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ChromeInfotech is a specialist angularJS development company boasting of a large number of successful angular web development projects that have scored million dollar fundings. Through AngularJS, ChromeInfotech focuses on producing attractive and User friendly Apps that will appeal to the masses. Visit:- www.chromeinfotech.net/blog/angularjs-development-company/
Safari 4 is slightly faster than Chrome 4, at least on my machine, but Chrome has a WONDERFUL Developer Tools GUI that I really like. (Safari's got something similar, but I prefer Chrome's)
Safari has better integration with contextual menu tools, bookmarks management, etc.
Chrome has a really small CPU footprint and is fast and clean UI.
Competition is good for all of us.
Online coding bootcamp for C#, Java, and Salesforce developer training. Learn Java and Salesforce or C# .NET in weeks. Online coding bootcamp courses. Learn more here: www.coderversity.com
I decided to compare the four different film developers I've got in stock. They are: HC-110 (dil. B), Pyrocat HD (1+1+100), Rodinal (1+50), and Xtol (replenished stock). This is a comparison of the results. Can you tell which is which? All times were taken from the Massive Dev Chart. Scanned in Vuescan with the multi exposure option checked.
In order, they are:
Top left: Kodak HC-110 (B)
Top right: Agfa Rodinal (1+50)
Bottom left: Pyrocat HD
Bottom right: Kodak Xtol (replenished)
Taken at the Pennsylvania Military Museum in Boalsburg, PA.
Camera: Hasselblad 500C/M
Film: Ilford HP5+
An Ilford HP5+ exposed for 800 ISO film with my Zorki 1 type D (year 1955), Lyon, France, February 5, 2023.
The Zorki camera was loaded with a 36-exposure Ilford HP5+ film, with its leader trimmed for old Leica's. During operations the Industar-22 lens was equipped with a 36mm push-on 1A filter and a generic metal cylindric shade hood.
Expositions were determined for 800 ISO using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas.
Typically the shutter exposure time was 1/200s with diaphragm of F/5.6 to f/11 for a quite cloudy weather.
Quai Romain Rolland, February 5, 2023
69005 Lyon
France
After exposure, the film was processed using Adox Adonal (= Agfa Rodinal) developer at dilution 1+25, 20°C for 8 min according to development data for pushing the HP5+ film to 800 ISO. The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
About the camera and the lens:
This camera is a practically mint sample of Zorki 1 arrived to me in Lyon, France, January 10, 2023.
The camera looked exiting from the KMZ factory in USSR almost 70 years later spent in a time capsule ... with almost no traces of use. According to a custom receipt of July 28, 1955, signed in Vienna, Austria, the camera body and lens are the original matched ones. As for the original FED, FED-Zorki and Zorki's ("ФЭД", "ФЭД-Зоркий", „Зоркий“), the Zorki 1 was a straight legal copy of the Oskar Barnack Leica II after the cancelation of German camera patents following the end of WWII.
This Zorki 1 is a type D model PM1115 (year 1955 according sovietcams.com/index7584.html). Type D Zorki's were produced from 1953 to 1955 in about 250.000 units with serial numbers ranging from #470.000 to (in 1955) #55 45.000. The original lens of this Zorki units is an collapsible lens Industar-22 1:3.5 f=5cm.
In the rear pocket of the ever-ready leather bag was still deposited the Austrian custom receipt from 1955 and a film label of Agfa negative-color CN17 likely from the 60's.
Governor Kay Ivey gave remarks to the Rural Developers Summit Wednesday October 26, 2021 in Montgomery, Ala. (Governor’s Office/ Hal Yeager)
Hooray! Our new Developer Set is online. Check out www.androidicons.com and get 125 icons (7.875 graphics) for only $45.
On Saturday November 29, 2024. I went to Saint-Bonnet-de-Mûre, near Lyon, France for the last monthly meeting of camera collectors. I found there a stunning lens AF-Nikkor 1:1.8 f=85mm for my Nikon F4 (year 1989). There was also the same lens in the "D" version appeared in 1995 with the Nikon F5. "D" stands for "Distance" that is coded in this Nikkor lenses series and used for the 3D-matrix metering of the Nikon F5. I choose better the non-"D" significantly less expensive and that match better with the period of my Nikon F4 body. I found also a nice small Nikon shoulder bag all black, that I found discrete enough to carry the heavy and massive Nikon F4 that weight more than a medium-format camera.
After detailing the lens and checking the correct functioning fitted to the camera, I loaded on Monday December 2, 2024 an
Ilford HP5+ with the DX coded nominal 400 ISO film sensitivity. Due to some other businesses that took longer than expected, I had to wait a couple of days before going quietly to the "Parc de la Tête d'Or" for testing the lens.
The AF Nikkor lens 1:1.8 f=85mm was fitted with a protective Hoya Skylight (1A) 62mm screw-on filter plus its dedicated Nikon HN-23 metal shade hood. For focusing I used either the single autofocus mode or the manual mode on complicated scenes inside the tropical green houses. As for my medium-format sessions, I took a bit of time to note on a session ticket the main parameters (shutter speed, aperture, focusing distance, flash control mode, etc). When indicated, I used also my Nikon Speedlight SB-26 in the TTL mode.
View Nr 2: Body in the "M" mode with spot metering privileging the shadows) giving 1/500s f/5.6, focus @ 20 m.
Parc de la Tête d'Or, December 4, 2024
Anooki **
(Light Festival 2024 preparations)
69006 Lyon
France
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** About the Anooki by Moetu Batlle and David Passegand
Moetu and David met in their design school in Paris, then joined forces in 2000 to create their digital design office. For 20 years, they developed innovative, creative and agile projects for companies, brands, products and institutions looking for a strong identity.
At the same time, they created Anooki, two characters inspired by the Inuit, funny, endearing and impertinent, who would become their creative exploration ground. The artist duo notably produces sound and light shows and exhibitions of monumental inflatable statues in urban spaces. The Anooki travel all over the world and establish themselves as true environmental messengers in Dubai, Osaka, Singapore, kyiv, Torun, Hong Kong, Doha, Taiwan, Shanghai, Geneva, Zagreb, Beijing, etc.
Moetu and David are also the creators of the show "Grand Mix at the Musée des Beaux-Arts de Lyon" in 2022 on the Place des Terreaux. The paintings of the Museum had then made more than 600,000 visitors to the Festival of Lights sing and dance. Their shows have won the Trophée des Lumières 4 times at the Festival of Lights in Lyon.
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After completion at view 37, the film was rewound using the rewinding motor (lever R1 then lever R2). During the film rewind (manual or auto) the view counter decrements and I switched-off the R2 lever just arrived at -2 to keep the leader out of the cartridge. I then processed the film developed using 300 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 6min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta Auto Bellows with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version available of Adobe Lightroom Classic (version 14) and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG's together with some documentary smartphone color pictures.
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About the camera :
Maybe it would have been better not to ask for this question: « what’s new do you have at the moment?» to my local photo store, because Christine grab underneath the counter, stating « I have that … » . What a beast ! A Nikon F4 in the exact state of the Nikon brochure year 1990, presented with the standard AF Nikkor 1:1.4 f=50mm. I was already hooked by the machine. After two days, I decided to buy it even with some little common issues found on early Nikon F4 (see below), fortunately not affecting the whole, numberous functions of this incredibly complex professional SLR of the year 1990’s.
Nikon F4 came to the market on September 1988 starting with the serial number 2.000.000. Fully manufactured in Japan (modules came from 3 different Nikon factories) the F4's were assembled in Mito, Ibaraki (North to Tokyo) Nikon plant (no more in the mother factory of Tokyo Oi like the Nikon’s F). When I lived in Tokyo in 1990-1991, Nikon F4 was the top-of-the-line of Nikon SLR camera’s. I saw it in particular in Shinjuku Bic Camera store when I bought there, in December 1990 my Nikonos V.
Nikon F4 incorporates many astonishing engineering features as the double vertical-travel curtain shutter capable of the 1/8000s. Compared to the Nikon F3, the F4 was an AF SLR operated by a CCD sensor (200 photo sites). The film is automatically loaded, advanced with to top speed of 5,7 frame/s !! With the MB-21 power grip (F4s version). The F4 is a very heavy camera (1.7kg with the AF Nikkor 1.4/50mm), incredibly tough and well constructed. This exemplary is devoid of any scratches or marks, and in a condition proving that it was not used for hard professional appliances, for those it was however intended. The camera has still it original Nikon neck strap, the original user manual in French. The lens is protected by a Cokin (Franc) Skylight 1A 52mm filter and the original Nikon front cap. The two small LCD displays (one on the F4 body, one in the DP-20 finder) are both affected by the classical syndrome of « bleeding ». Fortunately, all information could still be read. One says that 70% of the early Nikon F4 suffer from this problem but also found on other models.
According its serial number and the production rate of about 5000 units/month, this Nikon F4s was probably manufactured in Mito, Ibaraki, Japan in May 1989.
The camera was exported abroad thereafter attested by the presence of the golden oval little sticker("Passed" on the DP-20 viewfinder. In order to certify the quality production, two Japanese organizations, the Japan Camera Industry Institute (JCII) and the Japan Machinery Design Center (JMDC), joined forces to verify and mark the conformity of products for the foreign market. This is how, between the 1950s and 1980s, this famous little gold sticker was affixed, with the legendary "Passed", meaning that the device had been checked. Finally, when we say that the device had been checked, the production line had been checked because each device could not be checked individually.
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About the flash :
I received from a German seller for 50€ this Nikon Speedlight electronic flash SB-26 that was, at the time of Nikon F4, the most powerful dedicated Nikon flash (Guide Number 36 at full power and 100 ISO).
The SB-26 communicates with the Nikon F4 body (and many other Nikon camera's) and can be operated in many different modes including TTL real-time metering with automatic equilibration of the ambient light using the 5-zone matrix metering done by the DP-20 photometric viewer as well in the center-weighted mode. Other possibilities include the normal TTL mode, an Auto mode using the own sensor of the flash and a manual mode with 7 power levels.
The flash head can cover the optical field from super-wide angle lenses 18-20mm, wide-angle lenses 28mm and 35mm, normal lenses 50mm, and long-focal lenses at 70mm and 85mm. The head can be rotated according two axis for indirect lightening. In addition, the SB-26 has a special focusing aid for the Nikon F4 autofocus system, projecting in the the darkness a red focusing image. SB-23 flash can be also used as master or slave flash in a coordinated flash system.
The flash requires 4 AA alkaline cells for approximately 100 lights at full power and much more with energy recycling at lower power levels.
Developer conference & exhibition: Apps World will be returning to North America in 2015 for two days of high level insight and discussion around one of the largest growing industries - mobile apps. Apps World North America will be taking place in the tech capital of San Francisco on May 12-13 at the Moscone Center.
If you want to use any of these photos for anything pls contact Kris (kk@kriskrug.com or 778. 898. 3076)
Built in 1898, this Colonial Revival-style mansion was designed by Esenwein and Johnson for Harlow C. Curtiss, a lawyer and real estate developer, and his wife, Ethel Mann Curtiss. The Curtiss family lived in the house until 1905, when they moved to the newer upscale residential district that was developing along Lincoln Parkway, into a still-standing mansion across from the Larkin family. The house was then sold to Daniel Good, whom established the Seibert-Good Company in Chicago, which merged with the Seymour H. Knox Company of Buffalo in 1905, with Good residing in the house until his death in 1922. The house features a red flemish bond brick exterior, side gable roof, stone trim, belt coursing, and engaged columns, one-over-one double-hung windows, a first floor portico with an architrave featuring triglyphs, eaves with modillions, oxeye attic windows with decorative trim surrounds at the gable ends, and a decorative surround at the northern entry door. The house once featured a second one-story portico at the main entrance, which was later moved to a two-story addition on the south side of the house added when the house was converted to a commercial office building in the mid-20th Century. The house is a contributing structure in the Delaware Avenue Historic District, listed on the National Register of Historic Places in 1974.
Photograph from Great Indian Developer Summit 2010 held in Bangalore, India, 20-23 April 2010, produced by Saltmarch Media. Photograph ©Copyright Saltmarch Media. Non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.
Flex Crash Course led by Adobe's Ted Patrick at the Ribbit Spawn- Sunday, March 16, 2008 - developer.ribbit.com
Trondheim Developer Conference 2016
31 October 2016
@ Clarion Congress, Trondheim
Photo credit: Wil Lee-Wright/trondheimfoto.no
The guy right to me looks really familiar... Eh - could it be him? Steve Ballmer? Okay, he would never drive such a car, but as he is sitting in it, he seems really be annoyed of something....? Might be the DEVELOPERS of the CAR ;-)
An audience of 1000 developers look on at Heroku's Waza 2013 conference at SF Design Concourse on Feb 28, 2013. For more on the conference visit waza.heroku.com/2013