View allAll Photos Tagged Develope
Busto Arsizio - Scorcio Urbano
Febbraio 2025
Nikon FE
Nikkor 35mm f2 AI
Fomapan 100
Bellini Hydrofen 1+31 x 9 min
Milano Centro - Scorcio Urbano
Marzo 2025
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Kodak TMax 100
R09 Studio 1+30 x 10 min
2018-10-07
Lago Maggiore - Isola dei Pescatori
Leica M2
Canon 35mm f2 LTM
VC 21mm f4
Agfa APX100
Dev. Studional 1+30 x 9 min
The other images in this album:
Busto Arsizio - Febbraio 2021
Scorcio Urbano
Hasselblad 500 CM
Zeiss Distangon 50 mm f4 CT*
Rollei SuperPan 200
Hydrofen 1+30 x 8 min
Jaguar XJ12 Broadspeed (1977) Engine 5343cc V12
JAGUAR SET
www.flickr.com/photos/45676495@N05/sets/72157623671588245...
Built at a tricky time for Jaguar with falling sales and boardroom schisms, the Broadspeed Jaguar was created to contest the European Touring Car Champioships.
Ray Broad of Broadspeed was handed two cars to develope into Touring cars, to tackle tje big engined Ford Capris and BMW CSLs, racing in the ETC. Broads preferance had been to develope the XJS but Jaguar decided the XJ a more suitable candidate, and the 2 door XJC was given the nod over its four door counterpart. The engine was a Jag 5.3-litre V12 (dry sumped from 1977) with racing pistons and independent injection,and an oil cooler but otherwise relatively standard, but the changes that were made created an output of 550bhp, and an ear drum shattering noise, driving through a standard manual gearbox casing with close-ratio gears a racing clutch and a solid mounted, oil-cooled rear axle.
The body was heavily reworked. It was much heavier than its rivals the bodyshells were even acid dipped to strip of some of the weight. But despite efforts to reduce the weight the car was still 1.5 tons after early tests, Lockhead were approached to improve braking and produced some bespoke eight-piston callipers for the front and four pots for the rears. But the cars were beset with problems, despite an excellent driver line up of Dereck Bell, Dave Hobbs and Tim Schenken.
It was the fastest car on the grid, normally racing of pole position and set fastest laps but were simply unreliable and BL pulled the plug.
Diolch am olygfa anhygoel, 64,557,361
oblogaeth y Lloegr honno dros y Mynyddoedd
Thanks for a stonking 64,557,361 views
Shot 05.05.2018 at Donington Historic Festival, Donington Park, Leic Ref 133-178
Busto Arsizio
Scorcio Urbano
Canon IIS2 LM (1955)
Canon 50 mm F1,8 LTM + Filtro giallo -1 stop
Kentemere 100
Bellini Hydrofen 1+31 x 8 min
Busto Arsizio - Gallarate
Gennaio 2019
Leica M5
VC 21mm f4 m39
Kodak Eastman Double-x 5222
Studional 1+31 x 7 min
Album flic.kr/s/aHsmwTUVDV
Two Southern Elephant Seals (Mirounga leonina) practice their fighting techniques on a Gold Harbor Beach on South Georgia. They will need these skills later when they mature.
Busto Arsizio- Scorcio urbano
Maggio 2026
Nikon F2a
Nikkor AIs 28-50 mm f3,5 + filtro giallo -1 Stop
Kodak Eastman 5222 double-x 250 asa
Bellini Euro HC 1+31 x 6 min
Busto Arsizio Ottobre 2022
Rolleiflex 3.5F
Zeiss Planar 75mm f3,5
Rollei Retro 80S @ 80asa
Bellini Hydrofen 1+30 x 9 min
Busto Arsizio 08-202 - Test Distagon 60
Hasselblad 500 c/m (1973)
Zeiss Distagon 60mm f3.5 C T* (1981)
Ilford Delta 100 (expired 2017)
Studional 1+30 x 12 min
Busto Arsizio - Scorcio urbano
Cimitero Monumentale - Ampliamento 1970 arch. Ciapparella
Marzo 2026
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Kentmere 100
R09 Studio 1+30 x 9 min
Busto Arsizio- Scorcio urbano
Maggio 2026
Nikon F2a
Nikkor AIs 28-50 mm f3,5 + filtro giallo -1 Stop
Kodak Eastman 5222 double-x 250 asa
Bellini Euro HC 1+31 x 6 min
At Sapporo City in Hokkaido.
Bessa-T
Voigtlănder NOKTON classic 40㎜ F1.4
Kodak Tri-X 400TX Pro
lab develope
A rare find, the rhinoceros beetle. Their larvae can often be found in garden compost. If you find a large white grub that sometimes bends like a half moon, in your compost, please cover it with soil and leave it alone. It can take up to five years for a larvae to fully develope. Please also report your find to the local nature conservation organisation, or a governmental institution. It is good to send a picture as well. It´s important to gather as much information about theirs range as possible, to develope conservation strategies.
Man sieht sie nur noch selten, die Nashornkäfer. Ihre Larven, auch Engerlinge genannt, leben oft im Garten-Kompost. Wenn ihr also große weiße, oft zum Halbmond eingekringelte Larven findet, dann deckt sie bitte wieder vorsichtig zu. Die Entwicklung der Larven kann bis zu 5 Jahre dauern!
Bitte meldet euren Fund bei eurer NABU-Ortgruppe, oder der für euren Bereich zuständigen unteren Naturschutzbehörde. Ein Bild ist dabei sehr hilfreich. Die Daten sind unheimlich wichtig um den leider sehr geringen Bestand zu ermitteln.
Busto Arsizio - scorcio urbano
Giugno 2023
Leica M5
Leica Summicron-c 40mm f2
Leica Elmarit-m 28mm f2,8 ASPH
Kodak Eastman double-x 5222 250 asa@200 asa
R09 Studio 1+31 x 7 min
Busto Arsizio - Ottobre 2020
Scorcio Urbano
Hasselblad 500 CM
Zeiss Distagon 60mm f3.5 C T*
Rollei SuperPan 200
Hydrofen 1+15 x 4 min
IN ENGLISH BELOW THE LINE
El cementiri de Sabadell.
Placa de col•lodió sec, mètode Major Russell (col•lodió Lea 3-tanÃ), en format 4x5; realitzat amb una Graflex Crown Graphic fabricada cap al 1951; Graflex Optar f4,7 de 135mm; 3:15 minuts a f8 (EV 13,2).
Les plaques cobertes amb co•lodió (i anteriorment albuminades, part essencial del procés) es preparen com per a una placa humida usual. En el moment de treure-les del bany de plata, comença la diversió. Cal rentar la placa, sota llum roja, en dues safates d'aigua destilada, i seguidament, submerir-la en una sol•lució d'aigua, tanà i etanol. Son uns 10 minutes per placa, en total. Un cop feta la exposició, encara més important el revelat també és per inmersió. Primer s’humidifica la placa seca amb aigua i etanol, i després es submergeix 5 minuts en una solució d’acid pirogalic i citric, amb unes gotes de nitrat de plata. Amb això s’inicia el revelat, però cal afegir més nitrat de plata passats els cinc minuts i usualment fins als 10-12 minuts.
Les plaques de col•lodió sec son força desconegudes però es varen fer servir en paral•lel al més famós col•lodió humit. Eren molt prà ctiques per eliminar la necessitat de portar a sobre tots els quimics i una cambra fosca portatil, però com les exposicions son molt llargues, de diversos minuts com a mÃnim, en queden exclosos els retrats. Aquest tipus de procediment en concret, conegut com a mètode Russell, data de 1861.
cool.culturalheritage.org/albumen/library/monographs/monc...
ca.wikipedia.org/wiki/Sant_Corneli_de_Collbat%C3%B3
====================
The cemetery of my hometown, Sabadell.
Dry collodion plate, Major Russell process (tannin-Lea 3 collodion) in 4x5 format; taken with a Graflex Crown Graphic, made c. 1951; Graflex Optar f4,7 de 135mm lens; exposed for 3:15 minutes at f8 (EV 13,2)
The dry collodion is a quite convenient "evolution" from the wet collodion, as it allows to go out there without any box of chemicals and a dark box following you. But it never gained more popularity due to it's own problems, like even more complex manipulations and specially much less sensibility, with expositions in the minutes range, limiting it to landscape photography. This method, discovered by Major Russell in 1861, uses tannin to preserve the sensitivity of the plates once dry.
Glass plates covered with collodion (and previously albuminized, an essential part of the process) are prepared as for a usual wet plate. The moment you take them out of the silver bath, the fun begins. The plate must be washed, under red light, in two trays of distilled water, and then immersed in a solution of water, tannin and ethanol. It's about 10 minutes per plate, in total
Once the exposure is made, even more important is to develope also by immersion. First, the dry plate is moistened with water and ethanol, and then immersed for 5 minutes in a solution of pyrogallic and citric acid, with a few drops of silver nitrate. This starts the development, but it is necessary to add more silver nitrate after five minutes and usually up to 10-12 minutes.
cool.culturalheritage.org/albumen/library/monographs/monc...
Verona 2018-10-13 - qTp day
Serie analogica raccolta in parallelo con quella digitale
Olympus 35 RD
F.Zuiko 40mm f1,7
Filtro Giallo da 1 stop
Kentemere 100 @ 100 asa
Dev. Studional 1+30 x 9 min
Le altre nel seguente album flic.kr/s/aHsmsmhqWV
Busto Arsizio - Scorcio urbano
Maggio 2025
Rolleiflex 3,5F
Zeiss Planar 75mm f3,5 + yellow filter -1
Fomapan 200
R09 Studio 1+31 x 9 min
Busto Arsizio - Scorcio Urbano
Aprile 2025
Rolleiflex 2.8 C
Schneider-Kreuznach Xenotar 80mm f2.8
Kentemere 100
R09 Studio 1+30 x 9 min
Busto Arsizio - Dicembre 2020
Scorcio Urbano
FujiFilm GSW690 III
EBC Fujinon-SW 65mm f5,6
Fomapan 100
Hydrofen 1+39 x 8 min
Legnano - Scorcio Urbano
Aprile 2024
Hasselblad SWC
Zeiss Biogon 38 mm f4.5
Rollei Retro 80 S
Bellini Hydrofen 1+30 x 9 min
the next impression of a memorable skiing day. This is a view besides the ski slopes. It's at the top of the ridge at the edge of a forrest, where skiing tracks cuts the fresh powder. It's really a new opportunity to have always a camera with me, also during skiing.
The post processing with the Sigma Photo Pro (Raw Converter) opens a new form of expression. Sigma promotes a more natural look using there cameras and software. The automatic picture optimization setup, gives a good base for further refinement. Somehow it is different to develope a sigma raw in comparison with a nikon raw. There is no need to brighten the shadows, and no trouble with blown out highlights. I found pleasure with better contrast and the deep black tones here. It seems to me the result looks more natural, it's really near an analog film touch.
Forte di Fenestrelle
09-09-2018
Oltre alla serie digitale ( flic.kr/s/aHsmsnW9Lv ) propongo la versione analogica che, secondo me, rende meglio la sensazione di oppressione mista ad appagamento per gli splendidi paesaggi.
Olympus OM-2n
OM Zuiko 21 f3,5 - OM Zuiko 35 f2,8 - OM Zuiko 50 f1,8 - OM Zuiko 100 f2,8
Fomapan 100
Dev. STudional 1+30 x 9 min
Busto Arsizio- Scorcio urbano
Maggio 2026
Nikon F2a
Nikkor AIs 28-50 mm f3,5 + filtro giallo -1 Stop
Kodak Eastman 5222 double-x 250 asa
Bellini Euro HC 1+31 x 6 min
Busto Arsizio - Scorcio urbano
Cimitero Monumentale - Ampliamento 1970 arch. Ciapparella
Marzo 2026
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Kentmere 100
R09 Studio 1+30 x 9 min
Castellanza - Maggio 2021
Rolleiflex Planar F 3.5
Zeiss Planar 75mm f3.5 + yellow filter
Bergger 400
R09 Studio 1+31 x 12 min
Busto Arsizio
Marzo 2022
Rollei-Magic II - full Auto
Schneider-Kreuznach Xenar 75mm f3.5 + filtro giallo -1
Fomapan 100@100 - R09 Studio 1+31 x 10 min
More experiments with hand drawn type, really liking this way of working and hope to develope more ways of working type into my illustrations! enjoy for now!!
Volvo 360 GLT (1976-91) Engine 1986cc S4 OHV 106bhp
Production 1,086,405
Registration Number F 760 OPM (Guildford)
VOLVO SET
www.flickr.com/photos/45676495@N05/sets/72157623738795351...
The Volvo 300 Series is a rear-wheel-drive small family car sold from 1976 to 1991, both as a hatchback and (from 1984) as a conventional notchback saloon. Designed by John de Vries
DAF needed to seak a partner to help develope the new model for the market, intending to call it a DAF77, and approached BMW, Audi and Volvo to no avail. Volvo who had originally been dissuaded by the costs involved, took a second look encouraged by a ready access to Renault engines which would drastically reduce the costs of new Volvo models and the benifits of producing cars in the Netherlands, giving them an open market to the EEC, of which Sweden was not a part. Volvo purchased a one-third share in DAF in 1973, increasing to a three-quarters stake in 1975; the DAF company's name was changed to Volvo Car BV that year.freeing DAF to concentrate on their truck division.
The 340 along with the larger engined 360, began as a three and five door Hatchback, with the Saloon added in 1983.
Featuring Renault engines of 1397cc (70-72bhp) and 1721cc (80bhp) in the 340. and 1986 (92-115bhp) engines in the 360 all matched to five speed gearboxes, with De Dion layout at the rear. This 2-litre 360 model was available in five-door and three-door hatchback form, with four-door "notchback" saloon models added in 1984. Trim levels were GL, GLE, or GLT, depending on output and specifications.
Thanks for a stunning 60,125,087 views
Diolch am olygfa anhygoel, 60,125,087 dros bedair miliwn yn fwy na phoblogaeth y Lloegr honno dros y Mynyddoedd
Shot 28.05.2017 at the Smallwood Vintage Rally, Love Lane Farm, Betchton, Sandbach REF 127-253
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Busto Arsizio
Cimitero Monumentale - Ampliamento 1970 arch. Ciapparella
Settembre 2022
Hasselblad SWC (1968)
Zeiss Biogon 38 mm f4,5
Rollei SuperPan 200
Bellini Hydrofen 1+30 x 13 min
Busto Arsizio - Scorcio urbano
Maggio 2025
Canon P
Canon 35mm f2
Agfa APX 100
Bellini Hydrofen 1+31 x 8 min
Busto Arsizio - Settembre 2022
Cimitero Monumentale - Ampliamento 1970 arch. Ciapparella
Nikon FE
Nikkor AI 20mm f4
NIikkor-H 50mm f2
Rollei SuperPan 200
Bellini Hydrofen 1+30 x 13 min
Atri 2022 (Film bw)
Olympus OM-2n + Zuiko OM Zoom 28-48 mm f4,0
Kentmere100 135/36 @ 100 - Bellini Hydrofen 1+31 x 9 min
Milano - Dicembre 2022
Scorcio Urbano
Leica IIIF (1951)
Leitz Elmar 50 f3.5 LTM (1947)
Fomapan 200
R09 Studio 1+31 x 9 min