View allAll Photos Tagged Embeded
173 Airborne Brigade US Army - Provincia di Kunar Marzo 2008 - 173 Airborne Brigade US Army - Provincia di Kunar Marzo 2008 - Kunar Province March 2008
June 10, 2021 - Demolition of the Lazarus (Macy's) Department Store which was built in 1970. Located at 3180 Kingsdale Center, Upper Arlington, Ohio.
"The Lazarus Department Store was founded in downtown Columbus in 1851. This structure is a good example of the suburban Lazarus store design of the mid-20th century. The entrance is emphasized by three ground-to-roof bays of pebble-embedded rock defined by New Formalism style white pilasters and arches. Designed using the same glazed multi-colored blue bricks as the Lazarus Eastland and Northland stores, these materials were selected “not only for their handsome color and sparkle, but for their durability and quality of never needing cleaning.” The design was influenced by Raymond Loewy, considered the father of industrial design, who had a decades-long working relationship with Robert Lazarus." Previous text from the following website: www.columbuslandmarks.org/former-lazarus-kingsdale/
AFI Los Angeles screening and reception of
PEACE AFTER MARRIAGE
"Creative Promise Award" @ Tribeca Film Festival 2011
April 3, 2011
Nicolai Froehlich
Unterweg 81 Postfach 626
Bülach 8180
Switzerland
646-408-8137
nicolai@happynick.com
Faruk Özerten
Hostage International
“Peace After Marriage”
41 Schermerhorn Street, Suite 197
Brooklyn NY 11201
323-963-3243
Photographer Nicolai Froehlich owns the copyright to the still photography created on March 31st 2011 at the screening of “Peace After Marriage” at the American Film Institute in Los Angeles, and grants the Client “Peace After Marriage” film production / Hostage International an exclusive usage license for marketing, production, and promotional purposes across all media types, worldwide, for an unlimited time.
Terms & Conditions
[1] Definition: "Image(s)" means all visual representations furnished to Client by Photographer, whether captured, delivered, or stored in photographic, magnetic, optical, electronic, or any other media. Unless otherwise specified on the front of this document, Photographer may deliver, and Client agrees to accept, Images encoded in an industry-standard data format that Photographer may select, at a resolution that Photographer determines will be suitable to the subject matter of each Image and the reproduction technology and uses for which the Image is licensed. It is Client's responsibility to verify that the digital data (including color profile, if provided) are suitable for image
reproduction of the expected quality and color accuracy, and that all necessary steps are taken to ensure correct reproduction. If the data are not deemed suitable, Photographer's sole obligation will be to replace or repair the data, but in no event will Photographer be liable for poor reproduction quality, delays, or consequential damages. Unless otherwise specifically provided elsewhere in this document, Photographer has no obligation to retain or archive any of the Images after they have been delivered to Client. Client is responsible for sending an authorized representative to the assignment or for having an authorized representative review the images remotely during the assignment. If no review is made during the assignment, Client is obligated to accept Photographer's judgment as to the acceptability of the Images.
[2] Rights: All Images and rights relating to them, including copyright and ownership rights in the media in which the Images are stored, remain the sole and exclusive property of Photographer. Unless otherwise specifically provided elsewhere in this document, any grant of rights is limited to a term of one (1) year from the date hereof and to usage in print (conventional non-electronic and non-digital) media in North America.
Unless otherwise specifically provided elsewhere in this document, no image licensed for use on a cover of a publication may be used for promotional or advertising purposes without the express permission of Photographer and the payment of additional fees.
No rights are transferred to Client unless and until Photographer has received payment in full. The parties agree that any usage of any Image without the prior permission of Photographer will be invoiced at three times Photographer's customary fee for such usage. Client agrees to provide Photographer with three copies of each published use of each Image not later than 60 days after the date of first publication of each use. If any Image is being published only in an electronic medium, Client agrees to Provide Photographer with an electronic tearsheet, such as a PDF facsimile or URL of the published use of each such photograph, within fifteen (15) days after the date of first publication of each use. Unless otherwise specifically provided elsewhere in this document, all usage rights are limited to print media, and no digital usages of any kind are permitted. This prohibition includes any rights or privileges that may be claimed under §201(c) of the Copyright Act of 1976 or any similar provision of any applicable law.
Digital files may contain copyright and other information embedded in the header of the image file or elsewhere; removing and/or altering such information is strictly prohibited and constitutes violation of the Copyright Act.
All fees and expenses payable under this agreement are required irrespective of whether Client makes actual use of the Images or the licenses to use them. Unless specifically provided elsewhere in this document, no reprographic, reprint, republication or other secondary reproduction usages may be made, and usage rights are granted only for one-time, English language North American editorial print editions of the publication listed on the front of this document and six month searchable archive use on the website of that publication.
[3] Return and Removal of Images: Client assumes insurer's liability (a) to indemnify Photographer for loss, damage, or misuse of any Images, and (b) to return all Images prepaid and fully insured, safe and undamaged. Unless the right to archive Images has been specifically granted by Photographer on the front of this document, Client agrees to remove and return or destroy all digital copies of all Images. All Images shall be returned, and all digital files created by or on behalf of Client containing any Images shall be delivered to Photographer, deleted or destroyed, within thirty (30) days after the later of: (1) the final licensed use as provided in this document, and (2) if not used, within thirty (30) days after the date of the expiration of the license. Failure to return Images on time will result in loss to Photographer due to his resulting inability to license such Images. Client therefore agrees to pay a holding fee of five dollars and fifty cents ($5.50) per day for each image from the return date until the day on which the Images are actually received by Photographer. Client assumes full liability for its principals, employees, agents, affiliates, successors, and assigns (including without limitation independent contractors, messengers, and freelance researchers) for any loss, damage, delay in returning or deleting, failure to return, or misuse of the Images.
[4] Loss or Damage:
Reimbursement for loss or damage of each digital file shall be in the amount of Two Hundred Dollars ($200). Photographer and Client agree that said amount represents the fair and reasonable cost of the time and materials required to replace each item. Client understands that its acceptance of the stipulated value of the Images is a material consideration in Photographer's acceptance of the terms and prices in this agreement.
[5] Photo Credit: All published usages of Images will be accompanied by written credit to Photographer or copyright notice as specified on the reverse side. If no placement of a credit or copyright notice is specified on the reverse side, no credit or notice is required. If a credit is required but not actually provided, Client agrees that the amount of the invoiced fee will be subject to a three-times multiple as reasonable compensation to Photographer for the lost value of the credit line.
[6] Alterations:
Client may make or permit any alterations, including but not limited to additions, subtractions, or adaptations in respect of the Images alone or with any other material, including making digital scans, subject to the provisions as stated in [7] below.
[7] Indemnification: Client will indemnify and defend Photographer against all claims, liability, damages, costs, and expenses, including reasonable legal fees and expenses, arising out of the creation or any use of any Images or arising out of use of or relating to any materials furnished by Client. Unless delivered to Client by Photographer, no model or property release exists, and it is Client's responsibility to obtain the necessary permissions for usages that require any model or property releases not delivered by Photographer. It is Client's sole responsibility to determine whether any model or property releases delivered by Photographer are suitable for Client's purposes. Photographer's liability for all claims shall not exceed in any event the total amount paid under this invoice.
[8] Assumption of Risk: Client assumes full risk of loss or damage to or arising from materials furnished by Client and warrants that said materials are adequately insured against such loss, damage, or liability.
[9] Transfer and Assignment: Client may not assign or transfer this agreement or any rights granted under it. This agreement binds Client and inures to the benefit of Photographer, as well as their respective principals, employees, agents, and affiliates, heirs, legal representatives, successors, and assigns. Client and its principals, employees, agents, and affiliates are jointly and severally liable for the performance of all payments and other obligations hereunder. No amendment or waiver of any terms is binding unless set forth in writing and signed by the parties. However, the invoice may reflect, and Client is bound by, Client's oral authorizations for additional Images, fees and expenses that could not be confirmed in writing because of insufficient time or other practical considerations. This agreement incorporates by reference the Copyright Act of 1976, as amended. It also incorporates by reference those provisions of Article 2 of the Uniform Commercial Code that do not conflict with any specific provisions of this agreement; to the extent that any provision of this agreement may be in direct, indirect, or partial conflict with any provision of the Uniform Commercial Code, the terms of this agreement shall prevail. To the maximum extent permitted by law, the parties intend that this agreement shall not be governed by or subject to the UCITA of any state. Photographer is an independent contractor and not an employee. If photographer is deemed under any law to be an employee of Client, and if the Images are therefore considered works made for hire under the U.S. Copyright Act, Client hereby transfers the copyright to all such Images to Photographer. Client agrees to execute any documents reasonably requested by Photographer to accomplish, expedite or implement such transfer.
[10] Disputes: Except as provided in [11] below, any dispute regarding this agreement shall, at Photographer's sole discretion, either:
(1) be arbitrated in Bülach (Zurich), 8180, Switzerland, under rules of the American Arbitration Association and the laws of Switzerland, provided, however, that irrespective of any specific provision in the rules of the American Arbitration Association, the parties are not required to use the services of arbitrators participating in the American Arbitration Association or to pay the arbitrators in accordance with the fee schedules specified in those rules. Judgment on the arbitration award may be entered in any court having jurisdiction. Any dispute involving $5,000 or less may be submitted without arbitration to any court having jurisdiction thereof.
OR
(2) be adjudicated in Bülach (Zurich), 8180, Switzerland under the laws of the United States and/or of Switzerland.
(3) In the event of a dispute, Client shall pay all court costs, Photographer's reasonable legal fees, and expenses, and legal interest on any award or judgment in favor of Photographer.
[11] Federal Jurisdiction: Client hereby expressly consents to the jurisdiction of the Federal courts with respect to claims by Photographer under the Copyright Act of 1976, as amended, including subsidiary and related claims.
[12] Overtime: In the event a shoot extends beyond eight (8) consecutive hours, Photographer may charge for such excess time of assistants and freelance staff at the rate of 11/2 times their hourly rates.
[13] Reshoots: Client will be charged 100 percent fee and expenses for any reshoot required by Client. For any reshoot required because of any reason outside the control of Client, specifically including but not limited to acts of God, nature, war, terrorism, civil disturbance or the fault of a third party, Photographer will charge no additional fee, and Client will pay all expenses.
If Photographer charges for special contingency insurance and is paid in full for the shoot, Client will not be charged for any expenses covered by insurance. A list of exclusions from such insurance will be provided on request.
[14] Assignment Cancellations and Postponements: Cancellations: Client is responsible for payment of all expenses incurred up to the time of cancellation of the assignment, plus 50 percent of Photographer's fee; however, if notice of cancellation is given less than two (2) business days before the shoot date, Client will be charged 100 percent fee. Postponements: Unless otherwise agreed in writing, Client will be charged a 100 percent fee if postponement of the assignment occurs after photographer has departed for location, and 50 percent fee if postponement occurs before departure to location. Fees for cancellations and postponements will apply irrespective of the reasons for them, specifically including but not limited to weather conditions, acts of God, nature, war, terrorism, civil disturbance, and the fault of a third party.
"A thing of Beauty is a joy for ever"- John Keats
Gilded necklace with semi-precious stones imbedded in it for display and sales in an exhibition held in Madurai
recently.
Sedona Faux Red Rock pendant; Roadrunner with prickly pear cactus and dragonfly. Made from polymer clay with a bit or real Sedona red rock embedded in the matrix.
At 35x's magnification the elements of images found embedded within the quartz based cement fragment in the previous photo indicates two block type individuals in the lower half of this image field. The image on the right has a large angular nose taking on a masculine narrative. The image on the right has features smaller and more feminine bearing the symbol of the pyramidal triangle paired with the line of three symbols represented directly in front of the individual's luminescent face.
The individual on the right is bearing a helmet shaped headdress with a stream of light emitting from the helmet that transforms into the image of a blue figure most likely representing humanity with a pregnant belly. This is quite a profound image that was found embedded within an ancient quartz cement fragment that was pulled out of the ground less than two weeks ago; North America, culture unknown. Many questions and very few answers.
Notice in the background behind the figure on the right hovers a beaked ochre figure appearing to merge with the figure on the left as it transforms into a cloud-like image of light creating the blue human figure above, and producing an echo of blue figures rising into the sky/field above.
4rth Infantry Division U.S. Army - River Pech Valley, Kunar Province September 2009 - Quarta divisione di fanteria dell'Esercito Americano, valle del fiume Pech Provincia di Kunar - Settembre 2009
Participants at the World Economic Forum - Annual Meeting of the New Champions in Tianjin, People's Republic of China 2016. Copyright by World Economic Forum / Jakob Polacsek
qwikLoadr™ Videos...
Gov't Mule | Soulshine Live! • YouTube™
Joss Stone | Coco Mademoiselle The Film! • YouTube™
www.flickr.com/groups/LiteDance/pool/show/ • Slideshow
www.flickr.com/groups/WizardofAwes/pool/show/ • Slideshow
_______________________________________________
This is for the Fix My Pic Please group, from an amazing original by fabalotrios titled, sol y sombra.
Here is a link for more images using the Light Effect:
www.flickr.com/photos/tags/LightEffect/interesting/
and a link for more images using the Magnetic Lasso Tool:
www.flickr.com/photos/tags/lesson2Cexample/Interesting/
Tutorials - flickr.com • Fix My Pic Please Teach Me :)
www.flickr.com/photos/tags/DCMemorialFoundation/Intereest...
4rth Infantry Division U.S. Army - River Pech Valley, Kunar Province September 2009 - Quarta divisione di fanteria dell'Esercito Americano, valle del fiume Pech Provincia di Kunar - Settembre 2009
4rth Infantry Division U.S. Army - River Pech Valley, Kunar Province September 2009 - Quarta divisione di fanteria dell'Esercito Americano, valle del fiume Pech Provincia di Kunar - Settembre 2009
This is a curious micro image embedded within the porcelain/green glass artifact reviewed many times in this series; comparing this sky-boat micro-image( 35x's magnification) with the previous skyboat cement-relief macro image is remarkably similar, and the matter of learning how to read and compare these images is the real challenge.
The pair of celestial spheres visible in the lower left quadrant may actually be visible in the previous stone; the pair existing within the ochre pigment region in the lower quadrant of the previous stone.
This micro image field needs to be divided into at least three levels. The first and lowest level of images is separated by the linear line of luminescent images defined by line of segmented micro-images with a dispersing line of luminescent images leading to the line of two, possible three, celestial images in the lower left quadrant.
The middle tier is defined by the elongated sky-boat similar in style to ancient Egyptian, Greek, and Phoenician boat styles used in our ancient waterways. Perhaps the key to reading these celestial navigation diagrams is following the astrolabe pointer directional arrows to compare this celestial diagram with the previous celestial diagram. They are actually quite similar; it is more a matter of understanding the different technologies required to complete each diagram; and considering the fact that two different hands may have been responsible for the creation each celestial diagram producing the same narrative diagram.
The contrasting upper region of this micro image field actually portrays an amazing similarity to the celestial bodies found in the previous stone. The artistry using metallic nano particles of gold and various metal based pigments produce amazing luminescence of an incredibly micro scale, not visible with the naked eye of modern man; only viewable with modern digital magnifying digital photography. The technologies capable of this ancient culture is extremely humbling compared to the limitations still existing within our modern world.
The narrative of this micro image field indicates a sky-boat having the ability to travel to all three levels of our celestial Galaxy, and perhaps this image field and artifact helps explain the physical geographic differences that this ancient culture has experienced throughout time when traveling from tier to tier within our Galaxy's celestial realm??? I will continue to study these curious images embedded within this porcelain based green glass artifact; North America, culture unknown.
Cutting Edge Software for Embedded Systems
An embedded system is a special purpose computer system designed to perform one or a few dedicated tasks rather than be a general-purpose computer for multiple tasks. It is generally embedded as part of a device.
Embedded systems are becoming more and more important in today's world as they control almost all of the communication, computing, display and any other electronic device that we can think of. Embedded systems span across all aspects of modern life whether it be education, entertainment, communication or science. Embedded systems are dedicated to specific tasks, so embedded design engineers need to optimize it, reducing the size and cost of the product, and increasing the reliability and performance.
Embedded systems range from portable devices such as digital watches and music players, to large devices and machineries like factory controllers and giant display boards that we see on airports.
Most of the consumer electronic items like personal digital assistants (PDAs), music players, mobile phones, gaming consoles, digital cameras, and DVD players use embedded systems. Many household appliances, such as microwave ovens, washing machines and dishwashers, too include embedded systems to provide efficiency and ease of use.
Embedded systems range from no user interface at all - dedicated only to one task - to full user interfaces similar to desktop operating systems in devices such as PDAs and mobile phones. If you have used any of the modern electronic devices then you must be familiar with the rich graphic displays that guide you or let you choose various options to control the operation of the device. The rich graphic display that you see is known as the Graphical User Interface or GUI of the device. The ease of use of a device depends on how good the interface is.
Designing a user friendly and enticing graphical interface is a difficult task knowing the implicit complexities associated with embedded application development. Because of this complexity in designing the user interface of the embedded devices, embedded application designers and developers feel the need of software for embedded systems that let them build rich interfaces quickly.
For more info please log on to : www.ssla.co.uk/