View allAll Photos Tagged Crops
Hasselblad 501cm
Zeiss Distagon 50mm f/4 Cfi
Ilford FP4
Film pris avec Nikkor 105 macro
Crop de www.flickr.com/photos/floydianben/3832811673/
On compte les carreaux ?
This is just a crop of another picture on here.
I'd have put it in the comments of the other photo, but yeah i just decided i may as well upload it as a different picture itself, because i prefer it to the original.
I think it stands out more as a crop, to be honest. There's not all of the other stuff surrounding it to distract attention away from it.
What do ya think?
PLAYING in Photoshop... did you know that there is an AUTOMATIC Crop and Straighten??? I did it and I like it better!!
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com
American Goldfinch
www.allaboutbirds.org/guide/american_goldfinch/id/ac
Through a window and cropped. Not painted.
Some sort of chamomile making its way into a field.
The smell is definitely better than dog poo (lots of dogs get walked around this field).
11 inches off. A bit shorter than I wanted, but I guess it's a little too late now.
Ok, I actually told the woman I wanted it to fall just below my shoulders, and in reality it's about an inch above my shoulders - even though it doesn't look like it in the photo.
I had very little light and fast moving dancers in this photo shoot. So I kept juggling between using ISO 1600 and going to ISO 3200 and 6400 by deliberately underexposing my 350D and fixing the exposure during raw conversion.
This is a severe crop and a 100% view in the original size of a ISO 1600 photo. Moderate color noise reduction only as usual for my photos.
Common Buzzard~Buteo buteo
Well it's Sunday morning and it's been a very busy week...my hubby is having a lie in after two gigs on the trot and I want to walk Charlie and get back home so we can get back out on the moor to do some serious gathering of the winter fuel with our mate Sid. It's a beautiful day and I need a few hours of just 'me and Charlie time'...breathe in the beauty of the levels and recharge the batteries for another busy week ahead...so what a great start to the day, a handsome Buzzard..one shot and it's in the bag of treats that got bigger as the day went on
All is well in Joy's world!
Actually took this without looking from under my arm or something silly. Yet it managed to frame itself pretty well around Jodie's eyes.
It is about time to harvest the Tabasco crop. Some of them are getting to the "baton rouge" color so I will start anther batch for bottling in a couple of months. The plants are pretty. They look like Christmas tree lights. They start as yellow, drift to orange and are ripe when they match the "baton rouge".
Crop, 2011
Installtion of 12,000 stacked pencils topped with acrylic paint on gallery wall
approx. 150 x 150 inches
This Flickr Set documents the installation of Myers' Crop, 2011
Pelavin Gallery is pleased to announce an exhibition of new work by Timothy Paul Myers, titled The Ontario Ration. In celebration of Pelavin Gallery ’s thirty year anniversary, in January 2011, Myers bases this exhibition on a found business ledger chronicling the last thirty-years of an egg farmer named Myron B. Johnson, circa 1899-1929. This will be Myers first solo exhibition at the gallery.
Repetition and the use of unlikely materials—two prominent themes in Myers' work—continue to be displayed in this exhibition, as Myers makes use of hundreds of pages from a thirty-year business ledger of Myron B. Johnson, circa 1899-1929; one-thousand trading cards, circa 1900s-1930s; and one-hundred-thousand stacked pencil pieces individually topped with a single drop of acrylic paint from the artist's palette of over one-hundred-fifty hand-mixed colors.
For more information, please visit pelavingallery.com