View allAll Photos Tagged Contribution
Contribution No. 09
Acrylic and spray paint on 4 canvases. Summer 2007
Painted live in front of Parco Gallery , Kichijouji Prefecture, Tokyo Japan.
As you guys know, I won't be able to come to the Sewing Summit because we have a wedding in NYC that weekend. Ali talked me into making something for the silent auction though. :) I made a wall hanging and a little storage basket. At least I can be there in some small way! Hope you ladies have fun!
Erin, these will go in the mail today.
This week's contribution to "The weekly Photo Challenge ".
Theme this time: Screensaver
Me and Stefan Bergström made a trip into an incredible old mine. The picture show the top of the ice fall that we climbed down using SRT.
The picture is an single exposure.
2019-02-16>>2019-03-01.
Follow me on: Instagram
The Piltown Co-Operative Agriculture and Dairy Society looks like it was well up and running in May of 1925 almost 100 years ago. The Co-Ops made a massive contribution to the development of rural Ireland and conditions for the people. One wonders what was happening that prompted them to commission this photograph from the Poole Studio?
Photographer: A. H. Poole
Collection: Poole Photographic Studio, Waterford
Date:ca. 10 May 1925
NLI Ref: POOLEWP 3268
You can also view this image, and many thousands of others, on the NLI’s catalogue at catalogue.nli.ie
My contribution to Wannabe Warmer Wednesday www.flickr.com/groups/wannabe_warmer_wed/
This picture was taken last summer on a warm sunny afternoon.
This is my contribution to the Rogue Ronin collab, which was presented at Bricking Bavaria in Fürth in 2024. It was inspired by Japan’s Edo period and displayed Kumamoto Town and its coastline in the vibrant colours of autumn.
My part of the model presents a scene right in front of the town’s castle’s outer wall, featuring houses typical for the Edo period and townspeople in their daily life. Probably the biggest challenge I had to conquer whilst building this was to achieve the rather steep descent while maintaining a natural appearance.
To see the whole collab with all details, click here. I also uploaded more details on my second account Piquadratsechstel.
I hope you like it!
My contribution to the One World One Heart giveaway event
Enter the giveaway on my blog: natashaburns.blogspot.com/2008/02/one-world-one-heart-giv...
This is part of my contribution to this year's Brick to the Past model, The Jacobite Risings: The Fight for Britain's Throne. Here we see another wee scene that depict a Jacobite camp. Jacobites did not carry proper tents like their government opponents, instead wrapping themselves in their plaids and huddling next to campfires.
The Jacobite Risings: The Fight for Britain’s Throne is a LEGO model of a series of uprisings, rebellions and wars that occurred predominantly in Scotland, but also spread into Ireland and England, between 1689 and 1746. Following the deposition of James II of England and VII of Scotland in the Glorious Revolution, the aims of the risings were to return the Stuart monarch, and later his descendants, to the thrones of England and Scotland (and after 1707, the Kingdom of Great Britain). They take their name from Jacobus, the Latin form of James.
While conflict broke out in 1689, 1715, and 1719, the most famous rising is probably the last, that of 1745. During the “Forty-five" Charles Edward Stuart, also known as the Young Pretender or Bonnie Prince Charlie, led an army from the Scottish Highlands as far south as Derby before retreating north to be decisively defeated at the Battle of Culloden in 1746. Culloden was the last pitched battle to be fought on British soil and marked the end of any serious attempt to restore the house of Stuart to the throne.
The Jacobite Risings: The Fight for Britain’s Throne is a Brick to the Past creation built by Dan Harris, James Pegrum, Simon Pickard, Tim Goddard and Steve Snasdell. It was unveiled for the first time at the Bricktastic in July 2017 and went on display again at The Great Western Brick Show in October. It is now on display at Stirling Castle until February 2nd 2018.
Bidrag till Fotosöndag, tema randigt.
Sista kvällen på kära Debaser Slussen. #ripslussen
---------------------------------------------------------------------------
My contribution to Fotosöndag, theme striped.
The last night ever at dear Debaser Slussen in Stockholm.
Norfolk contemporary art at Salthouse Church, on the North Norfolk coast. website.
All visitors to the exhibition were invited to create something and to hang it with the others. A wide variety of basic bits and pieces were available.
This is mine.. the wire is bent into a '1'.
The newest, most attractive building in London has recently been opened. The Shard is an amazing contribution to the city of London, it stands out because it is so tall and it's modern features make it a great place to visit and to take photos of.
© 2019 Millettarian Photographic Institute
We honor Juneteenth by celebrating African Americans' contributions to our nation and supporting black-owned businesses. Here's to celebrating freedom today and every day!
"If there is just about anything to rejoice about, it can be my ancestors, African People who survived the atrocity and stain of slavery…I honor them these days with a guarantee that I will keep on to combat for your unexplored desires and hopes." — Viola Davis, Actress, Author, and Producer.
Raising awareness: What is Juneteenth?
Juneteenth, or Emancipation Day or Freedom Day, is an annual holiday celebrated in the United States on June 19. It commemorates the emancipation of enslaved African Americans and the end of slavery in the United States.
The history of Juneteenth dates back to June 19, 1865, when Union General Gordon Granger arrived in Galveston, Texas, and issued General Order No. 3, which declared that all slaves in Texas were free. This announcement came more than two years after President Abraham Lincoln's Emancipation Proclamation officially abolished slavery in the Confederate states on January 1, 1863. However, due to the minimal presence of Union troops in Texas, the proclamation was not effectively enforced until General Granger's arrival.
Juneteenth celebrations typically involve various activities, including parades, picnics, cookouts, family gatherings, music, dancing, and educational events. It is a time for African Americans and others to reflect on their ancestors' struggles and achievements and celebrate freedom and equal rights.
In recent years, there has been a growing movement to recognize Juneteenth as a national holiday in the United States. On June 17, 2021, it was officially declared a federal holiday when President Joe Biden signed the Juneteenth National Independence Day Act into law. This designation makes Juneteenth the 12th federal holiday and the first new one to be added since Martin Luther King Jr. Day in 1983.
The recognition of Juneteenth as a federal holiday is seen as an essential step in acknowledging the historical significance of emancipation and the ongoing struggle for racial equality in the United States. It provides an opportunity for all Americans to learn about and honor the contributions of African Americans to the nation's history and culture.
#BlackIndependenceDay
You can never take enough Bathroom pictures so here is my contribution for June lol. Hope you like it. xxx
My contribution to the "Holiday in Mar-A-Lago" collage zine
This a 32 page jumbo fan-zine features 30 international artists and their collage art inspired by Dead Kennedy music.
Dead Kennedy lyrics seem as relevant today as when they were written, over three and a half decades ago.
over sized zine!
11"x15"
Full Color
News Print
Featuring world class collage artists!
Published 2017
www.society6.com/artist/collageartbyjesse
www.collageartbyjesse.tumblr.com
My contributions to the collaboration that took place at Brickcon 2012. I forgot to upload this lol.
Ierapetra, Crete, May 19, 2024
(bidrag till flickr-gruppen Fotosöndag med tema "uteliv")
(contribution to the Flickr group Fotosöndag with this week's theme "outdoors")
My contribution to the #NoshsHoodChallenge3
The Challenge At Noshinima's Neighborhood: The City Block
This is the third of my challenges taking place at my brand new, bigger parcel, also named Noshinima's Neighborhood. This setup was a nightmare to work on, and after weeks of work and a lot of lindens spend, I have finally came up with a new challenge for all of you and it is now ready for visitors. This is a new concept I am showcasing on my Flickr, where I challenge 50 great artists to do a photo shoot in the backdrop I created at my home sim.
For the third challenge, I created a large New York style city block, complete with all the different types of retail store outlets you would find at in your typical downtown stroll along downtown. There are clothing stores, supermarkets, pizzerias flower shops and all types of different settings that can be potentially found in just one city block. This also comes with a fairly realistic street view complete with cars and trucks. I am challenging the names tagged in this post to do a shoot within my city block anywhere they like and however they like.
Rules and details:
1) I (Noshinima Midas) tag 50 names of great photographers on Second Life. Said photographers that choose to participate in the challenge can come over to my parcel, Noshinima's Neighborhood (link below) and do an image anywhere in my city. You will be allowed two hours to use any posestands or props that you would like to add and are allowed to bring any friends you want to join you in your shoot. You are also allowed to make the shoot as safe or as adult as you like. The only rule is that you do the shoot within the city block. Take your time to have a look around to see where in the block would make a great place for your image.
2) Upload the finished image onto Flickr and place the hashtag #NoshsHoodChallenge3 on either the title or the description.
3) YOU MUST TAG 10 PEOPLE THAT YOU WOULD LIKE TO SEE TAKE THIS CHALLENGE ON YOUR UPLOAD OF YOUR SHOOT! NO MORE, NO LESS! I have had several people during previous challenges that have not followed this simple rule so I am making it ALLCAPS to get the point across. Link them to this post and explain the rules to them as well. They must also tag 10 of their friends that they would like to see do this challenge if they themselves choose to participate as well. You must tag people that are actual active photographers on Second Life. Tagging pages dedicated to advertising a store, tagging real life photographers and tagging empty profiles does not count and is against the rules. Also, although you are permitted to do this if you desire, tagging me and tagging yourself will not count towards the number of 10 photographers you are tagging.
I am available every day. If anyone has any questions, comments or would like help in their shoots, be sure to contact me on Flickr or Second Life.
The initial names that I am challenging are listed as follows:
-Alsatian Kidd
-Angel Heaven
-Angie
-Argosi Domenici
-Ashlynn Anwyl
-Beatrice McAllister
-BenJohn9
-Buxanna
-Celith Wendt
-Compoqueen
-Daikota Wind
-Darlen Criss
-Dokielicious Doobie
-Davina
-Isle Biedermann
-Jaquelyne Desmoulins
-Jeanie
-Jess & Karen
-Jocelyn Thorne
-Kitten Caboose
-Larry Vinaver
-Laura18 Streeter
-Lexi Fizzle
-Madison Delgado
-Marlene Austrone
-Mathilde De Cyriac
-Melodie Heartsong
-Mirabelle Biedermann
-Misty Bubbles
-Misty Rogers
-Mrs Eva Grimes LePlay
-Nae
-Nathalie RV
-Nialys Kelberry
-Nicoletta Carlucci
-Nikki Heron
-Nuria
-Paula Berger
-Renni Ippon
-Riska Demina
-Rhys Scurlock
-Sean John Brooke
-Shawnaslts
-Stacey Lucciano
-Superbad Snow Storm
-Sylvia Darkangel
-TC Tackleberry
-Valerie Desmoulins
-Victoria
-Violetta Raine
To everyone tagged, remember that once you do the shoot from the city, you must tag 10 names that you would also like to see do this challenge and use the hashtag #NoshsHoodChallenge3
Here is the link to the city block:
Visit Noshinima's Neighborhood in Secondlife
Just a disclaimer. This is not a contest. It is simply a challenge for anyone to use my parcel in their photography as they see fit. Use any creative tactics you choose.
PS. The images shown on this post are pictures taken from the city block as examples of what my parcel looks like. I will post them all individually soon as examples of shoots done at my parcel.
PPS. I want to also add that while this challenge has officially started today, the city parcel itself is not yet completed. I am still working on adding small touches and details to make the parcel stand out. You may find empty rooms in the parcel but I will work on filling them up as soon as possible. Please excuse the otherwise unfinished and unorganized look of my city block.
Good luck to all those that choose to participate in the challenge. I am looking to see your creativity on display within the city block.
Love,
Noshinima Midas ;)
Thanks for the tag Michaela (summersun) and Marcela (Marcela Gorga). I quickly did the redress that I have been waiting for since end of Jan (my gift set arrived only yesterday) - and contribute this to celebrate the date. For semantics' sake I just had to replace "Women" by "Ladies".... so, give me an "L" for LOVELY.
Elena (Dream Teen Poppy) demonstrates how to be lovely....
Earth Day - 22nd April 2009! my contribution
The Himba are an ethnic group of about 20,000 to 50,000 people living in northern Namibia, in the Kunene region (formerly Kaokoland). They are a nomadic, pastoral people, closely related to the Herero, and speak the same language.
The Himba wear little clothing, but the women are famous for covering themselves with a mixture of butter fat, ochre, and herbs to protect themselves from the sun. The mixture gives their skins a reddish tinge. The mixture symbolizes earth's rich red color and the blood that symbolizes life, and is consistent with the Himba ideal of beauty. Women braid each other's hair and cover it in their ochre mixture (called otjize in their langauge).
texture thanks to: www.flickr.com/photos/borealnz/
submit your picture wherever you are today, go to: earthmosaic.org/
EXPLORE # 278
Please don't use this image on websites, blogs or other media without my explicit written permission. © All rights reserved
My Images are for sale and can be purchased securely via KAGI. Please contact me about pricing and terms.
My images are not available for free to promote websites, banners, blogs, t-shirts etc.
No one leaves home unless home is the mouth of a shark.
Warsan Shire
So often the world sits idly by, watching ethnic conflicts flare up, as if these were mere entertainment rather than human beings whose lives are being destroyed. Shouldn’t the existence of even one single refugee be a cause for alarm throughout the world?
Urkhan Alakbarov
In the midst of migrants in search of a better life there are people in need of protection: refugees and asylum-seekers, women and children victims of trafficking…Many move simply to avoid dying of hunger. When leaving is not an option but a necessity, this is more than poverty.
Antonio Guterres
A lasting solution, the possibility to begin a new life, is the only dignified solution for the refugee himself.
Poul Hartling
Environmental degradation, overpopulation, refugees, narcotics, terrorism, world crime movements, and organized crime are worldwide problems that don’t stop at a nation’s borders.
Warren Christopher
I urge you to celebrate the extraordinary courage and contributions of refugees past and present.
Kofi Annan
Thank you for your kind visit. Have a wonderful and beautiful day! ❤️❤️❤️
6" diameter each - dinnerware & stained glass.
These are my contributions to a Women's International Mosaic Project organized by Pam Goode
The George Brown Darwin Botanic Gardens are botanical gardens located 2 km North of the CBD of Darwin, Northern Territory, Australia.
The gardens were established on their present site in 1886; this was the third attempt by European settlers of Darwin to establish a site where plants of economic importance could be tested for their suitability in the tropics. Initially the collection of the gardens was focussed on economic gardening and the ornamental plantings. The gardens were severely damaged during Cyclone Tracy in 1974, 89% of all plants were lost. Restoration after the cyclone was led by George Brown, who had worked at the gardens since 1969 and served as curator from 1971 to 1990, and became Lord Mayor of Darwin in 1992 until 2002. The gardens were renamed in 2002 to recognise George Brown's contribution and 32 years service to the development of the gardens.
In 2000 Darwin's historic former Wesleyan Methodist church was moved from Knuckey Street and reconstructed at the Gardens. It is the oldest surviving building in Darwin. Today, the old church building houses Eva's Botanical Gardens Cafe.
The gardens contain a major collection of Northern Australian monsoon flora; these include communities like mangroves, monsoon vine thicket, Tiwi Islands wet forest and those found on the Arnhem Land escarpment. The gardens also has a large collection of native and introduced tropical plants including cycads, palms, Adansonia, gingers and heliconias.
My contribution to an ongoing photo competition (comp.nr.27) on flickr.Theme is "Mother(Nature)’s Finest".
This is my contribution to "Flickr Friday" and this week's theme "BlackAndWhite"...
Please, don't complain about the chess pieces' configurations - they are just random. :)
I used a hand-held speed light with a grid attached to it to illuminate the scene. Processing was done using "Silver Efex Pro 2". (This is the second time I used this wonderful tool.) ;)
[EDIT]: #Black&White (13) - NOT selected...
Here you have my contribution to this week's theme movie title for the Swedish flickr group Photo Sunday.
My contribution to #BMDWeapons Dora SR 44 Sniper Rifles.
This sniper rifles gun completely acquired with a bench rest quality stainless steel barrel. The DORA SR 44 has a detachable box magazine and an adjustable stock, both length of pull and deadly accurate from afar. The 3-yellow marking on the barrel gun indicate the kills score by the gunner.
contribution to the traveling moleskine project. introduction page, including parcel stamp with pen.
my latest contribution to the 3am collaboration with ventral is golden (www.ventralisgolden.com/) and bryan olson (www.cargocollective.com/BryanOlson)
check out the other works at www.cargocollective.com/3AM and www.3amofthesoul.tumblr.com/
www.society6.com/studio/jessetreece/store
www.collageartbyjesse.tumblr.com
As i get older, I am now age 60, I still regret the years I wasted in fear of my desire to dress up as a woman and the way I went into complete denial and continually attempted to suppress my desire to appear as a female. I was brought up in an era when boys were told to be boys and to man up. All I recall is as teenager I was desperate to become a girl. At the time I was confused as I was far from certain if I simply wanted to dress up as a girl or I actually wanted to be a girl.
Being older I think I now have some understanding as to how I was back then. I think part of me is transsexual but it’s not dominant enough to make we want to transition into a full time woman. I also was painfully shy and harboured a dream of performance. I was especially taken with female impersonators who had established theatrical acts. These were not over the top drag queens, these were men whose performance was based upon looking completely convincing as women with no hint of the man being present yet the audience knew they were male. This is an art form in my mind, what I like to call female illusion.
This performance of the audience seeing you appear as a woman right down your physical attributes, clothing, shoes, make-up and hair and confidently performing as a female in front of them genuinely thrilled me and I wanted to be such a performer. To be able to carry off a convincing transformation and have the confidence and nerve as a man to step out on stage such a portrayal would have been quite amazing to experience. Knowing there were men out there that had made careers of doing this type of performance really caught my imagination.
I can still vividly recall the first time as a teenager I shaved my legs, dared to pluck my eyebrows, wore make-up for the first time, styled my hair into a girls style (no ned for a wig back then!), wore a bra and put on my first dress, then slipped on a pair of high heels…my head was spinning and I nearly passed out!
I experienced pure elation, yet there was also fear at that was doing yet every fibre of my being was embracing what I had just done. At last I was a girl! A girl! Oh joy! I loved how I felt in that precious and intense private moment. I also recall I got the shakes, it was uncontrollable for awhile but eventually settled enough for me to stand in front of a mirror. Seeing myself as a girl was quite a moment full of mixed emotions. I was euphoric and the emotions overwhelmed me. This was what I dreamed of doing! I was a boy but I also wanted to be a girl and seeing myself in a dress and make-up made me cry. I was frustrated and elated at the same time. I was a boy, not a girl but I was trying to be a girl and I knew I wanted that, oh yes, I really wanted it!
I began to imagine how it must feel to be a professional female impersonator. How would it be to make a living out of appearing on stage as a woman and entertaining people. Would I ever have the nerve and self confidence to step out in front of an audience completely in the guise of a woman? I wanted to do it but I had self doubt about my abilities. The prospect of a career of dressing up as a woman was alluring but my inner doubt held me back.
Now am 60, I never stepped on stage dressed up as a woman so that dream is unlikely to ever happen now. I still feel a desire to attempt some form of performance as a female impersonator and to some extent, my videos I’ve posted pander to this yearning. Increasingly, I am finding I feel more confident about stepping in front of a video camera dressed as a woman and I enjoy talking to camera in my guise as a female.
However, I’ll admit, my videos to date are rather aimless, rambling and highly self indulgent. I now find I would like to record more videos but have some point to them. I did try a series of videos in the past called ’T-chat’ in which I interviewed other cross-dressers and transsexuals. Unfortunately, this idea proved a failure and never gained much interest within the trans community. In fact sometimes it generated very negative and hostile responses! I eventually gave up on this idea after realising it was pointless doing anymore interviews due to the notable lack of enthusiasm. I think I was rather naive in my plans for such a series of videos.
Despite that not working out I find I am still keen to record videos as my female alter-ego. There are lots of things about my transvestism I have a need to talk about. When I talk to the camera about them I am expressing my own personal feelings and thoughts on being a man that cross-dresses asa woman. I do often wonder how others feel about their own motivations and aspirations with their own cross-dressing.
I would like to improve my videos and take on more interesting subject matter that is related to cross-dressing. I did enjoy the two way conversation in the T-chat interviews and have been thinking of an alternative. What I would love is to hear from other cross-dressers about transgender subjects they have a view on. Appearing on camera as a woman gives me an opportunity to perform as the female impersonator I always wished I had dared to become. I’ve had ideas where i could maybe host a series of videos that includes videos made by other cross-dressers in which they speak on camera on a cross-dressing subject they want open up about or start debate upon. Hopefully this would lead to further responses that can be included in future episodes.
I accept some people have no wish to talk on camera when they are appearing as a woman and I wondered if they too felt as I did that they have questions in regard to their cross-dressing. I the past I used to receive e-mails asking me questions about my own cross-dressing. I am willing to talk openly about them so I wondered if perhaps I could record videos in which I answered their questions.
I also wondered if perhaps questions could be posed on a cross-dressing topic and several cross-dressers could contribute by recording a video of their own answers to such questions. I could then compile these answers in to a video programme.
I’m not trying to be arrogant or ‘me, me, me’, it is a case of I enjoy being a woman on camera and I want to do something that is helpful and interesting for the trans community and i do seek more focus and substance for future videos rather than my stream of consciousness ramblings such as I’ve been doing so far.
I suppose I am aware I enjoy being a an on screen presenter when I dress up as a woman. It’s great fun and a chance tower lots of dresses, experiment with make-up and wear different wigs. In a way it’s me finally being a female impersonator but in a more interactive way than I do at the moment.
I would love torah from anyone who would consider posing a question or recording something on video for inclusion in a future video. It may just be this idea goes the same way as my ill fated ’T-chat’ interview series< i only managed four of them in the end and one person asked for their interview to be taken off-line. I’m not really expecting this to pan out based only experiences but I feel if I don’t mention it then I will never know. If you should feel a willingness to ask a question or record a video about cross-dressing, expressing your own thoughts and views on camera then I’m keen to embark on a series of videos the can include these.
I can be contacted by direct e-mail on: helene_barclay@yahho.co.uk
nrhp # 76001485- The Harding Tomb is the burial location of the 29th President of the United States, Warren G. Harding and First Lady Florence Kling Harding. It is located in Marion, Ohio. Also known as the Harding Memorial, it was the last of the elaborate presidential tombs.
Shortly after Harding died in office, the Harding Memorial Association formed to raise money for a memorial site in honor of the late president. The association ultimately received $978,000 in donations from more than one million people across the country, as well as contributions from several European nations. Among the list of contributors from the United States were an estimated 200,000 school children, who donated pennies towards the memorial.[2] The tomb is located in Marion, Ohio, at the southeast corner of Vernon Heights Boulevard and Delaware Avenue, just south of Marion Cemetery.
Construction began in 1926 and finished in the early winter of 1927. It is designed in the style of a circular Greek temple with Doric order marble columns. The columns are built of Georgia white marble and are 28 feet (8.5 m) high and 5 feet (1.5 m) in diameter at the base. Designed by Henry Hornbostel, Eric Fisher Wood and Edward Mellon, the winners of a 1925 national design competition, the structure is 103 feet (31 m) in diameter and 53 feet (16 m) in height.
The structure is unroofed (peribolus), in the style of some Greek temples in which the center (Hypaethros) was open to the sky and without a roof (medium autem sub diva est sine tecto).[3] The open design honors the Hardings' wishes that they be buried outside, and is covered in ivy and other plantings.
At their deaths, the bodies of the Hardings were entombed in the Marion Cemetery Receiving Vault. Once the Harding Memorial was completed in 1927, the bodies were reinterred in the Memorial's sarcophagus and it was sealed. Because Harding's reputation was damaged by personal controversies and presidential scandals, the Harding Memorial was not officially dedicated until 1931 when President Herbert Hoover presided.
My contribution to an ambitious project by the local Mountain Club OPS Ikarias.
About this place, see my blog article: "sun in the gulch"
About the culture or wild swimming and swimming holes, illustrated with a selection of photos from Ikaria, read my article: "Κολυμπότρυπες ☺ στην Ικαρία"
Special blog article:
My contribution to Comic Bricks! I should point out that the cover you're looking at is actually the back cover of Roots of the Swamp Thing number 3, which in 1986 reprinted the classic Len Wein/Berni Wrightson Swamp Thing stories from the seventies. The renewed interest was thanks to Alan Moore, who was busy writing Saga of the Swamp Thing and blowing everyone's mind.
The size of a 40.000 year old tooth from the Denisova cave indicates a very tall individual, and artefacts found tell about
an unbelievable modern technology - including high speed drilling. The first kings of Egypt were called Gods, but they lived with the people and helped them to develop their civilisation. Many of the granite and basalt artefacts found in Egypt can only have been done by high speed drilling. Were these divine kings in fact Denisova hominins? Did they underestimate how fragile the eco-balance of our environment is, did they trigger a worldwide catastrophe that "capsized" the Earth and wiped them out?
Remnants of a previously unknown hominin, distinct from both early modern humans and Neanderthals,
were a few years ago found in the Denisova cave of southern Siberia: Denisova hominins. The bones and also artefacts excavated at the same level were carbon dated to around 40.000 BP. The scientists say these Denisovans had "modern technology and ornaments, including a very beautiful bracelet". Our archaic cousins the Denisova Hominins
A catastrophe in form of a flood that, according to the legends wiped out the Egyptian civilization that was developed by divine kings (Gods), shall have taken place more than 30.000 years ago. The finger bone, the large tooth and the artefacts found in the Denisova cave in the north-east Altai Mountains region are also dated to be more than 30.000 years old. The small bone belonged to a very young girl. A small bracelet of polished stone was also found, and since it was found in the same layer and dated to the same age; it might have belonged to her.
We can only speculate why the young girl was in the cave. Could it be that she was seeking shelter from a coming catastrophe, might be brought there by her mother or father? Or that she was washed into the cave by the raging wave of a tsunami - even if the cave today is 600 meters above sea level?
It seems that the first rulers of Egypt had a technology that was even more advanced than we have today; we are in fact unable to replicate many of the artefacts found. And it still is an open question how they managed to construct the Great Pyramid with its incredible precision and up to 70 ton's stones.
The archaeologists say that the ancient Egyptians used simple tools like bronze chisels and stone hammers but many of the items found, like basalt jars and also the so called sarcophagus in the Great Pyramid, cannot be made without high speed drilling with drill-bits harder than basalt and granite. The artefacts found in the Denisova cave, the bracelet with pendant, the eyed needles and other ornaments, also witness of a superior technology - and believe it or not: They had used hight speed drilling!
Not us homo sapien sapien
We do not know how the Denisova hominines looked but as mentioned: A tooth found in the cave was very large, so they might have been very tall. We know that people in the area surrounding the Altai Mountains in the 6th to 3rd centuries BC had a very advanced technology; a race of white skinned, blond, blue eyed and very tall people with Caucasian features and long skulls.
The divine kings, the "Gods", of Egypt were often depicted as white skinned, blond, blue eyed and very tall people with Caucasian features and a long skull. Were the "Gods" of the ancient Egyptian king-lists in fact Denisovans? Not us homo sapien sapien but our archaic cousins the Denisova Hominins?
We do not yet know what the Denisova hominins looked like but a Denisovan tooth found in the cave is the largest archaic homo species tooth found. Were the Denisovans the giants of the legends all over the world? Where they the first kings of Egypt - the divine Pharaohs? Did they have an advanced technology that later got lost, might be together with the Denisovans themselves, in a world wide catastrophe?
Global warming
Professor Gregory Ryskin at Northwestern University in Illinois, USA, has found that the long-term changes in the Earth's main magnetic field are possibly induced by our oceans' circulation. We know that global warming already has raised the temperatures of the oceans of the world and some scientists have proposed that this could disrupt thermohaline circulation (THC), which is a massive, worldwide system of ocean currents. We have already seen a change in some ocean currents, so a change in our Earth's magnetic field might already be happening! Might be this is why our magnetic poles are moving much more rapid than before! Scary stuff - because this could also mean a change in the Earth's gravity - and changes in gravitational forces will certainly affect the tectonic plates and with the continents on them. Might be this is the reason why we also experience more earthquakes than before?! Might be we should take Hapgood's conclusions and Heyerdahl's warning serious?
Did the Egyptian "capsize" the world - did they have technologies that could contribute to a sudden and rapid polar change? Might be because of and a change in the Earths gravity and/or magnetic field? Well, some say that the ancient Egyptians used the pyramids to create a unique form of energy. That they by paying special attention to celestial events, they could have used natural forces like static electricity, the Earth's magnetic field, and lightning.
Electric phenomenon
Sir William Seimens, a famous German born English inventor, travelled to Egypt and visited the Great Pyramid. While they were standing on the top, the guide remarked that when he raised his hand with his fingers spread, it caused an intense ringing noise in his ears. Sir William ventured a few tests, one by raising his arm with his index finger pointing, which he claimed caused a prickling sensation. He then drank some wine from a metallic cup which gave him a distinct shock. He was convinced he was witnessing some sort of electric phenomenon and instantly put this to the test by assembling a makeshift Leyden Jar, an apparatus for the storage of static electricity, by wrapping moistened newspaper around the wine bottle. The static charge at the peak of the pyramid was so high that sparks began to stream from the bottle. The guide was so shocked that he accused Sir William of witchcraft and tried to grab the bottle, but an electrical jolt knocked him unconscious.
A power plant?
Master craftsman and engineer Christopher Dunn argues that based on his measurements of Egyptian monuments, ancient stonecutting achieved a high-precision accuracy surpassing modern accuracy standards in building. He asked himself what was the power source that fuelled such a civilization and after twenty years of research, Dunn reveals that the Great Pyramid of Giza was actually a electrical power plant. Based on the technology of harmonic resonance, he claims that the pyramid was a large acoustical device! By its size and dimensions, this crystal edifice created a harmonic resonance with the Earth and converted Earth's vibrational energies to microwave radiation. He shows in his books and articles how the pyramid's numerous chambers and passageways were positioned with the deliberate precision to maximize its acoustical qualities.
Inventor Michael F. Praamsma partly agrees but he says that the Great Pyramid at Giza was "a sophisticated acoustical sound chamber that was used as a technique to generate natural sounds to create an elevated frequency environment confined to a single resonant physical cavity". He claims that the Great Pyramid was systematically and competently sealed, and that this was "a sign it was decommissioned and intended to be of use again at a future day, when the awakened humanity would restore it competently to its rightful function, unfortunately history went another way."
A California researcher, Peter Grandics, has shown how an antenna, modeled on the Great Pyramid of Giza, can transfer the power of atmospheric electrostatic discharge impulses into a resonant circuit that converts the random impulses into an alternating current as a potential source of renewable electric power. Thousands of terawatts of power are generated in the troposphere by thunderstorms and a pyramidal structure, with its optimal geometry and construction, can act as a suitable charge sink, capturing this electric.
A biological engineer named John Burke argues that the movement of underground water in limestone aquifers below monuments produces an electric current via friction and the rich magnetic dolomite content of the stone. Burke measured positive ground current at Silbury hill in England, an ancient pyramidal mound composed of chalk and clay that lies on top of such limestone bedrock riddled with zig zagging aquifers filled with rainwater. Such tunnels and water caverns lie beneath the Giza plateau as well. Abd'El Hakim Awyan, a native Egyptian archaeologist, attests to swimming in such tunnels during his youth on the Giza plateau.
Electric torches?
Another alternative theory is that the pyramids were wireless power plants used to generate electricity and for wireless communication. On the internet you will find a video where it is speculated that the Great Pyramid may have been powered by the Ark of the Covenant. The person behind the video is saying that murals inside tombs and temples show that the ancient Egyptians were using handheld electric torches powered by cable free power sources. It is believed that the so called sarcophagus inside the Great Pyramid has the exact dimensions, according to the Christian bible, to house the Ark of Covenant: That the pyramid with a capstone of gold and the covenant in place was a kind of super capacitor the could produce and store electric energy. It is also theorized that Moses stole the Ark of Covenant from the pyramid and took it with him out of Egypt. This should be the main reason for the downfall of the Egyptian pharaohs; without the electrics power their own power dwindled. This should have happened at the time of the pharaoh Ramses II.
Three engineers; Erica Miller, Sean Sloan and Gregg Wilson all agree on one theory: That the Great Pyramid acted as a huge nuclear breeder reactor, which produced Plutonium fuel by mediating uranium isotopes in water. Supposedly, the King's Chamber was flooded with a water pump, and the sarcophagus was packed with uranium ore.
Frenchman Antoine Bovis stumbled upon dead cats and mice that had been disposed of in the trash cans inside the Great Pyramid, and they were perfectly mummified - apparently automatically, without putrefying or giving off a stench. When Bovis returned to France he built a scale model of Khufu's monument, deposited a dead cat inside - and the Giza phenomenon repeated itself, the cat mummified without rotting. Karl Drbal of Czechoslovakia researched this further and said that this was due to the pyramid's special cavity that resonated with cosmic microwaves concentrated in the earth's magnetic field. He also hypothesized that the same concept would work for rusted shavers, and claimed the sharpness of the tools returned after lacing them in a scale model of the pyramid. Stanford Research Institute, however, carrying out experiments in the Great Pyramid, and found that biological samples deteriorated at normal rates within the structure.
Energy grid
Some researchers say that it not by chance that the Great Pyramid was built where it was. They propose that the Earth has a planetary energetic grid that operates through geometric patterns called Sacred Geometry. Grids meet at various intersecting points forming a grid or matrix. These grid points shall be found at some of the strongest power places on the planet. A planetary grid map outlined by the Russian team of Goncharov, Morozov and Makarov has an overall organization anchored to the north and south axial poles and the Great Pyramid at Giza.
It is said that the ancient people, including the Egyptians, knew that wherever the earth's energy gathered into a vortex was a sacred place. Very simular is the theory that the Earth has as net of electromagnetic lines, and that the intersecting points of the network, the knots, are influenced by underground veins of water as well as magnetic forces emanating naturally from the Earth. The ancient Egyptians are said to have been able to move and/or anchor the energy lines by pushing metal rods into the ground before they built a temple or pyramid - they shall have called it "piercing the snake".
Also what is called lay lines seems to be connected to an ancient grid of a form. According to Wikipedia; "Ley lines are hypothetical alignments of a number of places of geographical interest, such as ancient monuments and megaliths." Archaeologists have documented that the alignments are existing but it is not proved that the ley lines and their intersection points resonate a special psychic or magical energy or that they have electrical or magnetic forces as some writers claim.
Pyramid fortex using a Tesla coil
In addition to all this it is also said that we have high energy spots on the Earth called vortices - and they shall be linked ley lines. A Vortex (plural: vortices) is usually a spinning, often turbulent, flow of fluid but some also include a kind of spinning Earth energy due to its electromagnetic field. Such vortices can be volcanoes, high mountains, hot springs, mineral deposits, deep gorges, rock outcroppings and even in deserts like the Sinai. Ancient sites can also be vortices, like the pyramids of Egypt. Dr. Dee J. Nelson has taken a so called Kirlian photograph of energy spiralling out of the top of a pyramid using a Tesla Coil.
Nikola Tesla - Earthquake Machine
The Tesla Coil was invented by Serbian-American engineer Nikola Tesla (1856 - 1943), one of history's greatest scientists. His coil is an electrical resonant transformer circuit, used to produce high-voltage, low-current, and high frequency alternating-current electricity. Yes, he is best known for inventing the alternating electrical current (AC) used all over the world today, but his patents and theoretical work helped form the basis for radio comunication and many other inventions.
Nikola Tesla was an electrical genius, but he also was responsible for a number of mechanical devices. One of these was his "Earthquake Machine" also known as the Tesla Oscillator. The machine which Tesla tested was no larger than an alarm clock but it is said that when he started to twiddle the machine's frequency-controller in his lab: blocks around chaos reigned as objects fell off shelves, furniture moved across floors, windows shattered, and pipes broke. When the police arrived they found the inventor smashing the resonator to bits with a hammer: "Gentlemen, I am sorry. You are just a trifle too late to witness my experiment. I found it necessary to stop it suddenly and unexpectedly in an unusual way, he said calmly to the astonished officers.
Tesla was convinced that by finding the correct frequency, any structure can be destroyed (an obvious example is the wine glass shattered by an opera singer). He later told a friend that he could split the Earth with one of these devices: "I could set the earth's crust into such a state of vibration that it would rise and fall hundreds of feet, throwing rivers out of their beds, wrecking buildings, and practically destroying civilization".
Tesla and coils
Tesla claimed that the laws of electromagnetics were connected to gravity, and one of his patents was on a flying machine without wings or propellers but based on what he called electrogravitics. Tesla also was working on a generator that basically worked by harnessing the electricity from the air and the ground. He used the natural conductivity of limestone aquifers to generate electrical power. The power ran up the ground into the Tesla coil tower above, which in theory should channel wirelessly transmitted power over great distances. Since Telsa wanted the distribution of the energy to be free, the inventor's sponsor pulled out from funding the scientist's machine before it was completed. Tesla died a poor and disillusioned man.
His research station for transmitting power at Colorado Springs might have a link to the Great Pyramid - a notable harmonic association between the latitude positions of both sites. Coral Castle - 9-ton gate that moves with just a touch of the finger.
Edward Leedskalnin - Coral Castle
Another person that was interested in gravity and electromagnetism was Edward Leedskalnin (1887-1951) - an eccentric Latvian emigrant to the United States. He built the extraordinary monument known as Coral Castle in Florida. Leedskalnin single-handedly and secretly carved and displayed over 1,100 tons of coral rock, the heaviest stone weighing 35 tons. It is a mystery how the tiny man could move all the heavy stones. He claimed to have discovered the secrets of the pyramids, and had found out how the Egyptians and the ancient builders in Peru, Yucatan, and Asia, with only primitive tools, raised and set in place blocks of stone weighing many tons! But he did not want to show
"I have discovered the secrets of the pyramids, and have found out how the Egyptians and the ancient builders in Peru, Yucatan, and Asia, with only primitive tools, raised and set in place blocks of stone weighing many tons!"
- Edward Leedskalninanybody how it was done and worked mostly at night-time. A group of young witnesses claimed to see coral blocks floating through the air "like hydrogen balloons" and another time one of Ed's neighbours found him singing to the stones with his hands placed on their surface as if he were somehow making them lighter.
Ed Leedskalnin disputed contemporary science and believed that "all matter consists of magnets which can produce measurable phenomena, and electricity." Ed would say he had "re-discovered the laws of weight, measurement, and leverage," and that these concepts "involved the relationship of the Earth to celestial alignments."
Researchers have speculated that Ed Leedskalnin learned the secret of levitation and one theory in particular caught the imagination of many. The planetary grid hypothesis postulates that the earth is covered by an invisible web of energy which is concentrated at points of telluric power, the convergence of which create unusual phenomena. Leedskalnin moved the complex from Florida City to Homestead and some suggest this was because Ed realized he had made a mathematical error in his original positioning and moved to an area with greater telluric force.
The famed American psychic Edgar Cayce (1877-1945) said during his readings that the Great Pyramid "was erected by the application of those universal laws and forces of nature which cause iron to float. By the same laws, gravity may be overcome, or neutralized, and stone made to float in air. The Pyramid was thus built by levitation, abetted by song and chanting". He also said that the Great Pyramid was built was built as a hall of initiation around 10,500BC by those who originally came from the civilization of Atlantis.
Levitation by sound
Metal rods that caused the stone to levitate
The current estimates of mainstream science contends that it took a workforce of 4,000 to 5,000 men 20 years to build the Great Pyramid using ropes, pulleys, ramps, ingenuity and brute force. But the 10th century Arab historian, Abul Hasan Ali Al-Masudi had written a 30-volume history of the world and he wrote about how the great stone blocks of the pyramid were transported. First, he said, a "magic papyrus" was placed under the stone to be moved. Then the stone was struck with a metal rod that caused the stone to levitate and move along a path paved with stones and fenced on either side by metal poles. The stone would travel along the path, wrote Al-Masudi, for a distance of about 50 meters and then settle to the ground. The process would then be repeated until the builders had the stone where they wanted it.
An ancient legend tells that The Great Pyramid was built from year 10,490 to 10,390 B.C. That the god Ra made studies of the terrain and took great care in figuring the geometrical location in relation to the Sphinx and the four cardinal points of the compass. The Pyramid was then built by levitation, abetted by song and chanting.
Well, we do not have any proof that the ancient Egyptians could make the huge stones fly through the air but levitation is no longer only a party-trick by magicians with quick fingers. We have high speed trains that levitate by the help of magnetic power and in an incredible move for modern medicine; scientists are using sound waves to help levitate droplets of drugs to make them with less side effects.
A kind of Swiss knife
The Great Pyramid is very different to other pyramids, in Giza or else. Most alternative researches conclude that it was some kind of machine; most possibly a power station. We have seen that it would be impossible to use the Great Pyramid as a tomb for a pharaoh and that dating of seashell tells that it much older than the other pyramids. The nearby sphinx has been re-dated to be at least 5000 years old because of the erosion from water, but it might be much older. The same will go for the Great Pyramid. Some speculate that the Great Pyramid was a kind of Swiss knife - a gigantic multipurpose tool. The world "pyramid" means "fire in the middle" - so if it was a kind of power station with the power source situated in what is called Khufu's sarcophagus the some researches in one way might be correct when that speculate that the pyramid also was built as a gigantic ram water pump - inside the base of the pyramid. Yes, it could have been a power-station with a water cooling system! We have seen that some say that the power source was the ark of covenant from the Christian bible and some say
The King's Chamber with the stones above
King's Chamber and large stones
that Moses was the person who stole it from the pyramid. That the pharaohs' rapid decline took place because with no more energy, in form of electric power, then their advanced civilisation could no longer exist!
A gigantic Tesla coil?
Or might be the Great Pyramid was a kind of a gigantic Tesla coil? That the huge granite stones, highly polished on the underside and placed above the so called Kings chamber, made it possible to harness electricity from the ionosphere - just like Nikola Tesla wanted to do it?
About 20 minutes drive from the Great Pyramid is the site of Abu Ghurab, the "Place of Osiris". The ruined stepped pyramid once had an alabaster platform on the top and on the platform it had been standing an obelisk ("sun stick"); most likely, the total height was between fifty and seventy meters. It had looked like a pyramid with a flat top, just like Great Pyramid! Is it possible that the Great Pyramid once had an obelisk standing on it's flat top - and not a capstone? The legends says that spirit of the sun god entered the obelisks at certain periods…
Could it have been like this - an obelisk on top of the Great Pyramid?
Can it have been like this?
Tesla viewed the Earth as a negative electric pole and the sun as a positive pole of an electrode; so an obelisk standing on top of a pyramid would to him be a solar-electric diode! If the under ground part of the pyramid was a pump that brought water up to the Kings Chamber then we would have a capacitor with a very good earth ground. Yes, the Great Pyramid could have been an extremely powerful kind of solar-panel!
Might be Tesla got the idea of harnessing the ionosphere from the Egyptians? Might be they had made the strongest power station ever but that something went terribly wrong; a technical fault or a construction-fault? Or might be extra strong solar activity? Stephen A. Reynods of New Zealand has done research showing that changes in the ionosphere caused by strong solar activity can cause changes in the Earth's internal magnetic field and through telluric current induced in the Earth's crust trigger earthquakes. So might be it happened that instead of harnessing high voltage that could be stored and used, the pyramid send the current into the ground and
The God Ptah with a Djed pillar
Ptah and pillar
triggered a gigantic earthquake that literally shook the whole Earth and caused geological catastrophes worldwide? Might be the changes to the internal magnetic field was so fast and so strong that the outer crust slipped - just like professor Charles H. Hapgood once suggested (but not due to imbalance of the polar ice)?
Interesting enough; one of the oldest and most important symbols to the ancient Egyptian was the "Djed Pillar". Take a look at the image to the right of the God Ptah holding a Djed pillar. The pillar looks very simular til the set-up of the stones above the Kings Chamber - and also a homemade Tesla coil! You might also have noticed a Djed pillar in picture of what could illustrate an electric lamp in an ancient Egyptian temple, higher up in the article!
Very advanced technology
In the Palermo, Turin and Manetho king lists, there are names of eight god kings that ruled Egypt in the beginning; Ptah, Ra, Geb, Osiris, Set, Horus, Thoth and the female god Ma'at. Even if they sometimes were represented in a variety of forms on murals, often with human body and animals/birds heads, these gods seemed to be something else than imaginary gods living in a theological heaven. They lived on earth, were married with children, and had duties they performed. They also helped the ordinary people to develop. We have seen that Ptah made the Nile-delta liveable after the great flood and Thoth is credited as the author of all works of science, religion, philosophy as well as magic and he is said to have been married with the female god and ruler Ma'at.
Pharaoh Can it be that the first kings of Egypt were called Gods because they came from a far away place and looked a bit different to the other humans in ancient Egypt? The word "God" comes from "shining/bright" and murals picturing the first pharaohs/gods show that they had so white skin that the must have looked very bright compared to other people! Were they also called devine because they had much better mental capabilities and a very advanced technology?
www.sydhav.no/giants/denisova_giants_egypt.htm
Dendera light
From Wikipedia, the free encyclopedia
Jump to navigationJump to search
The dendera light
The dendera light is a motif in the Hathor temple at Dendera in Egypt. A fringe theory interpretation of the reliefs is that they depict some form of ancient Egyptian lighting technology, similar to an arc lamp or cathode ray tube.
The temple contains several reliefs depicting Harsomtus, in the form of a snake, emerging from a lotus flower which is usually attached to the bow of a barge. The so-called dendera light is a variation of this motif, showing Harsomtus in an oval container called hn, which might represent the womb of Nut.[1][2][3] Sometimes a djed pillar supports the snake or the container. A closely related motif is "god resting on the lotus flower".
Contents
1Depictions and text
2Similar motifs
3Fringe interpretation
4See also
5References
6External links
Depictions and text
Each of the three objects consists of two reliefs. One half (a) of each pair is in south crypt 1-C (crypte 4), the other half (b) in room G (chambre V) of the temple.[3]
Object
(location)
TextRelief
Object 1(a)
(Crypt 1-C, south wall)
Speaking the words of Harsomtus, the great God, who dwells in Dendera, who is in the arms of the first in the night-barge, sublime snake, whos Chentj-statue carries Heh, whos crew carries in holiness his perfection, whos Ba caused Hathor to appear in the sky, whos figure is revered by his followers, who is unique, encircled by his forehead-snake, with countless names on the top of Chui-en-hesen, the symbol of power of Re in the land of Atum (Dendera), the father of the Gods, who created everything.
Gold his metal, height: four handbreadths
(left)
Object 2(a)
(Crypt 1-C,
south wall)
Speaking the words of harsomtus, the great God, who dwells in Dendera, the living Ba in the lotus flower of the day-barge, whos perfection is carried by the two arms of the djed-pillar as his Seschemu-image, while the Kas on their knees bend their arms.
Gold and all precious stones, height: three handbreadths
(right)
Object 3(a)
(Crypt 1-C,
north wall)
Speaking the words of harsomtus, the great God, who dwells in Dendera, who emerges out of the lotus flower as a living Ba, whos completeness is elevated by the Kematju-images of his Ka, whos Seschemu-image is revered by the crew of the day-barge, whos body is carried by the djed-pillar, underneath his Seschemu-image is the Primal and whos majesty is carried by the companions of his Ka.
Gold, height: one cubit
Denderah. Grand temple. Crypte no. 4 (NYPL b16461786-1548062) (lower).jpg
Object 1(b)
(Room G,
south wall)
Harsomtus in the hn-container of the night-barge that contains four figures. The figure of heh is in front of him, whereas this flower is behind him, the water beneath him.
Gold his metal, height: four handbreadths.
Denderah. Grand temple. Chambre V (NYPL b16461786-1547977) (lower).jpg
Object 2(b)
(Room G,
north wall)
Harsomtus on his barge
Gold and all precious stones, height: three handbreadths
(left)
Object 3(b)
(Room G,
north wall)
Harsomtus of Upper- and Lower Egypt, the Sata-snake, that emerges from the flower, which contains the hn-container, who is flanked by four figures with human faces, under his head the figure of Heh on the Serech on the bow of his barge. The Juf-monkey with the face of a toad, armed with knives, is in front of him, as are the two figures that carry the front part of this flower.
(right)
Similar motifs
Denderah. Grand temple. Chambre V (NYPL b16461786-1547977) (upper).jpg
Denderah. Grand temple. Crypte no. 4 (NYPL b16461786-1548061) (Harsomtus).jpg
Denderah. Grand temple. Chambre V (NYPL b16461786-1547978) (upper).jpg
Denderah. Grand temple. Crypte no. 1 (NYPL b16461786-1548026) (harsomtus).jpg
Denderah. Grand temple. Chambres de la terrasse. Osiris du sud. Chambre no. 3 (NYPL b16461786-1548166) (cropped).tiff
NaqaLionTempleApedemakSnake.jpg
Fringe interpretation
In contrast to the mainstream interpretation, a fringe theory proposes that the reliefs depict Ancient Egyptian technology, based on comparison to similar modern devices (such as a Cathode-ray tube, Geissler tubes, Crookes tubes, and arc lamps). J. N. Lockyer's passing reference to a colleague's humorous suggestion that electric lamps would explain the absence of lampblack deposits in the tombs has sometimes been forwarded as an argument supporting this particular interpretation (another argument being made is the use of a system of reflective mirrors).[4] Proponents of this interpretation have also used a text referring to "high poles covered with copper plates" to argue this,[5] but Bolko Stern has written in detail explaining why the copper-covered tops of poles (which were lower than the associated pylons) do not relate to electricity or lightning, pointing out that no evidence of anything used to manipulate electricity had been found in Egypt and that this was a magical and not a technical installation.[6]
Archaeologist and debunker Kenneth Feder argued that if ancient Egyptians really had such advanced technology, some light bulb remains (glass shards, metal sockets, filaments...) should have been discovered during archaeological excavations. By applying Occam's razor, he instead highlighted the feasibility of the aforementioned reflective mirrors system, and also that the notion of adding salt to torches to minimize lampblack was well known by ancient Egyptians.[7]
See also
Egyptian mythology
References
"Dendera Temple Crypt Archived 2010-04-25 at the Wayback Machine". iafrica.com.
Wolfgang Waitkus, Die Texte in den unteren Krypten des Hathortempels von Dendera: ihre Aussagen zur Funktion und Bedeutung dieser Räume, Mainz 1997 ISBN 3-8053-2322-0 (tr., The texts in the lower crypts of the Hathor temples of Dendera: their statements for the function and meaning of these areas)
Waitkus, Wolfgang (2002). "Die Geburt des Harsomtus aus der Blüte Zur Bedeutung und Funktion einiger Kultgegenstände des Tempels von Dendera". Studien zur Altägyptischen Kultur. 30: 373–394. JSTOR 25152877.
Press, The MIT (15 May 1973). The Dawn of Astronomy | The MIT Press. mitpress.mit.edu. MIT Press. ISBN 9780262120142. Retrieved 2020-10-06.
Bruno Kolbe, Francis ed Legge, Joseph Skellon, tr., "An Introduction to Electricity". Kegan Paul, Trench, Trübner, 1908. 429 pages. Page 391. (cf., "[...] high poles covered with copper plates and with gilded tops were erected 'to break the stones coming from on high'. J. Dümichen, Baugeschichte des Dendera-Tempels, Strassburg, 1877")
Stern, Bolko (1998) [1896]. Ägyptische Kulturgeschichte. Reprint-Verlag-Leipzig. pp. 106–108. ISBN 978-3826219085.
Feder, Kenneth H. (2014). Frauds, Myths, and Mysteries: Science and Pseudoscience in Archaeology. New York: McGraw-Hill. ISBN 978-0-07-803507-4., pp.225–7
External links
Wikimedia Commons has media related to Dendera light.
The Dendera Reliefs, Catchpenny Mysteries.
Frank Dörnenburg, Electric lights in Egypt?. 2004.
Mariette, Auguste (1870) - Dendérah: description générale du grand temple de cette ville (II: 48, 49; III: 44, 45)
Coordinates: 26.141611°N 32.670139°E
Categories: EgyptologyOut-of-place artifactsPseudoarchaeology
Navigation menu
Not logged in
Talk
Contributions
Create account
Log in
ArticleTalk
ReadEditView history
Search
Search Wikipedia
Main page
Contents
Current events
Random article
About Wikipedia
Contact us
Donate
Contribute
Help
Learn to edit
Community portal
Recent changes
Upload file
Tools
What links here
Related changes
Special pages
Permanent link
Page information
Cite this page
Wikidata item
Print/export
Download as PDF
Printable version
In other projects
Wikimedia Commons
Languages
العربية
Deutsch
Español
Euskara
Italiano
日本語
Português
Русский
中文
11 more
Edit links
This page was last edited on 28 February 2022, at 12:29 (UTC).
Text is available under the Creative Commons Attribution-ShareAlike License 3.0; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization.
en.wikipedia.org/wiki/Dendera_light
The ancient Egyptian Dendera Light "protective magical energy in liquid form" is the evaporative cooling fog. The fact that the Dendera Light is made of liquid water that transforms itself in a magical way, is exactly what are describing ancient Egyptians themselves : [About the snake inside the Dendera Light Bulb] "The field surrounding Ra’s snake form is referred to in ancient Egyptian literature as protective magical energy in liquid form that all gods and pharaohs possess (Faulkner 1970*)." ahotcupofjoe.net/2016/11/dendera-light-bulb-and-bagdad-ba...
*I'm not sure, but the excerpt might be from "The ancient Egyptian book of the dead / translated by Raymond O. Faulkne ; edited by Carol Andrews, 1972."
www.milleetunetasses.com/blog/the-great-pyramid-of-khufu-...
Evaporative cooling for the sodium carbonate manufacturing
My study is based on 2 key elements : the first one is the cold production inside the horizontal passage of the Great Pyramid ; and the second one is the production of sodium carbonate (pure natron), as suggested by the Red Pyramid.
The ammonia still present inside the Red Pyramid, indicates that they were using a sodium carbonate process identical or very close to the ammonia-soda process known as the Solvay process, developed into its modern form in the 1860s in Europe.
In the Solvay process, the ammonia only has a minor role ; but inside the Red Pyramid, my guess is that they didn't control the temperature of the different chemical reactions inside the Solvay towers. They couldn't cool down the towers.
That is the reason why they engineered the visible part of the Great Pyramid : to produce cold inside the horizontal passage, store it inside the Queen's chamber, and transfer it to the sodium carbonate production towers, passing through the Queen's chamber shafts.
This was my contribution to the Guilds of Historica collaboration at Brickworld this year. I built the entire landscape and started on the buildings, before getting Isaac’s help to finish the model in time. The base split into three portions, and all the buildings were easily removable to allow for convenient transport of the build. It had been a while since I’d done a proper Middle Eastern scene, so it was a really fun build and I think turned out as one of my best Castle models yet.
Be sure to check out multiple pictures, as the build is viewable from all sides. More angles and close ups available on Brickbuilt.
Tutorials | Creations | Featured Tutorials | Build Logs | Commissions
Pinhole image of a sliced pear on a gold-rimmed white plate. My third and latest attempt to photograph this particular subject; my first contribution to the Worldwide Pinhole Photograpy Day (#1443). This is the same pear slice as the one I have used for "Pear No. 2". By the time I took this picture the initially yellow-white pear flesh had oxidised and turned brownish, plus the skin had crumpled slightly inwards. Both of these natural changes had a positive effect on the overall outcome, giving the pear more structure, volume and outline. I have also reduced the exposure time from originally 6 hours (No. 1) and 5½ hours (No. 2) to 4½ hours (EV10), hoping the dish and its golden rim would show up better. This has worked to some degree, but quite obviously a white plate on a white table cloth is and remains a tricky subject. I would have been better off, exchanging the white table cloth with a somewhat darker fabric. Anyway, I do also like this version and I am learning quite a bit in the process. I read somewhere that Weston had exposed at least 50 negatives of peppers, so there’s quite a task ahead of me ;-). No worries though, if I have counted right, I have only 8 sheets of 8x10 DPP left. Taken with my homemade, foldable 8x10" Camera Obscura ("Stenopeica #1", 190mm, f.540) on Harman DPP (Direct Positive Paper, FB) and developed in Caffenol.