View allAll Photos Tagged Defines
Jeffrey Morlock takes the opportunity to explain ‘where ONPASSIVE came from and where it is headed’ in a very simple way. An excellent video to learn about this smart marketing solution, that visionary Mr Ash Mufareh designed for everyone to succeed.
#ONPASSIVE
#AshMufareh
#ONPASSIVE Review
#GoFounders
Website: www.onpassive.com
Blog: www.onpassive.com/blog
GoFounders: www.gofounders.net
Instagram: www.instagram.com/onpassive/
Facebook: www.facebook.com/ONPASSIVEWORLD/
Before anyone comments, let me say that I considered not posting this. I am NOT looking to argue with anyone. I have had enough of that the last couple months, but this is a relevant part of my life and I want to record it. Please keep opinions on the topic respectful or your post will be deleted. Hate to have to do that, but I've seen this topic bring out the worst in people lately :/.
Dissecting Brains!
The Education Aboard Network (TEAN) Sydney, Australia at the University of Sydney Fall 2012
I studied Neuroscience at the University of Sydney and had the opportunity, as an undergraduate student, to dissect a human brain and a spinal cord. MOST EPIC MOMENT OF MY LIFE. Although I did not eat lunch later that day, I will never be able to express to its fullest extent how incredible and blown away I was by this wet lab. I also got to do other fun things like administered my first EEG! I'm actually wearing my Niner Internation shirt here but it's hidden under the required cover up garments.
Tomorrow's leaders must think and act as global citizens in order to address the challenges facing humanity. Broadly defined, global citizens are people who are consciously prepared to live and work in the complex interdependent society of the 21st century and contribute to improving the common global welfare of our planet and its inhabitants.
The program aims to engage participating students as global citizens, helping them develop the knowledge, skills, values, and commitment to:
- Understand the nature of globalization, including its positive and negative impacts around the world, and realize how it is transforming human society;
- Appreciate the diversity of humanity in all of its manifestations, from local to global, and interact with different groups of people to address common concerns;
- Recognize the critical global challenges that are compromising humanity's future and see how their complexity and interconnections make solutions increasingly difficult; and
- Collaborate with different sets of stakeholders, by thinking globally and acting locally, to resolve these critical challenges and build a more equitable and sustainable world.
The session format includes lectures and discussions with an international faculty as well as formal and informal work in small groups. Topics addressed in plenary lectures and discussions include globalization and global responsibility; the social, economic, and political aspects of migration; the historical legacy of the Holocaust, human rights, humanitarian intervention; sustainable development; and the implications of the United States' influence around the world.
Participants will consider how these issues relate to their current situations and future personal, educational, and professional plans. They will also have the opportunity to develop projects and activities related to the session topic that can be implemented at their colleges and universities, in their local communities, and beyond.
Please note that these photos are for personal use only. If posting to social media or sharing the photos, the following byline must be used: Official Photo by Christian Martinez, Office of Governor Glenn Youngkin.
If you share them with friends or family, make sure to include the disclaimer below:
These photographs are provided by The Office of Governor Glenn Youngkin as a courtesy and may be printed by the subjects in the photograph for personal use only. The photographs may not be manipulated in any way and may not otherwise be reproduced, disseminated, or broadcast, without the written permission of the Governor’s Office. These photographs may not be used in any commercial or political materials, advertisements, emails, products, or promotions that in any way suggest approval or endorsement of the Governor, the First Family, or the Commonwealth of Virginia.
Thai Goddess
Normally a nondescript bloodless statue
with nothing to provoke eyes or head
but for a few minutes in May
I am Pygmalion and she Galatea
brought to life by Chiaroscuro
go to www.groundglassmenagerie.com and www.oozingtrhemoon.com for more - all photos handheld and unaltered
Organized and curated by Sydney Mainster, Materials Lab Curator, with faculty support from Charlton Lewis and Joyce Rosner.
Photographed by June Jung, School of Architecture Visual Resources Collection Photography TA
What is easy is seldom excellent.
— Samuel Johnson
Typefaces: Palomino Script & Wood Bonnet Grotesque No4
Merchandise available: www.redbubble.com/shop/ap/130406940
Fictional narrative portraiture speaks to people in a way fashion or documentary photography can’t. It introduces characters and creates stories that don’t exist, allowing the viewer to fill in the blanks themselves. By including minimal context and providing no prompt with the images, they stand completely alone, and when viewed individually, beg for a story to be told.
In my series, I explore the field of cinematic portraiture and fabricate moments that might show a small piece of a larger untold narrative. I invite you fill in the blanks with your own version of the story.
Please note that these photos are for personal use only. If posting to social media or sharing the photos, the following byline must be used: Official Photo by Christian Martinez, Office of Governor Glenn Youngkin.
If you share them with friends or family, make sure to include the disclaimer below:
These photographs are provided by The Office of Governor Glenn Youngkin as a courtesy and may be printed by the subjects in the photograph for personal use only. The photographs may not be manipulated in any way and may not otherwise be reproduced, disseminated, or broadcast, without the written permission of the Governor’s Office. These photographs may not be used in any commercial or political materials, advertisements, emails, products, or promotions that in any way suggest approval or endorsement of the Governor, the First Family, or the Commonwealth of Virginia.
To Define Is To Limit (A Skate Deck Show)
FUJICOLOR SUPERIA
X-TRA 400 35mm Color Film
Canon Zoom Point & Shoot
8/9/14
George Clooney at the cocktail party before the opening night of the New York Film Festival September 23, 2005
Please note that these photos are for personal use only. If posting to social media or sharing the photos, the following byline must be used: Official Photo by Christian Martinez, Office of Governor Glenn Youngkin.
If you share them with friends or family, make sure to include the disclaimer below:
These photographs are provided by The Office of Governor Glenn Youngkin as a courtesy and may be printed by the subjects in the photograph for personal use only. The photographs may not be manipulated in any way and may not otherwise be reproduced, disseminated, or broadcast, without the written permission of the Governor’s Office. These photographs may not be used in any commercial or political materials, advertisements, emails, products, or promotions that in any way suggest approval or endorsement of the Governor, the First Family, or the Commonwealth of Virginia.
Majora Carter, President of the Majora Carter Group, spoke at Hofstra University on September 29, 2009, as part of Define 09.
This official Hofstra University photograph is being made available only for publication by news organizations and/or for personal use printing by the subject(s) of the photograph. The photograph may not be manipulated in any way and may not be used in commercial or political materials, advertisements, emails, products, promotions that in any way suggests approval or endorsement by Hofstra University, its administration or board of trustees.
Please note that these photos are for personal use only. If posting to social media or sharing the photos, the following byline must be used: Official Photo by Christian Martinez, Office of Governor Glenn Youngkin.
If you share them with friends or family, make sure to include the disclaimer below:
These photographs are provided by The Office of Governor Glenn Youngkin as a courtesy and may be printed by the subjects in the photograph for personal use only. The photographs may not be manipulated in any way and may not otherwise be reproduced, disseminated, or broadcast, without the written permission of the Governor’s Office. These photographs may not be used in any commercial or political materials, advertisements, emails, products, or promotions that in any way suggest approval or endorsement of the Governor, the First Family, or the Commonwealth of Virginia.
The 1981 show defined the live gig for me. This week's show affirmed what I saw then (and yes, I did see Radiohead in WPB tonight. There's no comparison). Three hours of solid rock.
The show actually happened on Friday May 2nd, having been rescheduled due to Danny Federici's passing. The show began with a video tribute while Springsteen sang "Blood Brothers."
Our pre-defined, 36 minute circuit offers members a work out which exercises all the major muscle groups and because the entire circuit is equipment based, there are no awkward or embarrassing moments where you have to jog on the spot or perform sit ups in between.
To define new space requirements in Inception the architect creates a "Use Group." Depending on the perspective of the architect, in the final design a Use Group requirement may be met with one or more rooms or spaces. The Use Group Datasheet in Inception is where the architect defines the size, conception budget and optionally the intended occupancy for each use group. Changing any numeric field (highlighted with gray background) on this page automatically causes the other fields to recalculate. The text narrative (scope) visible on the bottom third of the page is written automatically by Inception and is updated immediately any time a change is made. This narrative will be include in the final project scope.
More information available at architactile.com
sometimes a lens is more than a lens.
365 days
year 2
day 4
vivitar 285HV at 1/16 power shot into umbrella to the left.
Please note that these photos are for personal use only. If posting to social media or sharing the photos, the following byline must be used: Official Photo by Christian Martinez, Office of Governor Glenn Youngkin.
If you share them with friends or family, make sure to include the disclaimer below:
These photographs are provided by The Office of Governor Glenn Youngkin as a courtesy and may be printed by the subjects in the photograph for personal use only. The photographs may not be manipulated in any way and may not otherwise be reproduced, disseminated, or broadcast, without the written permission of the Governor’s Office. These photographs may not be used in any commercial or political materials, advertisements, emails, products, or promotions that in any way suggest approval or endorsement of the Governor, the First Family, or the Commonwealth of Virginia.
From Clint Eastwood's Unforgiven. This is such a great film; for a man who defined the western genre, this film is not conventional to that.
Anyway, this is from the ending scene. Two things about this shot and the film lighting overall. First, this shot is such a great dolly shot into the gun. This film is very fluid with it's camera movement, which is something that Eastwood had to have gotten from Sergio Leone; there are lots of dolly shots in this film as well. There is a shot at the beginning of this sequence when Eastwood's gun comes into view--that is so reminiscent of Leone's shots, when an object would come into frame.
Second, the lighting in this scene is a perfect example of the lighting overall for this film. The DOP was Jack N. Green, who worked with Eastwood on all of his films up until Space Cowboys. The most beautiful thing about the lighting in this film is that it's so low key, with a lot of practicals, which is what it would've been like back then. There are times when Green will wash a scene with light during external sequences, but it's for aesthetics, and you can see what I'm talking about at the end of this sequence here when Eastwood leaves the saloon; there are many shadows created by lights that barely wrap around corners and it just gives a very foreboding look.
Here's a link to the end if your interested.
Marygrove Dance Performances 2013. Breaking boundaries, defining moments, emerging force, leading the way.
“Common Sense” defined public domain image - To help those skeptical of #MAGA #MAHA #DOGE & #BeBest initiatives - God Bless America!
Supperclub LA cannot be defined as anything other than an experience. it is the merging of restaurant, club, theater, gallery and stage. a place for dining, drinking, dancing and a little debauchery. Freedom is the keyword at Supperclub LA. It’s a mix of food, music, performances, art, our staff and… you. Built in 1934, the 13,500 square foot historic Vogue Theater has transformed into Supperclub LA, offering a multi-sensory experience in a city that defines world-class cuisine and nightlife.