View allAll Photos Tagged DavidLynch
Sheryl Lee & Ray Wise signing items for fans on the picnic day.
I had a brief discussion with Ray about Bram Stoker's Dracula, as I had read he had a first edition, so I asked him about it.
I can't remember what he said, but we both love the book. I remember telling him I think its still quite creepy in parts.
I had also asked Sheryl to help me with a double exposure experiment which she was happy to do. Due to the long line, I had to be quick so I couldn't do what I had in mind with any real precision, so it didn't turn out perfect, but I'm not complaining. I got to "direct" Sheryl Lee.
Nikon F65. Ilford Pan F Plus 50 35mm B&W film.
Chrysta Bell
United States b.1978
Compact-disc in gatefold cardboard case
Cover art and design: David Lynch and Todd Gallopo with photography by David Lynch
La Rose Noire, United States, 2013
Collection: QAGOMA Research Library
Various
Vinyl 12-inch record in gatefold cardboard sleeve
Music on Vinyl, Europe 2014 repressing; originally released in 1984 by Polydor Records
Collection: QAGOMA Research Library
14th May 2019., Dublin , Ireland
The "Shamrock 120" nearing the end of its Transatlantic flight from Orlando, Florida to Dublin
Group gift for LynchLand group :) .
LynchLanders, in case you missed the notice :
I made you all a little present to show i have not forgotten about you all and there will be LynchLand events one day again!
if you get inworld, check notices in the lynchland group and grab the gift from there.
it are 2 fun cardboard items :)
The LynchLand sim is no longer inworld btw, it was a sim dedicated to David Lynch his works, may He rest in peace <3
For everybody who missed the Lynchland era, here you can watch videos made at events at Lynchland :
youtube.com/playlist?list=PLKwiviDjCK6DoEPX_LLqhmm6VZcuHq...
And here is the Flickr group with loads of cool pics :) :
David Lynch
United States b.1946
Vinyl 12-inch records in gatefold cardboard sleeve; compact-disc in cardboard sleeve, custom booklet in bespoke suedelle slipcase
Cover art and design: David Lynch, Chris Bigg and Vaughan Oliver
Sunday Best Recordings, United Kingdom, 2011
Collection: QAGOMA Research Library
Myself with Michael Horse (Deputy Hawk), at the 2012 Twin Peaks Festival. He is very nice.
We had an interesting discussion about film & depictions of Native American's in cinema. I met him again at the Sydney event of the 2018 Twin Peaks Conversations with the Stars Tour, where I also got to speak to David Lynch via Skype.
Nikon F65. Kodak Ektar 100 35mm C41 film.
Lithograph on Japanese Bunko-Shi paper, ed.17/30
Courtesy: The artist and Item editions
In Lynch's work, the subconscious if often viewed as a place of conflict, where paranoid, phobias and moments of crisis reveal the negativity and instability of the human condition.
As he asserts, 'Everyone's subconscious is filled with plenty of horror. All the things we don't want to face with our conscious minds are there just waiting for us.' While locality plays an important role in characterising the immensity of these problems (in particular, insular and closed spaces), the challenges are ultimately made worse because the 'problems are inside the people themselves'.
In many of his lithographs, we are presented with an almost infantile outlook, with protagonists engaged in states of confusion, longing and alienation. The use of text - a few words or short phrases inscribed onto the lithographic stone - bestows these often solitary figures with various states of existential distress and emotional anguish reinforced by the titles of the works.
I put black borders in the reuploaded version because the lightness of the bed disappeared out of the frame too much, I didn't like it.
2009
Digital collage
6x4 inches
This is a postcard I made for MINT Gallery's 4th Annual Postcard Pinup Show in Atlanta, GA.
©Ashley Anderson
David Lynch
United States b.1946
Lykke Li
Sweden b.1986
Single-sided vinyl 7-inch record in cardboard sleeve; etching on reverse by David Lynch
Cover art and design: David Lynch and David Correll
Sunday Best Recordings, United Kingdom, 2013
Collection: QAGOMA Research Library
The entrance to Brisbane's GOMA, with the advertisement for David Lynch's exhibition in 2015.
Nikon F4. AF Nikkor 50mm F1.4D lens. Fujifilm Provia 400X 35mm E6 slide film.
From my new photobook
available here :
this chinese small plastic barbie doll looked appallingly cheap but she got a nice smile...
my website : claudeestebe.com/
(c) Claude Estèbe
Sometimes Polaroids take pictures that are very different to the ones you intend to take. Sometimes they even take pictures of things that aren't there – or at least, things that are not visible to the naked eye. Perhaps they have another, deeper kind of vision. They certainly have their own personalities.
I swear, sometimes my SX70 thinks it is David Lynch....
Sheryl Lee at the 2014 UK Twin Peaks Festival. She remembered meeting me from the 2011 Festival & gave some strong encouragements on my photography when I asked her to sign a B&W shot I took of her.
2014 was also our first visit to London, & my main interest was going to see Jack the Ripper related locations to photograph, so we planned on staying in Whitechapel. By coincidence, due to fan demand for tickets when Sheryl Lee was announced to attend, the festival organizers decided to change venues to accommodate more people, & chose the Genesis Cinema in Whitechapel.
I also got to see Martin Scorsese's The Irishman at this same cinema in 2019 & it was an incredible experience. The 3.5 hours just flew by.
The 22nd of April is her birthday too.
This is the shot I took of her she signed:
Nikon F65. Kodak Portra 400 35mm C41 film.
Writer on Twin Peaks & Co-screenwriter of Twin Peaks: Fire Walk with Me at the 2012 Twin Peaks Festival.
Al Strobel & Charlotte Stewart are to his left, with his wife Jill (not clearly visible), & Phoebe Augustine, to his right.
Nikon F65. Kodak Portra 160 35mm C41 film.
Twin Peaks Tribute 🗻🗻
"Diane, 11:30 AM, February 24th. Entering the town of Twin Peaks, five miles south of the Canadian border, twelve miles west of the state line. I’ve never seen so many trees in my life. As W. C. Fields would say, I’d rather be here than Philadelphia. Fifty-four degrees on a slightly overcast day. Weatherman said rain."
Here's my Twin Peaks tribute - a sendoff to the greatest soap opera ever made and the hit cult classic. A mix of different scales & building styles, really fun to build once the idea was worked out. Completed in April 2022. I got the idea to finally do a Twin Peaks MOC when my sister gifted me The Secret History of Twin Peaks by Mark Frost. Great read!
From top to bottom and left to right, the scenes/characters represented are: The Great Northern Hotel run by Benjamin Horne, the entrance to Owl Cave, entrance to the Black Lodge, the Black Lodge / Red Room, The Arm (The Return), the Falls, Black Coffee, Cherry Pie, Laura Palmer (Dead, Wrapped in LEGO bag Plastic), a Donut, and of course the Fish in the Percolator.
Initially I wanted to do the Black Lodge / Red Room - but @dylanlaneart already did a great version - check out his vignette for that. I did copy the floor though 😉
Fortunate enough to have visited many Twin Peaks locations when I was in Washington State in 2019 including the Twin Peaks High School (now destroyed), the Double R, the Roadhouse, the Falls, the Great Northern (Salish Spa), & the Police Station (now DirtFish Stunt Rally School).
The Owls are not what they seem!
Installation after a drawing by David Lynch; designed for the exhibition 'David Lynch: The Air is on Fire," Fondation Cartier pour l'art contemporain, Paris, 2007.
Collection: Fondation Cartier pour l'art contemporain.
This theatre decor recreates Lynch's drawing of a 'little room,' inviting audiences to walk in and through the limits of the original illustration. The installation was conceived for 'The Air is on Fire,' Lynch's first major retrospective at the Fondation Cartier pour l'art contemporain, Paris, in 2007, and features a soundscape of the same name composed by Lynch and his musical collaborator Dean Hurley. The aural element of the work sits between musique concrete and sound design, with Lynch and Hurley using a range of samples Hurley has described as 'brief phrases of machines working,' 'characteristic winds,' 'punch-presses pitched down,' 'train mechanisms and large steel factory samples,' and 'metal structures that were welded together'.