View allAll Photos Tagged EMULSIVE
Contact print on Cass Art watercolour paper coated with handmade silver gelatin chloride 'Gaslight' emulsion.
This is probably the easiest silver gelatin emulsion to make. Distilled water, gelatin, silver nitrate, potassium chloride, vodka, wetting agent.
EMULSION LIFT OF DARKROOM PRINT
DARKROOM PRINT OF EXPIRED ORWO FILM (1975)
USED THE POLAROID DUPLICATOR TO PHOTOGRAPH THE DARKROOM PRINT AND THEN CREATED AN EMULSION LIFT USING IMPOSSIBLE PROJECT INTANT FILM
ORIGINAL IMAGE OF DARKROOM PRINT HERE www.flickr.com/photos/eva-flaskas/8544955646/in/album-721...
Impossible Project black & white film emulsion lift on canvas layered with Impossible Project color film transparency
polaroid week day 6
emulsion lift of green duochrome dino I shared earlier this week, layered on top of another polaroid. love that bold aqua! felt like the T-Rex was escaping it's containment.
This is an anthotype on dark peony emulsion. I was too naive that harsh Cretan Sun would bleach highlights in one week. Anthocyanins are really stable and tough pigments to work with.
Emulsion: crushed dark peony petals + water + ethanol
Paper: Herlitz watercolor, A4 size
Exposure: 1 week of Cretan Sun (100% sunny) + 2 weeks of Lithuanian Sun (mostly overcast), July-August
Scanner: CanoScan 9950f
1st day of spring and we have a few crocuses in our garden.
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Whoo Hooo!
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Texture is courtesy of Lenabem & the emulsion texture can be found here:
Gaslight emulsion on watercolour paper.
Distilled water, gelatin, potassium chloride, silver nitrate, wetting agent, vodka
Finally got around to spending some time working out the image corrections needed for printing on Polaroid B&W iType on the Polaroid Lab Printer.
Then spent some more time getting the lift process "perfected". The B&W film has a milky coating (which doesn't appear to come off) on what would be the top side which reduces contrast of the lifts. I "fixed" this by flipping my images before printing and mounting the lifts milky side down.
Very fresh prints and very hot water make the separation of Polaroid layers quite simple.
Washi W, emulsion on Japanese watercolor paper. Hasselblad Super Wide, Biogon 38mm f/4.
Shot at ISO 6 in bright sunlight.
reflectance scanning of paper negative.
Barnesville, Georgia
From the garden
Polaroid Week: Day 2 - 1
Mixed emulsion lift from Polaroid Go film and Polaroid B&W I-type film with dried stem and leaves
It's the first time I have done an emulsion lift with more than one exposure, but it was a satisfactory experience.
Emulsion paint and markers on found cardboard, 145cm x 140 cm,Greece, 2014.
Full post on the blog:
enitaimenipleis.blogspot.gr/2014/08/ceci-nest-pas-graffit...
Emulsion side up was suggested by a user for this type of scanner and I can see a very slight difference. Have to do a mirror scan after but that's not a problem. I maxed out the DPI for this scanner and I can tell the leaf on the side seems to change a bit.
Silver gelatin printing out emulsion on watercolour paper.
Adding extra silver to a gaslight emulsion lets it print out in the same way as salt prints or cyanotypes do.
Scanned liquid emulsion print.
Mamiya 645 ProTL w/ M-S 45 mm/f4 macro. Early morning of April 22, 2023.
Fomapan 200 @ iso 100, dev. in Rodinal 1+100, semistand 1 h.
Foma's liquid emulsion with hardener on Lokta paper 30x40 cm (handmade Nepalese paper, see link below if you want to know more). The paper is thin (65 gsm) so I mounted it on a FB paper to make it sturdier for the wet process. This first experiment with no pre-treatment of the paper shows how much impurities there are. I'm surprised that it became an image at all.
The halo and vignetting came as an unintended bonus :-)
Developed in Moersch SE2 1+20, fixed in Adofix PII (hardening) and toned in Se 1+9, 60 sec.
Lokta paper is handmade paper from Nepal.
Nepali kagaj or Nepali paper, is a wildcrafted, handmade artisan paper indigenous to Nepal. It is made from the bark of two of the species of the shrub Daphne.
Found this in an artist webshop in Sweden.
Emulsion of nasturtium petals, placed under a digital photo transparency and exposed to the sun for 6 days in Oct. 2021.
172. -Muscles of the Gluteal and Posterior Femoral Regions.
Original photograph taken by Polaroid SX70 Alpha1 SE using Polaroid OriginalsGreen 600 instant film.
Emulsion transfer onto sketch pad paper laser print of a scan from Gray's Anatomy 1st edition reprint.
Scan from darkroom print.
Leica M6ttl, 90 mm Summicron.
Ilford Delta 100 in DDX.
Printed on Foma liquid emulsion and toned I thioria/sepia
211. -Surgical Anatomy of the Femoral Artery.
Original photograph taken by Polaroid SX70 Alpha1 SE using Polaroid OriginalsGreen 600 instant film.
Emulsion transfer onto sketch pad paper laser print of a scan from Gray's Anatomy 1st edition reprint.
Posten this picture some days ago, printed on liquid emulsion.
Today I post the final results, the photo as an Bromoil.
Leica M6 and probably 50 mm elmar. Tri-X.
Don’t have a scanner that is big enough for this size, so a snap with the IPhone must do. But to give you the exact right colors end impression is hard.
This is a Polaroid emulsion lift. The original photo was taken with a Agfa Viking and expired and cross processed Agfa Portrait 160. Then, I used a Daylab to transfer the image to Polaroid Type 669. The transfer is on thick card stock that I have painted with gouache. The dimensions for the paper are approx. 4.75" x 6.75". Signed and dated on the back.
This is available in my Etsy (link on my profile). Although I am still running my 50% off sale in my Etsy to help out with Suttree's ongoing vet bills, this is not eligible.
Gaslight emulsion on watercolour paper.
Distilled water, gelatin, potassium chloride, silver nitrate, wetting agent, vodka
Oh my, I have a lot of catching up to do!
This one was made a couple of months ago, but here it is - new to Flickr!
Emulsion lift using Impossible project film for the exhibition and book entitled "Migrate" August 2017. Polaroids on/about the refugee crisis. Mine combines found imagery, staged staged images to create a fantasy scene that could have been an image from the news, attempting to highlight the ubiquity and public immunity towards conflict imagery..
The exhibition was in aid of UNICEF Next Gen London and the Children of Syria Emergency Appeal - you can still support by buying the book - all profits go to the children of Syria appeal:
104. - Temporo-Maxillary Articulation. External View.
Original photograph taken with a Polaroid SX-70 Alpha1 SE using Impossible Project Color SX70 instant film.
Emulsion transfer onto heavyweight matt laser print of a scan from Gray's Anatomy 1st edition reprint.
Polaroid Week | Spring 2016 | Day 5 | 1/2
271. - Nerves of the Lower Extremity. Posterior View.
Original photograph taken by Polaroid SX70 Alpha1 SE using Polaroid Originals B&W SX70 instant film.
Emulsion transfer onto heavyweight matt laser print of a scan from Gray's Anatomy 1st edition reprint.
Polaroid SX-70 Alpha SE
Manual focus
SX-37 adapter
Vivitar closeup diopter 15x
Neewer variable ND filter
Polaroid Color 600 film round frame
Production Date: 12/ 21
I made this lift months ago but the decorations were unfinished until last Friday.
Alternate view of Hendon Beach No.2 - No.1 is Here, although I suppose most of my photos could be classed as alternate...I'm not so good at taking photos during the day.
Film, Hasselblad 500C/M
Somebody burnt down all the pylons.
A little change of pace from my usual still life subjects. This is what comes from putting oil on water on a shiny blank CD and then shining a light on it. It's fun stuff to play with.
I have an album of these images if you en joy abstract color and shapes. www.flickr.com/photos/9422878@N08/albums/72157625787156195
This is what you get when you shine a light on to a mixture of water and cooking oil on the surface of a blank CD. Just by moving your hand in front of the light you can change shapes and colors. Fun stuff to play with.
I have an album of these images if you en joy abstract color and shapes. www.flickr.com/photos/9422878@N08/albums/72157625787156195