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Samburu warrior with traditional hairdress joining a wedding ceremony in a village near Archers Post, Northern Kenya.
Between the age of about 15 and 30 young Samburu men are traditionally known as "morans". After the circumcision ceremony the Samburu boys enter the age grade "moran", the Maasai word for "warrior". During this life stage they live separated in the bush or they move to special moran manyattas. They learn the tribal customs and develope their strength, courage and endurance. The morans stop cutting their hair at the age of 15. They dye their long hair with red ochre and also decorate themselves with necklaces and feathers.
The Samburu are semi-nomadic pastoralists in Northern Kenya and they are closely related to the Maasai people. They speak Samburu, a language which is derived from Maa and very similar to the language of the Maasai.
Website: Dietmar Temps, photography
Busto Arsizio - Scorcio urbano
Marzo 2026
Canon P
Canon 35mm f2 LTM
Kentemere 200
Bellini Euro HC 1+39 x 5,5 min
back to reality... no onlookers, no photgraphers, just me posing infront of my bathroom mirror.
Sometimes feeling silly and sad becuse I am still to scared to get out of my closet.
fortunately I have all my wonderful Flickr-Friends... THANK YOU ALL for helping me to develope some self confidence.
Celine
Castellanza - Scorcio Urbano
Aprile 2025
Rolleiflex 2.8 C
Schneider-Kreuznach Xenotar 80mm f2.8
(double exp)
Rollei Retro 80
Bellini Hydrofen 1+30 x 9 min
IN ENGLISH BELOW THE LINE
Vistes de les minses ruïnes del castell de Lluçà, que dona nom a la comarca del Lluçanès, que s'ha de constituir oficialment d'aquí a poc, després d'una lllaaaarg temps.
Aquí foren senyors d'aquestes terres els Lluçà (fundadors del castell, de qui agafa el nom, en llatí castro Luziano), els Saportella, els Fenollet, els Pinós i els Peguera.
El castell ja és teoricament documentat el 905 (tot i que aquests documents tant antics sovint son falsos d'època medieval mateix), i fou destruit en època de la guerra dels Remences, al s. XV.
Placa de col•lodió sec, mètode Major Russell (col•lodió-taní), en format 4x5; realitzat amb una Graflex Crown Graphic fabricada cap al 1951; Graflex Optar f4,7 de 135mm; 4 minuts a f8 (EV 13,6); revelat 9 minuts en acid pirogallic.
Les plaques cobertes amb co•lodió (i anteriorment albuminades, part essencial del procés) es preparen com per a una placa humida usual. En el moment de treure-les del bany de plata, comença la diversió. Cal rentar la placa, sota llum roja, en dues safates d'aigua destilada, i seguidament, submerir-la en una sol•lució d'aigua, taní i etanol. Son uns 10 minutes per placa, en total. Un cop feta la exposició, encara més important el revelat també és per inmersió. Primer s’humidifica la placa seca amb aigua i etanol, i després es submergeix 5 minuts en una solució d’acid pirogalic i citric, amb unes gotes de nitrat de plata. Amb això s’inicia el revelat, però cal afegir més nitrat de plata passats els cinc minuts i usualment fins als 10-12 minuts.
Les plaques de col•lodió sec son força desconegudes però es varen fer servir en paral•lel al més famós col•lodió humit. Eren molt pràctiques per eliminar la necessitat de portar a sobre tots els quimics i una cambra fosca portatil, però com les exposicions son molt llargues, de diversos minuts com a mínim, en queden exclosos els retrats. Aquest tipus de procediment en concret, conegut com a mètode Russell, data de 1861.
cool.culturalheritage.org/albumen/library/monographs/monc...
ca.wikipedia.org/wiki/Castell_de_Llu%C3%A7%C3%A0
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Views of the meager ruins of the castle of Lluçà, which gives its name to the "comarca" of Lluçanès, which will be officially established shortly, after a very long time. It's located in central Catalonia.
Here the Lluçà (founders of the castle, from whom it takes its name, in Latin castro Luziano), the Saportellas, the Fenollet, the Pinós and the Peguera, were lords of these lands. There were constant legal and armed conflicts between the barons, the crown and the peasants.
The castle is already theoretically documented in 905 (although these very old documents are often false from the medieval period itself), and was destroyed during the War of the Remences (a peasant uprising in Catalonia), in the later XV Century.
Dry collodion plate, Major Russell process (tannin-collodion) in 4x5 format; taken with a Graflex Speed Graphic, made c. 1951; Graflex Optar f4,7 de 135mm lens; exposed for 4 minutes at f8 (EV 13,6); developed 9 minutes in pyrogallic acid.
The dry collodion is a quite convenient "evolution" from the wet collodion, as it allows to go out there without any box of chemicals and a dark box following you. But it never gained more popularity due to it's own problems, like even more complex manipulations and specially much less sensibility, with expositions in the minutes range, limiting it to landscape photography. This method, discovered by Major Russell in 1861, uses tannin to preserve the sensitivity of the plates once dry.
Glass plates covered with collodion (and previously albuminized, an essential part of the process) are prepared as for a usual wet plate. The moment you take them out of the silver bath, the fun begins. The plate must be washed, under red light, in two trays of distilled water, and then immersed in a solution of water, tannin and ethanol. It's about 10 minutes per plate, in total
Once the exposure is made, even more important is to develope also by immersion. First, the dry plate is moistened with water and ethanol, and then immersed for 5 minutes in a solution of pyrogallic and citric acid, with a few drops of silver nitrate. This starts the development, but it is necessary to add more silver nitrate after five minutes and usually up to 10-12 minutes.
cool.culturalheritage.org/albumen/library/monographs/monc...
Milano 2019-09-14
Street
Hasselblad Super Wide C (1968)
Biogon 38mm f4.5
Fomapan 100
Hydrofen 1+39 x 8 min
Other shots in this album
Milano - CityLife
Febbraio 2022
Hasselblad SWC
Zeiss Biogon 38 mm f4.5
Rollei SuperPan 200
Hydrofen 1+30 x 13 min
Busto Arsizio - scorcio urbano
Gennaio 2023
RolleiFlex 3,5F
Zeiss Planar 75mm f3,5
Kentmere 100-120
R09 Studio 1+30 x 9 min
Double-exp
Busto Arsizio - Scorcio urbano
Luglio 2025
Rolleiflex 3,5E
Schneider-Kreuznach Xenotar 75mm f3.5 + yellow filter -0,5
Rollei Retro 400S
Bellini Hydrofen 1+15 x 8,5 min
Legnano
Ottobre 2022
Leica CL
Leitz Elmarit-m 28mm f2,8 ASPH - Leitz Summicron-c 40mm f2
FomaPan 100@100
R09 Studio 1+31 x 10 min
Busto Arsizio - Scorcio Urbano
Febbraio 2025
Nikon FE
Nikkor 35mm f2 AI
Fomapan 100
Bellini Hydrofen 1+31 x 9 min
"READ" create my fanpage on facebook i would love you support [www.facebook.com/ronnygarciaphotography]
Instagram _ronnygarcia
Have been really difficult shot those days, but i'm trying to make the time to do it! Have some ideas that hope to develope in those days!
I had this idea for so long, i think that everybody had said good bye to someone who really loved in his life, and isn't a easy thing at all.
Hope u like it!
Varese - Scorcio urbano
Aprile 2026
RolleiFlex 2,8C
Schneider-Kreuznach Xenotar 80mm f2,8 + yellow Filter -1 stop
Kentemere 100
Bellini Hydrofen 1+31 x 8 min
Busto Arsizio - Scorcio urbano
Cimitero Monumentale - Ampliamento 1970 arch. Ciapparella
Marzo 2026
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Kentmere 100
R09 Studio 1+30 x 9 min
Busto Arsizio - Gennaio 2022
Scorcio Urbano (same places - another film and equipment)
Hasselblad SWC
Zeiss Biogon 38mm f4,5
Bergger Pancro 400
R09 one shot 1+25 x 8 min
Maggio 2023
Milano - Scorcio Urbano
Olympus OM-4
Zuiko OM Zoom 28-48 mm f4,0
Kodak Eastman 5222 @250 asa
R09 Studio 1+31 x 8 min
Milano Gallaratese - Scorcio urbano
Maggio 2025
Canon P
Jupiter-12 35mm f2,8
Agfa APX 100
Bellini Hydrofen 1+31 x 8 min
Forte di Fenestrelle
09-09-2018
Oltre alla serie digitale ( flic.kr/s/aHsmsnW9Lv ) propongo la versione analogica che, secondo me, rende meglio la sensazione di oppressione mista ad appagamento per gli splendidi paesaggi.
Olympus OM-2n
OM Zuiko 21 f3,5 - OM Zuiko 35 f2,8 - OM Zuiko 50 f1,8 - OM Zuiko 100 f2,8
Fomapan 100
Dev. STudional 1+30 x 9 min
Milano 2019-09
Scorci Urbani
Leica CL
Elmarit 28mm f2.8 ASPH
Summicron 40mm f2
Agfa APX100
Studional 1+30 x 9 min
Busto Arsizio - Scorcio Urbano
Febbraio 2025
Nikon FE
Nikkor 35mm f2 AI
Fomapan 100
Bellini Hydrofen 1+31 x 9 min
Busto Arsizio
Settembre 2024
FujiFilm GA645W
Super EBC Fujinon 45mm f4
Rolei Superpan 200 120
Hydrofen 1+30 x 12 min
Castellanza - Maggio 2021
Hasselblad SWC
Zeiss Biogon 38 mm f4.5 + yellow filter
Bergger 400
R09 Studio 1+31 x 12 min
Busto Arsizio Ottobre 2022
Rolleiflex 3.5F
Zeiss Planar 75mm f3,5
Rollei Retro 80S @ 80asa
Bellini Hydrofen 1+30 x 9 min
Busto Arsizio - Scorcio urbano
Febbraio 2026
RolleiFlex 3,5F
Zeiss Planar 75mm f3,5 + yellow filter -1
Rollei Retro 400S
Bellini Hydrofen 1+15 x 8,5 min
recently acquired a Kodak recomar 18 which had a film inside. kodak panatomic x pro. decided to develope the film and this was 1 of 2 images that came out, its of Padstow harbour and i think looking at the cars its from the early 80s,
developed in ID11 for 9mins
the old customs house is still there today.
Simca 1000 (1961-78) Engine 1294cc S4 OHV 82PS
Production 1,642,091
Registration Number CEP 710 V (Swansea)
SIMCA ALBUM
www.flickr.com/photos/45676495@N05/albums/72157623722482265
The origins of the Simca 1000 lie not in France but in Italy. Simca’s President-director general, Henri Pigozzi, had been born in Turin and was a freind of Fiat’s founder, Giovanni Agnelli, and Fiat had been Simcas majority shareholder until 1963. Fiat engineer engineer Dante Giacosa had started to develope a larger replacement for the Fiat 600 and had developed six different clays and mock ups Pigozzi obtained the agreement of the Fiat directors to select one of the six different designs that then comprised the output of “Project 122” to be developed into Simca’s new small car.
The "Simca Mille" (as the car is called in French) was inexpensive and, at the time of launch, quite modern, with a brand-new inline-four water-cooled "Poissy engine" of 944cc Production began on 27 July 1961, with the official unveiling taking place at the Paris Motorshow. Over the course of time, the 1000 was available in a number of versions featuring different equipment levels and variations of the original Type 315 engine.In late 1968 the low cost Simca 4 CV appeared with a 777cc engine, The 1000 engine was updated simultaneously, it was now called the type 349. At the top end of the range, the 1118 cc unit and finally he 1294 cc "Poissy engine", used in the bigger 1300, found its way into the little 1000 in the early 1970s
Diolch am 76,276,569 o olygfeydd anhygoel, mae pob un yn cael ei werthfawrogi'n fawr.
Thanks for 76,276,569 amazing views, every one is greatly appreciated.
Shot 21.07.2019 at , Ashover Classic Car Show, Ashover, Derbyshire 143-575
Castano Primo - Cascina Malpaga
Marzo 2024
Rolleiflex 3.5E
Schneider-Kreuznach Xenotar 75mm f3.5 + yellow filter
Fomapan 100
R09 Studio 1+31 x 10 min
This is a fine Arts Macro project.
I have been asked a few times on the important of snapping Macro shoots, especially Roses. My reply is that there is no secret after all. You must remember that the word "Freedom"!!
Freedom To Create
Freedom To imagine
Freedom To innovate
Freedom To express
Freedom To dream
It is very important for all to form a vivid impression of the subject's you suppose to shoot 1st, then plan ahead the step need ed to achieve your goal.
Picaso or Andy Warhol or the Xu Bei Hong 俆悲鸿 or Zhang Da Chien 张大千just self create individual. I strong believe; you have your own mind set & characters. Therefore, you need to bring out your very best.
I totally disagreed with the saying of "Empowerment". My explanation is that, you are the master of your own destiny; you don't need other people to empower you in order for you to excel.
I careless what people say... so long that I know deep down in my heart that my art is truely the best creation, that is great enough.
Looking @ the Rose above; I grown it ; I did A..Z!! I converse with it... Then I wait for the sun at the right angle & then I snap over 50 shots. There are a few time some european photographers group said why my work blur & .... I just ignor them.
But I always tell my fans' & students' that all of you must develope your own style & characters, I am sure someday you too can surpass Picaso....
My rathional for the above is that, if you just want to see the flower, go to the garden or buy some from the shop & look @ it. But here, I am exhibiting my works of art rather then just a rose.
You would discover the various details & beauty of this image like I do.
Anyway, do enjoy....
Thank you for your continueing support & inspiration.
I deeply appreciate it.
Busto Arsizio - Scorcio Urbano
Aprile 2024
Nikon FE
Nikkor AIS 28-50mm f3.5 + yellow filter 2 stop
Rollei Retro 400 S
R09 Studio 1+31 x 17 min
Varese - Scorcio urbano
Aprile 2026
RolleiFlex 2,8C
Schneider-Kreuznach Xenotar 80mm f2,8 + yellow Filter -1 stop
Kentemere 100
Bellini Hydrofen 1+31 x 8 min
Carnivorous nepenthes with perfect pitchers that even have lids to keep the rain out. Rain would dilute the digestive fluid. How did such a perfect system evolve where leaves extend themselves and develope these amazing traps?