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En la fotografia: Àngels i la zona cremada del terme de Malet a Simat de la Valldigna on tot és gris i sec.
EMBED. El moment final del foc, quan sols queda el carbó.
.....
Àngels y la zona quemada de Simat de la Valldigna donde todo es gris y seco.
EMBED. El momento final del fuego, cuando solo queda el carbón.
[Alby]
PT&P designed and manufactured two 240" x 12" x 1/2" Embed Plates with 3/4" diameter weld-stud projections to be used in a concrete reinforcement application. All components are fabricated out of carbon steel with a hot-dipped galvanized finish. The plates were shaped to form a 45" x 90" frame prior to shipment. The frames were braced with 2" x 2" x 1/4" angles to ensure the frame maintained its structural shape prior to installation.
Copyright © John G. Lidstone, all rights reserved.
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VIA VIPRO VP7710 is a Fan-less, slim, embedded panel PC system that is ideal for a range of applications, from state-of-the-art information terminals, to computing platform for POI, multimedia and medical applications. The VIA VIPRO VP7710 is an revolutionary touch panel LCD with industry leading passive thermal cooling in a single, streamlined chassis that is mountable in a wide variety of places, including on a wall, a panel, within a kiosk stand or on the back of a vehicle seat.
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Today's HA blog post had a great technique by Jennifer... using white ink on a silhouette stamp on Kraft card. I thought I'd give it a go.... but don't have a good white ink... I only have a dew drop pad of Brilliance and it didn't cover very well... but I decided to go ahead and colour the bluebells then decided to try and embedded emboss on it. Okay.... but not one of my best!
PT&P designed and manufactured two 240" x 12" x 1/2" Embed Plates with 3/4" diameter weld-stud projections to be used in a concrete reinforcement application. All components are fabricated out of carbon steel with a hot-dipped galvanized finish. The plates were shaped to form a 45" x 90" frame prior to shipment. The frames were braced with 2" x 2" x 1/4" angles to ensure the frame maintained its structural shape prior to installation.
Is Yahoo! just goofing around or is this unfinished copy? It works in its own way.If you are clicking on the embed link, you most likely know where you are going to place it.
The great comedian Sid Caesar does not endorse the following method of improving at foreign languages.
I teach English in Japan, lately with I like to think increasing success, and I speak & write Japanese. My trick for learning foreign languages is....
The Sid Caesar method: If you learn to impersonate languages, no matter how badly, you will also learn how to speak them. Please give this time, and try the experiment.
Gradually it seemed to me that the biggest difficulty with learning a foreign language is not making meaning but the fear of the lack of it.
What do I mean?! The story goes like this.
When I learnt to speak Japanese after studying it for about 4 years I also found myself able to speak and read French. I had never been good at French at school, but something in my head, my psychological attitude to language had changed. I am not saying I am good at French but suddenly I had no problem with blabbing in my bad French. For a long time I did not work out what had changed.
Then two things happened:
1) I came across some research by Steven Heine, extending "terror management theory" arguing that there is not thing more scary than the absence of meaning. You can download his paper here Page on Psych
2) I came across some comedians that "impersonate languages" such as the late great Sid Caesar, and I thought "That's it. That is what changed."
Here is Sid Caesar impersonating French and other languages.
When I was young I had a black friend who (though he is as English as I am) when treated with prejudice in a public place used to reply in his impersonation of an African language. At the time even the thought of impersonating a language filled me with dread. But now I hardly break into a sweat. I am not as good as Sid Caesar in the above video but speaking in gobbledygook no longer hurts. I will append my video at the end.
Many people (especially in Japan) think that foreign languages are very difficult, and that you need to know a lot of grammar and vocabulary. At the same time, many native speakers (especially children) use a small vocabulary and the grammar they use could be written on a postcard. In other words the intellectual, structural, and factual information required of being able to speak like a child in a foreign language is the sort of thing you can learn in a couple of days.
This fact has been known in the language teaching community for some time, and leads to an emphasis upon "acquisition" of language through practice, rather than learning of language (e.g. rote memorisation of grammar and vocab).
But even using Krashen or other acquisition / communication centred techniques, progress is slow. What is the reason for this? One reason is that practice is required, just as it is required in another other skill, such as tennis. You don't become a good tennis player just by learning tennis theory.
But there is another aspect that is peculiar to language. To an extent we live in language, we narrative our selves in it, and when the language lacks meaning it results in a loss of self that is almost as scary as death (see Heine's research above). When we go to speak a foreign language, and let roll with a sentence that may well be all wrong, and may meet with a complete lack of comprehension, we enter that world of unmeaning and experience something akin to death. And this is terrifying.
However, of course, we do not die and we gradually learn not to be scared.
There is quicker route. If you practice impersonating languages, such as by watching a YouTube video of an Italian interview and then practice speaking in fake Italian mimicry (like Sid Caesar above) then you can, gradually, overcome this fear of flying into unmeaning. I am not saying that you will suddenly become a polyglot, but it will make foreign languages easier.
At the least you will become aware of one of the biggest, I would say the biggest, obstacles to foreign language proficiency.
The experiment.
1) Time yourself for a minute. Try and say as much as you can in the foreign language of you are trying to learn.
2) Then watch a video on YouTube of a language that you know nothing about and try impersonating that language for one minute. Do not worry about the quality of your impersonation, just try and make various word like sounds. (You can find some Chinese by searching for "發明" or some Italian, I think, by searching for "intervista")
In which case did you make more sound? I am guessing that you made more sounds in case (1) even though you had to use correct grammar, correct vocabulary. In case (2) you could have made any old noise.
In other words, it is not the words, the meaning, the grammar that is difficult, but the un-meaning that is the biggest, terrifying obstacle to foreign language acquisition.
If you can already "do a Sid Caesar" then I predict you will be quick at learning foreign languages or already can speak one.
Here is me impersonating Chinese. It is not good and makes me cringe a bit still but in times past the mere thought was quite beyond the pale (i.e. s*** scary). Here is a link to my video of me Impersonating Three Languages.
Image of Sid Caesar in 1959 above adapted from this image which is apparently in the public domain
Addendum (Big Mistake)
"My head" is inside my narrative and field of view, not the other way around! This is a very important point and the danger of the scientific worldview. The scientific world is a product of our narration as even some scientists a vow (Wheeler, Mach). Our head is also something we see in our field of view in mirrors, or our nose and brow directly. Our perceptions (including of our whispers) are not inside "me" or my body. To think so would be double death.
2016 Weekly Alphabet Challenge, week 5, E for Embedded
We were in Houston, Texas this week and I've been on the lookout for something embedded all week.I did find several things but in the end I chose this one, captured at George Bush Intercontinental Airport yesterday on our way back to Europe. What could be more Texan than a rodeo bull paired with the Texas flag. The bull is half 3D, coming out of the wall, by the way I think the cactus was real!
"The Quiet and Ugly Artist (Hanoi, 1965-2015)", An art installation by Daniel Kerkhoff at Chaap Art, 82 Đê Quai Street, Tây Hồ District, Hanoi. October 3rd to October 11th,, 2015. Opening reception, October 3rd, 6-9pm.
An installation based on Daniel Kerkhoff's self-imposed artist-in-residency in Hanoi from February 6th to October 26th. It is part of a larger project which includes residencies in Ghana and Ecuador. Embedded in a community for just under nine months, the human gestation period, premature, a gradual, a creative process,
an exploration, noticing, weaving, sharing, and witnessing, connection, disconnection, a journal, found sculptures, painting, photographs, videos, documenting, collections, keepsakes, collages, receipts and brochures, maps, business cards and consumer packaging, consumed and consuming, souvenirs,
walking, discovering, travel, a paper trail, colonize, appropriate, trophies, convoluted, cover-ups, muddy, history, memory, remnants, experience, lost, absorbed, traces, vague, melding, a buried presence, fading, rotting, germinating, misunderstanding, forgotten, pollination, rejuvenation, impermanence, transformation.
Daniel Kerkhoff is a visual artist from Minneapolis, Minnesota, U.S.A. You can see photos of his projects in Vietnam, Ghana, Ecuador, and other places at www.danielkerkhoff.com.
Prints will be available for 500,000 VND or $25.00 with all proceeds going to future exhibition costs at Chaap Art for emerging women artists.
The exhibition will be open everyday from 10 am to 4 pm. Chaap Art is located at No. 82 Đê Quai, Lane 310, Nghi Tàm Street, Tây Hồ District, Hanoi. Directions: From Nghi Tàm Street, follow Lane 310 all the way to the end where it turns left onto Đê Quai Street. Go about 500 meters on Đê Quai Street and Chaap Art will be on your left.
Phone number: 0987757769 - 0985836023
Chaap Art is an art space founded by a group of artists in 2009 with the purpose of supporting contemporary art activities and exhibitions in Hanoi. Our slogan is: "Cứ tự nhiên".
Translate in to Vietnamese:
"The Quiet and Ugly artist ( Hanoi,1965 - 2015 )" - " Nghệ sĩ Trầm lặng và Xấu xí (Hanoi, 1965 - 2015)
Từ ngày 3/10 đến 11/10
Mở cửa đón khách 3/10/2015 từ 18h đến 21h
Triển lãm sắp đặt dựa trên quá trình tự lưu trú của nghệ sĩ Daniel Kerkhoff's tại Hà Nội từ ngày 6/2 đến ngày 26/10. Đây là một phần của dự án lớn hơn bao gồm cả những chương trình lưu trú của nghệ sĩ tại Ghana và Ecuador. Hòa chung với cộng đồng chỉ chưa tới chín tháng , thời kì thai nghén của một con người, sinh non, một quá trình sáng tạo dần,
một sự khai phá, lưu tâm, đan kết, chia sẻ, chứng kiến, kết nối, tách biệt, viết nhật kí, tìm ra những tác phẩm điêu khắc, tranh vẽ, ảnh, video, tài liệu, thu thập, lưu giữ, cắt dán, hóa đơn, tờ rơi,bản đồ, danh thiếp, giấy đóng gói hàng, đã tiêu thụ và đang tiêu thụ, đồ lưu niệm,
đi bộ, khám phá, du lịch, những giấy tờ, dấu ấn, riêng biệt, danh hiệu, cuộn lại, che phủ, màu sắc mờ đục, lịch sử, kí ức, tàn tích, kinh nghiệm, thất lạc, cảm thụ, dấu vết, mơ hồ, tan chảy, chôn vùi hiện diện, phai màu, mục nát, nảy mầm, sự hiểu lầm, bị lãng quên, thụ phấn, trẻ hóa, vô thường, biến đổi.
Daniel Kerkhoff là một nghệ sĩ thị giác đến từ Minneapolis, Minnesota, Mỹ. Các bạn có thể xem những hinhg ảnh về dự án của ông ở Việt Nam, Ghana, Ecuador và một số nơi khác ở website: www.danielkerkhoff.com.
Những bản in có sẵn với giá 500.000 đồng hoặc $25,00. Tất cả tiền thu lại sẽ dành để làm chi phí cho triển lãm trong tương lai cho các nữ nghệ sĩ tại Chaap Art.
Triển lãm mở cửa trong 8 ngày từ 10h sáng đến 16h chiều tại Chaap Art - Số 82 Đê Quai - ngõ 310 - Đường Nghi Tàm - Quận Tây Hồ- HN
Điện thoại : 0987757769 - 0985836023
Chaap Art là một không gian nghệ thuật được sáng lập bởi một nhóm nghệ sĩ từ năm 2009 nhằm mục đích hỗ trợ các hoạt động và triển lãm sáng tạo nghệ thuật đương đại tại Hà Nội. Tiêu chí của chúng tôi trong sáng tác nghệ thuật là " Cứ tự nhiên"
chipKIT Pro MX4 : Embedded Systems Trainer Board
The chipKIT™ Pro MX4 is a microcontroller development board based on the Microchip® PIC32MX460F512L, a member of the 32-bit PIC32 microcontroller family. It is compatible with Digilent's line of Pmods, and is suitable for use with the Microchip MPLAB® IDE tools. The chipKIT Pro MX4 is also compatible for use with the chipKIT MPIDE development environment.
The chipKIT Pro MX4 provides 74 I/O pins that support a number of peripheral functions, such as USB controller, UART, SPI, and I2C ports as well as five pulse-width modulated outputs and five external interrupt inputs. Fifteen of the I/O pins can be used as analog inputs in addition to their use as digital inputs and outputs.
store.digilentinc.com/chipkit-pro-mx4-embedded-systems-tr...
PmodWiFi: WiFi Interface 802.11g
The PmodWiFi provides Wi-Fi access through the Microchip® MRF24WG0MA Wi-Fi™ radio transceiver module. Users can communicate with the IEEE 802.11g compliant chip through SPI and achieve data rates up to 54 Mbps.
One of 200 hens from a small egg farm. The farmer used a metal leg band for identification purposes. As the hens grew, the leg band did not. The farmer will not be using these again.
The hens are part of Animal Place's Rescue Ranch program in which farmed animals come to the sanctuary, are rehabilitated, and then placed into new homes.
After treatment, these hens will go onto new, loving homes.