View allAll Photos Tagged DavidLynch
Oh, can't you see me standin' here /
I got my back against the record machine /
I ain't the worst that you've seen /
Oh, can't you see what I mean?
--Van Halen, "Jump"
Everyone's favorite VH song, I know, but it just, uh, "jumped" into my head here.
Revisiting the Bang Bang Room (in my original form) at Lynchland. Be sure to check out this amazing build.
And yeah, the shirt is also available on the marketplace. I'm kinda biased, but I love it.
Mixed media on cardboard
Collection: The artist
Added note: I used my fastest lens in this exhibition, & this did not get the entire artwork. I got an extra shot of the side.
Two years ago I was given the surprise of my life at the 2018 Sydney event of the Twin Peaks Conversation with the Stars tour when I heard my name being called out for those whose questions were selected to come up on stage to ask David Lynch via Skype.
I had saw Lynch speak with David Stratton in Brisbane when he came for his exhibition in 2015, & he ended up mentioning he got to dance with Giulietta Masina at the Montreal Film Festival.
I wanted to know more about that, & his response moved me so much particularly when he said he thought he died & went to heaven.
Asking if he would like me to place flowers on the grave where Federico Fellini & Giulietta Masina on their 75th wedding anniversary was so moving & made that day more special for me knowing I had a message to pass on.
The flowers I placed this time are the red & white ones just at the base of the monument.
David Lynch received his lifetime achievement Oscar only a couple of days before I paid my respects here, & I said this to them this time.
Nikon F4. AF Nikkor 14mm F2.8D lens. Kodak Ektar 100 35mm C41 film.
Lithograph on Japanese Bunko-Shi paper, ed.17/30
Courtesy: The artist and Item editions
In Lynch's work, the subconscious if often viewed as a place of conflict, where paranoid, phobias and moments of crisis reveal the negativity and instability of the human condition.
As he asserts, 'Everyone's subconscious is filled with plenty of horror. All the things we don't want to face with our conscious minds are there just waiting for us.' While locality plays an important role in characterising the immensity of these problems (in particular, insular and closed spaces), the challenges are ultimately made worse because the 'problems are inside the people themselves'.
In many of his lithographs, we are presented with an almost infantile outlook, with protagonists engaged in states of confusion, longing and alienation. The use of text - a few words or short phrases inscribed onto the lithographic stone - bestows these often solitary figures with various states of existential distress and emotional anguish reinforced by the titles of the works.
What do you think of my new living room?
Ok. Noooo... its not my new living room, its suppsed to be David Lynch's living room. Its an installation at the Centro Cultural Kirchner created by Guillermo Kuitka and inspired by a 2007 David Lynch performance called the Air is on Fire. The room is filled with the sound of Patti Smith reciting her poetry/lyrics.
Always something going on in Buenos Aires....
The Night of the Hunter ~ La nuit du chasseur ~ Quai des Orfèvres ~ Paris ~ MjYj
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Promotional poster for BlueBob concert at L'Olympia, Paris, 11 November, 2002. Performance featured David Lynch (guitar, sound effects), John Neff (vocals, guitar), Reggie Hamilton (bass), Gerry Brown (drums), and Pascal Nasbet (additional guitar)
Collection: QAGOMA Research Library
Part of a series of people and characters that have inspired me.
Some of these paintings will be part of my exhibition which will be accompanying the Nonamarmi launch in London this week: www.jaguarshoes.com/?p=9621
Ronette’s Bridge a filming location of Twin Peaks, outside Snoqualmie a small city in the state of Washington, USA.
One of the more haunting and iconic scenes of the show was when Ronette swayed across the bridge walking back into Twin Peaks the day after the murder of Laura Palmer.
The bridge crossing the Snoqualmie River used to be part of a railroad track. Now the track is gone and now is part of the Snoqualmie Valley Regional Trail. The bridge and railroad going over the road is also gone.
An arsonist set fire to the bridge in May, 2014. The fire damaged the stairs and end of the bridge but firefighters got there quickly to save the bridge. It’s since been repaired and is fully usable for the pathway.
In Twin Peaks: Fire Walk With Me, after Leland picks Laura up from Donna’s and before the One Armed Man accosts them at the intersection in front of Mo’s Motors, you see a car pass under the railroad track that passed over the road on a bridge. This section of railroad no longer exists but you can see where it would have connected from the bridge straight across the road and among the trees. There is still some of the unused railroad visible in the forest. There is a set of steps to climb up onto the bridge for the Regional Trail hikers.
Information Source:
Come join us at the Chamber, tomorrow Saturday, dress as your favorite Lynch character from one of his films.
We will be in the Red Room from 12-4pm
Rage Sage 12-2pm
Aorta Sage 2-4pm SLT.
SIM access will be open.
Julee Cruise
United States b.1956
Promotional vinyl 7-inch record in cardboard sleeve
Warner Music, Spain, 1992
Private Collection
after getting what i needed with digital for the client ... i broke out the leica and made five frames. this one's my fave.
it was also his favourite.
Installation after a drawing by David Lynch; designed for the exhibition 'David Lynch: The Air is on Fire," Fondation Cartier pour l'art contemporain, Paris, 2007.
Collection: Fondation Cartier pour l'art contemporain.
This theatre decor recreates Lynch's drawing of a 'little room,' inviting audiences to walk in and through the limits of the original illustration. The installation was conceived for 'The Air is on Fire,' Lynch's first major retrospective at the Fondation Cartier pour l'art contemporain, Paris, in 2007, and features a soundscape of the same name composed by Lynch and his musical collaborator Dean Hurley. The aural element of the work sits between musique concrete and sound design, with Lynch and Hurley using a range of samples Hurley has described as 'brief phrases of machines working,' 'characteristic winds,' 'punch-presses pitched down,' 'train mechanisms and large steel factory samples,' and 'metal structures that were welded together'.
Holga 120N. Kodak Portra 160VC. 4 seconds exposure on bulb setting.
A non-Vaselined version of the same shot can be seen here
Good Day Today/I Know
David Lynch
United States b.1946
Compact-disc in gatefold cardboard sleeve
Sunday Best Recordings, United Kingdom, 2011
Collection: QAGOMA Research Library
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Ghost of Love
David Lynch
United States b.1946
Compact-disc and paper sleeve in plastic case
Cover art and design: David Lynch
David Lynch Music Company, United States, 2007
Collection: QAGOMA Research Library
Marek Zebrowski
Poland
David Lynch
United States b.1946
Compact-disc and paper sleeve in plastic case
Cover art and design: David Lynch
David Lynch Music Company, United States, 2007
Collection: Asymmetrical Productions, Los Angeles
Watching David Lynch´ Interview Project these days, fantastic!
interviewproject.davidlynch.com/www/#/all-episodes/054-gl...
Holga 120N. Kodak Portra 160VC. 4 seconds exposure on bulb setting.
The Vaselined version of this shot can be seen here
27 th May I'm at 5-7 -But come and set your insanity free from 3pm until they come and put us all in straight jackets..DJ list above