View allAll Photos Tagged Crops
Near 100% crop fromhttp://www.flickr.com/photos/lordv/3270752197/ showing the eye detail that is lost on image resizing
Heavy crop here but not bad, lots of bird of prey at Lodmoor today. Cropped only / in-camera picture style
Fotocontest "Apertamente" foto a diaframma aperto invito a partecipare
ho aspettato che mi venisse un autoscatto
di quelli che.. viene come viene.. ma senti qualcosa anima e corpo
difficile da far passare.. per una fotografia..
ma quando i pensieri sono inutili...
allora... facciamo una fotografia
una di quelle da mettere via
una foto a diaframma aperto
nulla..
... per me la cosa migliore.. sarebbe..
che facesse vedere quello che in realtà non si riesce a essere
piu' che altro
e il piu' possibile quello che non si vede a guardare..
...mmm..ma forse non sarebbe
una fotografia
A few workers ready a helicopter to spray pesticides on the Rice and Green farms. Photo ID# WPL-TA1-0062
Photos de la crop organisée par l'association Scrap Tout Doubs (25) les 19 et 20 février 2011 scraptoutdoubs.forumactif.com/
Animatrices :
Anaïs
Manou
Fati
Photographe :
Logan
Austrian Winter Peas used as an alternative crop to maintain ground cover after a fire. Hill County, MT. June 2012.
K-5 with 5.5 Inch f4.5 Solar Anastigmat Ilex Enlarger lens and a home-made bellows was used to take the photograph.
The ones with "B" in the name are blended with an auto-enhanced version in ArcSoft Photo Studio 6.
The non-"B" version is untouched.
Most of these are test shots with the "new" vintage lens.
The lens behaves more like a very sharp large format portrait lens than an enlarger lens, so I'm not 100% certain it really is an enlarger lens as it was sold to me.
I'm not complaining, though, as the photos came out much better than I expected.
The home-made bellows effectively makes the lens a tilt/shift lens with macro capabilities.
A Crop from "The Flower and the Laser" Then applied Channel Mixer, the B+W with Blue filter, and then tweaked it using the exposure tab
If you would like this photo as a print or a whole plethora of other options this is available on
Image of a corn root (right) and a soybean root (left with nodules) growing toward eachother. The soybeans were a volunteer crop, seeming to thrive next to the corn. Baker, MT. July, 19, 2012.
Cropped, straightened, sharpened a bit in Lightroom. When focusing and later on adjusting photos I usually concentrate on the eyes.
Cropped image of a spiny lobster, also taken at the Champagne Reef dive site off Dominica. Orientation is as-shot (preserved aspect ratio when cropping).
Photos de la crop organisée par l'association Scrap Tout Doubs (25) les 19 et 20 février 2011 scraptoutdoubs.forumactif.com/
Animatrices :
Anaïs
Manou
Fati
Photographe :
Logan
Photos de la crop organisée par l'association Scrap Tout Doubs (25) les 19 et 20 février 2011 scraptoutdoubs.forumactif.com/
Animatrices :
Anaïs
Manou
Fati
Photographe :
Logan
Photos de la crop organisée par l'association Scrap Tout Doubs (25) les 19 et 20 février 2011 scraptoutdoubs.forumactif.com/
Animatrices :
Anaïs
Manou
Fati
Photographe :
Logan
This is a very little guy (or gal). He would probably not overhang a dime by much. I chased him around my front walk trying to get a decent photo. Boy can s/he jump - over two feet.
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com