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Street design that encoruages people on bikes to ride on sidewalks or go against the flow of traffic are counter to a Complete Street system.
These photos are compiled from work I did with Mosaic church in Los Angeles during the construction of the statue which represented the Earth element in Mosaic's series on their core values.
You can find the series through their podcast in the iTunes store by searching mosaic audio podcast or by going to mosaic.org.
I had the great honor of working with incredible artists involved in the community of Mosaic.
Special thanks to Rachel Brown (rachelbrownart.com), Cooper (sparkanddowel.com), and Alberto Moises for leading this craftsmen tribe.
Featured on gaileguevara.blogspot.com/
TORONTO - 2007 INTERIOR DESIGN SHOW
Photography provided by www.interiordesignshow.com/2007/thankyou/
L’École de design et sa plateforme dédiée à la culture numérique READi Design Lab renouvelle son soutien à l’événement phare de l’économie numérique à Nantes (3-5 juin 2015) avec l’organisation de deux séries de conférences animées par ses anciens : Pierrick Thébault (Lead Designer AXA) sur la conception de services à l’ère des algorithmes prédictifs, Inès Le Bihan et Valentin Gauffre sur la French touch dans le design des objets connectés.
Une programmation de pointe pour une édition à vocation internationale.
Ad for a children's science fair. Bi-Lo Supermarkets. Fun take on what might be included in the competition. See more of my work at www.pattersonvisual.com or call 864.907.1320
Erin Gibson, Heulyn Welsby, Rachel Vaughan, Gareth Harris, Ashleigh Jones, Elysia Henry, Sandi Ja, Jiahui Wang, Gemma Barton, Becca Rees, Lauren Williams, Ophelia Brawn, Olivia Madley, Amy Robins, Victoria Lewis, Alice Ciereszko, Victoria Sayer - Interior Design students (model release forms in folder)
Web design for Jade, summer 2012.
Some colour and miscellany added to enhance the summer images.
Again the main element are the product pictures.
Simple and elegant with a clean structure.
Exclusive aster**** visual index photoshoot for astermagazine.com on August 22, 2010 in Chino Hills, California of Fall/Winter Parachutes Collection by Victor Wilde of Bohemian Society; Line Rep: T&A Showroom Los Angeles, California, Make-up/Hair: Kasie Yu, Model: Bianca Ornelas, Photographer: Aldo Padilla, Photographer Assistants: Hugo Avina & Natalie Padilla.
Web design for Jade, summer 2012.
Some colour and miscellany added to enhance the summer images.
Again the main element are the product pictures.
Simple and elegant with a clean structure.
Pupils from Bethune Park Primary, Tilbury Primary and Ganton Special School will be moving into their brand new building in September 2012.
12 months before they do they had the opportunity to sign some of the steel structures of the building.
Christopher Pickering Primary School is being built by Balfour Beatty as part of the £400m Building Schools for the Future programme in Hull. The school was designed by _Space Architects and will cost £12million.
To find out more about the school please visit buildingourfuture.org.uk/christopher-pickering
Interior Home Bar Design Cool HD
Interior Home Bar Design Cool HD, 1024 x 1538, 183 KB, www.newhouseofart.com/home-ideas/home-bar-designs/
The Retune Festival is a biennial event at the intersection of art, design, and technology. In its fifth edition, Retune brought together almost 700 intrepid minds across 2 days.
27th-28th September 2018,
Berlin, Germany
Instagram, Facebook & Twitter: @retuneberlin
Founded in 1970, Arcosanti is an arcology designed in the Brutalist style by Paolo Soleri to serve as a self-sufficient community on a desert mesa near Cordes Lakes, Arizona. The buildings that comprise the complex, despite being a work-in-progress, were mostly built between 1971 and 1980, with more sporadic work on a few portions of the complex being completed as recently as 2008. The complex is the result of the design philosophy of Soleri, being an example of his theory of an arcology, combining ecology with architecture, making a dense, self-sufficient community that works with the natural landscape, and an alternative to urban sprawl and more conventional development patterns. Soleri guided the project until his death at the age of 92 in 2013, with further phases of construction being planned. However, Arcosanti has struggled to grow beyond a commune of 150 people, taking on a form and size comparable to a traditional pre-industrial rural village, rather than a town or city with thousands of residents as envisioned by Soleri. Most residents of Arcosanti are like-minded, which is required for the community’s ability to function and operate, and consist primarily of artists, environmentalists, farmers, and sustainability advocates, whom each contribute their skills to the community. In addition to the permanent residents, temporary residents whom spend five weeks attending workshops at the site. Despite its shortcomings, Arcosanti’s relationship to the surrounding environment, radical approach in design, philosophical background, and self-sufficiency are key points that are valuable to consider when designing buildings for sustainability and environmental consciousness, along with being an excellent example of Brutalism, which harmonizes nicely with the surrounding desert landscape.
The buildings at Arcosanti include the boxy, rectilinear Visitor Center, which appears like a medieval tower rising from the edge of the Mesa, with an open pier foundation that provides shelter to visitors entering and exiting the Visitor Trail, the half-domes for the Ceramics Studio and Metallurgy Foundry, various resident apartments, which demonstrate varying exterior characteristics, a barrel vaulted canopy over the central plaza, known as the vaults, a laboratory that houses a greenhouse and woodshed, allowing for food to be grown more efficiently and for items to be crafted by residents, the East Crescent, which contains resident housing and surrounds a central amphitheater. The site also features a swimming pool, gardens, resident cabins, which mostly date to the first stages of construction in the early 1970s, a self-contained wastewater management system, and guest rooms for visitors. The main complex of buildings are arranged at the edge of a mesa, overlooking a canyon, with smaller buildings located further down into the canyon and in the bottomlands along the Agua Fria River.
Arcosanti provides a counterpoint to the modern development pattern, one that is more sensitive and respectful to the landscape and the natural environment, and a design that fosters a strong sense of community, all of which are lacking from most new development being built today. Residents are able to quickly walk to work and to amenities within the community, reducing the dependency on cars and mechanized transportation. Additionally, buildings are designed to be energy efficient, incorporating passive strategies for thermal regulation and lighting. The complex, owned by the Cosanti foundation, remains a work in progress, with only ten percent of the proposed buildings being complete, and cover a very small area of the larger property owned by the foundation, with most of the land being left in its natural state or utilized for agriculture. Tours are available for visitors, along with overnight stays in the guest rooms at the complex, and the complex continues to house and foster a tight-knit, vibrant community.
The Post War Yarnold Sanger Guard Post is reminiscent of the World War II Norcon Pillbox it's made of cast concrete sections rather than sections of pipe. Named after it's inventor and manufactured by the Arc Co. The standard design consists of five sections, a floor, two blank sections, a loopholed section and a roof. Extra sections can be added for extra height or added loophole sizes. Halved wall sections can be added to provide a protective screen around the entrance. Banked up earth to loophole level with an access trench gave further protection. Normally a free standing sentry/guard post sited near gateways, they were often painted white, green or camouflage colours. They were used by all three forces, those who regularly stood on guard never complained of their vulnerability, but how cold they were inside !
The Remote Radar Head Neatishead (RRH Neatishead), is an air defence radar site operated by the Royal Air Force (RAF). Originally known as Royal Air Force Station Neatishead, or commonly RAF Neatishead, it was established during the World War II, and consists of the main technical site located at Neatishead, together with a number of remote, and sometimes unmanned sites.
The station motto is Caelum Tuemur, meaning ''We Watch over the Sky''. The station badge depicts the lowered head of a horned bull; and relates to the origins of the word 'Neatishead', meaning 'the vassal's household'. RAF Neatishead was previously 'parented' (for administrative and support functions) by the nearby RAF Coltishall (a fighter station latterly operating four squadrons of the ground-attack SEPECAT Jaguar). Following the closure of RAF Coltishall in 2006, RRH Neatishead became parented by RAF Marham in West Norfolk.
When RAF Neatishead was first established, its primary function was as a 'Control and Reporting Centre' (CRC) for the south of the United Kingdom. Equipment previously located in the base included: Type 7 GCI, AN/FPS-6 height finding radar, Type 80 'Green Garlic' radar, Type 84 radar, Type 85 'Blue Yeoman' radar, 3 Decca (later Plessey) HF200 height finding radars, and a R15 radar.
On 16th February 1966, a fire broke out in the bunker, RAF station fire teams were unsuccessful in putting the fire out and so local civilian fire crews were called. Three civilian firefighters died and the fire burned for nine days before it was fully extinguished. Later that year, LAC Cheeseman was sentenced to seven years for starting the fire and causing the deaths. The station was closed for eight years, re-opening in 1974 after a major rebuild of the bunker complex.
The operational nature of the work undertaken at Neatishead was transferred to the previously mothballed site at RAF Bawdsey in 1966, with Bawdsey reverting to a care and maintenance programme when Neatishead came back on line in 1974. In November 1982, Group Captain Joan Hopkins took command of the station, becoming the first female RAF officer to take command of an operational station. During July 1990 the Type 85 radar was decommissioned after 23 years of use, it was replaced by the Type 93.
In April 2004, the decision was taken to substantially reduce activities at RAF Neatishead, and by 2006, the base had been downgraded from an RAF station to Remote Radar Head (RRH) status, but its adjacent museum remains open. Its former gate guardian, a F-4 Phantom previously based at RAF Wattisham, was cut up for scrap in 2005 despite interest from the Radar Museum. In October 2006, local news media reported that a buyer had been found for the now disused section of the base. The 25½ acres site was advertised again in January 2010, with an asking price of £4,000,000. The site was subsequently purchased for an undisclosed amount by Zimbabwean-born British entrepreneur William Sachiti.
RRH Neatishead controls the remote site of RRH Trimingham with its Lockheed TPS 77 radar. It forms part of the UK's air defences – namely the UK 'Air Surveillance And Control System' (ASACS), and is part of the larger NATO air defence. RRH Neatishead is adjacent to the RAF Air Defence Radar Museum. In July 2022, it was announced that the radar equipment at RAF Trimingham would be moved 8 miles to the RRH Neatishead site due to the threat of coastal erosion, and the increased interference experienced by radar operators from the off-shore wind turbines; the move was completed by the end of 2023.
Information sourced from – en.m.wikipedia.org/wiki/RAF_Neatishead
The living space is exactly where you host your guests, relax or watch Tv so it need to be trendy. Basic styles could give you the modern day appear that you aspire, just study the following suggestions meticulously:
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This past March, Object Design League acted as host for the first time, presenting Third Space, a collaborative, exchange-based project by students at Emily Carr University and The School of the Art Institute of Chicago. The students traded open-ended instructions with the goal of constructing a space somewhere between home and work.
box/tavolino contenitore laccato bicolore della serie da interni skipintro
design: triplan
cliente: colavene
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