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We're hoping [with fingers crossed] the preeminent John Walters is going to provide the books introduction.
Taken for JMU Technology & Design by Sloane Gartner. All rights reserved. No usage without permission.
Our approach has always been one that embraces collaboration as a fundamental part of what we do.
Over the last ten years we have worked with highly talented individuals, teams and companies from all over the world that help bring our vision to life.
Join the Dots is a celebration of the spirit of collaboration.
A simple idea. A consistent frame for a multitude of work. A single dot, each representing one collaborator, each a connection to another.
Each collaborator is given a template of a dot in a fixed position on an A2 portrait poster. Each interpreted this in their own way.
These are the first 25. There will be 100 in total and be collated into a book and exhibition.
Thanks to all that have contributed so far and for those that are still to come.
Bis heute gilt der GT als Ikone der Automobilgeschichte. Selbst im Hier und Jetzt inspiriert der bahnbrechende Sportwagen noch unser Designteam.
© GM Company.
This is what we got when we mixed a Yorkshire accent with a voice recognition search for 'dixonbaxi' on the iPad. Not for the faint hearted.
Our approach has always been one that embraces collaboration as a fundamental part of what we do.
Over the last ten years we have worked with highly talented individuals, teams and companies from all over the world that help bring our vision to life.
Join the Dots is a celebration of the spirit of collaboration.
A simple idea. A consistent frame for a multitude of work. A single dot, each representing one collaborator, each a connection to another.
Each collaborator is given a template of a dot in a fixed position on an A2 portrait poster. Each interpreted this in their own way.
These are the first 25. There will be 100 in total and be collated into a book and exhibition.
Thanks to all that have contributed so far and for those that are still to come.
Our cameraman on the shoot was Julian Whatley. Extremely handy with any camera he pitched himself deep into the project hanging from helicopters, speed boats and racing cars. He even had time for a couple of scraps with nightclub bouncers.
Our very own Cop car to play with. Shooting in Brooklyn.
We spent the afternoon in the local bar Montero - despite a nautical theme it's a throwback to the classic bars of 70s Scorsese films.
It appear magazine articles are like buses. Our feature in Creative Arts landed today. It looks at our brand new rebrand for 13th Street.
www.computerarts.co.uk/about_us/latest_issue/computer_art...