View allAll Photos Tagged Deflectors
Missouri State's Rodney Kelly deflects a pass to Murray State's Walter Powell at the end of the first half during the home-opener game on Saturday, Sept. 15, 2012 at Plaster Sports Complex.
Steph Anderson | The Standard
Argentina's goalkeeper #23 Emiliano Martinez deflects a shot from Netherlands' midfielder #11 Steven Berghuis during penalty shootouts during the Qatar 2022 World Cup quarter-final football match between The Netherlands and Argentina at Lusail Stadium, north of Doha on December 9, 2022. (Photo by Odd ANDERSEN / AFP)
A deflected doubleweave scarf using Textura Trading Co. yarn "Jump" and merino wool. Going for a sculptured effect ...
PictionID:54824813 - Catalog:14_035352 - Title:GD/Astronautics Facilities Details: ODTS Construction Progess; Retaining Walls - Flame Deflector Date: 09/30/1959 - Filename:14_035352.tif - ---- Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
T-17 or Sundari is the 4 year old daughter of the legendary tigress Machali (Machli). She has a radio collar around her neck which is used to undertake scientific studies on aspects such as tiger movement, extent of area covered, etc. It is strictly NOT used for tracking the tiger for the benefit of tourists during tiger safaris. The presence of a radio collar poses a peculiar problem for photographers... in that, nobody would love to have a picture of a wild tiger with a collar around its neck! The solution is to either photograph her from the front or at an angle such that the collar is not visible... but then, the angle is not under one's control since the tiger is the King of the jungle and it does not move as per a tourist's whims and fancies!
SOUTH WALL—Narcissus In Flagrante
Detail of the right panel of the diptych.
Has the cautionary significance of
Narcissus been distorted, perverted,
feminized to deflect the true reflection
of masculine duplicity?… Or is it to
warn of the dangers that lie beneath the
surface of self...
What is often viewed as the heterodoxy of the artist extends itself into his interpretation of the Narcissus myth. Whereas Narcissus is generally viewed as young, beautiful and sveldt, he is here portrayed in his full maturity, as a firm but massive torso, the indications of having experienced certain of the vicissitudes of life apparent. Yet, as he looks at himself in the surface of the pond before him and is again aroused by it.
STUDIO SECTION 2009-2012—DOROTHY LAUGHING was completed during the artist's seventy-ninth year. It is a work that requires an exhibition space forty feet by forty feet for optimal viewing. Altogether there are nineteen 8’ x 4’ articulated wood panels and seven free-standing sculptures. The extensive writing that appears on the articulated wood panels is transcribed in its entirety beneath the photographs of the panel on which written.
TERMINUS: Studio Section 1981-1983 was the first of the studio sections created by Robert Cremean. About the second, he wrote: “With TERMINUS II: Studio Section 1985-1990 began a flow of work receptive to everything I am, enfolding me in Process.” No longer did he make individual pieces, a collection of which would then be exhibited for sale in a gallery. He chose thereafter to continue the precedent established with the filling of his studio with work that was all of a piece, a studio section. It was the utilizing the entire space of the studio for the creating of whatever he wished, to experiment, to use panels mounted to the walls almost as canvases. He wrote: “I began to use the Wall as a separate voice in the work, setting it back rather like a Greek chorus for witness and commentary on the action within the sculpture which fronts it: cast shadows, interconnections of line, color, content, etc.” The “walls” became spaces whereon he recorded his thoughts, wrote essays, made images in bas-relief and in three dimension. Combined with three dimensional sculptures placed in front of these wall panels and within the center space bounded by the four walls of the studio, these large bodies of work, named studio sections, continued to be created even with the change of studios. There are the familiar four actual walls; the endless experimentation continues. With the exception of only one, its parts dispersed by a collector, all of the studio sections to the present are housed in the permanent collections of various museums.
The creation of studio sections rather than individual pieces came about during the early 1980s and was the result of the artist vowing, after many very successful one-person gallery shows, never again to place his work in a commercial gallery. All of his work presently is either in private or public collections.
2 lights - Quantum Trio in Octa (camera left), Quantum Trio with standard deflector (camera right) triggered by Pilot
Those pipes are where some of the sound suppression water flows into the MLP to be distributed to some of the rain birds and nozzles on the MLP surface. The SRB flame deflector to the right provides support for the pipes.
during the Group B match between Leeward Islands Hurricanes and USA Cricket in the Super50 Cup on Wednesday, January 3, 2018 at Coolidge Cricket Ground.
© CWI Media
The deflector dish photo-etch grills were sprayed with Krylon gloss black lacquer followed by a shot of Testors metallic copper enamel from a spray can. Any holes that got clogged were cleared with the sharp tip of an exacto knife.
Harpoon blast deflector, but awaiting launcher fit. Type 45 destroyer HMS Duncan (D37) at West India Dock
DeLeon defensive back Kevin Smith deflects a pass during defensive drills Tuesday, Aug. 8, 2006 at Bearcat stadium in DeLeon.
check out the whole slideshow with audio at: web.reporter-news.com/documents/gfn/flashslides/preseason...
NY Islander Al Montoya (35) deflects the puck wide as Buffalo's Drew Stafford (21) looks for rebound on 2/4/12 at the Nassau Coliseum in Uniondale, NY. Buffalo wins it in a shootout 4-3. (James Totoro / Inside Hockey)
Sir Chandrasekhara Venkata Raman, FRS (Tamil: சந்திரசேகர வெங்கடராமன்) (7 November 1888 – 21 November 1970) was an Indian physicist whose work was influential in the growth of science in the world. He was the recipient of the Nobel Prize for Physics in 1930 for the discovery that when light traverses a transparent material, some of the light that is deflected changes in wavelength. This phenomenon is now called Raman scattering and is the result of the Raman effect.
About Him :
Venkata Raman, a Tamil Brahmin, was born at Thiruvanaikaval, near Tiruchirappalli, Madras Presidency to R. Chandrasekhara Iyer (b. 1866) and Parvati Ammal (Saptarshi Parvati).[1] He was the second of their eight children. At an early age, Raman moved to the city of Vizag, Andhra Pradesh. Studied in St.Aloysius Anglo-Indian High School. His father was a lecturer in Mathematics and physics.
Career
In 1917, Raman resigned from his government service and took up the newly created Palit Professorship in Physics at the University of Calcutta. At the same time, he continued doing research at the Indian Association for the Cultivation of Science, Calcutta, where he became the Honorary Secretary. Raman used to refer to this period as the golden era of his career. Many students gathered around him at the IACS and the University of Calcutta.
Energy level diagram showing the states involved in Raman signal.
On February 28, 1928, through his experiments on the scattering of light, he discovered the Raman effect. It was instantly clear that this discovery was an important one. It gave further proof of the quantum nature of light. Raman spectroscopy came to be based on this phenomenon, and Ernest Rutherford referred to it in his presidential address to the Royal Society in 1929. Raman was president of the 16th session of the Indian Science Congress in 1929. He was conferred a knighthood, and medals and honorary doctorates by various universities. Raman was confident of winning the Nobel Prize in Physics as well, and was disappointed when the Nobel Prize went to Richardson in 1928 and to de Broglie in 1929. He was so confident of winning the prize in 1930 that he booked tickets in July, even though the awards were to be announced in November, and would scan each day's newspaper for announcement of the prize, tossing it away if it did not carry the news. He did eventually win the 1930 Nobel Prize in Physics "for his work on the scattering of light and for the discovery of the effect named after him". He was the first Asian and first non-White to receive any Nobel Prize in the sciences. Before him Rabindranath Tagore (also Indian) had received the Nobel Prize for Literature.
C.V Raman & Bhagavantam, discovered the quantum photon spin in 1932, which further confirmed the quantum nature of light. [1]
Raman also worked on the acoustics of musical instruments. He worked out the theory of transverse vibration of bowed strings, on the basis of superposition velocities. He was also the first to investigate the harmonic nature of the sound of the Indian drums such as the tabla and the mridangam.
Raman and his student of mim high school, provided the correct theoretical explanation for the acousto-optic effect (light scattering by sound waves), in a series of articles resulting in the celebrated Raman-Nath theory. Modulators, and switching systems based on this effect have enabled optical communication components based on laser systems.
In 1934, Raman became the assistant director of the Indian Institute of Science in Bangalore, where two years later he continued as a professor of physics. Other investigations carried out by Raman were experimental and theoretical studies on the diffraction of light by acoustic waves of ultrasonic and hypersonic frequencies (published 1934-1942), and those on the effects produced by X-rays on infrared vibrations in crystals exposed to ordinary light.
He also started a company called cv Chemical and Manufacturing Co. Ltd. in 1943 along with Dr. Krishnamurthy. The Company during its 60 year history, established four factories in Southern India. In 1947, he was appointed as the first National Professor by the new government of Independent India.
In 1948, Raman, through studying the spectroscopic behavior of crystals, approached in a new manner fundamental problems of crystal dynamics. He dealt with the structure and properties of diamond, the structure and optical behavior of numerous iridescent substances (labradorite, pearly feldspar, agate, opal, and pearls). Among his other interests were the optics of colloids, electrical and magnetic anisotropy, and the physiology of human vision.
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Pencil Drawing by Nishad S S
A deflected doubleweave scarf using Textura Trading Co. yarn "Jump" and merino wool. Going for a sculptured effect ...
2 lights - Quantum Trio in Octa (camera left), Quantum Trio with standard deflector (camera right) triggered by Pilot
Toyota Corolla 2003 to 2006 Rain Deflectors installed on a Gen1 Toyota Prius.
Here you can see the permanent install. They are not a perfect fit, but they do work well enough for me anyhow.
When not in use the SRB flame deflector is stored at the north end of the pad surface with a section of the sound suppression pipe attached to it.
This is my modified PTR91 (H&K91 Clone) This PTR91 has PSG90 Rails welded on the side for stability. It has a brass deflector welded on to adjust brass ejection to a reasonable 7'. The rifle also has an AR style lower with a Hogue grip, Magpul PRS2, it also has a few other accessories, along with an XS 50 round drum (.308). All done in Kryptek Typhoon. The pattern is designed to retain the black rifle look, but add depth to the rifle. It also has a Trijicon 3.5 ACOG.
I also want to thank Drowning Ink Customs for their hard work on this project. They coated over 20 magazines, two drums, all the accessories, two complete lowers and stocks (the Rifle also has a collapsible stock and normal H&K Lower). All the patterns match between parts, which is very hard to do and most shops do not take the time and effort to match pattern lines from piece to piece. It has Duracoat on most of the parts, with Duracoat High Temp coatings on the upper, barrel etc. It also have Cerekote Slick coating on the insides to reduce friction and prevent mucking from repeated firings, along with trigger work from Springfield Trigger Works.
The welding was done by John, a US Vet and gunsmith.
I want to thank all the individuals that put hours and hours of their time into this project!
Wrap in deflected double weave using hand-dyed alpaca. The dark color is the first "dip" in the dye bath and the lighter is the second "dip".
Original 1960's tooling Deflector Mount part with a "Twist Switch" gimmick inside to activate the grain of wheat lamps.
Available for a replacement to your old white sytrene TOS Enterprise or good for a Trek kit bashing. 1/650 scale.
I was chopping down some elephant grass in the front yard, and after my Craftsman handsaw had difficulty cutting it, I tried using my Fiskars (AKA Gerber) Brush Hook machete, and a chop deflected it up off the hard grass, and into my hand before I could react. I had a lanyard on the sharp knife to act as a mechanical advantage as a longer lever for greater force; with a half grip on the very end of the handle with the 550 cord lanyard around the wrist aiding in the retention of the chopper.
The bad news is, this also caused me to be unable to release the knife as it deflected, and the momentum continued it into my hand, before I could react it had hit me.
I was unable to stop, much like when you think you can brace yourself for a car impact, but later when it happens you find out that you can't.
I felt the impact, which was a numbing in my hand. I was afraid to look at first, and I hoped I had been hit below the blade at the top of the handle, because it was numb and didn't hurt very bad.
I looked and saw that I'd been cut, realizing the straite edge at the bottom of the blade did it. If it had been closer to the end when it impacted, it would have been a force multiplier for greater damage. Worse still at the very end, where the hook is. It has a curved edge, and causes a shearing affect as it cuts, because the curve causes all the energy to be focused on a smaller area which moves as the curve forces it to as it chops, much like a kurkri.
I tried to hold my hand steady to minimize bleeding.
I was chopping down some elephant grass in the front yard with my Craftsman handsaw but had difficulty cutting it. It is very difficult to cut down, it's as strong as small bamboo. If it's not cut down every spring, it will die.
I tried using my Fiskars (AKA Gerber) Brush Hook machete, and a chop deflected it up off the hard grass and into my hand before I could react. I had a lanyard on the sharp knife to act as a mechanical advantage as a longer lever for greater force; with a half grip on the very end of the handle with the 550 cord lanyard around the wrist aiding in the retention of the chopper.
The bad news is, this also caused me to be unable to release the knife as it deflected, and the momentum continued it into my hand, before I could react it had hit me. I was unable to stop, much like when you think you can brace yourself for a car impact, but later when it happens you find out that you can't.
I felt the impact, which was a numbing in my hand. I was afraid to look at first, and I hoped I had been hit below the blade at the top of the handle, because it was numb and didn't hurt very bad.
I looked and saw that I'd been cut, realizing the strait edge at the bottom of the blade did it. If it had been closer to the end when it impacted, it would have been a force multiplier for greater damage. Worse still if it had hit at the very end, where the hook is. It has a curved edge, and causes a shearing affect as it cuts. The curve causes all the energy to be focused on a smaller area which moves as the curve forces it to as it impacts, much like a kurkri.I might have lost fingers or my hand if it had hit there.
I tried to hold my hand steady to minimize bleeding, and hurried to the house, leaving a dripping blood trail on the way.
Dad drove me to the hospital, and I ended up getting 9 stitches. The numbing solution they injected me with felt like boiling water.
Torsion Springs are helical suspension springs that exert a torque or rotary force. The ends of torsion springs are attached to other components, and when those components rotate around the center of the planting season, the spring attempts to push them back to their original position. Though the name implies normally, torsion springs are exposed to bending stress somewhat than torsional stress. That they can store and release angular energy or statically hold a mechanism set up by deflecting the lower limbs about the body centerline axis. This type of torsion spring is generally close wound but may have a pitch to reduce friction between your coils. That they offer resistance to perspective or rotationally applied power. Depending on the app, torsion springs can be designed to operate a clockwise or counter-clockwise rotatable, thus deciding the course of the wind.
Kalyani Springs offers a selection of torsion springs with legs of equal span oriented at varying regular angles. Torsion springs can store and release slanted energy or statically maintain a mechanism in place by deflecting the lower limbs about the body centerline axis. They offer a level of resistance to twist or rotationally applied force. A planting season of this type will reduce in body dimension and increase slightly in body length when deflected in the preferred way of the fabricated blowing wind. Depending on the program, torsion springs can be designed to operate a clockwise or counter-clockwise rotatable, thus deciding the path of the wind. Prevalent torsion springs are those used in a clothespin or a garage door. Torsion springs exert a torque if they are twisted or deflected. The spring rpm and the size of the legs together make a force. Torsion springs can be made out of round, rectangular or formed a wire. A simple Torsion spring has straight, but any bends or designs can be formed. Increase torsion springs can be used when twice the force is required or when you need an even distribution torque capacity.
Tolerances:
Tolerance values for torsion springs rely upon the body-diameter to wire-diameter rate and are about +/- 10% in torque and +/- 5% in size.
Finish
Our stock Torsion springs come in an array of commonly requested finishes:
1. Zinc
2. Yellow metal Irridite
3. Passivated (upon request)
4. None (can be plated after request)
Applications:
Common torsion comes are being used in clothes stakes, clipboards, swing-down tailgates, storage area doors, window shades, make up for mechanisms, ratchets and various types of machine components. Torsion springs are being used for hinges, counterbalances and handle return applications. Also, they are used as couplings between concentric shafts, such just as a motor and pump assemblage. Torsion springs are often attached around a shaft or arbor and must be supported at three or even more points. Various sorts of ends are available to facilitate mounting.
Sizes range from miniature, used in electronic devices, to large torsion springs used in chair control units. The load should be applied in the direction of the wind; unwinding from the free position is not recommended. As they turn out, torsion springs reduce in diameter and their body length becomes for a longer time. This should be regarded as when design space is constrained. Torsion Springs perform best when supported by a rod or tube. The designer should consider the consequence of friction and arm deviation on the torque.
Torsion Spring Terminology
Angular Deviation - is the viewpoint of rotation as assessed from the free position to the installed, advanced or final positions.
Free of charge Angle - is the angle between the biceps and triceps of your torsion spring when the spring is in the unloaded position.
Calf Length - is the length of legs as defined from the axis of the spring body to the outermost point.
Mandrel - is a rod or shaft over which a torsion early spring operates.
Radius - is the bend radius at which a load is applied to a calf. The radius is usually assumed to be matched to 1/2 the lower-leg length.
Torque - is a twisting action in torsion springs which produces rotation, corresponding to the insert multiplied by the space from the load to the axis of the springtime body.
Maximum Deflection - is the maximum graded angular deflection of spring and coil before damage.
Configurations: Torsion springs are designed and wound to be actuated rotationally, also to provide an angular return force. Presently there are many options for leg configuration so the spring can be fastened in several ways. Leg technical specs to consider for torsion springs include leg viewpoint, equal leg length, and legend style. Springs that are straight or similar on the same part are considered to have a 0? leg position the increasing angle is in the unwinding path. Legend style choices include straight torsion, straight balance, hinged, short hook draws to a close, and hook ends. Torsion spring ends can be bent, twisted, hooked or looped to suit your project needs. Lee Torsion Stock Springs can be found in a choice of 80? 120? 180? 210?, 270?, 300? and 360? free leg position. The increase torsion spring involves one set of coils coiled right hand and one set of coils coiled left. These coils are connected, usually with an unwound section between the winds and work in parallel. The sections are designed separately with the overall torque being the amount of the two.