View allAll Photos Tagged EMULSIVE
Part of a series that details the decay of images in the Toul Sleng Genocide Museum in Phnom Penh, Cambodia. The museum exhibits hundreds of photographs of prisoners who were destroyed by the Khmer Rouge. Some of these images are made from damaged negatives; others photographs show more recent damage to the print emulsion. These effects heighten the already emotionally-charged images and provoke meditations on the association between death and photography.
Self-portait with Impossible film emulsion transfer, pencil, and the blood of my enemies. This is on display in the Science World Aurizon Atrium as part of Project Instant v3.0 until April 26th.
224. - The Internal or Long Saphenous Vein and its Branches.
Original photograph taken with a Polaroid SX-70 Alpha1 SE using Impossible Project Color SX70 instant film.
Emulsion transfer onto heavyweight matt laser print of a scan from Gray's Anatomy 1st edition reprint.
Polaroid Week | Spring 2016 | Day 6 | 1/2
IMPOSSIBLE PROJECT SILVER SHADE BLACK BORDER ORIGINAL
SELF PORTRAIT
MIRROR REFLECTION
EMULSION LIFT
MINOLTA INSTANT PRO
269. - Nerves of the Lower Extremity. Front View.
Original photograph taken by Polaroid SX70 Alpha1 SE using Polaroid Originals B&W SX70 instant film.
Emulsion transfer onto heavyweight matt laser print of a scan from Gray's Anatomy 1st edition reprint.
I had a moment of madness earlier in the year, and had a bit of a crisis about my Polaroids - mostly because whenever I exhibit my stuff is so tiny that it takes hundreds to fill a space...
This means that then they are overlooked, as there are hundreds and it's overwhelming. So I tried to think big, and I'm not good at thinking big these days after thinking small for so long... My very own Impossible Project.
After a failed attempt at a huge landscape shot on PX680, and tearing my hair out over it, I settled on trying to incorporate many of the things my photography is about into one piece.
I had a deadline- July 7th, when I had an exhibition scheduled.
So this was born...it's an A1 sized Polaroid emulsion lift montage/collage/mosaic, or whatever you want to call it!
Balfron Tower is a thing of beauty to me, though many would beg to differ. It was a rehearsal building for Goldfinger's Trellick Tower in North knesington. This monolithic structure was built in the 1960s and is now a listed building.
We drive past it often when heading to Emma's family. i always wonder what life must be like in one of London's few true high rise residential buildings, one that now overlooks the Olympic Park.
I am sure the social housing will soon be turfed out, and this building will be reconditioned and sold to bankers at premium prices due to its proximity to Canary Wharf, but until then, it's a housing project. It also plays host to a whole raft of artists, all equally inspired by its brutal elegance.
The rest of the piece was shot in Denmark, Hamburg, Whitehall, Whitstable (Kent), London's South Bank, Wales, Dungeness, London City Airport, the Barbican, and Buckingham Palace... and manybe a few more. It took me a couple of months of shooting and compositing. All I can say is that I'm relieved it's over!
Emulsion of dropped dark red peony petals, placed under a digital photo transparency and exposed to the sun for 9 days in Sept. 2021.
-
Shot on Fuji Superia Premium 400 at EI 400.
Color negative film in 35mm format film.
-
Read on at: emulsive.org/photography/35mm-format/cotton-candy-shot-on...
-
Filed under: #35mmformat, #Photography, #2018May, #35MmFormatFilm, #ColorNegativeFilm, #EI400, #EMULSIVEDailyPhoto, #Fuji, #FujiSuperia400Premium, #ISO400
#shootfilmbenice #filmphotography #believeinfilm
Happy 'RoidWeek!
Autumn Polaroid Week 2023 Day 1, Picture 1
My very first emulsion lift, which I did back in 2019 inspired by my very first Polaroid Week.
Polaroid SX-70 Alpha Model 2
Polaroid Originals B&W SX-70 Film
Emulsion lift on cereal box
210. -The Arteries of the Gluteal and Posterior Femoral Regions.
Original photograph taken by Polaroid SX70 Alpha1 SE using Polaroid Originals Color SX70 instant film.
Emulsion transfer onto heavyweight matt laser print of a scan from Gray's Anatomy 1st edition reprint.
Emulsion of pansy petals, placed under a digital photo transparency and exposed to the sun for 5 days in June 2021.
...just Balsamic vinegar suspended in Olive oil...with backlighting...
A mixture of two unmixable liquids...
A pic taken for Macro Mondays theme "Backlit" from 24.10.2016
Thanks for viewing, faving and commenting !
212. - The Popliteal, Posterior Tibial, and Peroneal Arteries.
Original photograph taken by Polaroid SX70 Alpha1 SE using Impossible Project B&W SX70 instant film.
Emulsion transfer onto heavyweight matt laser print of a scan from Gray's Anatomy 1st edition reprint.
Emulsion of fermented ginger/beet juice on Arches Platine. Exposed about 4 hours to bright sun. June 13, 2017.
Earlier this month I was motivated to play with anthotype, inspired by Batuda.
My first attempt.
Emulsion of daphne seed fruit, placed under digital photo transparencies and exposed to the sun for 8 days in Sept. 2021.
Foma Liquid emulsion on Washi paper. I mount this series on foamboard with small needles, trying to find the best presentation.
Another sunrise of the beautiful city of Pittsburgh Pennsylvania from Mount Washington Emulsion lift of Fp100c Polaroid 430 land camera I'm deeply saddened with the recent discontinuation of the Fuji's Fp100c pack film as many others are I'm sure. I do have a pretty large stash of this film refrigerated 20 some packs. I also have about 8 packs of the Fp3000b stashed away in the refrigerator. I'm still unsure what i may do with the film, I tend to be a bit of a pack rat no pun intended. I am very hopeful that New 55 or the impossible project will revive this film...
Looking east from the Art Museum.
(Pentax ME-Super with 50mm f/1.4 lens. LegacyPro 400 film @ISO640 developed in Diafine 3+3 at 21C.)
LP400_20110409_03_ME-Super
Emulsion lift of expired ID-UV onto a 600 blank Polaroid. Joshua Tree, CA.
Inspired by Miss Sol Exposure.
:)