View allAll Photos Tagged Develope
Stresa - Isola dei Pescatori
Ottobre 2022
Olympus OM-4
Zuiko OM 21 f3,5 - OM 50 f1,8 - OM 100 f2,8
Rollei Retro 400@400
Bellini Hydrofen 1+30 x 17 min
Legnano - Scorcio urbano
Ottobre 2025
Hasselblad 500 C/M
Zeiss Distagon 50mm f4 + yellow filter -1
Kentemere 100
Bellini Euro HC 1+31 x 5 min
Busto Arsizio - Scorcio Urbano
Rolleicord Vb
Schneider-Kreuznach Xenar 75mm f3.5
Fomapan 100@100
R09 Studio 1+31 x 10 min
View of the Foce in Genova.
Liguria region, Italy.
Testing Agfa Copex film in Spur Dokuspeed SL-N developer.
Shot with a Konica Hexar AF 35mm film camera.
Exposed EI 40, 1/125s F 5.6.
Developed in Spur Dokuspeed SL-N developer Part A 14ml + Part B 10ml + 350ml distilled water, 16.30 minutes at 21°C, first minute constant agitation then 1 inversion every 60 seconds.
Fixed in Moersch ATS alcaline fixer, 2 minutes, first minute constant agitation.
Washed in flowing tap water for 5 minutes.
Scanned to true optical 4000dpi with a custom macro setup, Rodagon 75mm F 4 duplication lens at 0.95:1 ratio, F 4.4 aperture.
Radius 1 sharpening with 0.75 intensity.
Original file available.
Impressive dynamic range and resolution from this film/developer combo at EI 40.
The Konica Hexar AF 35mm lens deserves its good reputation...
Baiedo - Val di Nava (Valsassina) - Maggio 2021
Leica CL
Leica Summicron-c 40mm f2
Agfa APX 100
R09 Studio 1+30 x 9 min
IN ENGLISH BELOW THE LINE / BETTER SEEN LARGE
Placa de col•lodió sec, mètode Russell (col•lodió-taní), en format 4x5; realitzat amb una Graflex Crown Graphic fabricada cap al 1949; objectiu Kodak Anastigmat f4.5; col•lodió barreja i taní; 6 minuts a f5.6 (ev entorn 13).
Mentre anava fent proves de plaques seques de col•lodió, vaig trobar un nou video de Borut Peterlin mostrant aquest procediment, però amb variacions. Vaig adaptar-les al meu sistema de treball i ara les plaques son molt més netes i homogenies.
Bàsicament, el sistema mostrat en aquest video implica una més clara neteja del nitrat de plata i sobretot revelar per inmersió, el que millora el detall i la uniformitat. Les plaques cobertes amb co•lodió (i anteriorment albuminades, part essencial del procés) es preparen com per a una placa humida usual. En el moment de treure-les del bany de plata, comença la diversió. Cal rentar la placa, sota llum roja, en dues safates d'aigua destilada, i seguidament, submerir-la en una sol•lució d'aigua, taní i etanol. Son uns 10 minutes per placa, en total. Un cop feta la exposició, encara més important el revelat també és per inmersió. Primer s’humidifica la placa seca amb aigua i etanol, i després es submergeix 5 minuts en una solució d’acid pirogalic i citric, amb unes gotes de nitrat de plata. Amb això s’inicia el revelat, però cal afegir més nitrat de plata passats els cinc minuts i usualment fins als 10-12 minuts.
Les plaques de col•lodió sec son força desconegudes però es varen fer servir en paral•lel al més famós col•lodió humit. Eren molt pràctiques per eliminar la necessitat de portar a sobre tots els quimics i una cambra fosca portatil, però com les exposicions son molt llargues, de diversos minuts com a mínim, en queden exclosos els retrats.
cool.culturalheritage.org/albumen/library/monographs/monc...
www.youtube.com/watch?v=zjxNoTjOZrc&t=2941s
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Dry collodion plate, Russell process (tanine-collodion) in 4x5 format; taken with a Graflex Crown Graphic, made c. 1949; Kodak Anastigmat f4.5 lens; re-used collodion and tannin; exposed for 6 minutes at f5.6 (ev c. 13).
While testing collodion dry plates, I found a new video by Borut Peterlin showing this procedure, but with variations. I adapted them to my work system and now the plates are much cleaner and homogeneous.
Basically, the system shown in this video involves a much intense cleaning of the silver nitrate and especially developing by immersion, which improves detail and uniformity. Plates covered with collodion (and previously albuminized, an essential part of the process) are prepared as for a usual wet plate. The moment you take them out of the silver bath, the fun begins. The plate must be washed, under red light, in two trays of distilled water, and then immersed in a solution of water, tannin and ethanol. It's about 10 minutes per plate, in total
Once the exposure is made, even more important is to develope also by immersion. First, the dry plate is moistened with water and ethanol, and then immersed for 5 minutes in a solution of pyrogallic and citric acid, with a few drops of silver nitrate. This starts the development, but it is necessary to add more silver nitrate after five minutes and usually up to 10-12 minutes.
The dry collodion is a quite convenient "evolution" from the wet collodion, as it allows to go out there without any box of chemicals and a dark box following you. But it never gained more popularity due to it's own problems, like even more complex manipulations and specially much less sensibility, with expositions in the minutes range, limiting it to landscape photography.
cool.culturalheritage.org/albumen/library/monographs/monc...
Citroen Kegresse Forestiere Autochenille (1931) Engine 1300cc S4
CITROEN SET
www.flickr.com/photos/45676495@N05/sets/72157623776731490...
The Kegresse system is a clever form of the caterpillar tracked drive system. Invented by French born Adolphe Kegresse an engineer who developed the system at the behest of his former employer Czar Nicholas II, who had wanted a means of adapting his cars to drive across deep snow, Rather than using the heavy steel plates of a conventional crawler tractor, Kegresse devised a lighweight system that employed rubber bands running around the bogies driven from the rear axle. patents were duly filed in Russia and in France, and by the onset of the first world war the system had been perfected.
Returning to his native France during the Russian revolution Adolphe Kegresse was introduced to Andre Citroen, who recognised the potential of the system and purchased the sole rights, setting up Societe Citroen-Kegresse-Hinstin to further develope and manufacture it.
One of the systems major advantages is the fact that it does not require a powerful vehicle, and tests were first carried out on an adapted B2 10CV model. These autochenilles (auto caterpillars) were an immeadiate sucess were used by farmers and foresters and for a variety of military uses. A series of expeditions across the undeveloped parts of Asia, America, and Africa was undertaken by Citroën, demonstrating the all-terrain capabilities of these vehicles.
The French Army purchased large numbers of the P17 and P19 halftrack as gun tractors. The Kegresse drive system were also mounted on a large range of armoured vehicles
In World War II, both sides used this system in the war effort. In the 1920s, the U.S. Army purchased several Citroën-Kégresse vehicles for evaluation and then purchased a licence to produce them. This resulted in the Army Ordnance Department building a prototype in 1939. In December 1942, it went into production with the M2 Half Track Car and M3 Half-track versions. The Nazis also captured many of these Citroën half-track vehicles and armored them for their own use
Diolch yn fawr am 68,956,975 o olygfeydd anhygoel, mwynhewch ac arhoswch yn ddiogel
Thank you 68,956,975 amazing views, enjoy and stay safe
Shot 19.10.2018 at Donington Park - the final week of the Donington Collection Ref 137-201
Verona 2018-10-13 - qTp day
Serie analogica raccolta in parallelo con quella digitale
Olympus 35 RD
F.Zuiko 40mm f1,7
Filtro Giallo da 1 stop
Kentemere 100 @ 100 asa
Dev. Studional 1+30 x 9 min
Le altre nel seguente album flic.kr/s/aHsmsmhqWV
Busto Arsizio - Scorcio urbano
Maggio 2025
Olympus 35 RD
F.Zuiko 40mm f1,7 + Filtro giallo -1 stop
Kodak Eastman 5222
Bellini Hydrofen 1+39 x 5,30 min
Focus on what's important
capture the good times
develope from the negatives
and if things don't work out
just take another shot. ♥
上山探路，屏東霧台，喜歡自己的家鄉，Love my hometown Pingtung City of Taiwan.
Leica M6+Leica Summicron 35mm F2+TMAX400+TMAX Develope
Busto Arsizio - scorcio urbano
Gennaio 2023
RolleiFlex 3,5F
Zeiss Planar 75mm f3,5
Kentmere 100-120
R09 Studio 1+30 x 9 min
Summer Shots 2022 (Film bw)
Silvi Marina
Voigtlander VF101 + Color-Skopar 40mm f2,8
Fomapan 100@100 - Bellini Hydrofen 1+31 x 9 min
Castellanza - Maggio 2021
Rolleiflex Planar F 3.5
Zeiss Planar 75mm f3.5 + yellow filter
Bergger 400
R09 Studio 1+31 x 12 min
Busto Arsizio - Scorcio urbano
Luglio 2025
Rolleiflex 3,5E
Schneider-Kreuznach Xenotar 75mm f3.5 + yellow filter -0,5
Rollei Retro 400S
Bellini Hydrofen 1+15 x 8,5 min
Milano City Life
2019-02-04
Olympus XA - F.Zuiko 35mm f2.8
Fomapan 100
Studional 1+31 x 10 min
Le altre in questo album: flic.kr/s/aHsmApmaV6
In 1972, the UCADB was given the task of developing a modern armored fighting vehicle based upon Carpathian state-of-the-art domestic technologies. After many prototypes the design became production-ready in 1980, following 8 years in development. However, the project was cancelled in favor of the Krakkau II, another competitor for the Common Main Battle Tank program as the tank was too advanced for its era and it would have needed many more years to fix its flaws.
The XMBT-2000 Technology Demonstrator was a program funded by the United Carpathians to develope a tank that offered greater Lethality, Protection and Mobility with a number of advanced features. However, these features made the tank expensive and costly to operate.
Under the leadership of UCADB, the XMBT-2000 turret and its systems were developed by DunnMetal and the hull with its systems by Dürer Land Systems.
Mobility
The vehicle has a 2 stage gas turbine engine, the first stage 1000hp with a limited maximum speed of 65km/h and the second stage 1600hp for 80km/h top speed. However, the second stage is only avalaible for limited time to protect the engine as prolonged use would cause overheating and worse fuel economy. This power is coupled with a hydraulic suspension to offer great mobility in any situation. The XMBT-2000 fields an advanced suspension system, which allows for individual control of every bogie on the tracks. This allows the tank to "sit", "stand" and "kneel. "Sitting" gives the tank a lower profile and offers superior handling over roads. "Standing" gives the vehicle higher ground clearance for maneuverability over rough terrain. "Kneeling" augments the angular range in which the tank's gun barrel can elevate and depress, allowing the vehicle to fire its main gun downhill as well as engage low-flying aircraft more effectively. The suspension unit also cushions the chassis from vibrations when travelling over uneven terrain, as the bogies can be adjusted individually on-the-fly.
Lethality
It was planned for the vehicle to be equipped with DunnMetal's experimental 140 mm smoothbore gun, though this had to be abandoned when DunnMetal ceased development because the 120 mm/L65 would be more than adequate to counter prospective armored threats for the foreseeable future. The XMBT-2000 was subsequently reconfigured for the 120 mm/L65, though it is capable of mounting the 140 mm gun with minimum modifications should the need arise.
The tank is equipped with an advanced fire-control system linked to a traditional laser rangefinder and crosswind sensor. The FCS is also linked to an advanced gun stabilizer and trigger-delay mechanism to optimise accuracy while moving in uneven terrain.
Protection
Details of the composite armor of the XMBT-2000 are classified, although the frontal armor has been proven to be effective at defeating the 120 mm APFSDS rounds. Explosive Reactive Armor blocks are also present.
Stats:
XMBT-2000 (3rd generation MBT)
Armor: +2 (Slassow 3 composite armor)
Turret: Classified
Hull: Classified
Armament DunnMetal CW-120 Smoothbore L65 120mm Gun +0
Speed: 80 km/h +1
Reactive Armor: +1
Blowout Compartment: +1
Hydraulics: +1
High Maintenance: -2
Mechanically Complex: -1
Plus Size: -1
Fuel Inefficient: -1
Overheats: -1
NBC protection: +0
Advanced Optics: +0
(Low Combat Endurance with 140mm main gun)
Price: 45₪
Fagnano Olona - Scorcio urbano
Giugno 2025
Rolleiflex 3,5E
Schneider-Kreuznach Xenotar 75mm f3.5 + filtro giallo -1
Fomapan 100
R09 Studio 1+31 x 10 min
Milano - Dicembre 2022
Scorcio Urbano
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Kodak T-max 100
R09 Studio 1+30 x 10 min
Another painting based on an old photo - and another unknown person. I'm guessing the photo dates from somewhere around the mid to late 1920's - maybe early to mid 1930's. I think I am starting to develope a process by which I can select some unusual colors to apply to these old black and white photos. The real test will be if I can come up with a color scheme for another photo (with which I am pleased) using the same process.
Castellanza - Scorcio urbano
Giugno 2025
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Kentemere 100
R09 Studio 1+30 x 9 min
Busto Arsizio - Gennaio 2022
Scorcio Urbano
Leica IIIG
Leitz Elmar 50 f3.5 LTM (1947)
Rollei SuperPan 200
Bellini Hydrofen 1+30 x 13 min
The entry of the university library underground bike park in Freiburg im Breisgau
I edited this picture a lot to develope a very intense, dark atmosphere.
Milano - Gallaratese
Dicembre 2023
Hasselblad 500 CM
Zeiss Distagon 50 mm f4 CT*
Rollei SuperPan 200
Bellini Hydrofen 1+30 x 10 min
Busto Arsizio
Dicembre 2021
Rollei-Magic II - full Auto
Schneider-Kreuznach Xenar 75mm f3.5
Fomapan 100@100 + filtro giallo -1.5
R09 Studio 1+31 x 10 min
Legnano - scorcio urbano
Aprile 2023
Hasselblad 500 CM
Zeiss Planar 100 mm f3.5 CT*
Zeiss Distagon 50 mm f4 CT*
Kentmere 100
R09 Studio 1+30 x 9min
Busto Arsizio - scorcio urbano
Marzo 2023
Petri Color 35 D
C.C. Petri 40mm f2,8
Fomapan 100
Hydrofen 1+31 x 9 min
Busto Arsizio- Scorcio urbano
Maggio 2026
Nikon F2a
Nikkor AIs 28-50 mm f3,5 + filtro giallo -1 Stop
Kodak Eastman 5222 double-x 250 asa
Bellini Euro HC 1+31 x 6 min
Maremma
Orbetello
Giugno 2022
Olympus 35 RD
F.Zuiko 40mm f1,7
Agfa APX 100 @100 + filtro giallo -1 Stop
R09 Studio 1+30 x 9 min
Busto Arsizio - Scorcio urbano
Ottobre 2025
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Kentemere 200
Bellini Euro HC 1+31 x 5,5 min
Silvi Marina (Te) Aprile 2019
Leica CL
Summicron-C 40mm f2
Voigtlander 21mm f4
Kodak T-max100 @ 100 asa
Studional 1+30 x 10 min
Le altre in questo album flic.kr/s/aHsmAMBDxz
One of the delightful and welcome windfalls that we enjoy is the emergence of the occasional stag beetle from the many large logs that we have placed around our small garden .
We use the logs as feeding stations for the garden birds but occasiobally the logs we bring in have beetle larvae. They can take up to six years to develope before emerging as adult beetles.
This morning while cutting the lawn I spotted the fine fellow so grabbed my camera and took a few shots.
We also had a lesser stag beetle emerge so we have been well rewarded.
Here are a few images of the male stag beetle showing his large mandibles.which they use when fighting other males.
This is probably my favorite picture of my wife and probably also my favorite with this camera. It only took me a year to get to this negative and develope it. Please look at it BIG.
Milano - scorcio urbano
Marzo 2023
Hasselblad SWC (1968)
Zeiss Biogon 38 mm f4,5
Kodak T-max 100
R09 Studio 1+30 x 10 min
Busto Arsizio - Scorcio Urbano
Aprile 2025
Rolleiflex 2.8 C
Schneider-Kreuznach Xenotar 80mm f2.8
Kentemere 100
R09 Studio 1+30 x 9 min
Milano - San Siro
Giugno 2023
Scorcio Urbano
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Fomapan 100
R09 Studio 1+31 x 10 min
Busto Arsizio - Scorcio urbano
Cimitero Monumentale - Ampliamento 1970 arch. Ciapparella
Marzo 2026
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Kentmere 100
R09 Studio 1+30 x 9 min
Atri - Scorcio urbano
Agosto 2025
Rolleiflex 3,5E
Schneider-Kreuznach Xenotar 75mm f3.5 + filtro giallo -1
Fomapan 200
R09 Studio 1+30 x 9 min