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This is some detail of the feet and pedestal of my “Large Tumbling Block” table.
The 3 pictures show how the pattern goes over the edge and seems to change compared to the adjoining side. Opposite sides of the pedestal are the same, adjoining sides are different corresponding to the pattern going over the edge of the table from the top. It gives a different look to each foot on the table. The design does have a continuity going to the adjoining side of either the pedestal or edge of the table.
The pattern on table is the “Tumbling Block” quilt pattern. The table stands 30” tall and is 47 1/4” wide and 54 ½” long. There are almost 6000 pieces on the entire table. The pieces are used over the edge and onto the pedestal and feet of the table. The table is finished in its natural color with 6 or 8 coats of varnish. After the varnish hardens for at least a month, I level it and buff it to a high shine. The pieces are a bit over 3/16" thick, glued onto a Baltic Birch base, so they hold up much better than a thin veneer.
The pattern has the illusion of a lot of blocks but there are as many stars as there are blocks. The design forces you to see the blocks. On each diamond, if you go to the side you are in the middle of a block. At each point you are in the middle of a star that has 6 points.
The type of wood is listed on the bottom of the table usually from the center out but on this pattern all 3 kinds of wood are equally close to the center. On this table the light wood is “Ash”, the dark wood is “Walnut” and the other is “Oak”, all from Missouri.
I made this table in 2000 and got it finished in 2001. It is large table number 11. On the bottom I signed it, listed the wood, dated it and put the number of the table.
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Summer in the British Isles is a true study-travel program! The first 3 of its 5 weeks of are spent in northern England, at Edge Hill University in the small town of Ormskirk. Frequent excursions around scenic northern England enhance classroom work and provide you with a truly British experience. You will get to check out the Beatles’ hometown of Liverpool, as well as Manchester (as in Manchester United, one of the world’s most popular “football” team), both less than an hour from Ormskirk.
Then it’s off to bustling London for 5 days of sightseeing and exploration. Watch the changing of the guard at Buckingham Palace, take a ride on the London Eye for a spectacular view, see Big Ben and Abbey Road, and grab a friend to check out the hopping downtown music scene or one of the West End's many theaters. London’s diverse population is yet another reason why this one of the most exciting cities in the world.
Week 5 will be spent in Ireland. Tour the capital city of Dublin, Trinity College, Sligo, the Yeats Memorial Building, Galway, and the Aran Islands. Dublin is well-regarded for its residents’ hospitality, friendliness, and humor. Be sure to pick up some Gaelic, check out a Celtic music concert, kiss the Blarney Stone, visit the Irish coastline, hear traditional fiddle music at a pub, and see small-town Irish life.
So I took a trip out recently and it was the first trip in a while given the recent cloudy weather (Which should be no excuse). I had hoped to get to The Trinnacle and Raven Stones but the valley was much steeper and the river too wide and fast flowing at the bottom with all the recent rain to get across. I made do with this shot and will return soon to get to my intended destination by a slightly different route!
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_____________________
Avenida dos Andradas 2287, sala 1305, Floresta, esquina com Contorno, ponto de referência Frigorífico Perrella...
E fica a dois quarteirões do Boulevard Shopping
HORÁRIO DE FUNCIONAMENTO TERÇA A SEXTA DE 10H AS 20H. SÁBADO DE 10H AS 17H.
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_____________________
Avenida dos Andradas 2287, sala 1305, Floresta, esquina com Contorno, ponto de referência Frigorífico Perrella... E fica a dois quarteirões do Boulevard Shopping HORÁRIO DE FUNCIONAMENTO TERÇA A SEXTA DE 10H AS 20H. SÁBADO DE 10H AS 17H.
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Church of St. Stephan
Tower of the parish church
The parish church of St. Stephen's is a Roman Catholic church and is on the eastern edge of the old city core (parish court) of Baden in Lower Austria. The tower with the characteristic Baroque onion dome is visible from far away and still dominates the cityscape.
History
The Church of Baden belonged to the diocese of Passau for centuries. This long ties recalled that the parish church of the Holy Baden Is dedicated to Stephen, the patron saint of Passau. Bathing was originally a branch of the mother parish churches of Traiskirchen.
In 1220 a priest in Baden was first documented. What position he had - he might have been chaplain to the castle Baden - was not mentioned. As Traiskirchen with all its branches to the Melk Abbey, it was assumed it was in 1312 for separation of Baden. It has now an independent parish under the patronage of Melk. After prolonged disputes between the bishops of Passau and Melk the Abbey Melk in 1693 handed over the right of patronage to Passau. When the dwarf Diocese of Vienna was founded in 1469 was elevated to archbishopric in 1729 , it came to assign the previously belonging to Passau area south of Vienna, including Baden. 1784 Baden is finally sovereign's parish.
From the original parish area of Baden several new parishes were created: Sooß (from 1783 parish ), St. Christopher (St. Helena in 1783 raised as to the parish) and St. Joseph (1990 applicable to the parish). The parish is about 6,000 Catholics today with one of the largest parishes of the Deanery Baden. Besides the parish church, also belong to other churches and chapels of the parish pastoral area .
Appearance
The architectural history of the church in front of the building at the end of the 15th Century can only being guessed based on the remaining components. Mentioned in documents is only the existence of a charnel house (charnel house) in 1258. But have worked in Baden before that time priests and Baden castle certainly had a church or chapel, one can assume that towards the end of the 12th Century a church was located on the present site .
The immediate predecessor dates back to the Romanesque period. This church was probably a three-nave building with two low towers between which the chancel and apse were. Around 1400 began the construction of a Gothic chancel, including the lower church, which was built in the Romanesque apse and this eventually replaced. The nave of the church was in the second half of the 15th century erected, thereby including the Romanesque exterior walls. This period also saw the establishment of the main tower over the existing two Romanesque towers fall. This work - probably made necessary by a partial destruction of the church during the Hungarian invasion - had to be interrupted again and again in these troubled times. The main tower was not completed and finally covered with a gable roof. Only in 1697, after the tower was damaged in the wars against the Turks, put it on the appearance typical baroque onion dome. The most northern Vorturm (ante-tower) still existing remains of a "murder Gallery" reminiscent of the involvement of the Church in the defenses of the city. Around the year 1480, the Gotisierung (gothification) to have been completed. Puzzles are on the tower located in the west over the main entrance. The so-called "shot- tower" once towered far beyond the roof and, like the main tower was heavily damaged in the wars against the Turks. In 1827 it received its present appearance. It is believed that this tower was built in the Gothic period.
The 67 meter high tower, incidentally, is the so-called parament chamber and the watchman's apartment, on which until the 20th Century the sacristan lived. The belfry holds five bells. Of them survived the two world wars: the "Great Bell" (2000 kg tone: H) from 1832 and the " litany bell " (950 kg Sound: s) from in 1764. The other three bells were cast in 1949 : "Marie Bell" (sound : fis ) , the " Joseph Bell" (sound : gis) and the " Urbaniglocke " (sound : h).
Interior Design
View from the gallery
View of the nave
Paul Troger: Stoning of St. Stephen
Furnishings from the Romanesque and Gothic periods are scarce. From the Romanesque still can be found animal heads that are immured in the vaults of the central nave. The Gothic remember especially the baptismal font and several angels on the church walls and at the south gate. The period after 1480 to 1683 is marked by the Ottoman wars and the Reformation, where the Baden ministers eagerly have been engaged. Therefore receive only grave monuments from the Renaissance period, some of which are attached to the pillars of the Church. Noteworthy is a grave slab in the chapel for the Baden minister Joseph Vincent Bauernfeind († 1517).
The Turkish wars of 1529 and 1683 brought with it severe damage. So had to be replaced in addition to the placement of the tower bulb especially the interior of the church in the Baroque style. During the 18th Century was the formation of several side altars in the nave of the church at the beginning of each side of the ship, the Lady altar to the pulpit, the altar and the Sebastian Anthony altar. Joseph's Chapel was also the Baroque style. Where today stands the main altar, were erected an altar in honor of the Holy Cross, but in 1758 in the former sacristy below the North Tower (Chapel of the Cross) was added. At the same time was finished the construction of the present sacristy. Also worthnoting is that the Sebastian altar was donated to the plague year of 1713 the Baden citizenship as a reminder. This is attested to by a votive tablet, which now hangs above the output in the sacristy. In the chancel, the windows were bricked up almost entirely and set a Baroque high altar. The altarpiece depicting the stoning of St. Stephen painted the famous Baroque artist Paul Troger. In the sacristy the Baroque has left its mark: the altar in honor of St. Francis Xavier and the valuable baroque sacristy cabinet from 1743.
In 1880 began extensive Regotisierungsarbeiten (re-gothification work). 1893, the Baroque high altar was replaced by the current. Only the high altarpiece remained in the church and got its present location on the output with the vestry. The walled-up windows in the chancel were re-opened. Similarly, the neo-Gothic paneling and the choir was built. Even the altars in the aisles and the St. Joseph's Chapel and the Chapel of the Cross were again re-gothicised. Is painful that in this course the original Gothic console statues on the walls have been replaced be new-gothic ones. Only one has been preserved and is on display in Baden Schiestl-Hof. With the transformation of the side entrances ended 1913 gothicised parish church.
In the 70 years the great interior and exterior renovation of the church took place. There were several rooms grown during the installation of a district heating at the north gate. The interior renovation of the main altar and today's session was established. The neo-Gothic altars in the aisles were removed, and only the remaining altar statues. Also, the defective Baroque pews were replaced by new ones. In 1989, the altar of the Chapel of the Cross was eventually transferred to the parsonage, and there set up a chapel.
Organ
The Hencke-Organ
The organ of the parish church was originally built for the Dorotheerkirche in Vienna in 1787 and brought here. It is a work of the famous organ builder Johann Hencke from the year 1744.
During the renovation in 1987 (organ building Gerhard Hradetzky Oberbergen in Lower Austria) the original keys have been re-installed, on which have probably already played Mozart and Beethoven. The organ has 28 stops on two manuals and pedal.
Mozart, who had assisted in the performance of several of his shows in Baden St. Stephen was a friend of the former choir director Anton Stoll in 1791 and dedicated to him his famous Ave Verum K. 618, probably in June 23rd of 1791 was premiered in the parish church .
It is scheduled as follows:
I. Main
1 Principal 8 '
2 Octav 4 '
3 Quint 3 '
4 Super Octave 2 '
5 Mixture V 2 '
6 Cymbals III 1 '
7 Bordon 16 '
8 Forest T Fleten 8 '
9 Quintadena 8 '
10th Pointed Fleten 4 '
II positive
11th Gamba 8 '
12th Principal 4 '
13th Octav 2 '
14th Quinta 11/2 '
15th Mixture IV 11/2 '
16th Copel 8 '
17th Fleten covered 4 '
18th Sesquialtera II
19th Krum Horn ( B / D ) 8 '
pedal
20th Contrabass 16 '
21, Principal Bass 8 '
22, Octave 4 '
23, Mixture III 3 '
24th Octav Bass 8 '
25th Quinta 6 '
26th Great Posaun 16 '
27th Posaun Octav 8 '
Measurements [ Edit]
Length 55 m
Width 20 m
67 m tower
Challenge Friday #cf14
Theme: edge
Photo 3 of 3
This is the toe tap plate on my tap shoes. I hadn't realised how worn they'd become but fortunately you can buy replacements.
Pickering Castle is situated on the southern edge of the North York Moors on a limestone bluff which formerly overlooked the meeting point of two of the main highways through the north of England: the east-west route along the Vale of Pickering and the north-south route through Newton Dale to Malton. The monument consists of a single area which includes the site of the 11th century motte and bailey castle and the 13th century shell keep castle. The former was built by William the Conqueror either during or shortly after the 'harrying of the north' in 1069-70. It consisted of an earth motte crowned by a timber palisade, flanked on the north-west side by a crescent-shaped inner bailey and, on the south-east side, by a contemporary or slightly later outer bailey. The inner bailey measured c.120m by c.35m and was bounded to the north by a steep natural slope surmounted by a palisade and to the south by deep 15m wide ditches linked to the ditch encircling the motte. The outer bailey, which measured c.185m by c.25m, was protected on the north side by these same ditches and, on the south side, by a 5-8m high palisaded bank with an outer ditch. To the immediate east of the outer bailey ditch a further earthwork bank may have provided additional defence on this side; alternatively it may be part of a medieval defence system associated with the adjacent settlement. The motte is c.20m high and has a base diameter of c.60m. It is not yet clear whether this is the original 11th century motte or a later medieval reconstruction. In the latter case, the earlier motte will have been preserved inside the later while, in addition, the buried remains of a wide range of domestic and service buildings will survive within the open areas of the baileys.
The reconstruction of the castle in stone largely took place between 1180 and 1236. There were three main phases to the work at this time, the earliest involving the late 12th century replacement of the palisade round the inner bailey with a curtain wall and also the probable construction of the first shell keep on the motte. In its present form the shell keep dates to the early 13th century but the foundations of the earlier wall will survive underneath. The remains of the early curtain wall still stand round the inner bailey, surviving best where the curtain was incorporated into later buildings. The earliest buildings so far identified are the early or mid- 12th century Old Hall, a free-standing residence whose surviving foundations show it to have been half-timbered, and the Coleman Tower, constructed at the same time as the inner curtain and an integral part of it. The Coleman Tower guarded the entry across the inner bailey ditch and was also a prison; hence its earlier name, the King's Prison. It was square in plan and had its entrance on the first floor, the level underneath being where the prisoners were kept. On the east side are the remains of a small building and also a stairway leading onto an adjacent wall. This wall, built across the motte ditch in the late 12th century, replaced an earlier palisade and provided access to the summit of the motte. A similar and contemporary length survives on the opposite side of the motte, crossing the ditch and joining the curtain alongside the later Rosamund's Tower. The keep consisted of a rubble wall enclosing a roughly circular area 20m wide. A wall walk would have lined the inside of the wall above a series of garrison buildings. The foundations of some of these buildings survive but it is not certain whether they date to the 13th or the 14th century. In some cases they will have replaced earlier timber structures whose buried remains will also survive. Also of uncertain date are the foundations of a number of buildings in the inner bailey, including a service range to the south-west and a group of buildings referred to as the Constable's Place in the accounts of the years 1441-43. The latter were half-timbered and some sections predate the inner curtain though others were clearly added later. A survey of 1537 lists a number of distinct structures, including the Constable's hall, a kitchen, buttery and pantry, and quarters for staff and servants. At the southern end of the group were a number of storage buildings, one of which is believed to have been the wool house. Two additional service buildings lay adjacent to the Old Hall and are thought, originally, to have been contemporary with it. To the south of these is the chantry-chapel which dates from c.1227 and is still complete though in a much altered state.
To the west of this is the early 14th century New Hall, initially built as a residence for Countess Alice, wife of Earl Thomas of Lancaster. This was later used as a courthouse which gave rise to it being named King's Hall or Motte (moot) Hall in later surveys. It was a penticed or lean-to building of two storeys which utilised the inner curtain for its outer wall. The inner walls were timber-framed and, as much of the surviving stonework is late 12th or early 13th century, it clearly replaced an earlier building. The upper chamber or solar of the 14th century hall was an elaborate plastered room with a decorated fireplace. The last major programme of building dates to 1324-26 when Edward II ordered extensive works to be carried out which included replacing the whole of the timber palisade round the outer bailey with a stone wall. This outer curtain included three projecting towers, a gatehouse with a drawbridge over the outer ditch and a postern gate which led from the north-east arm of the inner bailey ditch, underneath Rosamund's Tower and out onto the rampart. A second gate and drawbridge, built at this time alongside the Coleman Tower, had fallen out of use by the 16th century and can now no longer be seen. The three projecting towers, named from north-east to south-west, Rosamund's Tower, Diate Hill Tower and Mill Tower, are all square in plan and all would have led out onto the wall-walk along the inside of the curtain though, in the case of the Mill Tower, the curtain to either side has not survived sufficiently well to demonstrate this. The ground-floor entrance to the Mill Tower consisted of two doors linked by a short passage, in which the first door opened inwards and the second outwards indicating that the tower was built as a prison, a role it took over from the Coleman Tower. North of the Mill Tower, the outer curtain crossed the inner bailey ditch which can also be seen outside the castle walls on the west and north sides. This section of the ditch was part of the original 11th century defences and was quarried out of the rock on which the castle was built.
A levelled area alongside the inner edge indicates that quarrying of the rock-face continued after the ditch was cut. The quarried stone would have gone towards the construction of at least some of the castle buildings. Aside from its strategic and administrative roles, Pickering Castle had two other functions: to guard and manage the large forest which lay adjacent and to provide a court and place of detention for those found guilty of offences against it, such as poaching, unauthorised clearance and the theft of timber. The forest was an extremely important economic resource during the Middle Ages and its particular importance at Pickering can be seen in the great use made of wood in the castle buildings and also, most significantly, its continuous use in the defences down to the 14th century. Also important to the castle economy during the 14th century was the sale of wool, and it also had responsibility for managing the royal stud created by Edward II in c.1322. Possibly the stables known to have been located against the outer curtain at this time, between the gatehouse and Diate Hill tower, were connected with this. According to the Domesday Book, in 1086 the manor of Pickering was held by the king, that is, William the Conqueror. The castle established at this time as part of the subjugation of the rebellious North remained in royal hands until 1267 when it was conferred with the title Earl of Lancaster on Edmund Crouchback, younger son of Henry III. Edmund's son Thomas succeeded to both title and estates in 1296 but was executed for treason by Edward II in 1322, whereupon his estates reverted to the king. Following the unsuccessful Scottish campaign of the same year, and the ensuing retaliatory attacks on the north of England by Robert the Bruce, Edward ordered the building works noted above, clearly intending to keep Pickering a royal castle. However, in 1326 his son Edward III confirmed Henry, the younger brother of Thomas, Earl of Lancaster, in his brother's titles and estates, and, in 1351, the castle became part of the Duchy of Lancaster when that title was created. Upon the elevation of the House of Lancaster to the throne in 1399, and in 1413, the succession of Henry V, the Duchy reverted to the Crown and Pickering became a royal castle once again. It has been in State care since 1926. A number of features within the protected area are excluded from the scheduling. These include the ticket office/sales point and its paved base and steps, all English Heritage fixtures and fittings such as bins, bridges, safety grilles, signs, railings and interpretation boards, the surfaces of all modern steps and paths inside and outside the castle walls, lighting and the modern walls and fences round the outside edge of the protected area but the ground beneath all these features is included.
EDGE TATTOO ESTÚDIO
Obrigado pelo apoio dos meus Amigos, clientes e as pessoas que gostam do meu trabalho, e obrigado pelos comentários também!
Te amo Me"Nynna" linda!
_____________________
Avenida dos Andradas 2287, sala 1305, Floresta, esquina com Contorno, ponto de referência Frigorífico Perrella...
E fica a dois quarteirões do Boulevard Shopping
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The Edge Dance Company Presents: Breaking Bounds 2019, a benefit for the Dizzy Feet Foundation.
Saturday, February 23, 2019. Tsai Performance Center.
Birchen Edge is a relatively small outcrop of Millstone Grit, close to the town of Baslow, in the Derbyshire Peak District. I was a “regular” there, in the seventies as it was known for its short, “less demanding” climbs. Looking, yesterday, at some of the routes that I did over fifty years ago, a lot of the holds appear significantly more “rounded” than I remember them. I guess the same could be said of me!
Father and son fishing at the Gulf's edge - looking for a better spot! Obviously the relationship between these two doesn't mimic that of the American humorist...
When I was a boy of fourteen my father was so ignorant I could hardly stand to have the old man around. But when I got to be twenty-one I was astonished at how much he had learned in seven years.
And for my own dad...If roses grow in heaven, then pick a bunch for me. Place them in my father's arms and tell him they're from me. Tell him that I love and miss him, and when he turns to smile, place a kiss upon his cheek and hold him for awhile. Miss you, JEC Happy Father's Day! 7th Ave N & Gulf of Mexico, Naples, FL