View allAll Photos Tagged EMULSIVE

Cherry blossoms as seen at Norfolk Botanical Garden. From the first batch of C-41 film I have ever developed at home. Film = Kodak Gold 400 - Camera = Nikon F100 - Home Developed - Scanned using a Nikon D5600 and the Nikon ES-2 scanning adapter

  

Emulsion on board 4ft square

Pentax K1000

SMC Pentax 55mm f/1.8

Mystery Emulsion 200 (10 years+ expired)

June 2020

 

A car that I encountered while walking down my street.

 

Unknown film stock from disposable/one-time-use camera found at the thriftstore.

 

Developed by Gene's Camera in South Bend, IN.

Emulsion made from dark purple aquilega petals & vodka.

Exposed for 2 weeks in May (UK)

emulsion lift

another image

taken in Sapporo,Japan

 

Holgaroid(HOLGA120GFN) / FUJI FP-100C

Solargraph, January-December 2012, filmcan

This is what happens when you put cooking oil on top of water in a clear glass dish that is suspended over something colorful. I learned this technique from a Brian Peterson Video at the University of Youtube. Here's that link www.youtube.com/user/ppsop2009#p/u/8/SCYG7HO_SZo

Pentax K1000

SMC Pentax 55mm f/1.8

Mystery Emulsion 200 (10 years+ expired)

June 2020

 

This is Dane. I saw Dane walking down the sidewalk with a black eye and wearing gaudy plastic jewelry. He was also carrying a strange headless stuffed animal. I pulled over the van and waved to him. He came over and I told him I saw him while driving by and wanted to take a picture of him He agreed and I got out and came around to meet him. Only then did I realize that he was carrying a tiny kitten in the headless stuffed animal. After taking these portraits Dane asked me for a ride back to his apartment downtown in exchange for him letting me take his picture and I obliged him ... a bit of a risky move in covid times... but what are you going to do? It was a fair trade. I gave him my instagram and told him to look me up. I hope he does.

 

Developed by Gene's Camera in South Bend, IN.

Emulsion transfer from Impossible Color SX70 gen 2 onto metallic paper.

The metallic effect doesn't show too well in the scan, but it catches the light quite nicely in real life.

Had a bit of a disaster when it stuck to the board I had taped it to to dry and I nearly tore it clean in half.

Expired C-41 edits only make it worse. Not sure this emulsion but all of my C-41’s are expired, at least by five years. I shuld take better notes, lol.

Pentax K1000

SMC Pentax 55mm f/1.8

Mystery Emulsion 200 (10 years+ expired)

June 2020

 

I pulled this film out of a still sealed generic disposable/one-time-use camera I found at the thriftstore. When I got the cartridge out it had a sticker on it that said iso 200 made in Italy. I figured it must be Ferrania Solaris 200. Then i noticed green under the sticker... so I peeled the sticker back and the the cartridge was labled for Fuji Industrial 100. So what was it? When i got it back from processing there wasnt any edge markings that were telling except it said 200. It didnt look like the other solaris negatives I have so i don't know what it is. Mystery Emulsion 200.

 

Developed by Gene's Camera in South Bend, IN.

Two emulsion lifts one on top of the other to create a double exposure feel

'Roid Week 2008 - Day 5

 

[Holgaroid | Type 88 film | Emulsion lift on watercolor paper]

Contact printed bluebell.

4 weeks of UK Spring exposure.

Emulsion made from red tulip petals (would you believe!)

Finally got around to spending some time working out the image corrections needed for printing on Polaroid B&W iType on the Polaroid Lab Printer.

 

Then spent some more time getting the lift process "perfected". The B&W film has a milky coating (which doesn't appear to come off) on what would be the top side which reduces contrast of the lifts. I "fixed" this by flipping my images before printing and mounting the lifts milky side down.

 

Very fresh prints and very hot water make the separation of Polaroid layers quite simple.

Polaroid emulsion transfer on watercolor paper

More liquid emulsion prints

Polaroid emulsion lift on black paper

One of my very first Polaroid Lifts created during a workshop with Tanja Deuß | I took the original photo with a Diana+, used the Impossible Project Instant Lab to transfer it onto IP Film, then did an emulsion Lift on paper.

Pellicola Fujifilm Fp-100C su tela

Emulsion Lift

 

Slightly embaressingly I’m not sure about what film this was but I think it was PX70 shot in my Polaroid 1000.

  

Anthotype on emulsion made from onions. This demonstrates that chlorophyll emulsions may record tonal gradations. Original image taken with an anamorphic cylindrical coffee can camera.

 

Emulsion: crushed onion leaves + little amount of ethanol, 3 coatings

Paper: generic watercolour SM.LT, A4 size

Exposure: one hour under the Sun, in July

Scanner: CanoScan 9950f, contrast increase in PS

Emulsion of beet juice then a coat of spirulina, placed under a digital photo transparency and exposed to the sun for 14 days in April 2021.

Double Polaroid Emulsion Lift on Watercolour Paper with Pressed Flowers

Double Polaroid emulsion lift on watercolour paper

My first emulsion lift.

 

342/365

 

Instagram | Tumblr | Youtube

Emulsion of nasturtium petals then pokeberry juice, placed under a digital photo transparency and exposed to the sun for 12 days in Sept. 2021.

fragile trees...

 

the mosaic cost me a lot of nerves and grey hairs, but i am very happy with it. it is the first mosaic from a series...

  

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polaroidweek day two 2/2 (for me day one ;) ), collage, emulsion lift, polaroid lab, polaroid 600 color film

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you can find all the other polaroid art here:

- instagram - facebook

Silver gelatin printing out emulsion on watercolour paper

2 emulsion lifts on to paper, scanned inside a $1.00 frame from The Dollar Tree store

film: Impossible PX70 CPF

camera: Polaroid SX70

We grabbed some time with Alex Kuraganov, whom you may remember from his excellent review of Fomapan 400 / Arista EDU ULTRA 400. Give it a quick read if you haven’t done so already, it’s a bit of an eye opener – infrared sensitivity? Who knew?!

FURTHER INTRO

 

 

Hi...

 

More at: emulsive.org/interviews/i-am-alex-kurganov-and-this-is-wh...

 

Filed under: #Interviews

Emulsion lift made using two FP-100C double exposure photos.

Polaroid Spectra System SE, Impossible PZ680 CPF, used the the back piece negative after an emulsion lift (inverted, auto toned, converted to b/w) and layered the original image over it (slight color editing done), border added

 

Pentax K1000

SMC Pentax 55mm f/1.8

Mystery Emulsion 200 (10 years+ expired)

June 2020

 

This is Dane. I saw Dane walking down the sidewalk with a black eye and wearing gaudy plastic jewelry. He was also carrying a strange headless stuffed animal. I pulled over the van and waved to him. He came over and I told him I saw him while driving by and wanted to take a picture of him He agreed and I got out and came around to meet him. Only then did I realize that he was carrying a tiny kitten in the headless stuffed animal. After taking these portraits Dane asked me for a ride back to his apartment downtown in exchange for him letting me take his picture and I obliged him ... a bit of a risky move in covid times... but what are you going to do? It was a fair trade. I gave him my instagram and told him to look me up. I hope he does.

 

Developed by Gene's Camera in South Bend, IN.

Bromoil on liquid emulsion from Foma, 25 x 30 cm.

ROIDWEEK DAY 2

EMULSION LIFT

POLAROID SX70

IMPOSSIBLE PROJECT

SILVER SHADE

 

Chinagraph and graphite pencil on 2 sheets of A3 recycled card - in situ. Emulsion paint added later.

 

Original sketch: flic.kr/p/2ndG4wC

 

The four cherry trees behind the Priory are in full, beautiful bloom!

  

www.jimmorrisart.info

 

An effort to get back to Film. 100% SOOC framed only.

 

Ektar 100 expired.

Liquid emulsion on cartridge paper.

Musa by Ponk

 

Emulsion fill

Foma liquid emulsion bromoil.

Polaroid SX-70 / color i-type film. Did emulsion lift just after shooting, indeed easier and cleaner.

 

The Emerald Pools Trail of Zion National Park will lead visitors through Heaps Canyon to a series of alcoves formed by water rushing through the gorge. While it may seem the name derives from the moss covered amphitheaters of each pool; the lush, green deciduous forest certainly adds to the ambiance of the hike's moniker.

A 3 x polaroid emulsion lift print of a panoramic pinhole trichrome image.

 

RSS 6x17

Ilford FP4

Polaroid Lab Printer

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