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Für Silke eine schöne Zeit
20170920_8228afsrhttps://www.flickr.com/photos/flute-1964/48243262272/in/photostream/
The Celine flagship store, located in the Ginza district of Tokyo, is part of a 15-storey retail development by Yoshio Taniguchi. The traditional Japanese Noren screen is referenced to develop a facade made from over 2000 hand-made glazed ceramic pieces, arranged in a pattern to create different degrees of transparency.
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Design Team at Casper Mueller Kneer: Marianne Mueller, Olaf Kneer, George Barer, Vicente Hernandez, Kyung Tae Jung, Sabrina Rothe
Der Celine Flagship Store im Tokioter Stadtteil Ginza ist Teil einer 15-stöckigen Einzelhandelsentwicklung von Yoshio Taniguchi. Der traditionelle japanische Noren-Bildschirm wird als Referenz für die Entwicklung einer Fassade aus über 2000 handgefertigten glasierten Keramikteilen verwendet, die in einem Muster angeordnet sind, um unterschiedliche Transparenzgrade zu erzeugen.
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Designteam bei Casper Mueller Kneer: Marianne Müller, Olaf Kneer, George Barer, Vicente Hernandez, Kyung Tae Jung, Sabrina Rothe.
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Die neue Wehrhahnlinie Düsseldorf
Alle Bahnhöfe der Wehrhahn-Linie wurden nach einem klaren Designkonzept gebaut. Dazu gehören markante Lichtschächte, die das natürliche Tageslicht bis zu den Bahnsteigen vordringen lassen, und eine dem Sicherheitsmuster des Reisepasses nachempfundene Gestaltung der Betonoberflächen. Die Gestaltung der unterirdischen Welt wurde in einem Wettbewerb ausgeschrieben - und vom jungen Darmstädter Designteam "Netzwerk-Architekten" gewonnen. Auch Künstler waren von Anfang an beteiligt.
Visitenkarten der Landeshauptstadt
Symbolfoto zum Thema
Manuel Frankes 'Achat' - Kunst für den U-Bahnhof Graf-Adolf-Platz.
"Die U-Bahnhöfe der neuen Wehrhahn-Linie in Düsseldorf sollen Visitenkarten der nordrhein-westfälischen Landeshauptstadt werden und durch ihre Gestaltung zum Verweilen einladen", sagte Oberbürgermeister Joachim Erwin bei der Vorstellung der Ergebnisse des international ausgeschriebenen Wettbewerbs. Bestimmend für den Entwurf des Siegerteams: Sie begreifen die Wehrhahn-Linie als eine Art "unterirdisches Kontinuum", das sich durch die Stadt schlängelt. Dabei sind die Bahnhöfe Aufweitungen des Tunnels, die über oberirdische Einschnitte mit dem Stadtraum verbunden sind: gestaltet als großer, trichterförmiger Raum wie eine Lupe, die ihren Lichtkegel ins Dunkel wirft. Weitere Kennzeichen: eine Beleuchtung mit asymmetrischen Wand- und Deckenflutern, die die Bahnhöfe in einem gleichmäßigen Licht schimmern lässt. Darüber hinaus sind die Stationen leicht einsehbar und bieten somit einfache Orientierung.
Faszinierende Atmosphäre
Die Jury unter dem Vorsitz des Kölner Architekten Walter von Lom war sich einig: Das zukunftsweisende Konzept der Darmstädter wird bei den Fahrgästen großen Anklang finden. Die Experten lobten den Entwurf der "Netzwerk-Architekten" als unterirdische Inszenierung einer wunderbaren U-Bahnwelt und als durchgehend hervorragende Arbeit. Das Design entzöge sich dem Zeitgeist und habe somit über lange Zeit Gültigkeit.
Kunst von Anfang an Bestandteil der Planung
Mit dem Architekturwettbewerb hat die Stadt Düsseldorf Neuland betreten. Denn bereits von Anfang an wurden Künstler in alle Planungsüberlegungen einbezogen. Schließlich sollte die künstlerische Gestaltung nicht den architektonischen Vorgaben folgen, sondern direkt Bestandteil der Planungsüberlegungen sein. Zum Siegerteam aus Darmstadt gehören Philip Schiffer, Jochen Schuh, Markus Schwieger, Thilo Höhne, Karim Scharabi und Oliver Witan. Für die künstlerische Gestaltung zeichnet die Düsseldorferin Heike Klussman und für die Lichtplanung der Heidelberger Uwe Belzner verantwortlich.
Love Forever,
I'm so into light colors with little hints of color, I rummaged around my scrap paper bins and found lots of white and cream little pieces to sew onto my page. Splattered some paint and I think my page is complete.
...Oh! and I am soooo in love with ttv photos right now. Love-love-love :)
This mural has been on this Christchurch multi-story car park for years, but I was not able to photograph it recently because it was in the earthquake red zone for a while. Now it can be accessed again and hopefully what is in my opinion is the best multi-story car park in the world will be on the repair column rather than the demolish.
This is on the eastern side of the Christchurch car park. It shows the red tick, which is like the logo for the building.
We have procured a vintage Fisher Price PXL2000 video camera. We're thinking of moving to Fisher Price for all our hardware needs.
Julian's work is just fab. He builds the most beautiful worlds. Check out his site for some great behind the scenes.
made for Prima Mrketing design team; Prima & Tattered Angels BLOG HOP!!!
you can win :)
prima.typepad.com/prima/2011/09/its-a-prima-tattered-ange...
my FIRST brown layout ever!!!
made for Prima Marketing design team - September PPP
prima.typepad.com/prima/2011/09/september-bap-ppp.html#co...
Our approach has always been one that embraces collaboration as a fundamental part of what we do.
Over the last ten years we have worked with highly talented individuals, teams and companies from all over the world that help bring our vision to life.
Join the Dots is a celebration of the spirit of collaboration.
A simple idea. A consistent frame for a multitude of work. A single dot, each representing one collaborator, each a connection to another.
Each collaborator is given a template of a dot in a fixed position on an A2 portrait poster. Each interpreted this in their own way.
These are the first 25. There will be 100 in total and be collated into a book and exhibition.
Thanks to all that have contributed so far and for those that are still to come.
Fun image we pulled from a Sci Fi project created last year. Might be a good opening spread in our retrospective book.
Created for us by Jeff Wack one of the great artists we collaborated with at Debut Art.
Danielle, Alaina's babysitter that moved away 2 years ago, is coming out for a visit and I wanted to make her a little box of cute stuff. I framed a photo of both kids, and Alaina added a flower and some drawings. :) So-so-so excited to see that girl again, it's been months since our last visit.
A few logo animations from Grant Gilbert. These form part of the graphics package for the new FIve look. They help glue together the channel elements.
Our approach has always been one that embraces collaboration as a fundamental part of what we do.
Over the last ten years we have worked with highly talented individuals, teams and companies from all over the world that help bring our vision to life.
Join the Dots is a celebration of the spirit of collaboration.
A simple idea. A consistent frame for a multitude of work. A single dot, each representing one collaborator, each a connection to another.
Each collaborator is given a template of a dot in a fixed position on an A2 portrait poster. Each interpreted this in their own way.
These are the first 25. There will be 100 in total and be collated into a book and exhibition.
Thanks to all that have contributed so far and for those that are still to come.
inspired by Marcy Penner layout:
made for Prima Marketing design team; December PPP:
prima.typepad.com/prima/2011/12/december-prima-product-pi...
Very. This is Si's desktop. All icons are replaced by grey boxes as the horrible 'friendly' Apple software icons slowly drive him mad.
made for Color Conspiracy design team :: my colour palette for May
colorsconspiracy.typepad.com/colorsconspiracy/2012/05/cha...
We're working on a design system for a new client. It will include a large amount of information graphics so we're spending a bit of time playing around with styles.
The very excellent Stephen Johnston is underway designing our DixonBaxi retrospective book. The aim is to publish early next year.
Our approach has always been one that embraces collaboration as a fundamental part of what we do.
Over the last ten years we have worked with highly talented individuals, teams and companies from all over the world that help bring our vision to life.
Join the Dots is a celebration of the spirit of collaboration.
A simple idea. A consistent frame for a multitude of work. A single dot, each representing one collaborator, each a connection to another.
Each collaborator is given a template of a dot in a fixed position on an A2 portrait poster. Each interpreted this in their own way.
These are the first 25. There will be 100 in total and be collated into a book and exhibition.
Thanks to all that have contributed so far and for those that are still to come.