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A wood carving done in a NW Indian motif.

William Maxwell (1908-2000) was the fiction editor at The New Yorker from 1936-1975. The Heavenly Tenants (1946) is the first of two books Maxwell wrote for children. In it, when the Marvell family goes on vacation, the signs from the zodiac come down from the sky to look after their farm.

 

Ilonka Karasz (1896-1981) was an illustrator and designer whose work includes 187 covers for The New Yorker.

 

For more information on The Heavenly Tenants, see my blog post:

 

wetoowerechildren.blogspot.com/2010/06/william-maxwell-he...

 

All images are copyrighted © and owned by their respective holders.

Golden Cargo recebe prêmio de comunicação visual e pintura de frotas

 

Empresa foi reconhecida com o primeiro lugar na categoria “Rodoviário de Carga” em evento realizado pela OTM Editora, que comemorou seu Jubileu de Prata

 

A Golden Cargo, empresa especializada no gerenciamento e operação da cadeia logística de mercadorias especiais, como defensivos agrícolas e produtos químicos embalados, foi premiada, no dia 27 de novembro, durante o 44º Concurso de Comunicação Visual e Pintura de Frotas, realizado pela OTM Editora, na categoria “Rodoviário de Carga”.

 

A seleção das melhores empresas em cada uma das 3 categorias (Rodoviário de Carga, Metropolitano de Passageiros e Rodoviário de Passageiros) aconteceu no dia 31 de outubro e fizeram parte da comissão julgadora os profissionais Carlos Ferro, da Carlos Ferro Arquitetura e Design Ltda., Roberto Takara, da Neoband Soluções Gráficas e Marcelo Fontana, da OTM Editora.

 

Na escolha das empresas vencedoras foram analisadas a estética, originalidade, segurança, praticidade, identificação e promoção. Dentre as 13 companhias que concorreram na categoria “Rodoviário de Carga”, o projeto desenvolvido para a Golden Cargo pela Wopz Propaganda e Marketing, ficou em primeiro lugar.

 

Para Luiz Filho, sócio proprietário da Wopz, o prêmio fortalece ainda mais o trabalho e o posicionamento da agência que nasceu e tem seu foco no atendimento ao segmento de transportes, seja no aéreo, rodoviário, fluvial ou ferroviário.

 

“A preocupação com a identidade visual das nossas frotas sempre foi uma constante na empresa e ser reconhecido por isso é uma honra”, ressalta Mauri Mendes, diretor comercial da Golden Cargo.

 

Fonte: DFreire Comunicação

Tom Smith of Editors

Editors

  

Unaltrofestival Day 2

  

Circolo Magnolia Segrate Milan, Italy IT

  

02 september 2016

  

This image is copyright © Roberto Finizio. All right reserved. This photo must not be used under ANY circumstances without written consent.

 

for info and photos visit my website www.robertofinizio.it

 

Questa immagine è protetta da copyright © Roberto Finizio. Tutti i diritti sono riservati. L'immagine non deve essere utilizzata in nessun caso senza autorizzazione scritta dell'autore.

 

per info e materiale fotografico visita il mio sito www.robertofinizio.it

Wind generator and remains of old sugar windmill. Barbados

Paard van Troje, The Hague, Friday October 2nd 2015

Editors at London ICA.

11 July 2007

Model: Tatiana M

Boudoir Shoot

Photographer/Editor: Pedro Marenco​

Editors

Colos-Saal, Aschaffenburg - June 27, 2009

Live @ Sziget Festival 2016

El Plaza Condesa, D.F. México

14.10.11

 

www.editorsofficial.com/

 

The Great Patriotic War (Russian: Вели́кая Оте́чественная война́, romanized: Velikaja Otečestvennaja vojna) is a term used in Russia and some other former republics of the Soviet Union to describe the conflict fought during the period from 22 June 1941 to 9 May 1945 along the many fronts of the Eastern Front of World War II, primarily between the Soviet Union and Nazi Germany. For some legal purposes, this period may be extended to 11 May 1945 to include the end of the Prague offensive.

 

History

The term Patriotic War refers to the Russian resistance to the French invasion of Russia under Napoleon I, which became known as the Patriotic War of 1812. In Russian, the term отечественная война originally referred to a war on one's own territory (otechestvo means "the fatherland"), as opposed to a campaign abroad (заграничная война), and later was reinterpreted as a war for the fatherland, i.e. a defensive war for one's homeland. Sometimes the Patriotic War of 1812 was also referred to as the Great Patriotic War (Великая отечественная война); the phrase first appeared in 1844 and became popular on the eve of the centenary of the Patriotic War of 1812.

 

After 1914, the phrase was applied to World War I. It was the name of a special war-time appendix to the magazine Theater and Life (Театр и жизнь) in Saint Petersburg, and referred to the Eastern Front of World War I, where Russia fought against the German Empire and the Austro-Hungarian Empire. The phrases Second Patriotic War (Вторая отечественная война) and Great World Patriotic War (Великая всемирная отечественная война) were also used during World War I in Russia.

 

The term Great Patriotic War re-appeared in the official newspaper of the CPSU, Pravda, on 23 June 1941, just a day after Germany invaded the Soviet Union. It was found in the title of "The Great Patriotic War of the Soviet People" (Velikaya Otechestvennaya Voyna Sovetskogo Naroda), a long article by Yemelyan Yaroslavsky, a member of Pravda editors' collegium. The phrase was intended to motivate the population to defend the Soviet fatherland and to expel the invader, and a reference to the Patriotic War of 1812 was seen as a great morale booster. During the Soviet period, historians engaged in huge distortions to make history fit with Communist ideology, with Marshal Mikhail Kutuzov and Prince Pyotr Bagration transformed into peasant generals, Alexander I alternatively ignored or vilified, and the war becoming a massive "People's War" fought by the ordinary people of Russia with almost no involvement on the part of the government. The invasion by Germany was called the Great Patriotic War by the Soviet government to evoke comparisons with the victory by Tsar Alexander I over Napoleon's invading army.

 

The term Отечественная война (Patriotic War or Fatherland War) was officially recognized by establishment of the Order of the Patriotic War on 20 May 1942, awarded for heroic deeds.

 

The term is not generally used outside the former Soviet Union, and the closest term is the Eastern Front of World War II (1941–1945). Neither term covers the initial phase of World War II in Eastern Europe, during which the USSR, then still in a non-aggression pact with Germany, invaded eastern Poland (1939), the Baltic states (1940), Bessarabia and Northern Bukovina (1940) and Finland (1939–1940). The term also does not cover the Soviet–Japanese War (1945) nor the Battles of Khalkhin Gol (1939).

 

In Russia and some other post-Soviet countries, the term is given great significance; it is accepted as a representation of the most important part of World War II. Until 2014, Uzbekistan was the only nation in the Commonwealth of Independent States that had not recognized the term, referring to it as World War II on the state holiday - the Day of Remembrance and Honour.

Photo by Helen Williams

 

flickr.com/helenwilliams

 

musictotheeyes.co.uk

Editors e Cigarettes After Sex in concerto a Taranto per Medimex 2019, foto di Annita Fanizza per www.rockon.it

Burgundy & pearl Ford Country Sedan station wagon hot rod cruiser. Thunderbird 427 plaque on the front fender, forward of the wheel opening. Towing a restored 1967 Hallett Sprint speed boat.

 

50th I-X Piston Powered Cleveland Auto-Rama. If a piston makes it go it's in this Show • March 2016 • I-X Center at CLE-Hopkins International Airport. Cleveland northeast Ohio USA

 

Nikon D7100 & 18-70mm Nikkor • DxO OpticsPro > Photoshop Elements with one filter from Anthropics' Smart Photo Editor plugin plus Topaz Labs' Clean plugin.

 

115 photos of the 2016 Cleveland Auto-Rama are viewable at... www.flickr.com/photos/mathersteve/albums/72157663790884264/

Editor: John W. Campbell.

Publisher: Atlas Publishing.

Artist: Copy of Van Dongen original.

20 May 2019 - OECD Forum: Bridging Digital Divides. OECD Paris, France.

Moderator

Jason Karaian, Global Finance and Economics Editor, Quartz

 

Speakers

Chiara Condi, President and Founder, Led by Her

Guðrún Ágústa Guðmundsdóttir, General Secretary, ASI, Iceland

Enrique Medina, Chief Policy Officer, Telefónica S.A.

Federico Batista Poitier, Director of External Affairs and Partnerships, World Enabled

 

OECD Headquarters, Paris.

 

www.oecd.org/forum

 

Photo : Hubert Raguet / OECD

Editors in concerto all'Alcatraz di Milano, foto di Marco Arici per www.rockon.it

Photo by Helen Williams

 

flickr.com/helenwilliams

 

musictotheeyes.co.uk

Questo è uno degli editor standard di VMS. Sta visualizzando un file di comandi DCL, una command procedure (estensione .COM), quella che in un sistema Unix sarebbe uno script della shell.

 

1247b

Glanville Price (editor) - William, Count of Orange

Four Old French Epics

- The Crowning of Louis [Couronnement de Louis]

- The Waggon-Train [Charroi de Nîmes]

- The Capture of Orange [Prise d'Orange]

- The Song of William [Chanson de Guillaume]

Everyman's Library 1367, 1975

Cover design: Frankie Coventry

Photo by Helen Williams

 

flickr.com/helenwilliams

 

musictotheeyes.co.uk

I won't pretend to have taken any photos in Daytona this past week, as most of my contacts have figured out that I injured my back and couldn't fly, walk, swim or drive to Florida. However, Jim drove down ahead of my expected arrival, carrying the vast majority of my camera equipment with him. I must admit he did a fine job of capturing some great moments, as the family's Chief Photographer for the 2016 Speed Week at Daytona. Now, as Editor in Chief, I have the task of sorting, tagging and editing the multitude of photos he returned with. I will indeed, give full credit where due....he made me proud:)

Editors at Brixton Academy.

10 October 2007

Editors at Brixton Academy.

10 October 2007

Déjame

Enrrollárteme

Como tu bufanda favorita

Sólo por quince minutos

De este invierno

All rights reserved.No use without prior written permission.

3.11.2013 Köln, E-Werk

www.Soundmag.de

Dylan Dog / Heftreihe

I Giorni Dell'Incubo

Story: Tiziano Sclavi

Cover: Angelo Stano

Copyright: Sergio Bonelli Editore

(Milano/Italia; 1993)

ex libris MTP

www.comics.org/issue/55593/?

de.wikipedia.org/wiki/Dylan_Dog

Character: Psylocke

Costume by: Caroline Cosplay

Photographer: Mig Photography World

Editor: Ron Bird Art

Photo by Helen Williams

 

flickr.com/helenwilliams

 

musictotheeyes.co.uk

Editors at London Alexandra Palace.

6 March 2008

Mariette DiChristina, Editor-in-Chief, Scientific American, USA.during the Session: "Ethics and Values in 2030 " at the World Economic Forum, Annual Meeting of the Global Future Councils 2017. Copyright by World Economic Forum / Benedikt von Loebell

Fashion Editor - vintage Ken Fashion #0781 Sleeper Set, 1961 /

Allan - vintage Ken Fashion #1428 Breakfast At 7, 1969

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