View allAll Photos Tagged Develope
Jaguar XJ12 Broadspeed (1977) Engine 5343cc V12
JAGUAR SET
www.flickr.com/photos/45676495@N05/sets/72157623671588245...
Built at a tricky time for Jaguar with falling sales and boardroom schisms, the Broadspeed Jaguar was created to contest the European Touring Car Champioships.
Ray Broad of Broadspeed was handed two cars to develope into Touring cars, to tackle tje big engined Ford Capris and BMW CSLs, racing in the ETC. Broads preferance had been to develope the XJS but Jaguar decided the XJ a more suitable candidate, and the 2 door XJC was given the nod over its four door counterpart. The engine was a Jag 5.3-litre V12 (dry sumped from 1977) with racing pistons and independent injection,and an oil cooler but otherwise relatively standard, but the changes that were made created an output of 550bhp, and an ear drum shattering noise, driving through a standard manual gearbox casing with close-ratio gears a racing clutch and a solid mounted, oil-cooled rear axle.
The body was heavily reworked. It was much heavier than its rivals the bodyshells were even acid dipped to strip of some of the weight. But despite efforts to reduce the weight the car was still 1.5 tons after early tests, Lockhead were approached to improve braking and produced some bespoke eight-piston callipers for the front and four pots for the rears. But the cars were beset with problems, despite an excellent driver line up of Dereck Bell, Dave Hobbs and Tim Schenken.
It was the fastest car on the grid, normally racing of pole position and set fastest laps but were simply unreliable and BL pulled the plug.
Diolch am olygfa anhygoel, 64,557,361
oblogaeth y Lloegr honno dros y Mynyddoedd
Thanks for a stonking 64,557,361 views
Shot 05.05.2018 at Donington Historic Festival, Donington Park, Leic Ref 133-178
Milano Centro - Scorcio Urbano
Marzo 2025
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Kodak TMax 100
R09 Studio 1+30 x 10 min
Canale Villoresi - Tornavento
Gennaio 2023
Leica M2
Leitz Summicron-C 40mm f2
Rollei SuperPan 200
Bellini Hydrofen 1+30 x 9 min
Busto Arsizio - Scorcio urbano
Maggio 2025
Rolleiflex 3,5F
Zeiss Planar 75mm f3,5 + yellow filter -1
Fomapan 200
R09 Studio 1+31 x 9 min
Milano Gallaratese - Scorcio urbano
Maggio 2025
Canon P
Jupiter-12 35mm f2,8
Agfa APX 100
Bellini Hydrofen 1+31 x 8 min
Citroen Kegresse Forestiere Autochenille (1931) Engine 1300cc S4
CITROEN SET
www.flickr.com/photos/45676495@N05/sets/72157623776731490...
The Kegresse system is a clever form of the caterpillar tracked drive system. Invented by French born Adolphe Kegresse an engineer who developed the system at the behest of his former employer Czar Nicholas II, who had wanted a means of adapting his cars to drive across deep snow, Rather than using the heavy steel plates of a conventional crawler tractor, Kegresse devised a lighweight system that employed rubber bands running around the bogies driven from the rear axle. patents were duly filed in Russia and in France, and by the onset of the first world war the system had been perfected.
Returning to his native France during the Russian revolution Adolphe Kegresse was introduced to Andre Citroen, who recognised the potential of the system and purchased the sole rights, setting up Societe Citroen-Kegresse-Hinstin to further develope and manufacture it.
One of the systems major advantages is the fact that it does not require a powerful vehicle, and tests were first carried out on an adapted B2 10CV model. These autochenilles (auto caterpillars) were an immeadiate sucess were used by farmers and foresters and for a variety of military uses. A series of expeditions across the undeveloped parts of Asia, America, and Africa was undertaken by Citroën, demonstrating the all-terrain capabilities of these vehicles.
The French Army purchased large numbers of the P17 and P19 halftrack as gun tractors. The Kegresse drive system were also mounted on a large range of armoured vehicles
In World War II, both sides used this system in the war effort. In the 1920s, the U.S. Army purchased several Citroën-Kégresse vehicles for evaluation and then purchased a licence to produce them. This resulted in the Army Ordnance Department building a prototype in 1939. In December 1942, it went into production with the M2 Half Track Car and M3 Half-track versions. The Nazis also captured many of these Citroën half-track vehicles and armored them for their own use
Diolch yn fawr am 68,956,975 o olygfeydd anhygoel, mwynhewch ac arhoswch yn ddiogel
Thank you 68,956,975 amazing views, enjoy and stay safe
Shot 19.10.2018 at Donington Park - the final week of the Donington Collection Ref 137-201
Busto Arsizio
Settembre 2024
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Rolei Superpan 200 120
Hydrofen 1+30 x 12 min
Busto Arsizio - Novembre 2023
Scorcio Urbano
Olympus 35 SP
G.Zuiko 42mm f1,7
Kodak Eastman 5222 Double-x 250@320 asa + yellow filter 1 stop
R09 Studio 1+32 x 8 min
El petit port de Cotlliure, a l'ombra del castell reial.
Foto presa amb una Voigtländer Bessa II del 1951; objectiu Color-Skopar f3.5 de 105mm; rodet Ilford Delta 100, revelada amb HC110 i escanejada amb un Epson V800.
ca.wikipedia.org/wiki/Cotlliure
======================
The tiny but beautiful harbour in Cotlliure, under the shadow of it's royal castle.
Picture taken with a Voigtländer Bessa II made in 1951, lens Color-Skopar f3.5, 105mm; Ilford Delta 100, developed with HC110 and scanned with an Epson V800.
Busto Arsizio - Scorcio Urbano
Aprile 2025
Hasselblad 500 C/M
Distagon 50 mm f4
Fomapan 200
Bellini Hydrofen 1+31 x 10 min
Busto Arsizio - Ottobre 2020
Scorcio Urbano
Hasselblad 500 CM
Zeiss Distagon 60mm f3.5 C T*
Rollei SuperPan 200
Hydrofen 1+15 x 4 min
Another painting based on an old photo - and another unknown person. I'm guessing the photo dates from somewhere around the mid to late 1920's - maybe early to mid 1930's. I think I am starting to develope a process by which I can select some unusual colors to apply to these old black and white photos. The real test will be if I can come up with a color scheme for another photo (with which I am pleased) using the same process.
Busto Arsizio Ottobre 2022
Rolleiflex 3.5F
Zeiss Planar 75mm f3,5
Rollei Retro 80S @ 80asa
Bellini Hydrofen 1+30 x 9 min
Crespi d'Adda 2020-01-02
Hasselblad SWC (1968)
Biogon 38mm f4.5
Rollei SuperPan 200@200 asa
Hydrofen 1+15 x 4 min
Altre immagini in questo album flic.kr/s/aHsmKtU24G
Used to be a dirty but busy port where all ships had to sail pass to reach the shop houses at Boat Quay and clarke quay for business trade, Singapore river is now clean and well develope into a tourist attraction plus financial district after 1970. But some of the old structures are still remain like the cavanagh bridge and the shop houses were evolved into restaurant, pub and bars to attract visitors.
View my photo sets here
www.flickr.com/photos/fiftymm99/sets/
My macro photostream
www.flickr.com/photos/fiftymm99macro/
Please note that all the contents in this photostream is copyrighted and protected under the Digital Millennium Copyright Act and the Copyright Act of Singapore, any usage of the images without permission will face liability for the infringement.
For enquiry, drop me a flickr mail
Monza - Scorcio urbano
Maggio 2025
Canonet G-III QL17
Canon 40 mm f1,7
Kentemere 100
Bellini Hydrofen 1+31 x 8 min
Looked like abandoned, though it may only be neglected and old
Hasselblad 500C/M & Carl Zeiss Planar 2.8/80mm
Ilford PanF+ 50 ASA, standev'd in Rodinal 1+100 for one hour
Milano Centro - Scorcio Urbano
Marzo 2025
Hasselblad SWC
Biogon 38mm f4,5
Kodak TMax 100
R09 Studio 1+30 x 10 min
View of the Foce in Genova.
Liguria region, Italy.
Testing Agfa Copex film in Spur Dokuspeed SL-N developer.
Shot with a Konica Hexar AF 35mm film camera.
Exposed EI 40, 1/125s F 5.6.
Developed in Spur Dokuspeed SL-N developer Part A 14ml + Part B 10ml + 350ml distilled water, 16.30 minutes at 21°C, first minute constant agitation then 1 inversion every 60 seconds.
Fixed in Moersch ATS alcaline fixer, 2 minutes, first minute constant agitation.
Washed in flowing tap water for 5 minutes.
Scanned to true optical 4000dpi with a custom macro setup, Rodagon 75mm F 4 duplication lens at 0.95:1 ratio, F 4.4 aperture.
Radius 1 sharpening with 0.75 intensity.
Original file available.
Impressive dynamic range and resolution from this film/developer combo at EI 40.
The Konica Hexar AF 35mm lens deserves its good reputation...
Busto Arsizio - Dicembre 2022
Scorcio Urbano
Olympus 35 SP
G.Zuiko 42mm f1,7
Rollei SuperPan200
Hydrofen 1+30 x 13 min
This juvenile eagle will not develope the white head and tail and yellow bill until their fifth year. View On Black
Busto Arsizio - Scorcio Urbano
Febbraio 2025
Nikon FE
Nikkor 35mm f2 AI
Fomapan 100
Bellini Hydrofen 1+31 x 9 min
Feel free to use this photo wherever you want to under following conditions:
You may not distribute it commercially
You may not use it to promote a commercial product, website...
You may not use it in any commercial context.
None of the above conditions apply if you are a charity of any non-political or non-religious kind or a non-profit organisation dedicated to distribute or develope free-software.
Busto Arsizio - Scorcio urbano
Luglio 2025
Rolleiflex 3,5E
Schneider-Kreuznach Xenotar 75mm f3.5 + yellow filter -0,5
Rollei Retro 400S
Bellini Hydrofen 1+15 x 8,5 min
negative scanned::Kiev 88::Arsat 80mm f2.8mc::Fujifilm Neopan Acros 100 [ self - develope with khai_nomore ] :: Ciwidey Kawah Putih Bandung Indonesia ::
model - wer -
this pic is influenced by Hiroyuki Furudera
Busto Arsizio - Scorcio Urbano
Aprile 2023
Nikon F2A
Nikkor AI 35mm f2
Rollei SuperPan 200@200
Bellini Hydrofen 1+30 x 13 min
The entry of the university library underground bike park in Freiburg im Breisgau
I edited this picture a lot to develope a very intense, dark atmosphere.
2018-10-07
Lago Maggiore - Isola dei Pescatori
Leica M2
Canon 35mm f2 LTM
VC 21mm f4
Agfa APX100
Dev. Studional 1+30 x 9 min
The other images in this album:
Monza - Scorcio urbano
Maggio 2025
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Kentemere 100
Bellini Hydrofen 1+31 x 8 min
I had a wonderful birthday with lots of love, and I even had time to develope my last analog film.
This is a fujifilm that was saved since 5 years ago...
Here's a link to my last video: www.youtube.com/watch?v=O-7ekyP3iNs
enjoy =)
Busto Arsizio - Scorcio urbano
Maggio 2025
Canon P
Canon 35mm f2
Agfa APX 100
Bellini Hydrofen 1+31 x 8 min
In 1972, the UCADB was given the task of developing a modern armored fighting vehicle based upon Carpathian state-of-the-art domestic technologies. After many prototypes the design became production-ready in 1980, following 8 years in development. However, the project was cancelled in favor of the Krakkau II, another competitor for the Common Main Battle Tank program as the tank was too advanced for its era and it would have needed many more years to fix its flaws.
The XMBT-2000 Technology Demonstrator was a program funded by the United Carpathians to develope a tank that offered greater Lethality, Protection and Mobility with a number of advanced features. However, these features made the tank expensive and costly to operate.
Under the leadership of UCADB, the XMBT-2000 turret and its systems were developed by DunnMetal and the hull with its systems by Dürer Land Systems.
Mobility
The vehicle has a 2 stage gas turbine engine, the first stage 1000hp with a limited maximum speed of 65km/h and the second stage 1600hp for 80km/h top speed. However, the second stage is only avalaible for limited time to protect the engine as prolonged use would cause overheating and worse fuel economy. This power is coupled with a hydraulic suspension to offer great mobility in any situation. The XMBT-2000 fields an advanced suspension system, which allows for individual control of every bogie on the tracks. This allows the tank to "sit", "stand" and "kneel. "Sitting" gives the tank a lower profile and offers superior handling over roads. "Standing" gives the vehicle higher ground clearance for maneuverability over rough terrain. "Kneeling" augments the angular range in which the tank's gun barrel can elevate and depress, allowing the vehicle to fire its main gun downhill as well as engage low-flying aircraft more effectively. The suspension unit also cushions the chassis from vibrations when travelling over uneven terrain, as the bogies can be adjusted individually on-the-fly.
Lethality
It was planned for the vehicle to be equipped with DunnMetal's experimental 140 mm smoothbore gun, though this had to be abandoned when DunnMetal ceased development because the 120 mm/L65 would be more than adequate to counter prospective armored threats for the foreseeable future. The XMBT-2000 was subsequently reconfigured for the 120 mm/L65, though it is capable of mounting the 140 mm gun with minimum modifications should the need arise.
The tank is equipped with an advanced fire-control system linked to a traditional laser rangefinder and crosswind sensor. The FCS is also linked to an advanced gun stabilizer and trigger-delay mechanism to optimise accuracy while moving in uneven terrain.
Protection
Details of the composite armor of the XMBT-2000 are classified, although the frontal armor has been proven to be effective at defeating the 120 mm APFSDS rounds. Explosive Reactive Armor blocks are also present.
Stats:
XMBT-2000 (3rd generation MBT)
Armor: +2 (Slassow 3 composite armor)
Turret: Classified
Hull: Classified
Armament DunnMetal CW-120 Smoothbore L65 120mm Gun +0
Speed: 80 km/h +1
Reactive Armor: +1
Blowout Compartment: +1
Hydraulics: +1
High Maintenance: -2
Mechanically Complex: -1
Plus Size: -1
Fuel Inefficient: -1
Overheats: -1
NBC protection: +0
Advanced Optics: +0
(Low Combat Endurance with 140mm main gun)
Price: 45₪
Castellanza - Scorcio Urbano
(test Nikomat ELW + Nikkor NC auto 24mm f/2.8)
Marzo 2022
Nikon Nikomat ELW
Nikkor NC auto 24mm f/2.8
Kentmere 100
Bellini Hydrofen 1+31 x 8 min
Verona 2018-10-13 - qTp day
Serie analogica raccolta in parallelo con quella digitale
Olympus 35 RD
F.Zuiko 40mm f1,7
Filtro Giallo da 1 stop
Kentemere 100 @ 100 asa
Dev. Studional 1+30 x 9 min
Le altre nel seguente album flic.kr/s/aHsmsmhqWV
Castellanza - Scorcio urbano
Giugno 2025
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Kentemere 100
R09 Studio 1+30 x 9 min
Castiglione Olona
Ottobre 2023
Hasselblad 500 CM
Zeiss Distagon 50 mm f4 CT*
Rollei SuperPan 200
Bellini Hydrofen 1+30 x 10 min
Two Southern Elephant Seals (Mirounga leonina) practice their fighting techniques on a Gold Harbor Beach on South Georgia. They will need these skills later when they mature.
上山探路，屏東霧台，喜歡自己的家鄉，Love my hometown Pingtung City of Taiwan.
Leica M6+Leica Summicron 35mm F2+TMAX400+TMAX Develope
IN ENGLISH BELOW THE LINE
El cementiri de Sabadell, amb un detall certament mortuori.
Placa de col•lodió sec, mètode Major Russell (col•lodió-taní), en format 4x5; realitzat amb una Graflex Crown Graphic fabricada cap al 1951; Graflex Optar f4,7 de 135mm; 2 minuts a f4.7 (EV 13.5). Aquesta placa en concret fou oblidada per mí durant mesos o quasi un any en una caixa fosca i vaig provar-la just per veure si funcionava, i realment ha anat prou bé, considerant el temps que portava feta. I a sobre sembla que és de les que vaig fer amb goma aràbiga en comptes de taní, que m'han costat més de fer servir (tot i que son molt més convenients i ràpides, si van bé).
Les plaques cobertes amb co•lodió (i anteriorment albuminades, part essencial del procés) es preparen com per a una placa humida usual. En el moment de treure-les del bany de plata, comença la diversió. Cal rentar la placa, sota llum roja, en dues safates d'aigua destilada, i seguidament, submerir-la en una sol•lució d'aigua, taní i etanol. Son uns 10 minutes per placa, en total. Un cop feta la exposició, encara més important el revelat també és per inmersió. Primer s’humidifica la placa seca amb aigua i etanol, i després es submergeix 5 minuts en una solució d’acid pirogalic i citric, amb unes gotes de nitrat de plata. Amb això s’inicia el revelat, però cal afegir més nitrat de plata passats els cinc minuts i usualment fins als 10-12 minuts.
Les plaques de col•lodió sec son força desconegudes però es varen fer servir en paral•lel al més famós col•lodió humit. Eren molt pràctiques per eliminar la necessitat de portar a sobre tots els quimics i una cambra fosca portatil, però com les exposicions son molt llargues, de diversos minuts com a mínim, en queden exclosos els retrats. Aquest tipus de procediment en concret, conegut com a mètode Russell, data de 1861.
cool.culturalheritage.org/albumen/library/monographs/monc...
ca.wikipedia.org/wiki/Sant_Corneli_de_Collbat%C3%B3
==============================================
The a deadly detail in the cemetery of my hometown, Sabadell.
Dry collodion plate, Major Russell process (tannin-collodion) in 4x5 format; taken with a Graflex Crown Graphic, made c. 1951; Graflex Optar f4,7 de 135mm lens; exposed for 2 minutes at f4.7 (EV 13.5). This particular plate was very "old" (that is, months or even a full year), and I used it just to see if it worked, and IT DID! And even more it was a gum arabic collodion dry plate, not a tannin one, as noted by myself in it, althoug I can't recall the exact details of manufacture.
The dry collodion is a quite convenient "evolution" from the wet collodion, as it allows to go out there without any box of chemicals and a dark box following you. But it never gained more popularity due to it's own problems, like even more complex manipulations and specially much less sensibility, with expositions in the minutes range, limiting it to landscape photography. This method, discovered by Major Russell in 1861, uses tannin to preserve the sensitivity of the plates once dry.
Glass plates covered with collodion (and previously albuminized, an essential part of the process) are prepared as for a usual wet plate. The moment you take them out of the silver bath, the fun begins. The plate must be washed, under red light, in two trays of distilled water, and then immersed in a solution of water, tannin and ethanol. It's about 10 minutes per plate, in total
Once the exposure is made, even more important is to develope also by immersion. First, the dry plate is moistened with water and ethanol, and then immersed for 5 minutes in a solution of pyrogallic and citric acid, with a few drops of silver nitrate. This starts the development, but it is necessary to add more silver nitrate after five minutes and usually up to 10-12 minutes.
cool.culturalheritage.org/albumen/library/monographs/monc...