View allAll Photos Tagged Demuth,
Taken on the 1985 Manx Rally (i think) could be Hannu Mikkola of Harold Demuth, not to sure,im sure someone will...
I picked up Ozmo's dog license at the Palm Springs Animal Shelter, then went across the street for a walk around Demuth Park.
- Lëtzebuerger Lidderchouer
- Räpzodi
- Les élèves de la formation vocale des chorales de Sylvie Serra du Conservatoire de Luxembourg
Christophe Nanquette, piano
Marc Demuth, contrebasse
Boris Dinev, percussion
Direction: Jean-Paul Majerus
CONCERT ARTIKUSS 30 Mai 2017
Piano: Christophe Nanquette
Contrebasse: Marc Demuth
Percussion: Boris Dinev
Direction: Jean-Philippe Billmann
Photography: by valwagner.lu
© 2017 Kenneth DeMuth
This image is not be used in any advertisements, emails, commercial materials, products, or promotions without my expressed, written approval.
© 2016 Kenneth DeMuth
This image is not be used in any advertisements, emails, commercial materials, products, or promotions without my expressed, written approval.
Tool: 3d Pen (CC Better)
Material: Polyactid Acid (PLA) and Cold Porcelain
Color: Black
Size: 70 x 70 x 23 cm.
Figures painted with a 3d Pen and formed with a burning butt.
While running errands this afternoon, as I drove through Demuth Park, I found the 3 Palm Springs Noodles next to the Senior Center. I stopped and took a few photos.
When Darek got home this evening we loaded the furbys into the car and took them to the Vet IQ in La Quinta for their canine influenza shots.
Winter Park
© 2017 Kenneth DeMuth
This image is not be used in any advertisements, emails, commercial materials, products, or promotions without my expressed, written approval.
Christine Demuth in "A Young Lady of Property" at Rep Stage directed by Michael Stebbins; photo by Stan Barouh
Christine Demuth, Erica Lauren McLaughlin in "A Young Lady of Property" at Rep Stage directed by Michael Stebbins; photo by Stan Barouh
1928
Oil, graphite, ink, and gold leaf on paperboard (Upson board)
Metropolitan Museum of Art
Alfred Stieglitz Collection
The Great Figure
Among the rain
and lights
I saw the figure 5
in gold
on a red
firetruck
moving
tense
unheeded
to gong clangs
siren howls
and wheels rumbling
through the dark city.
~ William Carlos Williams ~
My Egypt
1927
Charles Demuth (1883-1935)
Oil, fabricated chalk, and graphite pencil on composition board
35 15/16 × 30 in.
My Egypt depicts a steel and concrete grain elevator belonging to John W. Eshelman & Sons in Charles Demuth’s hometown of Lancaster, Pennsylvania. Painted from a low vantage point, the structure assumes a monumentality emphasized by the inclusion of the lower rooftops of neighboring buildings (suggesting the more traditional architecture of smaller family farms) at the bottom of the painting. In Demuth’s image, the majestic grain elevator rises up as the pinnacle of American achievement—a modern day equivalent to the monuments of ancient Egypt. A series of intersecting diagonal planes add geometric dynamism add a heavenly radiance to the composition, invoking the correlations between industry and religion that were widespread in the 1920s. Nonetheless, Demuth may have intended the title to allude to the slave labor that built the pyramids, intimating the dehumanizing effect of industry on the nation’s workers. Moreover, the pyramids and their association with life after death might also have appealed to the ailing artist, who was bedridden with diabetes at the time of the painting’s execution.
*
The Whitney Museum of American Art, known informally as the "Whitney", was founded in 1931 by Gertrude Vanderbilt Whitney (1875–1942), a wealthy and prominent American socialite and art patron. The museum focuses on 20th- and 21st-century American art, with a permanent collection that comprises more than 21,000 pieces by more than 3,000 artists.
The Whitney occupied a modernist Upper East Side building from 1966 through 2014 before relocating to its current home, a nine-story, 200,000-square-foot Renzo Piano-designed building at 99 Gansevoort Street, in May 2015.
Yvonne Erickson, Erica Lauren McLaughlin in "A Young Lady of Property" at Rep Stage directed by Michael Stebbins; photo by Stan Barouh
C2E2
© 2017 Kenneth DeMuth
This image is not be used in any advertisements, emails, commercial materials, products, or promotions without my expressed, written approval.
Christine Demuth, Erica Lauren McLaughlin in "A Young Lady of Property" at Rep Stage directed by Michael Stebbins; photo by Stan Barouh
By Charles Demuth (1883-1935). Spending much of his life in Lancaster County, Pennsylvania, Demuth developed a style known as Precisionism. Georgia O’Keefe was associated with the style, and the two artists collaborated.
Christine Demuth, Tony Tsendeas in "A Young Lady of Property" at Rep Stage directed by Michael Stebbins; photo by Stan Barouh
Charles Demuth, artist
American, 1883 - 1935
From the Garden of the Chateau, 1921 - 1925
oil on canvas
25 x 20 in.; Frame: 33 5/8 x 28 5/8 x 1 7/8 in.
Museum purchase, Roscoe and Margaret Oakes Income Fund, Ednah Root, and the Walter H. and Phyllis J. Shorenstein Foundation Fund 1990.4
Kathryn Zoerb, Christine Demuth, Yvonne Erickson in "A Young Lady of Property" at Rep Stage directed by Michael Stebbins; photo by Stan Barouh
Christine Demuth, Erica Lauren McLaughlin in "A Young Lady of Property" at Rep Stage directed by Michael Stebbins; photo by Stan Barouh
Lenchen Demuth, Sankt Wendel, Bronze-Skulptur mit Karl-Marx-Bild in der Hand ...
... milde lächelnd, besinnlich, aber auch versöhnlich ...
Martin Roche Chimney
© 2017 Kenneth DeMuth
This image is not be used in any advertisements, emails, commercial materials, products, or promotions without my expressed, written approval.
Yvonne Erickson, Christine Demuth, Erica Lauren McLaughlin in "A Young Lady of Property" at Rep Stage directed by Michael Stebbins; photo by Stan Barouh
Charles Demuth
1927
There is all kinds of hidden symbolism in this painting that is only obvious to someone who was alive and running in the same sociocultural sphere as the painter. Really neat stuff, actually.
I would link to the item page at the Crystal Bridges website but Flickr has disabled links in descriptions due to phishing scams. =(
Crystal Bridges Museum of American Art, Bentonville, Arkansas
PNC Bank Building
© 2017 Kenneth DeMuth
This image is not be used in any advertisements, emails, commercial materials, products, or promotions without my expressed, written approval.
Kathryn Zoerb, Christine Demuth in "A Young Lady of Property" at Rep Stage directed by Michael Stebbins; photo by Stan Barouh
Lenchen Demuth, Sankt Wendel, Bronze-Skulptur mit Karl-Marx-Bild in der Hand ...
... War durchaus eigenartig, ihr für dieses Foto so nahe zu kommen; auch wenn es nur eine Skulptur ist. ...
(Woran man sehen kann, dass ein Stand-Bild doch noch mal um einiges mehr Suggestivkraft entfaltet als die zweidimensionalen Bilder von uns Fotografen.)