View allAll Photos Tagged DIRECTIONAL
Copyright © 2016 by Craig Paup. All rights reserved.
Any use, printed or digital, in whole or edited, requires my written permission.
Due to my lack of mobility I have to get shots when I can. The other day I went for a drive to shoot the hay(?) bales and ended up seeing this fun scene. These were taken on a day before the snow was due to hit us. No post other than cropping was done to these shots. Thank you for your kind comments and faves.
A Throwback to July 16 2021, CP 420 and CN Q108 meet at South Perry. CN Q108 had some work at South Perry yard picking up bare tables in storage making for a rare photo nowadays.
Directional running in this area does not start until west of Ashcroft but CP 9620 is seen just east of the town in charge of a coal train on CN tracks.
Directional evening golden light.
Bannarghatta National park.
Nikon D3300 + 200-500
Æ’/5.6 500.0 mm 1/800 ISO400
Nikon Capture NXD
When you are 94 floors above ground and trying to teach your children about navigation, it can be confusing to figure out just which way is truly south.
Olympus OM-D E-M1 with M. Zuiko 12-40 f/2.8
Much overcooking of a blurry photo here. I liked the feel of it, though. The guy's muscularity-from-work is striking, as is the determination of the older woman to get to wherever the hell it is she's going. I wonder if they gave each other even a moment's notice.
The denuded trees really play up the strength of the late afternoon shadows.
A monochrome interpretation of "Forest shadows" using a Topaz B&W preset that accentuates the contrast of the shadows through the trees.
Avanti 390153 demonstrates the bi-directional capability of the West Coast Mainline as it passes wrong-way through P4 at Rugby with 1F10 London Euston - Liverpool Lime Street.
This service would usually pass through Rugby on the Down Fast, but this was closed for Sunday engineering work up to Nuneaton.
"Create a graphic composition using the lines, curves, shadows and reflections of the street." - Fabio Costa
Another old, beaten up, weathered shell from a beach in Baja. Even thought the shell isn't pristine, I like the shapes and color.
Strobist info: A simple one light setup. I placed this on a mirror and then positioned a YN560-II in a 24 inch softbox, camera left, about 4 inches from the shell. I held a large silver reflector camera right to bounce some light back on to the dark side. The strobe in manual mode was triggered by a Yongnuo RF-603N.
Other shell pictures I've taken can be seen in my Shells set. www.flickr.com/photos/9422878@N08/sets/72157626043932290/
Other pictures that I've taken over the years in this beautiful area can be seen in my Baja set. www.flickr.com/photos/9422878@N08/sets/72157600779263103/