View allAll Photos Tagged EMULSIVE
Start of the year again...
...Late Feb.
emulsion fill
once more, STILL finding it VERY hard to find my feet this year.
Drops of canola oil in a bowl of water.The bowl is in my kitchen sink and the white spots are reflections of the overhead light. Sliding right along with the colors. HSS!
Former fort and leprosy colony. Anthotype on red sweet pepper emulsion. Carotenoid pigments prove to be suitable for anthotypes for those who don't have much sunshine.
Emulsion: crushed red sweet pepper + tiny amount of ethanol, 3 coats
Paper: generic watercolor SM.LT, A4 size
Exposure: 2 days, Lithuanian Sun, July
Scanner: CanoScan 9950f
bromoil print, made using liquid emulsion as matrix.´Emulsion was melted and manipulated after the first step (darkroom) - then dried and turned into bromoil
17. - Lateral View of Spine.
Original photograph taken with a Polaroid SX-70 Alpha1 SE using Impossible Project Color SX-70 instant film.
Emulsion transfer onto heavyweight matt laser print of a scan from Gray's Anatomy 1st edition reprint.
Polaroid Originals 8x10 emulsion lift to watercolor paper. The original had some problems that lifting allowed me to fix. Taken during my Polaroid 8x10 event at the Soap Gallery in Youngstown, Ohio last weekend (Aug. 11, 2018).
Autumn Polaroid Week 2020 Day 3, Picture 2
Polaroid Originals B&W SX-70 Film shot with a Polaroid SX-70 Alpha Model 2
Emulsion lift on watercoloured cardboard
EmUlsiOn LiFt on hanD mAde pAPeR.
Brooklyn .... New York
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© Tanja Deuß | All rights reserved.
Do not use, copy or edit any of my images without my written permission.
Autumn Polaroid Week 2023 Day 3, Picture 2
Polaroid SX-70 Alpha Model 2
Polaroid Color SX-70 Film
Emulsion lift on cardboard
Another acrylic gel lift. iPhone (Hipstamatic) capture. Image is about 3" square. See previous post for details about the method.
Cherry blossoms as seen at Norfolk Botanical Garden. From the first batch of C-41 film I have ever developed at home. Film = Kodak Gold 400 - Camera = Nikon F100 - Home Developed - Scanned using a Nikon D5600 and the Nikon ES-2 scanning adapter
Pentax K1000
SMC Pentax 55mm f/1.8
Mystery Emulsion 200 (10 years+ expired)
June 2020
A car that I encountered while walking down my street.
Unknown film stock from disposable/one-time-use camera found at the thriftstore.
Developed by Gene's Camera in South Bend, IN.
mamiya 6MF 50mm f/4. cross-processed expired fujichrome RDP 100D. lab: A&I color, hollywood, ca. scan: epson V750. exif tags: lenstagger.
This is what happens when you put cooking oil on top of water in a clear glass dish that is suspended over something colorful. I learned this technique from a Brian Peterson Video at the University of Youtube. Here's that link www.youtube.com/user/ppsop2009#p/u/8/SCYG7HO_SZo
Pentax K1000
SMC Pentax 55mm f/1.8
Mystery Emulsion 200 (10 years+ expired)
June 2020
This is Dane. I saw Dane walking down the sidewalk with a black eye and wearing gaudy plastic jewelry. He was also carrying a strange headless stuffed animal. I pulled over the van and waved to him. He came over and I told him I saw him while driving by and wanted to take a picture of him He agreed and I got out and came around to meet him. Only then did I realize that he was carrying a tiny kitten in the headless stuffed animal. After taking these portraits Dane asked me for a ride back to his apartment downtown in exchange for him letting me take his picture and I obliged him ... a bit of a risky move in covid times... but what are you going to do? It was a fair trade. I gave him my instagram and told him to look me up. I hope he does.
Developed by Gene's Camera in South Bend, IN.
Emulsion transfer from Impossible Color SX70 gen 2 onto metallic paper.
The metallic effect doesn't show too well in the scan, but it catches the light quite nicely in real life.
Had a bit of a disaster when it stuck to the board I had taped it to to dry and I nearly tore it clean in half.
Expired C-41 edits only make it worse. Not sure this emulsion but all of my C-41’s are expired, at least by five years. I shuld take better notes, lol.
Contact printed bluebell.
4 weeks of UK Spring exposure.
Emulsion made from red tulip petals (would you believe!)
Finally got around to spending some time working out the image corrections needed for printing on Polaroid B&W iType on the Polaroid Lab Printer.
Then spent some more time getting the lift process "perfected". The B&W film has a milky coating (which doesn't appear to come off) on what would be the top side which reduces contrast of the lifts. I "fixed" this by flipping my images before printing and mounting the lifts milky side down.
Very fresh prints and very hot water make the separation of Polaroid layers quite simple.
Emulsion Lift
Slightly embaressingly I’m not sure about what film this was but I think it was PX70 shot in my Polaroid 1000.
Anthotype on emulsion made from onions. This demonstrates that chlorophyll emulsions may record tonal gradations. Original image taken with an anamorphic cylindrical coffee can camera.
Emulsion: crushed onion leaves + little amount of ethanol, 3 coatings
Paper: generic watercolour SM.LT, A4 size
Exposure: one hour under the Sun, in July
Scanner: CanoScan 9950f, contrast increase in PS