View allAll Photos Tagged EMPHASIS
Das Museum Barberini ist ein Kunstmuseum im Zentrum Potsdams. Die Ausstellungsthemen reichen von den Alten Meistern bis zur zeitgenössischen Kunst, ein Schwerpunkt liegt auf dem Impressionismus. Bis Mai 2019 wurden mehr als eine Million Besucher gezählt.
The Museum Barberini is an art museum in Potsdam opened in 2017. Its exhibitions range from the so-called Old Masters to contemporary art, with an emphasis on impressionist painting.
A Museum of Liverpool exhibit,
The boiler of LMR, ( Liverpool and Manchester Railway ) loco " Lion " is foreground.
The LOR ran between 1888 and 1956, and was demolished 1957.
This area of the Museum is very dark, possibly to put emphasis on the carriage lighting... so it isn't a massive stretch to shoot and make it night time...
"Lion" and the LOR probably never met in reality, though i am by no means certain about that, but using Lion as a foreground made sense to me, them both being Railway related, and possibly why they are positioned so in the hall.
Malin Head (Irish: Cionn Mhálanna) is located on the Inishowen Peninsula, County Donegal, Republic of Ireland and is the most northerly point of the island of Ireland. The northernmost tip is the headland named Banba's Crown located at latitude 55.38ºN. Malin Head gives its name to the Malin sea area. There is a weather station on the head, which is one of 22 such stations whose reports are broadcast as part of the BBC Shipping Forecast.
Ptolemy's Geography (2nd century AD) described a point called Βορειον (Boreion, "the northern") which probably referred to Malin Head.
Banba's Crown on Malin Head is the most northerly point of the Irish mainland. Banba was one of the mythical queens of Ireland. Banba's Crown is about 16 km (10 mi) north of the village of Malin. The island of Inishtrahull is further north, located approximately 10 km (6 mi) north east of Malin Head. Further north still is the most northerly landfall of Ireland, Tor Beg rock.
Tower at Banbas Crown that was used during war times.
Malin Head is home to small businesses such as pubs, restaurants, shops and a large call centre called Forward Emphasis International, which employs many of the local residents.
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Dati Tecnici
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a) Fujifilm X100T + Fujinon ASPHERICAL Lens Super EBC 23mm f/2,0 + Filtro Leica UV (ripresa effettuata prima dell'aggiornamento del firmware alla versione 1,11 del corpo macchina:
b) Tempo 1/40s con apertura diaframma a f.4,8 +1,5 di stop in manuale (a mano libera);
c) Lettura Esposimetrica effettuata con esposimetro della macchina impostata su "Media a Prevalenza Centrale" (ma ho effettuato 4 misurazioni a luce incidente con il Sekonic Dual Spot F-L778 con lettura impostata a 1° per confrontarla con la lettura che m dava l’esposimetro della macchina e con compiacimento la lettura finale equiparandola a quella media ottenuta dalla somma delle letture effettuate con quella dell’esposimetro della macchina era abbastanza simile, però, ho voluto effettuato quella correzione di +1,5 di stop per recuperare qualche particolare nelle ombre. Inoltre, ho sistemato un filtro Giallo medio che rende la sensibilità cromatica della ripresa simile a quella dell'occhio umano".
d) Impostazione nel corpo camera FujiFilm X100T: ISO/ASA 6400, DR (100%), Modalità AF (Area), WB Bilanciamento del Bianco (Auto), Simulazione Film (Provia Standard), Colore (+1), Nitidezza (0), Tono Alte luci (0), Tono Ombre (0), Riduzione disturbo (+1), Gamma Dinamica (Auto), Qualità Immagine (Fine), Filtro ND (On), Dimensione Immagine (3:2 - L);
e) Tecnica di ripresa esposimetrica con il sistema dell”Esposizione a Destra;
f) Prima Post-Produzione (leggerissima file quasi perfetto) per la correzione del bilanciamento cromatico/tonale (dopo la desaturazione) delle varie aree e zone di colore per compensare l’intensità di luce (ore 12,30 di ripresa) con Nikon Capture NX 2;
g) Seconda Post-Produzione con Adobe Photoshop CS6 (64Bit) per il bilanciamento delle zone d’ombra (Lievissima file quasi perfetto);
h) Post-Produzione di completamento con Nikon Capture NX2 e CorelPhoto-Paint X7 (64Bit) per il completamento e la sistemazione finale del "Sistema Zonale".
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Mio breve Curriculum Vitae su LinkedIn: - My Brief Curriculum Vitae on LinkedIn:
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Visualizza il profilo di Luigi Mirto/ArchiMlFotoWord
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Tutti i diritti riservati ©2017©2030 da ArchiMlFotoWord/Luigi Mirto/Photography
Nessuna immagine o parte di essa può essere riprodotta o trasmessa in qualsiasi forma e con qualsiasi mezzo senza preventiva autorizzazione.
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All rights reserved ©2017©2030 by ArchiMlFotoWord/Luigi Mirto/Photography
No images or part thereof may be reproduced or transmitted in any form or by any means Without prior permission.
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Luigi Mirto/ArchiMlFotoWord's most interesting photos on Flickriver
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Da Ascoltare guardando l’immagine e leggendo Ia poesia
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Natalie Taylor – Surrender
www.youtube.com/watch?v=dtxbUjV1qeI
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…arrendersi alle tenerezze
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Cos’è che mi lascia insonne e
non mi fa sognare mentre
ascolto il forte pulsare
dentro il mio petto, è...
un cuore agitato, innamorato,
al solo pensiero dei nostri
rossi tramonti.
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Ogni notte nel buio passeggio
e sono sempre indecisa se
cercare di dormire o
rimanere sveglia per pensarti
con la speranza di vederti...
di abbracciarti…
di sfiorarti.
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Piango in silenzio e
dolcemente mi vedo riflessa
in quei bei momenti quando
eravamo vicini, legata
ai tuoi pensieri con
le tue tenerezze che mi davano
coraggio, amore…
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e li,… mi adagiavo
fra coccole e carezze per l'anima
mia ribelle! No, non bisogna
....arrendersi alle tenerezze
solo col pensiero, devo vincere
la paura di perdenti, aspettami
amore, sto arrivando, perdonami.
……………………….... Luigi Mirto
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...surrender to tenderness
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What is it that leaves me sleepless e
does not make me dream while
I listen to the strong throb
inside my chest, it's ...
a troubled heart, in love,
at the very thought of ours
red sunsets.
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Every night I walk in the dark
and I'm always undecided if
try to sleep or
stay awake to think about you
with the hope of seeing you ...
to hug you ...
to touch you.
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I cry in silence and
softly I see myself reflected
in those good times when
we were close, tied up
to your thoughts with
your tenderness that they gave me
courage, love ...
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and there, ... I reclined
between cuddles and caresses for the soul
my rebel! No, you don't have to
.... surrender to tenderness
just with the thought, I have to win
fear of losers, wait for me
love, I'm on my way, forgive me.
……………………… .... Luigi Mirto.
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Natalie Taylor – Love is the answer
www.youtube.com/watch?v=PRQm9TUbfUw
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Italiano
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Questa immagine è tratta da un reportage in continua evoluzione che sto effettuando nella ricerca di particolari volti che esprimano particolari sensazioni, scene di particolare enfasi ambientale, espressioni e sentimenti profondi trasmessi attraverso semplici sguardi, di particolari posture del corpo o anche dai semplici abiti e decorazioni fisiche.
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Tali immagini verranno raccolte in un “Manuale Artistico Tecnico Fotografico” nella quale saranno descritte le particolari tecniche di ripresa, i materiali impiegati, l’attrezzatura fotografica, i luoghi e le condizioni sceniche ambientali.
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English
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This image is from a report in continuous evolution that I am making in the search for specific faces expressing particular feelings, scenes of environmental emphasis, expressions and deep feelings conveyed through simple look, a particular posture of the body or even from simple clothes and decorations individuals.
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These images will be collected in a "Artistic Photography Technical Manual" which will describe the special filming techniques, materials, photographic equipment, sites and scenic environmental conditions.
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This Green Heron made a sudden appearance, and I managed it catch it as it rose to land in a high branch close to where I was standing. (Wakodahatchee Wetlands) Greenies, as I like to call them, have a lot of personality. They have a wide range of vocalizations, often chase each other around, like to fish from a branch above the surface of the water, and have that slinky-like neck that can scrunch down or stretch way out, and can raise the feathers on their head like a crown. As juveniles, they are ridiculously cute, with the emphasis on ridiculous. I hope to get some of those this nesting season.
As some of you know, I keep a list of Sony shooters and share information that may be useful to them. I also send descriptions like this one to another list of people who have asked me to share my work with them in that fashion. I’m happy to add anyone who wishes to either list.
My thanks to Steve Elkins from Bedfords Camera and Video who has given me the code “BIRDSMC”, which you can use for a 5% discount for anything you purchase from Bedfords. Bedfords gives wonderful and personal customer service and if you don’t already have a relationship with a photo retailer, I encourage you to introduce yourself to Steve. He can be reached at the email shown above or at 479-381-2592.
Wishing everyone a wonderful 2025 and hope to see you out there.
Mike
(Butorides virescens) (Sony a1M2, 200-600 lens @ 474mm, 1/4000 second, f/6.3, ISO 6400)
Recently I studied the work of Werner Mantz who predates the New Topographics photographers back to the 1920's. His approach toward image making was quite similar to the NT movement of the 1970's, but more towards 'art'.
reference: Werner Mantz; Bridge 1929
Bridge in Cologne 1927
In post editing I tried to emulate his development style and lean to a warmer monochrome with heavier shadows. An analog shot with a modest yellow/green filter would have brought out the clouds better and made a much nicer image.
The reason I decided not to stand directly in the center of the road was because I did not want the emphasis to be on perspective, but rather the form of the bridge.
Tree lined Omote-sandou has a nicely coordinated townscape although each building is uniquely designed. Some people say it does not look like a Japanese street.
Omote-sandou is in the Harajuku area located to the east of Harajuku Railway Station. But the mood of Omote-sandou is different from the rest of Harajuku; Omote-sandou is a place for shopping expensive international apparel brands, while the rest of Harajuku, in particular, Takeshita Street, is a centre of Japanese youth cultures selling odd and inexpensive clothes and goods.
The two areas, however, have a common emphasis on the fashion related to the apparel industry.
Leopards are beautiful cats and what wildlife photographer wouldn’t love the chance to photograph them. However, they are usually solitary and unless you’re extremely lucky enough to find a female with cubs, or interaction between two adults, or a hunt (emphasis on extremely lucky) you generally are left with them walking through their range or sleeping. Add a tree, however, and things become more potentially photogenic. This leopard was walking through the Maasai Mara savanna when it quickly climbed a tree to gain a better view of potential prey or threats. We managed to get close enough in time to catch it coming down from the tree to resume its wanderings. (Panthera pardus) (Sony a1, 200-600mm lens @344mm, f/7.1, 1/1250 second, ISO 640)
We try to make to Indian Head Cove at least once every winter and It's always interesting to see what effect the predominantly cyan color of the water has on the rest of the scene.
When this young lady came off the trail to stand beside me, the vibrant color of her hat gave the water even more emphasis.
when we shine like the sun
our inner glow has the fun
of making someone
happy and full of love
so make your day
so bright and gay
emphasis your love
after all
its almost fall
let the leaves turn colors
and fall to the ground
not you or i
and we will be bright colors
after all!
Almost called it 6 linear gradients. I'm walking you right up to Agassiz and then slamming the door.
Handheld
Listening to : I Thought I Was Strong - Angelo Milli
Model : Jessica
christinelebrasseur.blogspot.com/
Darckr by Laurent Henocque - More photos - DNA - Ipernity - MySpace - Linked In - YouTube - Twitter
Here is Highfield House in Stanley with some of its farm buildings in the early morning. As you can see it had been raining overnight. This is one of the true architectural treasures of Tasmania.
The Van Diemen's Land Company was formed in May 1824 to supply British mills with relatively cheap wool. Edward Curr was responsible for obtaining the land and building the property of Highfield in 1826. This was all done with convict labour, and was only possible after the land had been cleared of aborigines:
"(T)he supposed humanitarian sentiments of directors towards Aborigines are often deemed mere outward show, especially in the light of violent acts by Company personnel. After early skirmishes, with huts burnt and sheep speared, three Aborigines were killed at Ritchie's stock hut in 1827. At Cape Grim, when shepherds attempted to 'take liberties' with Aboriginal women, a convict was speared in the thigh and over one hundred sheep were killed. Reprisal by shepherds on 10 February 1828 saw about thirty Aborigines killed. The despicable murder of an Aboriginal woman at Emu Bay on 21 August 1829 saw Arthur thwart justice and explain away the affair under the guise of martial law and personal disputes. The period 1836–42 saw the last free group of Aborigines faced with spring-loaded guns or man traps in huts that they had habitually plundered. The sad story of Company race relations saw at least two white men and possibly 36 Aborigines killed." www.utas.edu.au/library/companion_to_tasmanian_history/V/...
It soon turned out that the wool venture was a disaster and a shift of emphasis to cattle was made, extending to this very day.
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Dati Tecnici
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a) Fujifilm X-H1 + Anello adattatore Fringer-EF-FXPRO2;
b) Canon Zoom Lens EF 24/70mm f.2,8 II L USM + Filtro Carl Zeiss T* UV Filter 82mm;
c) Tempo 1/25s con apertura diaframma a f.5,6 +1,5 di stop in manuale (a mano libera);
d) Lettura Esposimetrica effettuata con esposimetro della macchina impostata su "Media a Prevalenza Centrale" ( ho effettuato 4 misurazioni a luce incidente con il Sekonic Dual Spot F-L778 con lettura impostata a 5° per confrontarla con la lettura che mi dava l’esposimetro della macchina, ho effettuato quella correzione di +1,5 di stop per recuperare alcun particolare nelle ombre e nelle penombre, nella trama della maglietta del bimbo e nei capelli.
e) Impostazione nel corpo camera ISO/ASA 6400, DR (100%), Modalità AF (Area), WB Bilanciamento del Bianco (Auto), Simulazione Film (Provia Standard), Colore (+2), Nitidezza (+1), Tono Alte luci (0), Tono Ombre (0), Riduzione disturbo (+1), Gamma Dinamica (Auto), Qualità Immagine (Fine), Filtro ND (On), Dimensione Immagine (3:2 - L); Bit/pixed compressi 48.
f) Focale impiegata 24mm (reale 36mm);
g) Tecnica di ripresa esposimetrica con il sistema dell”Esposizione a Destra;
h) Prima Post-Produzione (leggerissima file quasi perfetto) per la correzione del bilanciamento cromatico/tonale (dopo la de saturazione) delle varie aree e zone di colore per compensare l’intensità di luce (ore 21,30 di ripresa “luci a soffitto e laterali – luce calda 3250K°”) con Nikon Capture NX 2;
i) Seconda Post-Produzione con Adobe Photoshop CS6 64Bit per il bilanciamento delle zone d’ombra (Lievissima file quasi perfetto);
l) Post-Produzione di completamento con Nikon Capture NX 2 e CorelPhoto-Paint X7 64Bit per il completamento e la sistemazione finale del "Sistema Zonale".
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Mio breve Curriculum Vitae su LinkedIn: - My Brief Curriculum Vitae on LinkedIn:
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Visualizza il profilo di Luigi Mirto/ArchiMlFotoWord
.
===========================================================
Tutti i diritti riservati ©2024©2034 da ArchiMlFotoWord/Luigi Mirto/Photography
Nessuna immagine o parte di essa può essere riprodotta o trasmessa in qualsiasi forma e con qualsiasi mezzo senza preventiva autorizzazione.
.
All rights reserved ©2024©2034 by ArchiMlFotoWord/Luigi Mirto/Photography
No images or part thereof may be reproduced or transmitted in any form or by any means Without prior permission.
===========================================================
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Luigi Mirto/ArchiMlFotoWord's most interesting photos on Flickriver
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Da Ascoltare leggendo la poesia
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She Remembers – Max Richter
www.youtube.com/watch?v=y0YkZFxOFeI
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Lontano da tutti,...lontano dal mondo
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quando a casa fai ritorno
vorresti che lei
fosse li, ancora,
ad aspettarti,
si adagiasse vicino a te
al tuo fianco
per diventare la tua anima,
la tua immancabile ombra.
L’unica… che
hai da sempre amato
da quando la conoscesti.
Era la “ragazza” della porta accanto
l’hai notata e mai più l'hai scordata.
Bellissima e di un profumo
mai sentito,
d’un fiore non visto
dal colore candido
e delicato di cui
solo l’amore sa immaginare.
Saremmo stati solo noi
felici e nessun altro.
Lontano da tutti,
...lontano dal mondo.
Tu sai che sei la mia vita
da quel giorno che
ti ho rivista,
e con un unico bacio
ti ho riconquistata.
Ma adesso
la mia “ragazza”
mi ha abbandonato,
lo so, ho trascurato
quel grande amore , e tu,
adesso, appartieni ad un altro.
…vorrei solo morire
e in questo momento sparire
per sempre da questa terra
per non essere più visto
ne più ascoltato
e mai più da nessuna donna
…..amato.
………………..…Luigi Mirto
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Far from everyone,...far from the world
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when you return home
you would like her
were there, still,
waiting for you,
she would lie down next to you
by your side
to become your soul,
your ever-present shadow.
The only one... that
you have always loved
since you met her.
She was the “girl” next door
you noticed it and never forgot it again.
Beautiful and fragrant
never heard,
of an unseen flower
with a white colour
and delicate of which
only love can imagine.
It would have just been us
happy and no one else.
Far from everyone,
...far from the world.
You know that you are my life
since that day
I saw you again,
and with a single kiss
I won you back.
But now
my girlfriend"
he abandoned me,
I know, I overlooked it
that great love, and you,
now, you belong to someone else.
…I would just like to die
and at this moment disappear
forever from this earth
never to be seen again
nor listened to anymore
and never again by any woman
…..beloved.
………………..…Luigi Mirto
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Italiano
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Questa immagine è tratta da un reportage in continua evoluzione che sto effettuando nella ricerca di particolari volti che esprimano particolari sensazioni, scene di particolare enfasi ambientale, espressioni e sentimenti profondi trasmessi attraverso semplici sguardi, di particolari posture del corpo o anche dai semplici abiti e decorazioni fisiche.
.
Tali immagini verranno raccolte in un “Manuale Artistico Tecnico Fotografico” nella quale saranno descritte le particolari tecniche di ripresa, i materiali impiegati, l’attrezzatura fotografica, i luoghi e le condizioni sceniche ambientali.
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English
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This image is from a report in continuous evolution that I am making in the search for specific faces expressing particular feelings, scenes of environmental emphasis, expressions and deep feelings conveyed through simple look, a particular posture of the body or even from simple clothes and decorations individuals.
.
These images will be collected in a "Artistic Photography Technical Manual" which will describe the special filming techniques, materials, photographic equipment, sites and scenic environmental conditions.
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Rua Reidh Lighthouse stands close to the entrance to Loch Ewe in Wester Ross, Scotland.
The building of a navigation light on Rubh'Re Point was first proposed by David Stevenson in 1853 but, with familiar emphasis on economy, the Board of Trade refused to approve the proposed expenditure of £5,000.
In August 1906, David Alan Stevenson recommended that a navigation light be established on the prominent headland of the Ross-shire coast 17 miles north of the Rona light and 26 miles south of the Stoer Head light. He considered the lighting of this very remote site important, and so suggested a powerful light and a fully manned "Island Station".
Accordingly, the Commissioners made representation to Trinity House but they refused to accord their statutory approval to the proposed seamark but did, however, suggest a small, inexpensive unmanned light be established in the same position.
The Commissioners considered that the site was too important to leave unattended and felt bound to adhere to their original proposal.
After lengthy correspondence, Trinity House conceded to the Commissioners views, and gave statutory approval to the erection of a manned light. The Board of Trade however, decided to defer commencement of work meantime, as they considered the financial outlay excessive.
Finally, in May 1908, the Board of Trade sanctioned the expenditure of £14,900 on the establishment of a light and fog signal on Rubh'Re point and the light was first exhibited on the night of 15 January 1912. It is situated at the entrance to Loch Ewe near Gairloch.
In 1944, an American Liberty Ship the "William H Welch" missed the entrance to Loch Ewe and went ashore at Black Bay during a severe storm. Two Rubh'Re Lightkeepers were actively involved in the rescue of 15 survivors out of a complement of 74.
The fog signal service was installed in 1912 and withdrawn in September 1980. The foghorn and clockwork mechanism are now in the Gairloch Heritage Museum along with the lens and lighting equipment which was removed in 1985 prior to automation of the Station in 1986.
It should be noted that at some sites the Northern Lighthouse Board have sold some redundant buildings within the lighthouse complex and are not responsible for the maintenance of these building.
source:
Netherlands, Lisse, the park “Keukenhof”, meaning kitchen garden, situated near the small town of Lisse.
On 32 hectares with approx.15 km of walking routes in the park bloom in spring with the annually main emphasis on more than 7 million flower bulbs in 800 different varieties of tulips also many other flowers well combined & arranged along the walking routes. Keukenhof is one of the world's largest flower gardens, therefor as known as the Garden of Europe.
The park is open annually only from mid-March to mid-May when the tulips are flowering. The best time to view the tulips is around mid-April.
👉 One World one Dream,
🙏...Danke, Xièxie 谢谢, Thanks, Gracias, Merci, Grazie, Obrigado, Arigatô, Dhanyavad, Chokrane to you & over
16 million visits in my photostream with countless motivating comments
Netherlands, Lisse, … cherry blosoms at the “Keukenhof”, the parks name is Dutch fpr kitchen garden.
The park is situated near the town of Lisse & is one of the world's largest flower gardens, therefor as known as the Garden of Europe.
On 32 hectares with approx.15 km of walking routes in the park bloom in spring with the annually main emphasis on more than 7 million flower bulbs in 800 different varieties of tulips also many other flowers well combined & arranged along the walking routes. Keukenhof is one of the world's largest flower gardens, therefor as known as the Garden of Europe, situated near Lisse.
The park is open annually only from mid-March to mid-May when the tulips are flowering. The best time to view the tulips is around mid-April.
👉 One World one Dream,
🙏...Danke, Xièxie 谢谢, Thanks, Gracias, Merci, Grazie, Obrigado, Arigatô, Dhanyavad, Chokrane to you & over
17 million visits in my photostream with countless motivating comments
For the past few weeks I have been working on building a website for my work. I'm excited to say that it is finally to a point where I can share it with you all. I will be posting my work there and less on flickr. If you'd like to see the rest of film I shot in NYC please visit my website here :)
CLICK HERE TO VISIT MY WEBSITE :)
back home from the most amazing week in new york city.
An American bullfrog on top of the world. Wildwood Lake, Harrisburg, Pennsylvania.
Thank you for looking!
1/250 sec. f/7.1 600mm ISO4000
Henry Wadsworth Longfellow said, "the best thing one can do when it's raining is to let it rain," which is exactly what we did the day before attending a garden open house, when it came pouring down all day The end result was a very soggy garden but with some interesting textures and shapes. Here, I used an aggressive edit in post to put even more emphasis on it.
Pied Oystercatcher
Haematopus longirostris
October 8th, 2023
Hastings Point, New South Wales, Australia
Canon EOS R5
Canon RF 100-500mm F4.5-7.1L IS USM lens
A perfect portrait to emphasis the remarkable bill, eyering & eye colours of a Pied Oystercatcher.
Highest Position, #6 on Flickr Explore for June 19, 2008.
Such interesting clouds in the sky over Lake Erie last night. I usually don't go this wide angle when the sun is setting on the Lake Erie horizon, but I wanted to place more of the emphasis on the cloud formations in the sky. Heck, I was even able to get a seagull in the shot too...lol. Photo taken in Lakewood, Ohio.
Netherlands, Lisse, the park “Keukenhof”
…could there be a life without selfies?
…some do the selfies,
… & others take the candid shots ⦂⚪)‘
“Keukenhof”, meaning kitchen garden, situated near the small town of Lisse.
On 32 hectares with approx.15 km of walking routes in the park bloom in spring with the annually main emphasis on more than 7 million flower bulbs in 800 different varieties of tulips also many other flowers well combined & arranged along the walking routes. Keukenhof is one of the world's largest flower gardens, therefor as known as the Garden of Europe, situated near Lisse.
The park is open annually only from mid-March to mid-May when the tulips are flowering. The best time to view the tulips is around mid-April.
👉 One World one Dream,
...Danke, Xièxie 谢谢, Thanks, Gracias, Merci, Grazie, Obrigado, Arigatô, Dhanyavad, Chokrane to you & over
12 million visits in my photostream with countless motivating comments
What is it we see in our photographs?
Somethings are direct and easy...beachs, buildings, piers, dogs, people...in these we decide on not what we see but how we process those photo's to what we want to project to the public. Color, Black and White, White Balance, Emphasis on a particular object or the color of grass or sky. These all play into our post processing.
But with smoke it is subjective to our minds eye. My post processing is a figment of what I see by what I think the smoke created.
Here I see a Conductor coming out of a phonograph. With a spade for a heart. (not sure how that plays into anything) Once again the most I had to do with this is remove some smoke plume from the top to see the photo, Curves and Hue/Sat for color and contrast.
What is it you see? Do you see what I see?
Post Processing:
>Black brush to remove plume and and residual smoke from outer areas
>Adjustment layer Curves-Contrast and color
>Adjustment layer Hue/Sat-enhance color and saturation
>Crop and turn for better overall composition
>Framed and sized for posting
My Website:
・- ̗̀໒ ⋮ dazed blog details
doja set ⎯ level event
・- ̗̀໒ ⋮ ninetyfive blog details
love yourself phone collection ⎯ ninetyfive mainstore
such a chill selfie pose no. 242 ⎯ ninetyfive mainstore
・- ̗̀໒ ⋮ 1990 nails blog details
neon summer nail set ⎯ 1990 mainstore
・- ̗̀໒ ⋮ maui blog details
rainbow essential french nail set ⎯ cakeday event
・- ̗̀໒ ⋮ klubb blog details
immaterial girl glass bag ⎯ klubb mainstore
blogging socials
instagram: www.instagram.com/milavercetti/
This is a cropped version of the same image posted earlier. Less sky, maybe more emphasis on reflections.
Who couldn't fall in love with those big green eyes!
One of my fellow BTech students is doing a study on the diversity on reptiles and amphibians within the Garden Route and this little guy managed to get caught in one of her traps. Luckily for me she let me and a few other enthusiasts photograph this beaut before its release.
I took many many photos in the end and it wasn't easy choosing a favorite. I ended up picking this one because I enjoy the clean background giving an emphasis on the snake and that awesome eye! I hope you guys enjoy!