is also performance and participatory.
Playing catch is a common past time that's relaxing and connecting. It is an act of giving (throwing) and receiving (catching) involving a ball, and, in this case, prints transformed into a ball (sculpture).
Instead of viewing the stationary print on a wall or a sculpture on the floor, it is viewed moving through time and space, dependent on the participants and their actions.
It is visual, transformative, therapeutic, sharing, interactive, and connecting, simple and playful actions of giving and receiving.
--Daniel Kerkhoff, www.danielkerkhoff.com
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”
“Walking the Path, Prints on Prints”
You are invited to walk on my prints, using them as a path.
It’s another way of experiencing art like a stepping stone meditation,
a different awareness may take place on an intentional walk, slower,
deliberate, a winding pathway, your prints touching these prints.
You become, in a way, the performer, the participant, the collaborator,
your soles connecting and becoming a part of these prints, adding steps,
humbling, engaging, liberating, creating another connection.
The title of this series is: "Paper Trail, A4 (All Over the Place)" from "The Quiet and Ugly Artist (Hanoi, 1965-2015)". These prints are collages made from my daily life in Hanoi -- collections of receipts, maps, brochures, business cards, food wrappers and waste.
They are my journal, a record of my consumption and daily activities, stamped with symbols that reflect my connection with Hanoi. They are painted over,
fragments remain revealed, information becomes cloudy, is lost and buried, like memory and history.
I created these collages during my artist-in-residency in Hanoi from
February 6, 2015 to October 26, 2015.
Walking is an important part of my art residencies. I document a familiar route in the community I’m living in by walking slowly, taking photos, and picking up “treasures”.
--Daniel Kerkhoff, www.danielkerkhoff.com
This was an HP supercell embedded in a line of storms late evening on May 28 in northwest Texas. The structure was more pronounced in the leadup to this shot (as we were moving toward it in low light), but some of the striated characteristics are still visible here. The storm was pretty outflow dominant but showed a period of spiked rotation near sunset -- deep in the rain core and not something we wanted to venture into.
via
RFID Readers And Blockers
RFID readers or Radio frequency identification readers in full are a marvel of the 21st century. They have made so many aspects of our daily lives easier, more convenient and smarter. If you have come across an RFID reader, you are probably asking how do they work? Well, with some little bit of physics knowledge and a little braid power, I will give you an answer to your question and satisfy your curiosity.
Understanding RFID Readers
To better understand RFID readers, let’s first take a look into the technology itself. RFID uses radio waves to detect RFID tags or microchips that are often embedded in the target item. Radio waves are a form of electromagnetic waves along the electromagnetic spectrum. They have the longest wavelengths compared to other waves in the spectrum. Their wavelengths can reach 1km and thus very useful for transmitting signals over long distances. They will often be used to transmit signals for broadcasting stations, radar, satellites and mobile radio communication. They also have minimal or no effect to human beings and are therefore safe.
How do they work? RFID readers continually send a radio signal to detect any RFID tag that may be present. If a tag is within the range of the reader, then the tag send back a signal that is picked up by the reader. You could picture this occurrence as a mirror reflecting light. If you switch on a flashlight and a mirror is placed on the path of the beam of light, it will reflect the light beam back to the flashlight. This obviously depends on the angle of the mirror, but the important thing here, is the fact that the light beam is reflected. An important thing to note here is the fact that unlike bar codes, RFID readers send a signal within a given area. If a tag is within the area, it will reflect a signal back to the reader. Bar code readers on the other hand require the bar code to be in line with the incoming beam of light from the reader. Due to the wide area covered by the reader, it is possible to tract multiple objects at the same time as long as they fall within the given area and range.
As you have probably realized by now, the RFID technology requires two major items. A reader and a tag. RFID tags a small chips that to most people, make things smart. They make it possible to get information about an object without getting into contact with it. The RFID tag may look something similar to the chip on your credit card or sim card. They are classified into three. Passive tags. These tags do not have their own energy source. They therefore rely on energy from the incoming radio wave in order to power themselves and give back a signal to be picked up by the receiver. Semi-passive tags. These do have their own power source. These power is primarily used to power the tag and its micro CPU. The power from the radio receiver is however used to power the output from the tag that is picked up by the receiver. Active Tag. They have their own power supply that is also used to transmit a signal to the receiver. They also have a wider range compared to the other two tag variants. The tags could be embedded in a credit card, a label or even a key chain. This enables use of the tags in almost any item you can think of. This is perhaps the main reason why they are widely used in shopping malls, with door fixed RFID receivers placed at the exits of the different shops.
Women's RFID Blocking Wallet
The RFID tag has several basic components: The transponder, the rectifier circuit, the controller and finally memory. The transponder receives the radio signal from the detector and also sends the signal back to the detector. The rectifier circuit, often found in a passive tag, stores energy for use in the controller and subsequently the memory. Most RFID tags have every little memory storage that is often less than 200kb.
Now let take an in depth look into the RFID readers themselves. RFID readers have three basic components; the Microcontroller, the RF signal generator and the receiver also known as the signal detector. As we mentioned earlier, the RFID radio receiver sends radio waved that are detected by a tag. The RF signal generator creates this radio wave and emits it through an antenna. Conversely the receiver receives the signal from the tag.
Once the tag sends back the radio signal, the receiver’s antenna picks up the signal and sends it to the microprocessor for interpretation and processing of the signal received. In other instances, the device may be connected directly to a computer which then acts as the microprocessor. As mentioned earlier. Radio waves are within the electromagnetic spectrum, which is basically and arrangement of different waves, according to their frequency and wavelengths.
The frequencies of most RFID systems may either be low frequency, high frequency and ultra-high frequency. Low frequencies operate between 125 and 134 kHz, they also travel shorter distances, and with a range of up to 10 cm. High frequency is at 13.56 kHz. At this frequency, the wave can travel up to a range of 1m. Ultra-high frequency on the other hand, operate between 860 and 960 kHz. They have a range of up to 10m. The frequencies used depend on the specific country or customer requirements.
How do RFID blockers work?With the knowledge on how RFID technology works there are people who are have raised concerns. There are concerns that the technology presents a security and privacy risk, especially when used on credit cards. Companies have created products that protect tags from the technology and here is a how it works.
How Do RFID Blockers Work?
RFID Blocking Wallet
How do RFID blockers work? RFID blockers work by reducing or deflecting the power of the signal
emitted by the tag. The received radio signal powers the chip and if the outgoing signal from the chip can be reduced, then the reception of the signal by the receiver will have been prevented.
With this wonderful new technology being used to supply information quicker and faster in forms of say credit cards this is giving crooks an easier foot hold in getting a hold of your personal information instead of “picking your pocket.” With the new technology crooks are able to just casually pass by you on the street and with a small scanning device and scan your pocket with you having no possible idea that your information was just violated. Causing you big headaches and a long road of recovering your personal information.
As a way to save people from this headache and to offer protection to the public RFID blocking wallets are becoming the new go to protection for most. Most companies have made this a standard in their wallets.
www.womensdefenseproducts.com/2019/01/rfid-readers-and-bl...
If ever in the Baltimore, MD area, this place is an ABSOLUTE must-experience (if for no other reason than the gift shop) ~ embedded in the outer wall cement we discovered glass, plates, bottles, Henrika's china pattern, mini-statuettes of three presidents (Adams, Kennedy, and um, that other one), and an irridescent bauble I insisted should be some sort of good luck talisman to be rubbed by passers-by. Hoping to start the trend, I rubbed it extra-hard.
Read more about this on my blog: www.Lubsy1.blogspot.com
These are my moulds ready with all their bits and pieces ready to have resin poured in.
Olympus OM-D E-M5 with Panasonic Lumix 20mm F1.7 II ASPH
The Fuji Neopan 1600 film emulation in VSCO Film 02 is really nice. I normally don't care much for B&W photos, but sometimes the color isn't what you're looking for.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Since 2009, Daniel Kerkhoff, from Minneapolis, Minnesota, U.S.A., has been creating his own artist-in-residencies in communities in Ghana, Ecuador, and Vietnam.
Embedding himself in a community, he develops multiple connections through creating art (installations), writing poetic journals, making art with children, curating exhibitions, working with artists, assisting art libraries and community libraries, documenting walks and the community, and just being a part of everyday life.
Along with painting, collage, art installations, photography, and writing, his art practice involves connecting, sharing, and weaving people and places.
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”.
Assisting and creating libraries is part of my art practice.
During my art residencies, I continue to bring books and materials, art work, maps, magazines and journals, CDs, DVDs, and photos to the community centers in Adugyama, Ashanti Region Ghana and Sisid-anejo, Cañar, Ecuador. I also give a variety of art books, journals, and materials to fellow artists and art spaces.
In Accra, Ghana, I bring art books and magazines to The Nubuke Foundation and The Center for Contemporary Art, Ghana. In Cuenca, Ecuador, I'm connected to In-Arte Contemporáneo and bring art magazines and information. In Hanoi, I have provided various art publications and books to Cuci Fine Art, Chay Art, and Chaap Collective.
I bring art publications, art work, and music created by friends and colleagues of mine. I document their work in these different communities, creating another form of connection and awareness.
I consider this a weaving project, a form of sharing that can have many on-going effects. –Daniel Kerkhoff, www.danielkerkhoff.com
“Playing Catch, Giving and Receiving”
You are invited to play catch with my prints. Two dimensional prints that hang on the wall are transformed into three dimensional balls, a form of sculpture that is also performance and participatory.
Playing catch is a common past time that's relaxing and connecting. It is an act of giving (throwing) and receiving (catching) involving a ball, and, in this case, prints transformed into a ball (sculpture).
Instead of viewing the stationary print on a wall or a sculpture on the floor, it is viewed moving through time and space, dependent on the participants and their actions.
It is visual, transformative, therapeutic, sharing, interactive, and connecting, simple and playful actions of giving and receiving.
--Daniel Kerkhoff, www.danielkerkhoff.com
“The Insignificant is Significant”, A Library and Art Installation, a continuation of the series, “The Quiet and Ugly Artist (Hanoi, 1965-2015)”
“Walking the Path, Prints on Prints”
You are invited to walk on my prints, using them as a path.
It’s another way of experiencing art like a stepping stone meditation,
a different awareness may take place on an intentional walk, slower,
deliberate, a winding pathway, your prints touching these prints.
You become, in a way, the performer, the participant, the collaborator,
your soles connecting and becoming a part of these prints, adding steps,
humbling, engaging, liberating, creating another connection.
The title of this series is: "Paper Trail, A4 (All Over the Place)" from "The Quiet and Ugly Artist (Hanoi, 1965-2015)". These prints are collages made from my daily life in Hanoi -- collections of receipts, maps, brochures, business cards, food wrappers and waste.
They are my journal, a record of my consumption and daily activities, stamped with symbols that reflect my connection with Hanoi. They are painted over,
fragments remain revealed, information becomes cloudy, is lost and buried, like memory and history.
I created these collages during my artist-in-residency in Hanoi from
February 6, 2015 to October 26, 2015.
Walking is an important part of my art residencies. I document a familiar route in the community I’m living in by walking slowly, taking photos, and picking up “treasures”.
--Daniel Kerkhoff, www.danielkerkhoff.com
Klick Link For Read Online Or Download Prototype: Design and Craft in the 21st Century Book : bit.ly/2eHAjD1
Feature
*
Design in the 21st century has become increasingly more embedded in a complex system of disciplines (software and digital design, graphic design, architecture, construction, medical practices, business design and management, technology, graphic design, product design, etc.) and as a result, the intricacies of designing a product have increased. How can NASA test products for alien environments on Earth? How can a designer successfully test a digital program for a space that is not tangible? It is these problems that this collection responds to, allowing the reader to understand the significance of the prototype in modern design, and how designers must use this process to predict the potential future of their product. Prototype enables design students and professionals to explore the significance of the prototype and its influence and bearing on the futu
One of 200 hens from a small egg farm. The farmer used a metal leg band for identification purposes. As the hens grew, the leg band did not. The farmer will not be using these again.
The hens are part of Animal Place's Rescue Ranch program in which farmed animals come to the sanctuary, are rehabilitated, and then placed into new homes.
After treatment, these hens will go onto new, loving homes.
One of 200 hens from a small egg farm. The farmer used a metal leg band for identification purposes. As the hens grew, the leg band did not. The farmer will not be using these again.
The hens are part of Animal Place's Rescue Ranch program in which farmed animals come to the sanctuary, are rehabilitated, and then placed into new homes.
After treatment, these hens will go onto new, loving homes.
This is a photograph from the second annual Kilcock Kilomarathon 2013 which was held at Kilcock, Co. Kildare, Ireland on Sunday 6th October at 11:00. This event follows on from the very successful inaugural event last year. The event today also included a 6KM Fun Run and Walk. There was also a specially organised officially recognised marathon which allowed competitors to complete the 6KM course seven times for the marathon distance. The main event was the kilomarathon which is approximately 26.3 kilometers (a little over 16 miles). The race started and ended in Kilcock GAA club and took a left turn route out to Newtown, then Donadea The Range, Tirmoghan, and returning back via the Clane Road Roundabout to Kilcock GAA. There was a slight change to last year's route which brought the race out on the Kilcock AC 5KM Road Race route for 1km. This is a tough challenging course which brings runners up the locally famous 'Newtown Hill' (see Google Street View goo.gl/maps/VbHUo) and across by Donadea Forest. There was stewarts position at every junction point in the race.
Event Management and Electronic Timing were provided by Precision Timing (www.precisiontiming.net/result/racetimer)
This is part of a larger set of photographs - www.flickr.com/photos/peterm7/sets/72157636226639405/
The chosen charity was Autism Ireland (www.autismireland.ie/)
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary
Participants: There was about 200 participants between the Kilomarathon and the 6KM Race.
Weather: This was a relatively dry day with very light showers at times. The temperatures were a little higher than one would expect for early October with temperatures around 16C. There was a light breeze.
Course: The entire route does not actually bring the race into Kilcock town at all as the race never actually crosses the railway or Royal Canal both which run through the town slighly south-easterly towards Dublin. Leaving Kilcock GAA the race route follows country roads westerly until the course passes Knockanally Golf and Country Club. The direction then turns south until it turns again at Donadea Forest park brings the race back in a north-easterly direction towards Kilock. The course was very well marshalled with marshals at every junction. There was also a very significant Garda presence at major road crossings and junctions.
Location Map: Start, Finish, and Race Headquarters at Kilcock GAA (Google Streetview) goo.gl/maps/5OBnR
Refreshments: There was a very impressive array of refreshments provided for participants afterwards in Kilcock GAA. There were showers and changing rooms also provided.
Some Useful Links
Our Flickr Photoset collection from the Kilcock Kilomarathon 2012 Race: www.flickr.com/photos/peterm7/sets/72157631657985343/
Garmin Connect Trace of the Kilomarathon Route: connect.garmin.com/activity/228428193
Kilcock Kilomarathon 2013 Discussion on Boards.ie www.boards.ie/vbulletin/showthread.php?t=2057011285
Kilcock Kilomarathon 2012 Discussion on Boards.ie www.boards.ie/vbulletin/showthread.php?t=2056756231
A graph of the elevation profile of the 2013 route is shown in this graphic: www.kilcockgaa.com/wp-content/uploads/2013/09/route-eleva...
Kilcock GAA Club Facebook Page: www.facebook.com/kilcockgaa (requires Facebook logon)
Read about Kilcock on Wikipedia en.wikipedia.org/wiki/Kilcock
View information about the Charity Autism Ireland www.autismireland.ie/
Can I use these photographs directly from Flickr on my social media account?
Yes - of course you can. Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile device will also offer you several different options for sharing this photo page on your social media outlets.
How can I get full resolution copies of these photographs?
To prevent missue of these photographs there is a watermark embedded into the images. All of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution without the watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images without the watermark: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland. Friends of St. Lukes is one of the nominated charities for the event www.friendsofstlukes.ie/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
this caught my eye as i left the vampires' office (routine bloods for annual physical- TMI?). the lovely blue artifact is a shiny sparkly piece of plastic/glass which has been so long in the parking lot that it has melted into the tar. NO points for collecting this trash since it would need a knife or small pry bar; so...... we'll count it as parking lot art.
hey, tar is sticky stuff. i'm gonna make this a 2-fer :)
macromonday-- sticky stuff
This is my first posted photo employing the use of my 580EX. I have recently fount it to be exceptionally useful as a fill flash for macro shots.
The Canon 100mm macro lense has a USM motor, which means when it's used on the 20D, it can return distance information (for use with the flash). Sometimes I wonder if that flash isn't smarter than the camera and I combined...it's almost hard to take a bad picture with it.
See photoblog for wallpaper.
One of 200 hens from a small egg farm. The farmer used a metal leg band for identification purposes. As the hens grew, the leg band did not. The farmer will not be using these again.
The hens are part of Animal Place's Rescue Ranch program in which farmed animals come to the sanctuary, are rehabilitated, and then placed into new homes.
After treatment, these hens will go onto new, loving homes.
A few images from the projects done in the course 02320 "Digital Systems" from the Technical University of Denmark in June 2016
Secrétaire d'Etat à la blague nulle - powered by Issuu
1. J’ai fait 5 lessives ce week-end.
2. J'écoute France Inter le matin. En plus, abonné à Télérama. J’ai peur que ça connote.
3. J’ai acheté le NewYorker . Et Vanty Fair aussi, parce qu’il y a des photos d’Annie Leibowitz, Cate Blanchett en couverture.
4. Mon premier reflex était un zenith acheté par mon père sur un bateau russe, sur le port de Rouen. Il a été très vite inutilisable.
5. En 1e, j'étais bêtement amoureux de ma prof d’anglais. Il m’en est resté un fort penchant pour les femmes à lunettes et aux cheveux raides.
6. Je lis souvent une ou plusieurs pages de mon encyclopédie du rock qui date quand même de 1999. ça m’aide à m’endormir.
7. J’ai longtemps pensé qu’il était important que mes enfants aient une bonne éducation musicale. Aujourd’hui, mon fils m’emprunte les derniers PJ.Harvey ou Portishead pour écouter pendant qu’il se douche. Ma fille me demande ou j’ai bien pu ranger Wonderwall de Oasis. Je m’inquiète. En fait non, pas tellement.
8. Il me reste 5 rouleaux 36 poses de Konica-Minolta vx200, ramenées de Roumanie par un passeur. Même si la date de péremption se rapproche, je veux pas me précipiter. J’ai peur de mal les employer.
9. Une fois, j'ai fait semblant d'accrocher au rap, c'est quand j'ai demandé un autographe à Joy Sorman, sur son livre 'Du bruit'. Je l'ai pas lu.
10. A suivre les tuyaux du Spa, je me suis mis à écouter du jazz éthiopien. D’abord Mulatu Astatke sur la b.o. de Life Aquatic. Puis Getatchew Mekuria & the Ex, et enfin Mohamed Jimmy Mohamed. ça inquiète mes proches.
11. J'ai pas grand-chose à raconter. Alors j’ai dû beaucoup m’inspirer des 16 trucs du Spa, comme trame.
12. Je me suis un peu démis l’épaule gauche au ski, ça s’est jamais bien remis ; C’était pourtant il y a neuf ans. Depuis, je n’ai jamais refait de ski.
13. Dans dix mois, ça fera dix ans que je bosse pour le même employeur et 20 ans que je bosse dans le même groupe. Dans deux ans et sept mois, ça fera 30 ans que je travaille.
14. C’est en dernière année de mes guère brillantes et courtes études en informatique que les profs m’ont dit que j’étais l’exemple type de l’erreur d’orientation. J’ai eu la faiblesse de croire que, pour eux, c’était en quelque sorte un compliment.
15. C'est quand la retraite.
16. Je conduis la voiture de ma femme. Elle ne fait pas de bruit.
Je refile le bébé à personne parce que j’ai personne à qui le refiler. Mais c’est parce que je l’ai bien cherché.
Sophie and Nathan Gumenick chapel
137 NE 19th Street
Miami, Florida
1969
Architect: Kenneth Treister
Glass: Benoît D. Gilsoul
I first saw this in 1992 and it was painted gray. I refered to it as the rotting pachyderm do to it's obvios resemblance to a dead elephant having been picked apart by lions and vultures.
There are two names embeded in brass witin the hammered glass windows. They read. "Gilsoul Created" and "Dupre Executed".
Shot with Pentax K-1000 with a Tamron SP f/3.5-4.2 28-80mm on Kodak 800 vc-2. Scanned with Nikon Coolscan V ED. edited with Corel Photopaint.