View allAll Photos Tagged Delicate
This is a pair of vintage shoulder pads. They are white in colour with a delicate woven pattern of flowers and vines. They each measure 6" x 3".
Etsy: www.etsy.com/ca/listing/1024497191/delicate-vines-pair-of...
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A Delicate Hydroid garden taken at Bula Lohi Corner.
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To view the rest of my Photography Collection click on Link below:
www.flickr.com/photos/nevillewootton/sets
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Photography & Equipment sponsored by my web business:
We are UK's leading Filter Specialists, selling online to the Plant, Agricultural, Commercial Vehicle and Marine Industries.
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PLEASE NOTE: I take Photographs purely as a hobby these days so am happy to share them with anyone who enjoys them or has a use for them. If you do use them an accreditation would be nice and if you benefit from them financially a donation to www.bluepeacemaldives.org would be really nice.
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And you can tell everybody this is your song
It may be quite simple but now that it's done
I hope you don't mind
I hope you don't mind
That I put down in words
How wonderful life is while you're in the world
(Elton John, Your Song)
The current house was commissioned in 1759 by Nathaniel Curzon and designed by Robert Adam.[11] George Nathaniel Curzon is Kedleston's first Marquess Curzon, the first son of the fourth Baron Scarsdale.[18] The second Baroness Ravensdale was Irene Mary Curzon (1896–1966).[citation needed] The third Baron Ravensdale (b. 1923), was Sir Nicholas Mosley, born to George Curzon's daughter, Cynthia Blanche Mosley (1898–1933).[19] The first Earl Howe included Curzon-Howe Richard William (1796–1870);[3] Curzon-Howe George Frederick (1821–1876).[20] The third Earl Howe going forward included the third, fourth, fifth, sixth and seventh Earl Howe as Curzon-Howe Richard William (1822–1900), Curzon Richard George (1861–1929), Curzon Francis Penn (1884–1964), Curzon Richard Assheton (1908–1984), and Curzon Frederick Richard (b. 1951), in that order.[5][21][16]
On the death of the second Viscount Scarsdale, Richard Curzon in 1977, expenses compelled the heir, his cousin (Francis Curzon), to transfer the property to the care of the National Trust.[22]
Places and facilities named after the Curzon family name include Curzon Street believed to have been named after the third Viscount Howe, Mr. George Howe, and later transferred to another member of the family whose last name was Curzon.[23] Curzon Avenue is a street in England's North West expanse, specifically Northwich, in the Weaver Vale constituency.[24] In the world of athletics, Curzon Ashton F.C. is a soccer club situated in Ashton-Under-Lyne, which traces its history to the family's name owing to a few members of the family who participated in football. The key parks bearing the Curzon family name include Roker Curzon Park (Sunderland), Curzon Park (in Chester),[25] and Curzon Park Abbey (a monastery of nuns).[26]
Exterior
Kedleston Hall was Brettingham's opportunity to prove himself capable of designing a house to rival Holkham Hall. The opportunity was taken from him by Robert Adam who completed the North front (above) much as Brettingham designed it, but with a more dramatic portico.
The design of the three-floored house is of three blocks linked by two segmentally curved corridors. The ground floor is rusticated, while the upper floors are of smooth-dressed stone. The central, corps de logis, the largest block, contains the state rooms and was intended only for formal entertaining. The East block was a self-contained country house in its own right, containing all the rooms for the family's private use, and the identical West block contained the kitchens and all other domestic rooms and staff accommodation.
Plans for two more pavilions (as the two smaller blocks are known), of identical size and similar appearance, were never executed. These further wings were intended to contain, in the south-east a music room, and in the southwest a conservatory and chapel. Externally these latter pavilions would have differed from their northern counterparts by large glazed Serlian windows on the piano nobile of their southern facades. Here the blocks were to appear as of two floors only; a mezzanine was to have been disguised in the north of the music room block. The linking galleries here were also to contain larger windows, than on the north, and niches containing classical statuary.
The north front, approximately 117 yards [107 m] in length, is Palladian in character, dominated by a massive, six-columned Corinthian portico; however, the south front (illustrated right) is pure neoclassical Robert Adam. This garden facade is divided into three distinct sets of bays; the central section is a four-columned, blind triumphal arch (based on the Arch of Constantine in Rome) containing one large, pedimented glass door reached from the rusticated ground floor by an external, curved double staircase. Above the door, at second-floor height, are stone garlands and medallions in relief.
The four Corinthian columns are topped by classical statues. This whole centre section of the facade is crowned by a low dome visible only from a distance. Flanking the central section are two identical wings on three floors, each three windows wide, the windows of the first-floor piano nobile being the tallest. Adam's design for this facade contains huge "movement" and has a delicate almost fragile quality.
Interior
A cross section through the hall and saloon
The neoclassical interior of the house was designed by Adam to be no less impressive than the exterior. Entering the house through the great north portico on the piano nobile, one is confronted by the marble hall designed to suggest the open courtyard or atrium of a Roman villa.
Marble Hall 1763, decoration completed in 1776-7
Twenty fluted alabaster columns with Corinthian capitals support the heavily decorated, high-coved cornice. Niches in the walls contain classical statuary; above the niches are grisaille panels. The floor is of inlaid Italian marble. Matthew Paine's original designs for this room intended for it to be lit by conventional windows at the northern end, but Adam, warming to the Roman theme, did away with the distracting windows and lit the whole from the roof through innovative glass skylight.
At Kedleston, the hall symbolises the atrium of the Roman villa and the adjoining saloon the vestibulum. The saloon, contained behind the triumphal arch of the south front, like the marble hall rises the full height of the house, 62 feet to the top of the dome, where it too is sky-lit through a glass oculus. Designed as a sculpture gallery, this circular room was completed in 1763. The decorative theme is based on the temples of the Roman Forum with more modern inventions: in the four massive, apse-like recesses are stoves disguised as pedestals for classical urns. The four sets of double doors giving entry to the room have heavy pediments supported by scagliola columns, and at second-floor height, grisaille panels depict classical themes.
A neoclassical drawing room at Kedleston photographed in 1915.
From the saloon, the atmosphere of the 18th-century Grand Tour is continued throughout the remainder of the principal reception rooms of the piano nobile, though on a slightly more modest scale. The "principal apartment", or State bedroom suite, contains fine furniture and paintings as does the drawing room with its huge Venetian window; the dining room, with its gigantic apse, has a ceiling that Adam based on the Palace of Augustus in the Farnese Gardens.
The theme carries on through the library, music room, down the grand staircase (not completed until 1922) onto the ground floor and into the so-called "Caesar's hall". On the departure of guests, it must sometimes have been a relief to vacate this temple of culture and retreat to the relatively simple comforts of the family pavilion.
Below the Rotunda is the Tetrastyle Hall, which was converted into a museum in 1927. The kitchen is an oblong shape with a balustraded gallery at one end. This links the room to other household offices on each side.
Also displayed in the house are many curiosities pertaining to George, Lord Curzon of Kedleston, who succeeded to the house in 1916 and who had earlier served as Viceroy of India from 1899 to 1905. Lord Curzon had amassed a large collection of subcontinental and Far Eastern artefacts. Also shown is Lady Curzon's Delhi Durbar Coronation dress of 1903. Designed by Worth of Paris, it was known as the peacock dress for the many precious and semi-precious stones sewn into its fabric. These have now been replaced by imitation stones; however, the effect is no less dazzling.
In addition to that described above, this great country house contains collections of art, furniture and statuary. Kedleston Hall's alternative name, The Temple of the Arts, is truly justified.
Gardens and grounds
A sketch by Robert Adam for the Fishing Room and Boat House at Kedleston. Circa 1769
Fishing Room and Boat House built 1770-72
The gardens and grounds, as they appear today, are largely the concept of Robert Adam. Adam was asked by Nathaniel Curzon in 1758 to "take in hand the deer park and pleasure grounds". The landscape gardener William Emes had begun work at Kedleston in 1756, and he continued in Curzon's employ until 1760; however, it was Adam who was the guiding influence. It was during this period that the former gardens designed by Charles Bridgeman were swept away in favour of a more natural-looking landscape. Bridgeman's canals and geometric ponds were metamorphosed into serpentine lakes.
The Bridge by Robert Adam built 1770-71
Adam designed numerous temples and follies, many of which were never built. Those that were include the North lodge (which takes the form of a triumphal arch), the entrance lodges in the village, a bridge, cascade and the Fishing Room. The Fishing Room is one of the most noticeable of the park's buildings. In the neoclassical style it is sited on the edge of the upper lake and contains a plunge pool and boat house below. Some of Adam's unexecuted design for follies in the park rivalled in grandeur the house itself.
A "View Tower" designed in 1760 – 84 feet high and 50 feet wide on five floors, surmounted by a saucer dome flanked by the smaller domes of flanking towers — would have been a small neoclassical palace itself. Adam planned to transform even mundane utilitarian buildings into architectural wonders. A design for a pheasant house (a platform to provide a vantage point for the game shooting) became a domed temple, the roofs of its classical porticos providing the necessary platforms; this plan too was never completed. Among the statuary in the grounds is a Medici lion sculpture carved by Joseph Wilton on a pedestal designed by Samuel Wyatt, from around 1760–1770.[27][28]
In the 1770s, George Richardson designed the hexagonal summerhouse, and in 1800 the orangery. The Long Walk was laid out in 1760 and planted with flowering shrubs and ornamental trees. In 1763, it was reported that Lord Scarsdale had given his gardener a seed from rare and scarce Italian shrub, the "Rodo Dendrone" (sic).
The gardens and grounds today, over two hundred years later, remain mostly unaltered. Parts of the park are designated as a Site of Special Scientific Interest, primarily because of the "rich and diverse deadwood invertebrate fauna" inhabiting its ancient trees.[29]
Later history
The Curzon family, whose name originates in Notre-Dame-de-Courson in Normandy, have been in Kedleston since at least 1297, and have lived in a succession of manor houses near to or on the site of the present Kedleston Hall. The present house was commissioned by Sir Nathaniel Curzon (later 1st Baron Scarsdale) in 1759. The house was designed by the Palladian architects James Paine and Matthew Brettingham and was loosely based on an original plan by Andrea Palladio for the never-built Villa Mocenigo.
At the time a relatively unknown architect, Robert Adam, was designing some garden temples to enhance the landscape of the park; Curzon was so impressed with his designs that Adam was quickly put in charge of the construction of the new mansion.
Second World War
In 1939, Kedleston Hall was offered by Richard Curzon, 2nd Viscount Scarsdale, for use by the War Office.[30] The Hall was used in various ways during the War, including as a mustering point and army training camp.
It also formed one of the Y-stations used to gather signals intelligence by collecting radio transmissions which, if encrypted, were subsequently passed to Bletchley Park for decryption.[31]
National Trust
By the 1970s Kedleston Hall had become too expensive for the Curzon family to maintain. When Richard Curzon, 2nd Viscount Scarsdale, died, his cousin Francis Curzon, 3rd Viscount Scarsdale, offered the house, park and gardens to the nation in lieu of death duties. A deal was agreed with the National Trust that it should take over Kedleston, along with an endowment, while still allowing the family to live rent-free in the 23-room Family Wing, which contained an adjoining garden and two rent-free flats for servants or other family members.[22] Richard Curzon and his family currently reside there.
In 2020, the Trust was working on a plan to include coverage about the owners of its properties who had links to colonialism and slavery. That had included Kedelston Hall; although Lord George Nathaniel Curzon had no links to slavery, he was president of The National League for Opposing Women's Suffrage and worked to prevent giving women the right to vote. Visitors to the Hall will find a display in the Billiard Room[32] exploring his role in the Anti-Suffrage movement.[33][34][35]
Like teardrops these tiny glass balls hang from the ceiling. Its not the first place I saw them, nor do I feel it will be the last I will see of them, but I do know that it looks like the slightest breeze could bring them all shattering to the floor.
This is a new Allium I planted earlier this year, it is 18 inches high and just bursting into life. I love the delicate colour.
Thanks for looking and maybe commenting. Will be back later to catch up with your images. Have a nice day.
One of the displays at the Phipps Conservatory discussed delicate flowers. This was the first of the delicate flowers I saw in that area.
Seen at the Phipps Conservatory, Pittsburgh, PA. Macro shot. Taken with FujiFilm FinePix S8200.
Delicate Arch, Arches National Park, Eastern Utah, USA
32mm
F8
1/100-10s - HDR
iso 100
Canon Rebel Xt + Canon 17-40 f/4.0L
Wheeler Reef Cyclone Yasi Destruction
I’ve just paid a visit to my favourite GBR destination. Wheeler reef is 75km east of TOWNSVILLE and is on the inner side of the GBR belt. Its bathed in nutrient rich tidal currents and has escaped the ravages of C.O.T. ( crown of thorns starfish) and large tropical storms for several decades at least.
On wheelers NW side it boasted a most intricate and delicate hard coral gardens that could only be described with superlatives like “ this is as good as it gets “ and you wouldn’t be exaggerating!
A sand cay that sticks its head out of the water for about 3 hours either side if low tide and some great deep water reef diving down to 35 meters and it was easy to see why Wheeler was listed as one of the GBR premium snorkelling and dive sites.
Cyclone Yasi hit wheeler from the NE & it no doubt copped turbulent 10me+ waves and a tidal surge that ripped thru it cracks and crevasses with enormous destructive power. In the shallows my beloved pristine coral garden is no more! A pile of broken bones covered in slimy green algae litter the once pure white sand floor.
For a start it was heart breaking to snorkel thru the shallow barren gullies in company with my hungry fishy friends. Then on closer inspection I noticed small live coral remnants almost everywhere so I guess in the scheme of natures ebbs and flows its no big deal and no doubt given a little time my beautiful coral gardens will rebound .
The news was better when I dived the deep water with not a lot of noticeable damage below depths of 15 meters .Strangely the marine life in the deep seemed even more prolific than normal with plenty of browsing reef munchers and lots of predicator trout and cod hanging around walls and gullies. My personal favourites, the magnificent jet propelled Trevally, Mackerel and Barracouta were cruising thru the plentiful bait fish…no change there.
Away from the edge of the main reef structure the sand was clean and still home to the normal sandy cellar dwellers . It was also heart-warming to find the usual blue spotted eagle rays , gliding green turtles and reef sharks still as per normal..
The southern side of the reef suffered comparatively less . I guess the coral is accustomed to the battering of the south east trades and being stronger and less prolific fared much better.
I think GBR divers and explorers are a hardy breed and whilst there is no denying the extensive under water damage inflicted by Yasi all the way up the north coast there remains plenty of amazing and even new locations to explore :).
I love the delicate seafoam green of the water. I desaturated the background landscape so it wouldn't distract. I also did an alternate all B&W version, which I will also upload. Hard to pick which I like better.
At the Delicate Arch for sunrise, after hiking in under the stars. The Orionids were in full swing, and I saw two shooting stars on the way up.
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Made a new friend today
Ermahgawd guys I'm so popular
jk it was an old lady named Marionne but still she was nice
Delicate Fur Eyelashes
Our Granddaughter turned one years old this week so I took a few photos for her parents as a keepsake for her 18th birthday Time Capsule :)
Project 52
Week 5/52
Week 5's theme is - DELICATE
From : Catcher In My Eye :)
Fur Eyelashes
I watched her little face sleeping,
Fur eyelashes fluttering so,
I wondered of the dreams she was having,
And where her mind's eye goes...
I watched her little face sleeping,
Listening to her breathe,
I prayed to God to keep her safe,
And give her grace and peace.
By Her Gram
1-24-2013