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Een triton die op een schelp blaast, Jacob de Gheyn (III), 1616 - 1620

I made this exact model and painted it as a kid, it looked just like this one.

August 2016, Moscow, Russia

Kaimuki - Oahu - Hawaii

The creature sits and memorizes the Tamil script while the kids are on the set.

Les établissements Deyrolles éditaient des planches éducatives pour les écoles . Depuis quelques années des reproductions en sont éditées en albums . Voici une série fictive … Une idée amusante, mais peut-être avec un petit manque de fantaise .

 

Bibliothèque Leroy-Pilard .

---English below---

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Creatures #5

Pier Giorgio De Pinto & Katja Vaghi

Una collaborazione tra il performer e artista transmediale Pier Giorgio De Pinto e la coreografa e danzatrice Katja Vaghi

 

Sede

i2a Istituto Internazionale di Architettura.

Limonaia di Villa Saroli, Viale Stefano Franscini 9, 6900 Lugano, Svizzera

 

Durata dell'evento

Venerdì 5 Maggio, 2017

dalle 19:00 alle 19: 30 (30 minuti totali)

 

Sabato 6 maggio 2017

Quattro eventi: alle 11.30 poi ogni due ore ovvero 13.30, 15.30, 17:30 (30 minuti ad evento)

 

Creatures # 5 fa parte della Festa Danzante / Fête de la Danse / Tanzfest

2017.fetedeladanse.ch/ticino/

Festa Danzante Ticino

 

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CREATURES #5 è un'installazione interattiva di Pier Giorgio De Pinto coadiuvata dalla presenza della danzatrice Katja Vaghi. Lei osserverà, riprodurrà ed elaborerà il movimento generato dal pubblico di fronte all'installazione digitale.

 

Oltre ai cinque sensi tradizionali, importanti per le nostre attività quotidiane ci sono anche l'equilibrio e il senso cinestetico o propriocezione. Questi ultimi due sono centrali nella danza. La danza, in tal modo, lavora prevalentemente con il nostro sesto e settimo senso! L'installazione vuole rendere il pubblico consapevole del proprio movimento e di quello degli altri per trasmettere il messaggio che qualsiasi movimento prodotto da qualcuno può potenzialmente generare materiale per la danza.

 

Una fotocamera tramite il software utilizzerà alcuni effetti per webcam che decodifica I visitatori davanti ad uno schermo. L'installazione modifica il risultato degli effetti grazie al movimento e alla forza della luce naturale che viene catturata dalla telecamera. Analogamente, ad intervalli specifici, la danzatrice osserverà, riprodurrà ed elaborarà i movimenti prodotti dal pubblico davanti all'installazione.

 

L'intento è quello di rendere il pubblico consapevole dei propri movimenti e di quelli degli altri. Quando I visitatori interagiranno con l'installazione saranno per lo più a conoscenza delle loro intenzioni, ma non del potenziale estetico che staranno generando. Allo stesso modo, il pubblico avrà la scelta di continuare ad interagire con l'installazione e/o con la danzatrice.

 

Un sentito grazie a Tiziana Conte, Ludovica Molo, Luca Crosta, i2a Istituto Internazionale di Architettura e a tutto lo staff di Festa Danzante.

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Creatures #5

Pier Giorgio De Pinto & Katja Vaghi

Collaboration between the performer and digital interaction artist Pier Giorgio De Pinto and the choreographer and dancer Katja Vaghi

 

Venue

i2a International Institute for Architecture.

Limonaia, Villa Saroli, Viale Stefano Franscini 9, 6900 Lugano

 

Event duration

On Friday 5th May 2017

19:00-19:30

On Saturday6th May 2017

On going with dancer’s intervention every 2 hours for 30 min. Four slots starting at: 11.30, 13.30, 15:30, 17.30

 

Creatures #5 is part of the Fête de la Danse / Tanzfest / Festa Danzante

2017.fetedeladanse.ch/ticino/

Festa Danzante Ticino

#creatures5 #festadanzante

 

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CREATURES #5 is an interactive installation by Pier Giorgio De Pinto supplemented with the presence of the dancer Katja Vaghi. She will observe, reproduce and elaborate the movement generated by the audience in front of the digital installation.

 

Beside the five traditional senses, important to our everyday activities are balance and the kinesthetic sense or proprioception. These last two are central to dance. Dance thus work predominantly with our six and seven sense! The installation wants to make the audience aware of their and other people’s movement and convey the message that any movement produced by any one can potentially generate dance material.

 

A camera via software will use webcam effects decoding people in front of a screen. The installation modifies the result of the effects thanks to movement and strength of natural light caught by the camera. Similarly, at set interval, the dancer will observe, reproduce and elaborate the movements produced by the audience in front of the installation.

 

The intent is to make the audience conscious of their own movements and that of others. When interacting with the installation they will mostly be aware of their intentions but not of the aesthetic potential they are generating. Thus, the audience will have the choice of continuing interacting with the installation and/or with the dancer.

 

Many thanks to Tiziana Conte, Ludovica Molo, Luca Crosta, i2a International Institute for Architecture i2a and the staff of Festa Danzante.

#creatures5 #festadanzante

These people were dressed up as amoebas and aside from their balloons were completely naked. Why they were amoebas I do not know nor do I care because it was perfect!

creature comforts USA set.

It ends in a messy way!

papel ,lapiz ,photoshop

OLYMPUS DIGITAL CAMERA

A fountain in Stanford shopping mall

Maddy making herself comfortable

East Bay Wilds Native Plant Nursery.

510-409-5858

Model: Cindi Khongwiset

Body Painter: Pashur

 

Photo by Robert H. Soulliere, Jr. using Westcott products (www.fjwestcott.com)

Looks like a fox at thumbnail size!

Creature Feature performing at Jaxx Nightclub in Springfield, VA. March, 2008.

These were the coolest!!! Also at Art-works in Pownal, VT.... these little creatures were awesome! This one was just skiing but there was a drunk one (a wine bottle holder), a baseball one, a hungry one (with a knife in one hand and a fork in the other), and so many more!

An example of how unbelievably filthy our Creature from the Black Lagoon had gotten. This ramp was replaced with a 1) whole, 2) clean, and 3) see-through reproduction. (After)

Tulabelle "Fashion Creature" VERSION 2.0 16" Doll

 

Date: 2011

Title: Creature

Medium: metal, Aqua Resin, paper/resin mache, epoxy, exterior caulking, vinyl, exterior acrylic, casting resin, human hair.

Dimensions: 5ft W X 3ft H X 5.5ft L

Mezco's Creature from the Black Lagoon. Featured with their Frankenstein's Monster figure that came out last year.

Up next--the Mummy!

Setting up the church for the Haloween party. The haunted house section where the teenagers will scare the little kids.

ATLANTA, GA – July 5, 2012

The Casket Creatures opened for Wednesday 13 at the Masquerade in Atlanta.

© Danielle Boise/Target Audience Magazine

 

Dark Souls

8K Internal rendering resolution, DSFIX, Sweetfx, Twaked gauss.fx and various retextures.

This was a "gamer" monster, with Cheetos dust on its face.

ATLANTA, GA – July 5, 2012

The Casket Creatures opened for Wednesday 13 at the Masquerade in Atlanta.

© Danielle Boise/Target Audience Magazine

 

Holiday Creature With Christmas Lights - Gilman Creature from the Black Lagoon Monster Christmas Tree Lights - action figure Universal Pictures Studio Monsters - New York City Green creatures undead zombie cadaver it's alive scary - horror terror Halloween fright toy toys creature moody shadow shadows face portrait 1931 movie film Frankenstein Hollywood Transylvania collectable collectible Boris Karloff type lite light Holiday 2012 amphibian fish man

 

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