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Desolation is the framework for human ignorance that is rampant even in pandemic times.
The human being is the real pandemic ?!
Day shot 8/4/2020
This is a single shot of a long gallery you can find here : www.flickr.com/photos/188559759@N08/
Thank you so much for posing, Phoebe!
Her primfeed: www.primfeed.com/phoebe669.resident/gallery
Taken at Isola SIrena -Sunkissed Cove Beach: maps.secondlife.com/secondlife/Perfect%20Fantasy/23/159/65
Song: Loose ends: youtu.be/Cunh5tei4Dg?si=wO5fHGfcIdGdlAs3
This is an inland lake we camped at last week. The day was grey but it made for better light in trying to capture this flowing water. Studies show that moving water gives off negative ions which is very therapeutic for our health and well being when we are near it. This effect definitely put me in a good mood.
Starting today, Jan 14. All Items below can be found and the new Ouh Lala Event
Backdrop
*ZEROICHI* Kiss Me Alley Backdrop
Comes in open and closed modes. Open mode means that the lights are on and it gives a nice effect.
You can buy mod or copy versions.
Body Tattoo
CIN// 210.B.INK.V2 "Analog Heat"
Exclusive to this Ouh Lala Event.
Unisex BOM. Can also be purchased in a full color version called "Studio Riot"
Ear Tattoo
CIN// 210.E.INK.V2
Exclusive to this Ouh Lala Event.
Swallow OR Lelutka Ear versions.
Can also be purchased in a full color version.
Exclusive to this Ouh Lala Event.
Cropped and then used Adobe photoshop beta cosmos 9 effect. Big thanks to John Lunt for suggesting I use this particular effect in this manner!*
“Butterfly effect”
[CREDITS]
Left : GENUS Project - Genus Classic W001 @Mainstore
Doux - Nansi Hairstyle @Mainstore
SCLT - Estrella Bodysuit Glitters Blue @Cakeday event
SCLT - Estrella Butterfly Wing L @Cakeday event
Right: GENUS Project - Genus Classic W001 @Mainstore
Foxy - Storm hairstyle vivid @Mainstore
SCLT - Estrella Bodysuit Glitters Blue @Cakeday event
SCLT - Estrella Butterfly Wing L @Cakeday event
Handheld from the bottom of a rushing creek. I went in thinking the shot would be perfect from up above on the bridge behind me but after some exploring...
It's the unintended shot that makes my day.
******Cheaper Camera but Super Effect****
Franka Solida III
6x6 Film using 35mm kits
Shot at ISO50, 1/2s,F2.9
Lens:
Schneider Kreuznach Radionar 80mm F2.9
Remjet Remove: Baking Soda + 1000ml 50C hot water
60 secs shaking +60 secs soak water
Develop：C41，41C 3:55Mins
Blix: 8mins 39C
Wash： 3:00 mins
Stabilizer: 1min
Flo： 1 min
Scan：Epson V800
© All Rights Reserved
The old mill continues its collapse. For decades, water had leaked through the roof in the area where this canyon formed, rotting away the thick wooden timbers that form the building's skeleton.
The somewhat newer mill to the left also has a leaky roof, but it is built of concrete and steel, and seems not to be in any danger of collapse.
Having gone back in the archive for some of my early digital images, this morning I decided to pull out a few film shots from even earlier years. Back in the 1980s, Michael Orton of Nanaimo, British Columbia, developed a technique for creating surreal, glowing images using slide film. It became widely known as Orton Imagery.
A quick explanation: you would make two shots of the same scene, (1) out of focus, wide aperture, one stop overexposed; and (2) in focus, your choice of aperture, 2 stops overexposed. Then sandwich the developed slide frames into the same mount and shoot a dupe (or have a lab do that); in later years you could create a scan. This is a scan of a dupe.
These days a similar effect can be obtained in Photoshop. Michael continues to push creative boundaries - from what I can see, he never was interested in making conventional photos.
I didn't come close to achieving the quality of his work, which you can find online via Google search. But I had fun with it. This shot ran as a 2-page spread in a feature article I wrote for Explore magazine in 2000.
Photographed at French Beach Provincial Park, Vancouver Island, BC (Canada). Don't use this image on websites, blogs, or other media without explicit permission ©1998 James R. Page - all rights reserved.