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Title Page: Monkey-Ana or Men, in Miniature
Designed by Thomas Landseer (British, London 1795–1880 London)
Publisher: Francis Graham Moon (British, London 1796–1871 Brighton) Publisher: Moon, Boys & Graves (London) Publisher: Pieri Benard (French) Date: December 1, 1827 Medium: Etching
The Metropolitan Museum of Art.
On Halloween :) Creepy mountain station at night after almost everyone has gone.....oooh I hear footsteps in the kitchen...
The kawataro is a variety of kappa (water imp) which, according to the accompanying text, likes to eat people and practice sumo. An indentation on top of the creature's head is filled with water. The kawataro becomes weak when the water spills out.
Mysterious creature.
All rights reserved © Andrea Bosio
Please don't use this image on websites, blogs or other media without my explicit permission.
Edward Topsell - The historie of serpents, or, The second booke of living creatures... (page 201, detail of hydra) 1608. "The historie of serpents. Or, The second booke of liuing creatures: wherein is contained their diuine, naturall, and morall descriptions, with their liuely figures, names, conditions, kindes and natures of all venemous beasts: with their seuerall poysons and antidotes; their deepe hatred to mankind, and the wonderfull worke of God in their creation, and destruction. Necessary and profitable to all sortes of men: collected out of diuine Scriptures, fathers, phylosophers, physitians, and poets: amplified with sundry accidentall histories, hierogliphicks, epigrams, emblems, and ænigmaticall obseruations. "
it only comes out at night,hidden in the darkness. 2022 | NFTCollection opensea.io/collection/leahlucid-collection
Stamps by Dave McKean - Stories by Neil Gaiman - awesome is only one word for this wonderful collaboration
laughingsquid.com/dave-mckean-designs-shakespeare-mythica...
- uploaded by ShoZu
From the multitude of card sets bought, sold, traded, and stolen within the collectable card game PackRat.
This group of photos is from the Swetsville Zoo in Ft. Collins, featuring outsider art by Bill Swets made from rusty car parts, scrap metal and farm machinery. 3-6-10
pastfinders.com/sussexhistory/kingston_chapel.htm
In the 41 years I have lived in Sussex, it is the first time I have seen the legendary Black Rocks, the remains of Kingston Chapel. I saw them from a distance yesterday evening, and decided to have a closer look this evening. This involved getting my feet wet!
Also see the black&white, stylized version and tell me which one you like best.
While it's eight arms are without a doubt more interesting than most other creatures', The feature that attracted me most is the shape of its eye, or more specific it's pupil.
There is one other group of animals with similar pupils: cattle, especially goats.
I like things peculiar.
ATLANTA, GA – July 5, 2012
The Casket Creatures opened for Wednesday 13 at the Masquerade in Atlanta.
© Danielle Boise/Target Audience Magazine
ATLANTA, GA – July 5, 2012
The Casket Creatures opened for Wednesday 13 at the Masquerade in Atlanta.
© Danielle Boise/Target Audience Magazine
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Creatures #5
Pier Giorgio De Pinto & Katja Vaghi
Una collaborazione tra il performer e artista transmediale Pier Giorgio De Pinto e la coreografa e danzatrice Katja Vaghi
Sede
i2a Istituto Internazionale di Architettura.
Limonaia di Villa Saroli, Viale Stefano Franscini 9, 6900 Lugano, Svizzera
Durata dell'evento
Venerdì 5 Maggio, 2017
dalle 19:00 alle 19: 30 (30 minuti totali)
Sabato 6 maggio 2017
Quattro eventi: alle 11.30 poi ogni due ore ovvero 13.30, 15.30, 17:30 (30 minuti ad evento)
Creatures # 5 fa parte della Festa Danzante / Fête de la Danse / Tanzfest
Festa Danzante Ticino
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CREATURES #5 è un'installazione interattiva di Pier Giorgio De Pinto coadiuvata dalla presenza della danzatrice Katja Vaghi. Lei osserverà, riprodurrà ed elaborerà il movimento generato dal pubblico di fronte all'installazione digitale.
Oltre ai cinque sensi tradizionali, importanti per le nostre attività quotidiane ci sono anche l'equilibrio e il senso cinestetico o propriocezione. Questi ultimi due sono centrali nella danza. La danza, in tal modo, lavora prevalentemente con il nostro sesto e settimo senso! L'installazione vuole rendere il pubblico consapevole del proprio movimento e di quello degli altri per trasmettere il messaggio che qualsiasi movimento prodotto da qualcuno può potenzialmente generare materiale per la danza.
Una fotocamera tramite il software utilizzerà alcuni effetti per webcam che decodifica I visitatori davanti ad uno schermo. L'installazione modifica il risultato degli effetti grazie al movimento e alla forza della luce naturale che viene catturata dalla telecamera. Analogamente, ad intervalli specifici, la danzatrice osserverà, riprodurrà ed elaborarà i movimenti prodotti dal pubblico davanti all'installazione.
L'intento è quello di rendere il pubblico consapevole dei propri movimenti e di quelli degli altri. Quando I visitatori interagiranno con l'installazione saranno per lo più a conoscenza delle loro intenzioni, ma non del potenziale estetico che staranno generando. Allo stesso modo, il pubblico avrà la scelta di continuare ad interagire con l'installazione e/o con la danzatrice.
Un sentito grazie a Tiziana Conte, Ludovica Molo, Luca Crosta, i2a Istituto Internazionale di Architettura e a tutto lo staff di Festa Danzante.
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Creatures #5
Pier Giorgio De Pinto & Katja Vaghi
Collaboration between the performer and digital interaction artist Pier Giorgio De Pinto and the choreographer and dancer Katja Vaghi
Venue
i2a International Institute for Architecture.
Limonaia, Villa Saroli, Viale Stefano Franscini 9, 6900 Lugano
Event duration
On Friday 5th May 2017
19:00-19:30
On Saturday6th May 2017
On going with dancer’s intervention every 2 hours for 30 min. Four slots starting at: 11.30, 13.30, 15:30, 17.30
Creatures #5 is part of the Fête de la Danse / Tanzfest / Festa Danzante
Festa Danzante Ticino
#creatures5 #festadanzante
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CREATURES #5 is an interactive installation by Pier Giorgio De Pinto supplemented with the presence of the dancer Katja Vaghi. She will observe, reproduce and elaborate the movement generated by the audience in front of the digital installation.
Beside the five traditional senses, important to our everyday activities are balance and the kinesthetic sense or proprioception. These last two are central to dance. Dance thus work predominantly with our six and seven sense! The installation wants to make the audience aware of their and other people’s movement and convey the message that any movement produced by any one can potentially generate dance material.
A camera via software will use webcam effects decoding people in front of a screen. The installation modifies the result of the effects thanks to movement and strength of natural light caught by the camera. Similarly, at set interval, the dancer will observe, reproduce and elaborate the movements produced by the audience in front of the installation.
The intent is to make the audience conscious of their own movements and that of others. When interacting with the installation they will mostly be aware of their intentions but not of the aesthetic potential they are generating. Thus, the audience will have the choice of continuing interacting with the installation and/or with the dancer.
Many thanks to Tiziana Conte, Ludovica Molo, Luca Crosta, i2a International Institute for Architecture i2a and the staff of Festa Danzante.
#creatures5 #festadanzante
Chocolate Cupcakes with Vanilla Buttercream Swirls and hand modelled fondant sea creatures for Joseph who was turning 1.
(Inspired by www.flickr.com/photos/mokmokmok/5301117678/in/photostream/)