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Charles Demuth, American

b. 1883 Lancaster, PA: d. 1935 Lancaster, PA

 

Columbus Museum of Art

Columbus, Ohio

DSCF0853

Charles Demuth, I Saw the Figure 5 in Gold, 1928, oil on cardboard, 90.2 x 76.2 cm (The Metropolitan Museum of Art)

 

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© 2017 Kenneth DeMuth

This image is not be used in any advertisements, emails, commercial materials, products, or promotions without my expressed, written approval.

This are my friends Astrid and Walter Demuth from Germany. They spend every year some months in Agadir to help and protect poor children - esp. orphans. They work very hard and there are a lot of children which have a better live now!

If you see this couple in Agadir, please talk to them, they will show you possibilities to help!

 

www.kinderhilfe-marokko.de/page1.php

Tradewise Chess Festival 2016 Battle of the Sexes

Millennium Park, Cloud Gate

 

© 2017 Kenneth DeMuth

This image is not be used in any advertisements, emails, commercial materials, products, or promotions without my expressed, written approval.

© 2017 Kenneth DeMuth

This image is not be used in any advertisements, emails, commercial materials, products, or promotions without my expressed, written approval.

Charles Demuth, I Saw the Figure 5 in Gold, 1928, oil on cardboard, 90.2 x 76.2 cm (The Metropolitan Museum of Art)

 

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The North Carolina Highway Patrol honor guard escorts the flag draped coffin of slain Trooper Bobby Gene DeMuth from the Church Wednesday, September 12, 2012 in Rocky Mount. Brad Coville | Times

Details from the forthcoming Digital Masterpiece " Cathedral of the last monuments"

© 2015 Kenneth DeMuth

 

This image is not be used in any advertisements, emails, commercial materials, products, or promotions without my expressed, written approval.

Abandoned Kitten

 

© 2017 Kenneth DeMuth

This image is not be used in any advertisements, emails, commercial materials, products, or promotions without my expressed, written approval.

The Old Colony

 

© 2016 Kenneth DeMuth

 

This image is not be used in any advertisements, emails, commercial materials, products, or promotions without my expressed, written approval.

Justine Curgenven from Cackle TV experiments with filming from a remote control helicopter piloted by Pete Glyn Firth. The paddlers are Barry Shaw, Marcus Demuth, Philip Clegg and Justine Curgenven.

inspired by Charles Demuth's painting of the Golden Swan -- Dorothy and O'Neill (the central figures) often spent time together there in 1917 -- the artist is Brother Mickey McGrath in Camden, New Jersey

 

www.catholicstarherald.org/index.php?option=com_content&a...

 

12 May 2011 / Catholic Star Herald

 

Old friends drink again, in theater that was once a bar

 

by Dale Mezzacappa

 

Bishop Joseph Galante speaks on the set of “A Moon for the

Misbegotten” during a gala at the Waterfront South Theatre in Camden

on May 5 before the unveiling of a painting by Brother Mickey McGrath.

The image (see attached doc.) depicts Dorothy Day and the playwright

Eugene O’Neill sitting in a bar in Greenwich Village.

 

Bishop Joseph Galante, declaring that art and beauty lead to God,

joined more than 100 people at a gala at the Waterfront South Theatre

in Camden on May 5 to unveil a painting by Brother Mickey McGrath that

is now hanging in the theater’s lobby.

 

The painting, in Brother McGrath’s trademark bright hues, depicts

Dorothy Day and the playwright Eugene O’Neill sitting in a bar in

Greenwich Village, where they hung out together as close friends for

several months in the winter of 1917-18. It was long before she

converted to Catholicism and just before he hit fame through his

writing. They are surrounded by other habitués of the bar, nicknamed

the Hellhole, and by allusions to O’Neill’s life and work.

 

Bishop Galante, a great admirer of Dorothy Day, blessed the painting

before helping Brother Mickey pull off the cloth that covered it,

which fittingly sat on a stage set for O’Neill’s great tragedy A Moon

for the Misbegotten.

 

“I’m here because I believe that the beauty expressed in the arts is

what I call pre-evangelization,” the bishop said. “Souls that are

touched and moved through the beauty of painting or drama or poetry or

music, those souls are nurtured to be ready to take the beauty of

Jesus. So for me it’s a privilege to be here.”

 

McGrath, whose work has been shown all over the world, said that he

set up his studio on Jasper Street a few doors up from the theater at

the invitation of Msgr. Michael Doyle, pastor of Sacred Heart.

 

“This moment is why I came to Camden in the first place,” Brother

Mickey said. He said Msgr. Doyle told him, “’I want to invite you

because I believe that beauty will save the world.’ I said, ‘I’m all

about Dorothy Day these days.’ And he said, as only he can in the

ultimate understatement, ‘She was a good lady.’”

 

Brother McGrath said that he “set to work right away” doing the

painting to hang in the theater to depict her relationship to O’Neill.

It shows the two of them, both holding cigarettes and nursing drinks,

“and she’s pondering this future. She said all her life she was

haunted by God and what touched her [are] the words of Eugene

O’Neill.”

 

O’Neill would get drunk and recite The Hound of Heaven by the poet

Francis Thompson, a long lament about “the heart’s restless searching

for God,” Brother McGrath said.

 

Msgr. Doyle read an excerpt from the poem, which begins:

 

I fled him down the nights and down the days

 

I fled him down the arches of the years

 

I fled him down the labyrinthine ways of my own mind

 

And in the midst of tears I hid from him

 

And under running laughter.

 

Also at the event was Robert Ellsberg, who has edited several books of

Dorothy Day’s diaries, letters and other writings. Now the editor and

publisher of Orbis Books, as a young man he spent time as editor of

The Catholic Worker.

 

He credited Day with changing his life and called her “one of the most

remarkable Christian witnesses of the 20th century. A Catholic

convert, founder of the Catholic Worker in 1933, she spent her life

among the poor, promoting the cause of peace and justice and showing

what it might look like if the gospel were truly lived.”

 

Ellsberg spoke of how Day began her long journey toward Catholicism

during this period of her life. It was after long nights at the bar or

walking the streets of New York talking with O’Neill that she first

attended early morning Mass at St. Joseph’s church on Sixth Avenue, he

said.

 

O’Neill was a Catholic who fell away from his faith, but whose work

was infused with the themes of forgiveness, incarnation and

redemption. Day was just 20 and 10 years younger than the playwright

when they met. Ellsberg said that later in life she credited O’Neill

with encouraging “an intensification of the religious life within her

and helping her to gain a greater consciousness of God. This is ironic

given that O’Neill is not usually regarded as a religious writer.”

 

In 1958, Ellsberg said, she wrote notes for an unpublished story about

that period in her life.

 

“‘Gene’s relation with God was a warfare,’” she wrote. ‘“He fought

with God to the end of his days. He rebelled against man’s fate. What

I got personally from Eugene O’Neill was an intensification of the

religious sense that was in me. I had never heard of the Hound of

Heaven before and Eugene knew it by heart and could recite it in his

grating, monotonous voice, his mouth grim, his eyes sad.’”

 

She wrote that “many years later she returns to O’Neill as she’s

saying her rosary…since he brought to me such as consciousness of God,

since he recited to me the Hound of Heaven, I owe him my prayers.”

 

The Waterfront South Theatre sits on the site of what was Walt’s Café,

the bar owned by the grandfather of South Camden Theatre Company

founder and executive director Joseph Papryzicki. In Moon for the

Misbegotten, one of O’Neill’s last plays, an earth-mother figure named

Josie Hogan that some scholars think is in part is based on Day,

comforts and tries to lead to redemption a bereft character names

James Tyrone that is based on O’Neill’s alcoholic brother.

 

Copies of McGrath’s painting are available through Bee Still Studios

(www.beestill.org). A Moon for the Misbegotten runs through May 15.

 

www.catholicstarherald.org/index.php?option=com_content&a...

 

* * *

1987 Mercedes Benz W201 190 2.3 16V

Fricker Mercedes. Harald Demuth. DRM.

UL-PP 1

 

rallye Magazin 03/04 2017

Justine Curgenven from Cackle TV experiments with filming from a remote control helicopter piloted by Pete Glyn Firth. The paddlers are Barry Shaw, Marcus Demuth, Philip Clegg and Justine Curgenven.

Image Taken At Oklahoma State Cowboy Basketball Practice, Sunday, October 14, 2018, John Marshall High School, Oklahoma City, OK. Courtney Bay/OSU Athletics

Hydro's recycling plant in Clervaux, Luxembourg. (Photo: Halvor Molland/Hydro)

Charles Demuth, 1930, oil and graphite pencil on composition board.

 

1987 Mercedes Benz W201 190 2.3 16V

Fricker Mercedes. Harald Demuth. DRM.

UL-PP 1

 

rallye Magazin 03/04 2017

Bug Spray

© 2016 Kenneth DeMuth

This image is not be used in any advertisements, emails, commercial materials, products, or promotions without my expressed, written approval.

Performed at the SXSW 2024 Music Festival in Austin, Texas, USA

While running errands this afternoon, as I drove through Demuth Park, I found the 3 Palm Springs Noodles next to the Senior Center. I stopped and took a few photos.

 

When Darek got home this evening we loaded the furbys into the car and took them to the Vet IQ in La Quinta for their canine influenza shots.

Harald Demuth in the Audi 80 Quattro on the Staarvey stage of the 1983 Rothmans Manx rally

 

... Sankt Wendel - searching for Lenchen D., daughter of the town ... :

 

and there, finally, she is!, still hidden in a shadow ...

Kunsthal, Charles Demuth

(1883-1935), Distinguished Air, 1930

Aquarel en grafiet.

1987 Mercedes Benz W201 190 2.3 16V

Fricker Mercedes. Harald Demuth. DRM.

UL-PP 1

 

rallye Magazin 03/04 2017

© 2016 Kenneth DeMuth

This image is not be used in any advertisements, emails, commercial materials, products, or promotions without my expressed, written approval.

At the 2019 World Economic Forum, 'A Day in the Life of a Refugee', run by Crossroads Foundation, invites participants to take a few steps in the shoes of refugees, through a simulated environment which re-creates some of the struggles and choices they face to survive, each day. 2019-01-25 13:30 session

 

© David McIntyre/Crossroads Foundation Ltd.

Charles Demuth, I Saw the Figure 5 in Gold, 1928, oil on cardboard, 90.2 x 76.2 cm (The Metropolitan Museum of Art)

 

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Today's We're Here challenge: A day in the Park. I had planed to just visit one of the local parks, but ended up driving by a few...

 

I drove through Demuth Park and saw a Dog Park and Ball Park.

© 2016 Kenneth DeMuth

 

This image is not be used in any advertisements, emails, commercial materials, products, or promotions without my expressed, written approval.

 

Lenchen Demuth, Sankt Wendel, Skulptur und Hinweis- und Erläuterungsschild ...

 

sympathisch, auch der Blick, mit dem sie s e i n Bild vor ihrem schwangeren Bauch betrachtet ...

While running errands this afternoon, as I drove through Demuth Park, I found the 3 Palm Springs Noodles next to the Senior Center. I stopped and took a few photos.

 

When Darek got home this evening we loaded the furbys into the car and took them to the Vet IQ in La Quinta for their canine influenza shots.

Evening sunlight on Demuth-Malinovsky's Triumphal Quadriga (actually a Seiuga) atop the General Staff Building overlooking Dvortsovaya Ploshchad, St Petersburg.

Charles Demuth, I Saw the Figure 5 in Gold, 1928, oil on cardboard, 90.2 x 76.2 cm (The Metropolitan Museum of Art)

 

Learn More on Smarthistory

 

property of the Whitney Museum of American Art, New York

 

for educational purpose only

 

please do not use without permission

Charles Demuth, I Saw the Figure 5 in Gold, 1928, oil on cardboard, 90.2 x 76.2 cm (The Metropolitan Museum of Art)

 

Learn More on Smarthistory

 

This image is made available by Vodafone Group for media or editorial use only.

 

Credit: Paul Demuth - www.demuthphoto.com/

 

For further information or enquiries, please contact Vodafone Group media relations: www.vodafone.com/media/contact.

 

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