View allAll Photos Tagged Develope
Varese - Scorcio urbano
Aprile 2026
RolleiFlex 2,8C
Schneider-Kreuznach Xenotar 80mm f2,8 + yellow Filter -1 stop
Kentemere 100
Bellini Hydrofen 1+31 x 8 min
Carnivorous nepenthes with perfect pitchers that even have lids to keep the rain out. Rain would dilute the digestive fluid. How did such a perfect system evolve where leaves extend themselves and develope these amazing traps?
Fagnano Olona - Scorcio urbano
Giugno 2025
Hasselblad 500 C/M
Zeiss Distagon 50mm f4 + filtro giallo -1
Kodak Tri-x 400 (expired)
Bellini Hydrofen 1+31 x 8 min
Castano Primo - Cascina Malpaga
Marzo 2024
Rolleiflex 3.5E
Schneider-Kreuznach Xenotar 75mm f3.5 + yellow filter
Fomapan 100
R09 Studio 1+31 x 10 min
Busto Arsizio - Scorcio Urbano
Febbraio 2025
Nikon FE
Nikkor 35mm f2 AI
Fomapan 100
Bellini Hydrofen 1+31 x 9 min
Triumph Herald 12/50 (1962-67) Engine 1147cc S4 OHV Production 53267
Registration Number XAR 262 E (Hertfordshire)
TRIUMPH ALBUM
www.flickr.com/photos/45676495@N05/sets/72157623847263736...
The Herald was launched in 1959, styled by Michelotti, and was offered as a Saloon, Coupe, Convertible and Van. Total sales numbered over 500,000 and the Vitesse, Spitfire and GT6 are all based on the Herald concept. Originally available with a 948cc engine.
Leyland in 1961 releasing resources to further develope the Herald. The car was relaunched in 1961 as the 1200, powered by an 1147cc engine with a single down draught Solex carburettor, and an output of 39bhp
The 12/50 was built alongside the standard 1200 (1962-67) as a Deluxe Herald with an engine of near Spitfire tune. Featuring a high lift camshaft, front disc brakes, luxury trim, padded dash and folding sunroof.
Diolch am 92,031,931 o olygfeydd anhygoel, mae pob un yn cael ei werthfawrogi'n fawr.
Thanks for 92,031,931 amazing views, every one is greatly appreciated.
Shot 17.04.2022 Weston Park (Classic Car Show), Weston-under-Lizard, Salop 157-343
Busto Arsizio 2018-05-12
Leica M2 + VC 35 f1.4 Nokton Classic
Kentmere 100 @ 100
Studional 1+30 x 9 min
Rotazioni 30 sec + 10 sec ogni minuto
Busto Arsizio - Scorcio urbano
Luglio 2021
FujiFilm GA645W - Super EBC Fujinon 45mm f4
Fomapan 100 - Hydrofen 1+39 x 8 min
Castellanza - Scorcio Urbano
Aprile 2025
Rolleiflex 2.8 C
Schneider-Kreuznach Xenotar 80mm f2.8
Rollei Retro 80
Bellini Hydrofen 1+30 x 9 min
Milano - scorcio urbano
Marzo 2023
Hasselblad SWC (1968)
Zeiss Biogon 38 mm f4,5
Kodak T-max 100
R09 Studio 1+30 x 10 min
Camera: Canon Canonet QL17 G III
Film: Kodak Gold 200
Develope: PP Photo Sdn Bhd, Subang.
...erm...obviously the unsuccessful one but...feel love on it...♥...
Busto Arsizio
Settembre 2024
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Rolei Superpan 200 120
Hydrofen 1+30 x 12 min
Hesketh V1000 (1982-84) 992cc Twin
Registration Number KMA 400 Y
HESKETH MOTORCYCLES ALBUM
www.flickr.com/photos/45676495@N05/albums/72157671061988770
Putting a production date on this machine is difficult as production has had more lives than a lucky cat. So here we go with the saga that is Hesketh
Hesketh Motorcycles is a British motorcycle manufacturer, initially based in Daventry and Easton Neston, founded by Alexander, 3rd Lord Hesketh, of Formula One fame, to develop a prototype in 1980. The Hesketh motorcycle was developed on the Easton Neston estate, with the prototype running in the spring of 1980 using a special Weslake engine. The V-twin V1000 offered all sorts of advances; and was the first British bike with four valves per cylinder and twin overhead camshafts. In 1982 a modern purpose-built factory was set up to manufacture the Hesketh V1000 motorcycles in Daventry. The bikes seemed beset with problems from the outset, they proved to be heavy, offer a high riding style, and had reliability issues including overheating, and after only 132 machines had been built the company went into its first receivership in 1982.
In 1983, Lord Hesketh (who had acquired the main rights from the old company's liquidation) formed a new company called Hesleydon Ltd to manufacture a revamped V1000 with a full fairing, called the Vampire. But again the company failed in 1984.
Again revived by Mike Broom the developement rider and a team funded by Lord Hesketh with problems solved and an export certification went on to develop the Vampire after requests for a touring version of the V1000. but with insufficient funds to implement volume production assembly methods, Hesleydon ceased trading, though Broom continued to develope the bike.
In 2006, Broom was forced to leave the premises in Easton Neston after its sale by Lord Hesketh, foecing a relocation to Turweston Aerodrome near Silverstone Circuit. However, just before the move, and at the point where most items were in packing crates, the premises were burgled with total value of £40,000 – including irreplaceable records, tools, and bikes. This slowed progress on the intended small scale production at the new location.
Broom sold his interests in 2010 and a new company Hesketh Motorcycles began developing a limited production machine. In early 2014 Hesketh Motorcycles announced the upcoming release of the Hesketh 24 that would be the first all-new Hesketh model to be produced in some thirty years, taking the models name from the number on James Hunts 1975 Hesketh Formula One car, and also the total intended production number.
Diolch am olygfa anhygoel, 63,657,695 oblogaeth y Lloegr honno dros y Mynyddoedd
Thanks for a stonking 63,657,695 views
Shot 01.01.2018 at Brooklands, Weybridge, Surrey Ref 132-138
Busto Arsizio - Scorcio urbano
Giugno 2025
Canonet G-III QL17
Canon 40 mm f1,7 + filtro giallo -1
Fomapan 100
R09 Studio 1+31 x 10 min
Busto Arsizio - Scorcio Urbano
Luglio 2025
Leica CL
Leitz Summicron-c 40mm f2
Kodak Eastman 5222 double-x 250@200
R09 Studio 1+32 x 7 min
IN ENGLISH BELOW THE LINE
Als peus del turó del castell de Lluçà es troba el obviament anomenat Mas del Castell. Per desgracia, deshabitada, però per mi és una masia d'una volumetria preciosament equilibrada, amb els seus tres cossos.
Placa de col•lodió sec, mètode Major Russell (col•lodió-taní), en format 4x5; realitzat amb una Graflex Crown Graphic fabricada cap al 1951; Graflex Optar f4,7 de 135mm; 5 minuts a f8 (EV 13); revelat 9:30 minuts en acid pirogallic.
Les plaques cobertes amb co•lodió (i anteriorment albuminades, part essencial del procés) es preparen com per a una placa humida usual. En el moment de treure-les del bany de plata, comença la diversió. Cal rentar la placa, sota llum roja, en dues safates d'aigua destilada, i seguidament, submerir-la en una sol•lució d'aigua, taní i etanol. Son uns 10 minutes per placa, en total. Un cop feta la exposició, encara més important el revelat també és per inmersió. Primer s’humidifica la placa seca amb aigua i etanol, i després es submergeix 5 minuts en una solució d’acid pirogalic i citric, amb unes gotes de nitrat de plata. Amb això s’inicia el revelat, però cal afegir més nitrat de plata passats els cinc minuts i usualment fins als 10-12 minuts.
Les plaques de col•lodió sec son força desconegudes però es varen fer servir en paral•lel al més famós col•lodió humit. Eren molt pràctiques per eliminar la necessitat de portar a sobre tots els quimics i una cambra fosca portatil, però com les exposicions son molt llargues, de diversos minuts com a mínim, en queden exclosos els retrats. Aquest tipus de procediment en concret, conegut com a mètode Russell, data de 1861.
cool.culturalheritage.org/albumen/library/monographs/monc...
====================
Just bellow the castle hill in Lluçà, Catalonia, stands the aptly named Mas del Castell ("countryhouse of the castle"). It's an uninhabited Catalan masia, beautiful in it's composition of volumes and it's spartan façade.
Dry collodion plate, Major Russell process (tannin-collodion) in 4x5 format; taken with a Graflex Speed Graphic, made c. 1951; Graflex Optar f4,7 / 135mm lens; exposed for 5 minutes at f8 (EV 13); developed 9:30 minutes in pyrogallic acid.
The dry collodion is a quite convenient "evolution" from the wet collodion, as it allows to go out there without any box of chemicals and a dark box following you. But it never gained more popularity due to it's own problems, like even more complex manipulations and specially much less sensibility, with expositions in the minutes range, limiting it to landscape photography. This method, discovered by Major Russell in 1861, uses tannin to preserve the sensitivity of the plates once dry.
Glass plates covered with collodion (and previously albuminized, an essential part of the process) are prepared as for a usual wet plate. The moment you take them out of the silver bath, the fun begins. The plate must be washed, under red light, in two trays of distilled water, and then immersed in a solution of water, tannin and ethanol. It's about 10 minutes per plate, in total
Once the exposure is made, even more important is to develope also by immersion. First, the dry plate is moistened with water and ethanol, and then immersed for 5 minutes in a solution of pyrogallic and citric acid, with a few drops of silver nitrate. This starts the development, but it is necessary to add more silver nitrate after five minutes and usually up to 10-12 minutes.
cool.culturalheritage.org/albumen/library/monographs/monc...
Busto Arsizio - Scorcio urbano
Novembre 2025
Rolleiflex 3,5E
Schneider-Kreuznach Xenotar 75mm f3.5
Kentmere 100
Bellini Hydrofen 1+31 x 8 min
Roma - scorcio urbano
Maggio 2023
Olympus 35 RD
F.Zuiko 40mm f1,7
Kentmere 400@640
R09 Studio 1+30 x 10 min
Milano Gallaratese - Scorcio urbano
Giugno 2025
Canonet G-III QL17
Canon 40 mm f1,7 + filtro giallo -1
Fomapan 100
R09 Studio 1+31 x 10 min
Canale Villoresi - Tornavento
Gennaio 2023
Hasselblad SWC (1968)
Zeiss Biogon 38 mm f4,5
Rollei SuperPan 200
Bellini Hydrofen 1+30 x 9 min
Milano - CityLife
Febbraio 2022
Hasselblad 500 CM
Zeiss Planar 100 mm f3.5 CT*
Rollei SuperPan 200
Hydrofen 1+30 x 13 min
Milano Centro - Scorcio Urbano
Marzo 2025
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Kodak TMax 100
R09 Studio 1+30 x 10 min
Used to be a dirty but busy port where all ships had to sail pass to reach the shop houses at Boat Quay and clarke quay for business trade, Singapore river is now clean and well develope into a tourist attraction plus financial district after 1970. But some of the old structures are still remain like the cavanagh bridge and the shop houses were evolved into restaurant, pub and bars to attract visitors.
View my photo sets here
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www.flickr.com/photos/fiftymm99macro/
Please note that all the contents in this photostream is copyrighted and protected under the Digital Millennium Copyright Act and the Copyright Act of Singapore, any usage of the images without permission will face liability for the infringement.
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Gallarate - Gennaio 2022
Scorcio Urbano
Hasselblad 500 C/M + Zeiss Distagon 50 mm f4 + yellow filter -0.5
Rollei Retro 400 S @400asa
Bellini Hydrophen 1+30 x 17 min
Castellanza - scorcio urbano
Maggio 2023
RolleiFlex 3,5F
Zeiss Planar 75mm f3,5 + Yellow filter -1.5
Rollei SuperPan 200@200
Bellini Hydrofen 1+30 x 13 min
This juvenile eagle will not develope the white head and tail and yellow bill until their fifth year. View On Black
Feel free to use this photo wherever you want to under following conditions:
You may not distribute it commercially
You may not use it to promote a commercial product, website...
You may not use it in any commercial context.
None of the above conditions apply if you are a charity of any non-political or non-religious kind or a non-profit organisation dedicated to distribute or develope free-software.
negative scanned::Kiev 88::Arsat 80mm f2.8mc::Fujifilm Neopan Acros 100 [ self - develope with khai_nomore ] :: Ciwidey Kawah Putih Bandung Indonesia ::
model - wer -
this pic is influenced by Hiroyuki Furudera
IN ENGLISH BELOW THE LINE / BETTER SEEN LARGE
L'església de Santa Maria d'Ullastrell, del 1908, té un lleuger aire modernista, sobretot al campanar.
Placa de col•lodió sec, mètode Major Russell (col•lodió-taní), en format 4x5; realitzat amb una Graflex Speed Graphic fabricada cap al 1949; objectiu Kodak Anastigmat f4.5; col•lodió barreja i taní; 7 minuts a f5.6 (EV entorn 12).
Mentre anava fent proves de plaques seques de col•lodió, vaig trobar un nou video de Borut Peterlin mostrant aquest procediment, però amb variacions. Vaig adaptar-les al meu sistema de treball i ara les plaques son molt més netes i homogenies.
Bàsicament, el sistema mostrat en aquest video implica una més clara neteja del nitrat de plata i sobretot revelar per inmersió, el que millora el detall i la uniformitat. Les plaques cobertes amb co•lodió (i anteriorment albuminades, part essencial del procés) es preparen com per a una placa humida usual. En el moment de treure-les del bany de plata, comença la diversió. Cal rentar la placa, sota llum roja, en dues safates d'aigua destilada, i seguidament, submerir-la en una sol•lució d'aigua, taní i etanol. Son uns 10 minutes per placa, en total. Un cop feta la exposició, encara més important el revelat també és per inmersió. Primer s’humidifica la placa seca amb aigua i etanol, i després es submergeix 5 minuts en una solució d’acid pirogalic i citric, amb unes gotes de nitrat de plata. Amb això s’inicia el revelat, però cal afegir més nitrat de plata passats els cinc minuts i usualment fins als 10-12 minuts.
Les plaques de col•lodió sec son força desconegudes però es varen fer servir en paral•lel al més famós col•lodió humit. Eren molt pràctiques per eliminar la necessitat de portar a sobre tots els quimics i una cambra fosca portatil, però com les exposicions son molt llargues, de diversos minuts com a mínim, en queden exclosos els retrats.
cool.culturalheritage.org/albumen/library/monographs/monc...
www.youtube.com/watch?v=zjxNoTjOZrc&t=2941s
ca.wikipedia.org/wiki/Santa_Maria_d%27Ullastrell
============================================================================================================
The rather new church of Santa Maria d'Ullastrell, in Catalonia, built in 1908 with a slight patina of art noveau in it.
Dry collodion plate, Major Russell process (tannin-collodion) in 4x5 format; taken with a Graflex Speed Graphic, made c. 1949; Kodak Anastigmat f4.5 lens; recicled collodion and tannin; exposed for 7 minutes at f5.6 (EV 12 or less).
While testing collodion dry plates, I found a new video by Borut Peterlin showing this procedure, but with variations. I adapted them to my work system and now the plates are much cleaner and homogeneous.
Basically, the system shown in this video involves a much intense cleaning of the silver nitrate and especially developing by immersion, which improves detail and uniformity. Plates covered with collodion (and previously albuminized, an essential part of the process) are prepared as for a usual wet plate. The moment you take them out of the silver bath, the fun begins. The plate must be washed, under red light, in two trays of distilled water, and then immersed in a solution of water, tannin and ethanol. It's about 10 minutes per plate, in total
Once the exposure is made, even more important is to develope also by immersion. First, the dry plate is moistened with water and ethanol, and then immersed for 5 minutes in a solution of pyrogallic and citric acid, with a few drops of silver nitrate. This starts the development, but it is necessary to add more silver nitrate after five minutes and usually up to 10-12 minutes.
The dry collodion is a quite convenient "evolution" from the wet collodion, as it allows to go out there without any box of chemicals and a dark box following you. But it never gained more popularity due to it's own problems, like even more complex manipulations and specially much less sensibility, with expositions in the minutes range, limiting it to landscape photography.
cool.culturalheritage.org/albumen/library/monographs/monc...
Busto Arsizio - Giugno 2021
Scorcio urbano
Rolleiflex Planar 3.5 F- Zeiss Planar 75mm f3.5
Fomapan 100 - R09 Studio 1+31 x 10 min
Scorcio Urbano
Busto Arsizio
Novembre 2024
Rolleiflex 3.5E
Schneider-Kreuznach Xenotar 75mm f3.5
Rollei Superpan 200
Bellini Hydrofen 1+30 x 10 min
Scorcio Urbano - Aprile 2019
Urban vision - April 2019
Yashica Mat 66 (1971)
Fomapan 100 @ 100asa
Studional 1+31 x 10min
Milano - Dicembre 2022
Scorcio Urbano
Leica IIIF (1951)
Leitz Elmar 50 f3.5 LTM (1947)
Fomapan 200
R09 Studio 1+31 x 9 min
Gallarate Aprile 2024
Scorcio Urbano
Leica III F
Elmar 50 f3,5 Ltm
Kodak Eastman 5222 Double-x 250asa@200 asa
R09 Studio 1+30 x 7 min
Milano Centro - Scorcio Urbano
Marzo 2025
Hasselblad SWC
Biogon 38mm f4,5
Kodak TMax 100
R09 Studio 1+30 x 10 min
Singer 10 Coupe (1919-24) Engine 1096cc S4 OHV Production 6000 approx
SINGER SET
www.flickr.com/photos/45676495@N05/sets/72157623722487129...
Introduced in 1919 with a straight four side vale engine, overhead valve from 1923, driving through a three speed gearbox and cone clutch.
The Rootes Brothers sales network helped make the model a great sucess from its launch, Rootes finally aquire Singer in 1956. Forty to Fifty a week were being produced by the mid 1920s. Quoted as having a top speed of 50mph and 40mpg, not at the same time,
A Singer Ten special was contested by Lionel Martin before he went on to develope Aston Martin.
Diolch am 77,687,641 o olygfeydd anhygoel, mae pob un yn cael ei werthfawrogi'n fawr.
Thanks for 77,687,641 amazing views, every one is greatly appreciated.
Shot 22.09.2019 at the Birmingham Museum and Art Galleries, Dollman Street Stores open Day 143-1110
Porsche NSU Type 32 Concept (1933)
One of the earliest commissions for the new Porsche design company came from German motorcycle manufacturer Zundapp in 1932 for the design of a small aerodynamic affordable car. The project was very much based on an earlier project for Wanderer and involved Czech designer Hans Ledwinka who had worked on a simular design, albeit for a larger car, on behalf of Tatra. Unfortunately, Zundapp lost interest after early testing. Porsche was allowed to keep all the development work done with Zundapp and, shortly thereafter, he approached another motorcycle company, NSU.
The NSU project took on the Type 32 designation, syled by Erwin Komenda, under the direction of Ferdinand Porsche it retained the rounded back of the Zundapps, but this time, the front was rounded as well.powered by an air-cooled, horizontally-opposed engine at the rear, rather than the water-cooled radial engine of the Zundapp The absence of a radiator meant that there did not need to be a grille and airflow
As is the way with many projects the a contract between NSU and Fiat halted development of the car. However Porsche continued to refine and develope the project which was in turn a starting point for the developement of the Volkswagen Beetle
Many thanks for a fantabulous
49,141,923 views
Shot 25.05.2009 at the Autostadt, Wolfsburg, Germany REF 113-067