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My contribution to Comic Bricks! I should point out that the cover you're looking at is actually the back cover of Roots of the Swamp Thing number 3, which in 1986 reprinted the classic Len Wein/Berni Wrightson Swamp Thing stories from the seventies. The renewed interest was thanks to Alan Moore, who was busy writing Saga of the Swamp Thing and blowing everyone's mind.
The size of a 40.000 year old tooth from the Denisova cave indicates a very tall individual, and artefacts found tell about
an unbelievable modern technology - including high speed drilling. The first kings of Egypt were called Gods, but they lived with the people and helped them to develop their civilisation. Many of the granite and basalt artefacts found in Egypt can only have been done by high speed drilling. Were these divine kings in fact Denisova hominins? Did they underestimate how fragile the eco-balance of our environment is, did they trigger a worldwide catastrophe that "capsized" the Earth and wiped them out?
Remnants of a previously unknown hominin, distinct from both early modern humans and Neanderthals,
were a few years ago found in the Denisova cave of southern Siberia: Denisova hominins. The bones and also artefacts excavated at the same level were carbon dated to around 40.000 BP. The scientists say these Denisovans had "modern technology and ornaments, including a very beautiful bracelet". Our archaic cousins the Denisova Hominins
A catastrophe in form of a flood that, according to the legends wiped out the Egyptian civilization that was developed by divine kings (Gods), shall have taken place more than 30.000 years ago. The finger bone, the large tooth and the artefacts found in the Denisova cave in the north-east Altai Mountains region are also dated to be more than 30.000 years old. The small bone belonged to a very young girl. A small bracelet of polished stone was also found, and since it was found in the same layer and dated to the same age; it might have belonged to her.
We can only speculate why the young girl was in the cave. Could it be that she was seeking shelter from a coming catastrophe, might be brought there by her mother or father? Or that she was washed into the cave by the raging wave of a tsunami - even if the cave today is 600 meters above sea level?
It seems that the first rulers of Egypt had a technology that was even more advanced than we have today; we are in fact unable to replicate many of the artefacts found. And it still is an open question how they managed to construct the Great Pyramid with its incredible precision and up to 70 ton's stones.
The archaeologists say that the ancient Egyptians used simple tools like bronze chisels and stone hammers but many of the items found, like basalt jars and also the so called sarcophagus in the Great Pyramid, cannot be made without high speed drilling with drill-bits harder than basalt and granite. The artefacts found in the Denisova cave, the bracelet with pendant, the eyed needles and other ornaments, also witness of a superior technology - and believe it or not: They had used hight speed drilling!
Not us homo sapien sapien
We do not know how the Denisova hominines looked but as mentioned: A tooth found in the cave was very large, so they might have been very tall. We know that people in the area surrounding the Altai Mountains in the 6th to 3rd centuries BC had a very advanced technology; a race of white skinned, blond, blue eyed and very tall people with Caucasian features and long skulls.
The divine kings, the "Gods", of Egypt were often depicted as white skinned, blond, blue eyed and very tall people with Caucasian features and a long skull. Were the "Gods" of the ancient Egyptian king-lists in fact Denisovans? Not us homo sapien sapien but our archaic cousins the Denisova Hominins?
We do not yet know what the Denisova hominins looked like but a Denisovan tooth found in the cave is the largest archaic homo species tooth found. Were the Denisovans the giants of the legends all over the world? Where they the first kings of Egypt - the divine Pharaohs? Did they have an advanced technology that later got lost, might be together with the Denisovans themselves, in a world wide catastrophe?
Global warming
Professor Gregory Ryskin at Northwestern University in Illinois, USA, has found that the long-term changes in the Earth's main magnetic field are possibly induced by our oceans' circulation. We know that global warming already has raised the temperatures of the oceans of the world and some scientists have proposed that this could disrupt thermohaline circulation (THC), which is a massive, worldwide system of ocean currents. We have already seen a change in some ocean currents, so a change in our Earth's magnetic field might already be happening! Might be this is why our magnetic poles are moving much more rapid than before! Scary stuff - because this could also mean a change in the Earth's gravity - and changes in gravitational forces will certainly affect the tectonic plates and with the continents on them. Might be this is the reason why we also experience more earthquakes than before?! Might be we should take Hapgood's conclusions and Heyerdahl's warning serious?
Did the Egyptian "capsize" the world - did they have technologies that could contribute to a sudden and rapid polar change? Might be because of and a change in the Earths gravity and/or magnetic field? Well, some say that the ancient Egyptians used the pyramids to create a unique form of energy. That they by paying special attention to celestial events, they could have used natural forces like static electricity, the Earth's magnetic field, and lightning.
Electric phenomenon
Sir William Seimens, a famous German born English inventor, travelled to Egypt and visited the Great Pyramid. While they were standing on the top, the guide remarked that when he raised his hand with his fingers spread, it caused an intense ringing noise in his ears. Sir William ventured a few tests, one by raising his arm with his index finger pointing, which he claimed caused a prickling sensation. He then drank some wine from a metallic cup which gave him a distinct shock. He was convinced he was witnessing some sort of electric phenomenon and instantly put this to the test by assembling a makeshift Leyden Jar, an apparatus for the storage of static electricity, by wrapping moistened newspaper around the wine bottle. The static charge at the peak of the pyramid was so high that sparks began to stream from the bottle. The guide was so shocked that he accused Sir William of witchcraft and tried to grab the bottle, but an electrical jolt knocked him unconscious.
A power plant?
Master craftsman and engineer Christopher Dunn argues that based on his measurements of Egyptian monuments, ancient stonecutting achieved a high-precision accuracy surpassing modern accuracy standards in building. He asked himself what was the power source that fuelled such a civilization and after twenty years of research, Dunn reveals that the Great Pyramid of Giza was actually a electrical power plant. Based on the technology of harmonic resonance, he claims that the pyramid was a large acoustical device! By its size and dimensions, this crystal edifice created a harmonic resonance with the Earth and converted Earth's vibrational energies to microwave radiation. He shows in his books and articles how the pyramid's numerous chambers and passageways were positioned with the deliberate precision to maximize its acoustical qualities.
Inventor Michael F. Praamsma partly agrees but he says that the Great Pyramid at Giza was "a sophisticated acoustical sound chamber that was used as a technique to generate natural sounds to create an elevated frequency environment confined to a single resonant physical cavity". He claims that the Great Pyramid was systematically and competently sealed, and that this was "a sign it was decommissioned and intended to be of use again at a future day, when the awakened humanity would restore it competently to its rightful function, unfortunately history went another way."
A California researcher, Peter Grandics, has shown how an antenna, modeled on the Great Pyramid of Giza, can transfer the power of atmospheric electrostatic discharge impulses into a resonant circuit that converts the random impulses into an alternating current as a potential source of renewable electric power. Thousands of terawatts of power are generated in the troposphere by thunderstorms and a pyramidal structure, with its optimal geometry and construction, can act as a suitable charge sink, capturing this electric.
A biological engineer named John Burke argues that the movement of underground water in limestone aquifers below monuments produces an electric current via friction and the rich magnetic dolomite content of the stone. Burke measured positive ground current at Silbury hill in England, an ancient pyramidal mound composed of chalk and clay that lies on top of such limestone bedrock riddled with zig zagging aquifers filled with rainwater. Such tunnels and water caverns lie beneath the Giza plateau as well. Abd'El Hakim Awyan, a native Egyptian archaeologist, attests to swimming in such tunnels during his youth on the Giza plateau.
Electric torches?
Another alternative theory is that the pyramids were wireless power plants used to generate electricity and for wireless communication. On the internet you will find a video where it is speculated that the Great Pyramid may have been powered by the Ark of the Covenant. The person behind the video is saying that murals inside tombs and temples show that the ancient Egyptians were using handheld electric torches powered by cable free power sources. It is believed that the so called sarcophagus inside the Great Pyramid has the exact dimensions, according to the Christian bible, to house the Ark of Covenant: That the pyramid with a capstone of gold and the covenant in place was a kind of super capacitor the could produce and store electric energy. It is also theorized that Moses stole the Ark of Covenant from the pyramid and took it with him out of Egypt. This should be the main reason for the downfall of the Egyptian pharaohs; without the electrics power their own power dwindled. This should have happened at the time of the pharaoh Ramses II.
Three engineers; Erica Miller, Sean Sloan and Gregg Wilson all agree on one theory: That the Great Pyramid acted as a huge nuclear breeder reactor, which produced Plutonium fuel by mediating uranium isotopes in water. Supposedly, the King's Chamber was flooded with a water pump, and the sarcophagus was packed with uranium ore.
Frenchman Antoine Bovis stumbled upon dead cats and mice that had been disposed of in the trash cans inside the Great Pyramid, and they were perfectly mummified - apparently automatically, without putrefying or giving off a stench. When Bovis returned to France he built a scale model of Khufu's monument, deposited a dead cat inside - and the Giza phenomenon repeated itself, the cat mummified without rotting. Karl Drbal of Czechoslovakia researched this further and said that this was due to the pyramid's special cavity that resonated with cosmic microwaves concentrated in the earth's magnetic field. He also hypothesized that the same concept would work for rusted shavers, and claimed the sharpness of the tools returned after lacing them in a scale model of the pyramid. Stanford Research Institute, however, carrying out experiments in the Great Pyramid, and found that biological samples deteriorated at normal rates within the structure.
Energy grid
Some researchers say that it not by chance that the Great Pyramid was built where it was. They propose that the Earth has a planetary energetic grid that operates through geometric patterns called Sacred Geometry. Grids meet at various intersecting points forming a grid or matrix. These grid points shall be found at some of the strongest power places on the planet. A planetary grid map outlined by the Russian team of Goncharov, Morozov and Makarov has an overall organization anchored to the north and south axial poles and the Great Pyramid at Giza.
It is said that the ancient people, including the Egyptians, knew that wherever the earth's energy gathered into a vortex was a sacred place. Very simular is the theory that the Earth has as net of electromagnetic lines, and that the intersecting points of the network, the knots, are influenced by underground veins of water as well as magnetic forces emanating naturally from the Earth. The ancient Egyptians are said to have been able to move and/or anchor the energy lines by pushing metal rods into the ground before they built a temple or pyramid - they shall have called it "piercing the snake".
Also what is called lay lines seems to be connected to an ancient grid of a form. According to Wikipedia; "Ley lines are hypothetical alignments of a number of places of geographical interest, such as ancient monuments and megaliths." Archaeologists have documented that the alignments are existing but it is not proved that the ley lines and their intersection points resonate a special psychic or magical energy or that they have electrical or magnetic forces as some writers claim.
Pyramid fortex using a Tesla coil
In addition to all this it is also said that we have high energy spots on the Earth called vortices - and they shall be linked ley lines. A Vortex (plural: vortices) is usually a spinning, often turbulent, flow of fluid but some also include a kind of spinning Earth energy due to its electromagnetic field. Such vortices can be volcanoes, high mountains, hot springs, mineral deposits, deep gorges, rock outcroppings and even in deserts like the Sinai. Ancient sites can also be vortices, like the pyramids of Egypt. Dr. Dee J. Nelson has taken a so called Kirlian photograph of energy spiralling out of the top of a pyramid using a Tesla Coil.
Nikola Tesla - Earthquake Machine
The Tesla Coil was invented by Serbian-American engineer Nikola Tesla (1856 - 1943), one of history's greatest scientists. His coil is an electrical resonant transformer circuit, used to produce high-voltage, low-current, and high frequency alternating-current electricity. Yes, he is best known for inventing the alternating electrical current (AC) used all over the world today, but his patents and theoretical work helped form the basis for radio comunication and many other inventions.
Nikola Tesla was an electrical genius, but he also was responsible for a number of mechanical devices. One of these was his "Earthquake Machine" also known as the Tesla Oscillator. The machine which Tesla tested was no larger than an alarm clock but it is said that when he started to twiddle the machine's frequency-controller in his lab: blocks around chaos reigned as objects fell off shelves, furniture moved across floors, windows shattered, and pipes broke. When the police arrived they found the inventor smashing the resonator to bits with a hammer: "Gentlemen, I am sorry. You are just a trifle too late to witness my experiment. I found it necessary to stop it suddenly and unexpectedly in an unusual way, he said calmly to the astonished officers.
Tesla was convinced that by finding the correct frequency, any structure can be destroyed (an obvious example is the wine glass shattered by an opera singer). He later told a friend that he could split the Earth with one of these devices: "I could set the earth's crust into such a state of vibration that it would rise and fall hundreds of feet, throwing rivers out of their beds, wrecking buildings, and practically destroying civilization".
Tesla and coils
Tesla claimed that the laws of electromagnetics were connected to gravity, and one of his patents was on a flying machine without wings or propellers but based on what he called electrogravitics. Tesla also was working on a generator that basically worked by harnessing the electricity from the air and the ground. He used the natural conductivity of limestone aquifers to generate electrical power. The power ran up the ground into the Tesla coil tower above, which in theory should channel wirelessly transmitted power over great distances. Since Telsa wanted the distribution of the energy to be free, the inventor's sponsor pulled out from funding the scientist's machine before it was completed. Tesla died a poor and disillusioned man.
His research station for transmitting power at Colorado Springs might have a link to the Great Pyramid - a notable harmonic association between the latitude positions of both sites. Coral Castle - 9-ton gate that moves with just a touch of the finger.
Edward Leedskalnin - Coral Castle
Another person that was interested in gravity and electromagnetism was Edward Leedskalnin (1887-1951) - an eccentric Latvian emigrant to the United States. He built the extraordinary monument known as Coral Castle in Florida. Leedskalnin single-handedly and secretly carved and displayed over 1,100 tons of coral rock, the heaviest stone weighing 35 tons. It is a mystery how the tiny man could move all the heavy stones. He claimed to have discovered the secrets of the pyramids, and had found out how the Egyptians and the ancient builders in Peru, Yucatan, and Asia, with only primitive tools, raised and set in place blocks of stone weighing many tons! But he did not want to show
"I have discovered the secrets of the pyramids, and have found out how the Egyptians and the ancient builders in Peru, Yucatan, and Asia, with only primitive tools, raised and set in place blocks of stone weighing many tons!"
- Edward Leedskalninanybody how it was done and worked mostly at night-time. A group of young witnesses claimed to see coral blocks floating through the air "like hydrogen balloons" and another time one of Ed's neighbours found him singing to the stones with his hands placed on their surface as if he were somehow making them lighter.
Ed Leedskalnin disputed contemporary science and believed that "all matter consists of magnets which can produce measurable phenomena, and electricity." Ed would say he had "re-discovered the laws of weight, measurement, and leverage," and that these concepts "involved the relationship of the Earth to celestial alignments."
Researchers have speculated that Ed Leedskalnin learned the secret of levitation and one theory in particular caught the imagination of many. The planetary grid hypothesis postulates that the earth is covered by an invisible web of energy which is concentrated at points of telluric power, the convergence of which create unusual phenomena. Leedskalnin moved the complex from Florida City to Homestead and some suggest this was because Ed realized he had made a mathematical error in his original positioning and moved to an area with greater telluric force.
The famed American psychic Edgar Cayce (1877-1945) said during his readings that the Great Pyramid "was erected by the application of those universal laws and forces of nature which cause iron to float. By the same laws, gravity may be overcome, or neutralized, and stone made to float in air. The Pyramid was thus built by levitation, abetted by song and chanting". He also said that the Great Pyramid was built was built as a hall of initiation around 10,500BC by those who originally came from the civilization of Atlantis.
Levitation by sound
Metal rods that caused the stone to levitate
The current estimates of mainstream science contends that it took a workforce of 4,000 to 5,000 men 20 years to build the Great Pyramid using ropes, pulleys, ramps, ingenuity and brute force. But the 10th century Arab historian, Abul Hasan Ali Al-Masudi had written a 30-volume history of the world and he wrote about how the great stone blocks of the pyramid were transported. First, he said, a "magic papyrus" was placed under the stone to be moved. Then the stone was struck with a metal rod that caused the stone to levitate and move along a path paved with stones and fenced on either side by metal poles. The stone would travel along the path, wrote Al-Masudi, for a distance of about 50 meters and then settle to the ground. The process would then be repeated until the builders had the stone where they wanted it.
An ancient legend tells that The Great Pyramid was built from year 10,490 to 10,390 B.C. That the god Ra made studies of the terrain and took great care in figuring the geometrical location in relation to the Sphinx and the four cardinal points of the compass. The Pyramid was then built by levitation, abetted by song and chanting.
Well, we do not have any proof that the ancient Egyptians could make the huge stones fly through the air but levitation is no longer only a party-trick by magicians with quick fingers. We have high speed trains that levitate by the help of magnetic power and in an incredible move for modern medicine; scientists are using sound waves to help levitate droplets of drugs to make them with less side effects.
A kind of Swiss knife
The Great Pyramid is very different to other pyramids, in Giza or else. Most alternative researches conclude that it was some kind of machine; most possibly a power station. We have seen that it would be impossible to use the Great Pyramid as a tomb for a pharaoh and that dating of seashell tells that it much older than the other pyramids. The nearby sphinx has been re-dated to be at least 5000 years old because of the erosion from water, but it might be much older. The same will go for the Great Pyramid. Some speculate that the Great Pyramid was a kind of Swiss knife - a gigantic multipurpose tool. The world "pyramid" means "fire in the middle" - so if it was a kind of power station with the power source situated in what is called Khufu's sarcophagus the some researches in one way might be correct when that speculate that the pyramid also was built as a gigantic ram water pump - inside the base of the pyramid. Yes, it could have been a power-station with a water cooling system! We have seen that some say that the power source was the ark of covenant from the Christian bible and some say
The King's Chamber with the stones above
King's Chamber and large stones
that Moses was the person who stole it from the pyramid. That the pharaohs' rapid decline took place because with no more energy, in form of electric power, then their advanced civilisation could no longer exist!
A gigantic Tesla coil?
Or might be the Great Pyramid was a kind of a gigantic Tesla coil? That the huge granite stones, highly polished on the underside and placed above the so called Kings chamber, made it possible to harness electricity from the ionosphere - just like Nikola Tesla wanted to do it?
About 20 minutes drive from the Great Pyramid is the site of Abu Ghurab, the "Place of Osiris". The ruined stepped pyramid once had an alabaster platform on the top and on the platform it had been standing an obelisk ("sun stick"); most likely, the total height was between fifty and seventy meters. It had looked like a pyramid with a flat top, just like Great Pyramid! Is it possible that the Great Pyramid once had an obelisk standing on it's flat top - and not a capstone? The legends says that spirit of the sun god entered the obelisks at certain periods…
Could it have been like this - an obelisk on top of the Great Pyramid?
Can it have been like this?
Tesla viewed the Earth as a negative electric pole and the sun as a positive pole of an electrode; so an obelisk standing on top of a pyramid would to him be a solar-electric diode! If the under ground part of the pyramid was a pump that brought water up to the Kings Chamber then we would have a capacitor with a very good earth ground. Yes, the Great Pyramid could have been an extremely powerful kind of solar-panel!
Might be Tesla got the idea of harnessing the ionosphere from the Egyptians? Might be they had made the strongest power station ever but that something went terribly wrong; a technical fault or a construction-fault? Or might be extra strong solar activity? Stephen A. Reynods of New Zealand has done research showing that changes in the ionosphere caused by strong solar activity can cause changes in the Earth's internal magnetic field and through telluric current induced in the Earth's crust trigger earthquakes. So might be it happened that instead of harnessing high voltage that could be stored and used, the pyramid send the current into the ground and
The God Ptah with a Djed pillar
Ptah and pillar
triggered a gigantic earthquake that literally shook the whole Earth and caused geological catastrophes worldwide? Might be the changes to the internal magnetic field was so fast and so strong that the outer crust slipped - just like professor Charles H. Hapgood once suggested (but not due to imbalance of the polar ice)?
Interesting enough; one of the oldest and most important symbols to the ancient Egyptian was the "Djed Pillar". Take a look at the image to the right of the God Ptah holding a Djed pillar. The pillar looks very simular til the set-up of the stones above the Kings Chamber - and also a homemade Tesla coil! You might also have noticed a Djed pillar in picture of what could illustrate an electric lamp in an ancient Egyptian temple, higher up in the article!
Very advanced technology
In the Palermo, Turin and Manetho king lists, there are names of eight god kings that ruled Egypt in the beginning; Ptah, Ra, Geb, Osiris, Set, Horus, Thoth and the female god Ma'at. Even if they sometimes were represented in a variety of forms on murals, often with human body and animals/birds heads, these gods seemed to be something else than imaginary gods living in a theological heaven. They lived on earth, were married with children, and had duties they performed. They also helped the ordinary people to develop. We have seen that Ptah made the Nile-delta liveable after the great flood and Thoth is credited as the author of all works of science, religion, philosophy as well as magic and he is said to have been married with the female god and ruler Ma'at.
Pharaoh Can it be that the first kings of Egypt were called Gods because they came from a far away place and looked a bit different to the other humans in ancient Egypt? The word "God" comes from "shining/bright" and murals picturing the first pharaohs/gods show that they had so white skin that the must have looked very bright compared to other people! Were they also called devine because they had much better mental capabilities and a very advanced technology?
www.sydhav.no/giants/denisova_giants_egypt.htm
Dendera light
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The dendera light
The dendera light is a motif in the Hathor temple at Dendera in Egypt. A fringe theory interpretation of the reliefs is that they depict some form of ancient Egyptian lighting technology, similar to an arc lamp or cathode ray tube.
The temple contains several reliefs depicting Harsomtus, in the form of a snake, emerging from a lotus flower which is usually attached to the bow of a barge. The so-called dendera light is a variation of this motif, showing Harsomtus in an oval container called hn, which might represent the womb of Nut.[1][2][3] Sometimes a djed pillar supports the snake or the container. A closely related motif is "god resting on the lotus flower".
Contents
1Depictions and text
2Similar motifs
3Fringe interpretation
4See also
5References
6External links
Depictions and text
Each of the three objects consists of two reliefs. One half (a) of each pair is in south crypt 1-C (crypte 4), the other half (b) in room G (chambre V) of the temple.[3]
Object
(location)
TextRelief
Object 1(a)
(Crypt 1-C, south wall)
Speaking the words of Harsomtus, the great God, who dwells in Dendera, who is in the arms of the first in the night-barge, sublime snake, whos Chentj-statue carries Heh, whos crew carries in holiness his perfection, whos Ba caused Hathor to appear in the sky, whos figure is revered by his followers, who is unique, encircled by his forehead-snake, with countless names on the top of Chui-en-hesen, the symbol of power of Re in the land of Atum (Dendera), the father of the Gods, who created everything.
Gold his metal, height: four handbreadths
(left)
Object 2(a)
(Crypt 1-C,
south wall)
Speaking the words of harsomtus, the great God, who dwells in Dendera, the living Ba in the lotus flower of the day-barge, whos perfection is carried by the two arms of the djed-pillar as his Seschemu-image, while the Kas on their knees bend their arms.
Gold and all precious stones, height: three handbreadths
(right)
Object 3(a)
(Crypt 1-C,
north wall)
Speaking the words of harsomtus, the great God, who dwells in Dendera, who emerges out of the lotus flower as a living Ba, whos completeness is elevated by the Kematju-images of his Ka, whos Seschemu-image is revered by the crew of the day-barge, whos body is carried by the djed-pillar, underneath his Seschemu-image is the Primal and whos majesty is carried by the companions of his Ka.
Gold, height: one cubit
Denderah. Grand temple. Crypte no. 4 (NYPL b16461786-1548062) (lower).jpg
Object 1(b)
(Room G,
south wall)
Harsomtus in the hn-container of the night-barge that contains four figures. The figure of heh is in front of him, whereas this flower is behind him, the water beneath him.
Gold his metal, height: four handbreadths.
Denderah. Grand temple. Chambre V (NYPL b16461786-1547977) (lower).jpg
Object 2(b)
(Room G,
north wall)
Harsomtus on his barge
Gold and all precious stones, height: three handbreadths
(left)
Object 3(b)
(Room G,
north wall)
Harsomtus of Upper- and Lower Egypt, the Sata-snake, that emerges from the flower, which contains the hn-container, who is flanked by four figures with human faces, under his head the figure of Heh on the Serech on the bow of his barge. The Juf-monkey with the face of a toad, armed with knives, is in front of him, as are the two figures that carry the front part of this flower.
(right)
Similar motifs
Denderah. Grand temple. Chambre V (NYPL b16461786-1547977) (upper).jpg
Denderah. Grand temple. Crypte no. 4 (NYPL b16461786-1548061) (Harsomtus).jpg
Denderah. Grand temple. Chambre V (NYPL b16461786-1547978) (upper).jpg
Denderah. Grand temple. Crypte no. 1 (NYPL b16461786-1548026) (harsomtus).jpg
Denderah. Grand temple. Chambres de la terrasse. Osiris du sud. Chambre no. 3 (NYPL b16461786-1548166) (cropped).tiff
NaqaLionTempleApedemakSnake.jpg
Fringe interpretation
In contrast to the mainstream interpretation, a fringe theory proposes that the reliefs depict Ancient Egyptian technology, based on comparison to similar modern devices (such as a Cathode-ray tube, Geissler tubes, Crookes tubes, and arc lamps). J. N. Lockyer's passing reference to a colleague's humorous suggestion that electric lamps would explain the absence of lampblack deposits in the tombs has sometimes been forwarded as an argument supporting this particular interpretation (another argument being made is the use of a system of reflective mirrors).[4] Proponents of this interpretation have also used a text referring to "high poles covered with copper plates" to argue this,[5] but Bolko Stern has written in detail explaining why the copper-covered tops of poles (which were lower than the associated pylons) do not relate to electricity or lightning, pointing out that no evidence of anything used to manipulate electricity had been found in Egypt and that this was a magical and not a technical installation.[6]
Archaeologist and debunker Kenneth Feder argued that if ancient Egyptians really had such advanced technology, some light bulb remains (glass shards, metal sockets, filaments...) should have been discovered during archaeological excavations. By applying Occam's razor, he instead highlighted the feasibility of the aforementioned reflective mirrors system, and also that the notion of adding salt to torches to minimize lampblack was well known by ancient Egyptians.[7]
See also
Egyptian mythology
References
"Dendera Temple Crypt Archived 2010-04-25 at the Wayback Machine". iafrica.com.
Wolfgang Waitkus, Die Texte in den unteren Krypten des Hathortempels von Dendera: ihre Aussagen zur Funktion und Bedeutung dieser Räume, Mainz 1997 ISBN 3-8053-2322-0 (tr., The texts in the lower crypts of the Hathor temples of Dendera: their statements for the function and meaning of these areas)
Waitkus, Wolfgang (2002). "Die Geburt des Harsomtus aus der Blüte Zur Bedeutung und Funktion einiger Kultgegenstände des Tempels von Dendera". Studien zur Altägyptischen Kultur. 30: 373–394. JSTOR 25152877.
Press, The MIT (15 May 1973). The Dawn of Astronomy | The MIT Press. mitpress.mit.edu. MIT Press. ISBN 9780262120142. Retrieved 2020-10-06.
Bruno Kolbe, Francis ed Legge, Joseph Skellon, tr., "An Introduction to Electricity". Kegan Paul, Trench, Trübner, 1908. 429 pages. Page 391. (cf., "[...] high poles covered with copper plates and with gilded tops were erected 'to break the stones coming from on high'. J. Dümichen, Baugeschichte des Dendera-Tempels, Strassburg, 1877")
Stern, Bolko (1998) [1896]. Ägyptische Kulturgeschichte. Reprint-Verlag-Leipzig. pp. 106–108. ISBN 978-3826219085.
Feder, Kenneth H. (2014). Frauds, Myths, and Mysteries: Science and Pseudoscience in Archaeology. New York: McGraw-Hill. ISBN 978-0-07-803507-4., pp.225–7
External links
Wikimedia Commons has media related to Dendera light.
The Dendera Reliefs, Catchpenny Mysteries.
Frank Dörnenburg, Electric lights in Egypt?. 2004.
Mariette, Auguste (1870) - Dendérah: description générale du grand temple de cette ville (II: 48, 49; III: 44, 45)
Coordinates: 26.141611°N 32.670139°E
Categories: EgyptologyOut-of-place artifactsPseudoarchaeology
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en.wikipedia.org/wiki/Dendera_light
The ancient Egyptian Dendera Light "protective magical energy in liquid form" is the evaporative cooling fog. The fact that the Dendera Light is made of liquid water that transforms itself in a magical way, is exactly what are describing ancient Egyptians themselves : [About the snake inside the Dendera Light Bulb] "The field surrounding Ra’s snake form is referred to in ancient Egyptian literature as protective magical energy in liquid form that all gods and pharaohs possess (Faulkner 1970*)." ahotcupofjoe.net/2016/11/dendera-light-bulb-and-bagdad-ba...
*I'm not sure, but the excerpt might be from "The ancient Egyptian book of the dead / translated by Raymond O. Faulkne ; edited by Carol Andrews, 1972."
www.milleetunetasses.com/blog/the-great-pyramid-of-khufu-...
Evaporative cooling for the sodium carbonate manufacturing
My study is based on 2 key elements : the first one is the cold production inside the horizontal passage of the Great Pyramid ; and the second one is the production of sodium carbonate (pure natron), as suggested by the Red Pyramid.
The ammonia still present inside the Red Pyramid, indicates that they were using a sodium carbonate process identical or very close to the ammonia-soda process known as the Solvay process, developed into its modern form in the 1860s in Europe.
In the Solvay process, the ammonia only has a minor role ; but inside the Red Pyramid, my guess is that they didn't control the temperature of the different chemical reactions inside the Solvay towers. They couldn't cool down the towers.
That is the reason why they engineered the visible part of the Great Pyramid : to produce cold inside the horizontal passage, store it inside the Queen's chamber, and transfer it to the sodium carbonate production towers, passing through the Queen's chamber shafts.
My contribution to the expanding gallery of this beautiful and famous little bird. She has become quite the Bombay Hook celebrity.
Please click on the photo for the best view.
Thanks for looking.
Greg
This was my contribution to the Guilds of Historica collaboration at Brickworld this year. I built the entire landscape and started on the buildings, before getting Isaac’s help to finish the model in time. The base split into three portions, and all the buildings were easily removable to allow for convenient transport of the build. It had been a while since I’d done a proper Middle Eastern scene, so it was a really fun build and I think turned out as one of my best Castle models yet.
Be sure to check out multiple pictures, as the build is viewable from all sides. More angles and close ups available on Brickbuilt.
Tutorials | Creations | Featured Tutorials | Build Logs | Commissions
Pinhole image of a sliced pear on a gold-rimmed white plate. My third and latest attempt to photograph this particular subject; my first contribution to the Worldwide Pinhole Photograpy Day (#1443). This is the same pear slice as the one I have used for "Pear No. 2". By the time I took this picture the initially yellow-white pear flesh had oxidised and turned brownish, plus the skin had crumpled slightly inwards. Both of these natural changes had a positive effect on the overall outcome, giving the pear more structure, volume and outline. I have also reduced the exposure time from originally 6 hours (No. 1) and 5½ hours (No. 2) to 4½ hours (EV10), hoping the dish and its golden rim would show up better. This has worked to some degree, but quite obviously a white plate on a white table cloth is and remains a tricky subject. I would have been better off, exchanging the white table cloth with a somewhat darker fabric. Anyway, I do also like this version and I am learning quite a bit in the process. I read somewhere that Weston had exposed at least 50 negatives of peppers, so there’s quite a task ahead of me ;-). No worries though, if I have counted right, I have only 8 sheets of 8x10 DPP left. Taken with my homemade, foldable 8x10" Camera Obscura ("Stenopeica #1", 190mm, f.540) on Harman DPP (Direct Positive Paper, FB) and developed in Caffenol.
Our contribution to The Seasons Story Summer (beginning 10th July 2015): The Vintage Ice Cream Trike (LI 8/10 Prims - rezzes temporary ice cream cones as attachement with 6 different flavours) and the Shabby Roll Tray with Ice Cream Toppings (LI 2/3 Prims - Toppings LI1/1 Prim each).
The Seasons Story Summer openes 10th July. Here is your SURL: maps.secondlife.com/secondlife/The%20Seasons%20Story/128/...
This is my contribution for the third round for The Tourney. I chose the category 1 "Set Revamp":
In this category, take any existing Lego castle/pirate set and revamp it. The revamp should be a complete rebuild, of course, not just mods. We recommend that you consider the main features of the set and subtheme to ensure that those characteristics are clearly recognizable in your revamp.Entries should be built in ‘MOC form’; it shouldn’t (necessarily) look like a set Lego would release.
I decided to go for the Set 6048 - Majisto`s Workshop. I had this set as a child and I loved to charm the knight of my brother with the magician :)
First of all I have to say that the build has been a lot of fun for me and I think this Moc is one of my best - next to the christmas build for the 9 Kingdoms.
The house itself has the same size as the original set and I tried to reproduce the eye-catchers: the blue window shutters, the growing tree through the house and the red roof with black bars.
I hope you like it. To all the competitors: Good luck for round 3 :)
On the first day of Metroline's operation of route 295, VWH2097 is seen having turned off the stand at Clapham Junction to work a service to Ladbroke Grove. The route is operated by Gemini 3 VWH hybrids in the new "frog-face" front design style. This bus is the old Gemini 3 style design from Willesden garage and was helping out on the Willesden Junction based route due to the late delivery of the new VWHs for the route.
My contribution to the weekly photoshop competition. Check out the original photo on www.flickr.com/groups/pscomp/discuss/72157600738486345/
The contribution of underprivileged and uneducated women in the country's national economy is immense, especially their involvement in handicraft industry is commendable. A woman is considered as the skilled workforce for the handicraft industry. On the other hand, pottery side by side with the handicraft industry bears the cultural heritage of Bangladesh. The women are involved with the industry since the ancient time and their contribution in this sector can not be denied even in the modern age. Women have been putting their endeavors in this trade from primary to finishing stage of the objects. Among the women labourers, about 90 percent are uneducated and they have no training. Like other sectors, the women workers are also facing wage discrimination. They draw two-third portion wage compared to their male counterparts investing the same labour.
[Source : BSS]
Selwyn's other contribution to the workings on Go North West's 18 service are a selection of ex-London all-Scania N230, including a former Go Ahead example that came from the Metrobus operation (977) via Holmeswood Coaches and seen here in the late afternoon sunshine in Middleton.
This image is copyright and must not be reproduced or downloaded without the permission of the photographer.
If you truly love Nature, you will find beauty everywhere. ~Vincent Van Gogh
My contribution to the 22nd week of the ImagoismThursday Movement
Mitt bidrag till Fotosöndag med temat Färglös.
Efter en tids djupare depression känner jag mig ganska färglös i allmänhet.
//
My contribution to "Fotosöndag"(Photo sunday) with the theme Colorless.
After a period of deep depression, I feel pretty colorless in general.
This full size Hawker Hurricane replica, standing near the River Thames in Windsor, is a memorial to Sir Sydney Camm and his contribution to British aircraft design.
Sir Sydney Camm, CBE, FRAeS (5 August 1893 – 12 March 1966) was an English aeronautical engineer who contributed to many Hawker aircraft designs, from the biplanes of the 1920s to jet fighters. One particularly notable aircraft he designed was the Hawker Hurricane fighter.
Sydney Camm was born at 10 Alma Road in Windsor, Berkshire, the eldest child of the twelve children of Frederick Camm, a carpenter/joiner and Mary Smith. The Camm family lived near Windsor & Eton Central railway station. His brother Frederick James Camm became a technical author and created the Practical Wireless magazine.
In 1901 he began attending the Royal Free School on Bachelors Acre in Windsor (The Royal Free school became the Royal Free Middle School with the secondary school becoming the Princess Margaret Royal Free School on Bourne Avenue). In 1906 he was granted a Foundation Scholarship. In 1908 Camm left school to become an apprentice carpenter.
Camm developed an interest in aeronautics and together with his brothers began building model aircraft, which they supplied to Herbert's Eton High Street shop. After finding that they could obtain a higher price they began making direct sales to boys at Eton College, which were delivered in secret to avoid attracting the attention of Herbert and the school authorities.
These activities led him to being one of the founders of the Windsor Model Aeroplane Club in early 1912. His accomplishments as a model aeroplane builder culminated in a man-carrying glider which he and others at the club built in 1912.
Shortly before the start of the World War I, Camm obtained a position as a shop-floor carpenter at the Martinsyde aircraft company ,which was located at the Brooklands racing circuit in Weybridge, Surrey. His ability soon led to his being promoted to the drawing office, where he spent the war period. After the company went into liquidation in 1921, Camm was employed by George Handasyde, who had created his own aircraft manufacturing company, which was responsible for the creation of the Handasyde Monoplane.
In November 1923 Camm joined the Hawker Aircraft Company (later Hawker Siddeley) based at Canbury Park Road in Kingston upon Thames as a senior draughtsman. His first design was the Cygnet, the success of which led to his being appointed chief designer in 1925.
In 1925, in association with Fred Sigrist, Hawker's managing director, Camm developed a form of metal construction, using cheaper and simpler jointed tubes, rather than the alternative welded structure.
During his employment at Hawker he was responsible for the creation of 52 different types of aircraft, of which a total of 26,000 were manufactured. Among his early designs were the Tomtit, Hornbill, Nimrod, Hart and Fury. At one time in the 1930s 84 per cent of the aircraft in the RAF were of Camm’s design.
He then moved on to designing aeroplanes that would become mainstays of the RAF in the Second World War including the Hawker Hurricane, Hawker Typhoon and Hawker Tempest.
"Camm had a one-tracked mind – his aircraft were right and everybody had to work on them to get them right. If they did not, then there was hell to pay. He was a very difficult man to work for, but you could not have a better aeronautical engineer to work under. With regard to his own staff, he did not suffer fools gladly and at times many of them appeared to be fools. One rarely got into trouble for doing something either in the ideas line, or in the manufacturing line, but woe betide those who did nothing, or who put forward an indeterminate solution."
Among the engineers who worked with Camm at Hawker were Sir Frederick Page (later to design the English Electric Lightning), Leslie Appleton (later to design the advanced Fairey Delta 2 and Britain's first air-to-air missile, the Fairey Fireflash), Stuart Davies (joined Avro in 1936 and later to be chief designer of the Avro Vulcan), Roy Chaplin (became chief designer at Hawker in 1957) and Sir Robert Lickley (chief project engineer during the war, and later to be chief engineer at Fairey).
The Hawker Hurricane was designed by Sir Sydney Camm.
With the Hurricane, Sydney Camm moved from the technology of the biplane to contemporary monoplane fighter aircraft. The result was that fighters flew faster, and with the improved engine technology of the time, higher and could be made more deadly.
The Hawker engineer Frank Murdoch was responsible for getting the Hurricane into production in sufficient numbers before the outbreak of the war, after an eye-opening visit to the MAN diesel plant in Augsburg in 1936.
When the Hawker Typhoon’s design first emerged and entered squadron service, pilots became aware that there was elevator flutter and buffeting at high speeds, due to the positioning of the heavy Napier Sabre engine intake very close to the wing root.
The engineering of the aircraft to travel at higher speeds and handle compressibility effects was one of the challenges of the day, but with his small design team of one hundred members at Hawker, Camm managed to solve these problems and make the Typhoon an effective combat weapon even at these speeds. As operational requirements changed, the Typhoon was used more as a fighter-bomber, in which role its low level performance, weapon-carrying capabilities and ability to absorb damage made it very effective. It was much used in the Battle of the Falaise Pocket, in which ground-attack aircraft proved very destructive. German losses were so severe that most of France was retaken less than two weeks after the conclusion of this operation.
The lessons learned from the Hawker Typhoon were incorporated into its successor, the Hawker Tempest. As soon as the Typhoon entered service, the Air Ministry requested a new design. C amm recommended that they keep the existing design of the Typhoon for the most part, with modifications to the aerofoil. He also considered the new and powerful Napier Sabre and Bristol Centaurus engines as the powerplant. Camm decided that both engines would be used: the Tempest Mk 5 was fitted with the Napier Sabre, while the Tempest Mk 2 had the Bristol Centaurus. The design modifications to be made to the aircraft to switch from one engine type to another were minimal, so that little assistance was needed in ferrying these aircraft all the way to India and Pakistan, in the final days of the conflict.
The Sea Fury was a higher performance development of the Tempest with a reduced wing area, a Centaurus engine, and a considerably improved view for the pilot. Named the Fury, only the carrier-based Hawker Sea Fury went into service, serving with the Royal Navy from 1947 to 1955.
After the Second World War, Camm created many jet-powered designs which would become important aircraft in the Cold War era.
Notable among these are his contributions to the Hawker Siddeley P.1127 / Kestrel FGA.1, the progenitor of the Hawker Siddeley Harrier. The Harrier is a well-known vertical takeoff and landing (VTOL) aircraft designed at Hawker Siddeley, which would later merge into British Aerospace, now known as BAE Systems. The Harrier was one of the radical concept aircraft which took shape in postwar Britain, which required the coming together of many important technologies, such as vectored thrust engines like the Bristol Siddeley (later Rolls-Royce) Pegasus and technologies like the Reaction Control System. Camm played a major role in determining these and other vital Harrier systems. In 1953, Camm was knighted for these and other achievements and his contribution to British Aviation. The P.1127 first flew on 21 October 1960. Working with Camm on this aircraft and the Hunter was Prof John Fozard, who became head of the Hawker design office in 1961 and would write a biography of Camm in 1991.
Camm worked on many aircraft built by Hawker before the Harrier, including what is probably his most significant aircraft after the Second World War, the Hawker Hunter. The Hawker Hunter, designed by Camm, made its first flight in 1951.
Camm was President of the Royal Aeronautical Society(RAeS) from 1954 to 1955. Since 1971 the RAeS has held the biennial Sir Sydney Camm Lecture in June, given by the current commander-in-chief of RAF Air Command.
Camm retired as chief designer at Hawker in 1965 and was succeeded by John Fozard. He, however, remained on the board of its successor, Hawker Siddeley until his death.
Before he died, Camm was planning the design of an aircraft to travel at Mach 4, having begun his life in aircraft design with the building of a man-carrying glider in 1912, just nine years after the first powered flight.
In 1966, Camm was awarded the Guggenheim Gold Medal, which had to be presented posthumously, as on 12 March 1966 he died aged 73, whilst playing golf at the Richmond Golf Club. He was buried in Long Ditton Cemetery, Long Ditton, in the County of Surrey.
My contribution for Challenge 11 in Guilds of Historica. It’s a simple build that brought back a lot of memories as most of the techniques are things I used frequently years ago. Which made for a straightforward and relaxing build process.
Timber is in high demand as the guilds rebuild. Leading to many new lumber yards popping up in Mitgardia. Located along trade routes and near sawmills they constantly receive new loads of wood and in turn load caravans traveling between the guilds.
Additional photos on Brickbuilt.
This was one of my contributions to the Isles of Aura InnovaLUG layout at Brickworld this year. While trying to come up with ideas for how to make an island that was a little different than just your average floating rock, a flash of inspiration hit. Why not make a shipwreck island? I mean, with all these rocks and boats just floating around in the sky, it seems like the odds are pretty high that it would happen eventually. So now I had a good idea! But having an idea and building it are two different matters. I wanted the ship to have split the island, so that each side was at an angle. To achieve this, I made an extremely solid technic frame, and then built out from there. I’ll be doing a build log for this in the near future, so I won’t spoil all the details, but let’s just say it was quite a challenge at times. The buildings here were extremely fun to build however! I pretty much just tried to see how many balconies I could fit on one building with the taller one. Got to put some our MDF tiles to use too. Anyways, thanks for looking, and I hope you enjoy the build – as always, C&C is very welcome!
Lots more pictures on Brickbuilt!
Tutorials | Creations | Featured Tutorials | Build Logs | Commissions
My contribution to the Dark Realm Collective, themed "Hollywood Macabre"
photography and edit: Dracorubio
Model: Macy Wiemelink
Styling and assistent: Yvette Leur Photography
Dress: Somnia Romantica
This was my September 2015 contribution to the photo clubs monthly challenge. This time it was judged digitally at home by each member before the meet up.
Blanca.art contribution to our current show SCHÖNER SCHEIN - A REAL VISION during Monat der Fotografie - Off Berlin 2016
This is part of my contribution to this year's Brick to the Past model, The Jacobite Risings: The Fight for Britain's Throne. To be fair this is a team effort with James Pegrum providing the landscape and me providing and setting up the armies. Simon Pickard also provided a load of troops.
The Jacobite Risings: The Fight for Britain’s Throne is a LEGO model of a series of uprisings, rebellions and wars that occurred predominantly in Scotland, but also spread into Ireland and England, between 1689 and 1746. Following the deposition of James II of England and VII of Scotland in the Glorious Revolution, the aims of the risings were to return the Stuart monarch, and later his descendants, to the thrones of England and Scotland (and after 1707, the Kingdom of Great Britain). They take their name from Jacobus, the Latin form of James.
While conflict broke out in 1689, 1715, and 1719, the most famous rising is probably the last, that of 1745. During the “Forty-five" Charles Edward Stuart, also known as the Young Pretender or Bonnie Prince Charlie, led an army from the Scottish Highlands as far south as Derby before retreating north to be decisively defeated at the Battle of Culloden in 1746. Culloden was the last pitched battle to be fought on British soil and marked the end of any serious attempt to restore the house of Stuart to the throne.
The Jacobite Risings: The Fight for Britain’s Throne is a Brick to the Past creation built by Dan Harris, James Pegrum, Simon Pickard, Tim Goddard and Steve Snasdell. It was unveiled for the first time at the Bricktastic in July 2017 and went on display again at The Great Western Brick Show in October. It is now on display at Stirling Castle until February 2nd 2018.
My contribution to the Pixar Times and our Monsters Mash-Up online exhibition of fan art. Check it out here - pixartimes.com/2013/06/20/pixart-monsters-mash-up-round-3...
國立台灣文學館 - 白話字文學特展 / 用紙筆寫下語言 - 是最珍貴的貢獻
National Museum of Taiwanese Literature - Exhibition of Taiwanese Romanization Literature / Use pen and paper to write down the language - Is the most precious contribution
Museo Nacional de la literatura taiwanesa - Exposición de Literatura romanización taiwanés / Utilice lápiz y papel para anotar el idioma - Es la más preciosa contribución
国立の台湾の文学館 - 台湾のローマ字の文学展 / 紙のペンで言語を書きます - 最も貴重な貢献です
Nationalmuseum der taiwanesischen Literatur - Ausstellung der taiwanesischen Literatur Romanisierung / Benutzen Sie Stift und Papier, um die Sprache zu notieren - ist das wertvollste Beitrag
Musée national de la littérature taiwanaise - Exposition de Taïwanais romanisation Littérature / Utilisez un stylo et du papier pour écrire la langue - est la contribution la plus précieuse
Tainan Taiwan / Tainan Taiwán / 台灣台南
管樂小集 2015/11/01 安平古堡 Fort Zeelandia performances
{ Woman in love 戀愛中的女人 ウーマン・イン・ラブ }
{View large size on fluidr / 觀看大圖}
{My Blog / 管樂小集精彩演出-觸動你的心}
{My Blog / Great Music The splendid performance touches your heart}
{My Blog / 管楽小集すばらしい公演-はあなたの心を心を打ちます}
{Mi blog / La gran música el funcionamiento espléndido toca su corazón}
{Mein Blog / Große Musik die herrliche Leistung berührt Ihr Herz}
{Mon blog / La grande musique l'exécution splendide touche votre coeur}
家住安南鹽溪邊
The family lives in nearby the Annan salt river
隔壁就是聽雨軒
The next door listens to the rain porch
一旦落日照大員
The sunset Shineing to the Taiwan at once
左岸青龍飛九天
The left bank white dragon flying in the sky
Contribution to Smile on Saturday, theme "a touch of frost".
From the archives, not much chance these days to capture this.
corpse
My contribution to the Exquisite Corpse show at the new Aurora Loop Gallery in Port Townsend Washington.
971 Aurora Loop, Port Townsend, WA 98368
Gallery Hours: Thursday - Sunday, 12:00-5:00 pm
Or by appointment
auroraloopgallery@gmail.com
(773) 227-6757
The memorial commemorates the contributions of Mason, a Founding Father who wrote the Virginia Declaration of Rights, served as a delegate to the 1787 Constitutional Convention in Philadelphia, and created much of the language, inspiration, and groundwork for what became the United States Bill of Rights. Mason, an Anti-Federalist, did not sign the United States Constitution because it did not abolish the slave trade and because he did not think it had necessary protection for the individual from the federal government. He was sometimes known as the "reluctant statesman", which was also the title of a biography written about him by Robert A. Rutland.
A contribution to Thorsten Bonsch's (Xenomurphy) Batman - Arkham Asylum build.
The design of this vehicle was inspired by the graphic novel Batman: Nine Lives published by DC Comics in 2002, written by Dean Motter, with art by Michael Lark.
See more of the amazing Batman - Arkham Asylum creation here: www.flickr.com/photos/xenomurphy/10581191764/
This is part of my contribution to this year's Brick to the Past model, The Jacobite Risings: The Fight for Britain's Throne. To be fair this is a team effort with James Pegrum providing the landscape and me providing and setting up the armies. Simon Pickard also provided a load of troops.
Attached to each infantry regiment were grenadiers; soldiers that represented the elite of the British army. Grenadiers did not wear the usual tri-corn hat of regular infantry, instead wearing a finely decorated mitre-style headpiece. While we cannot recreate the decoration, a mitre may be recreated using a headpiece found originally in Prince of Persia sets. To complete our grenadiers we have also equipped them with a satchel, which is supposed to represent the grenades they carried.
The Jacobite Risings: The Fight for Britain’s Throne is a LEGO model of a series of uprisings, rebellions and wars that occurred predominantly in Scotland, but also spread into Ireland and England, between 1689 and 1746. Following the deposition of James II of England and VII of Scotland in the Glorious Revolution, the aims of the risings were to return the Stuart monarch, and later his descendants, to the thrones of England and Scotland (and after 1707, the Kingdom of Great Britain). They take their name from Jacobus, the Latin form of James.
While conflict broke out in 1689, 1715, and 1719, the most famous rising is probably the last, that of 1745. During the “Forty-five" Charles Edward Stuart, also known as the Young Pretender or Bonnie Prince Charlie, led an army from the Scottish Highlands as far south as Derby before retreating north to be decisively defeated at the Battle of Culloden in 1746. Culloden was the last pitched battle to be fought on British soil and marked the end of any serious attempt to restore the house of Stuart to the throne.
The Jacobite Risings: The Fight for Britain’s Throne is a Brick to the Past creation built by Dan Harris, James Pegrum, Simon Pickard, Tim Goddard and Steve Snasdell. It was unveiled for the first time at the Bricktastic in July 2017 and went on display again at The Great Western Brick Show in October. It is now on display at Stirling Castle until February 2nd 2018.
My contribution for the DigiLUG Christmas Market collaboration, where all the models were designed in 90 minutes during a Christmas party. I added the second swappable backdrop and minifigures later.
Individual 3D View: mecabricks.com/en/models/1w2rzkNd28W
Collaboration: mecabricks.com/en/models/9P2kzKYYaon
John and I worked together on this, and it was our biggest contribution to the Isles of Aura display at Brickworld. The island(s) were made up of 5 modules, plus the connecting bridge, and each building was removable for transport. There are 8 buildings in the town: a fort, town hall, laundromat, inn, apothecary, bakery, and two houses. Plus a small gazebo in the central pond. Maybe you can pick out who built which buildings?
It was a lot of fun working to create a busy small town atmosphere, though I was a tad disappointed with the final result. Still, several of the buildings have some very nice designs. Due to our limited time-frame, none of the buildings have interiors.
There's a lot to see, so check out all the pictures on Brickbuilt.
Tutorials | Creations | Featured Tutorials | Build Logs | Commissions
My contribution for Octrainber 2021 "Critters" is a small modern shunter "Robot DER 100" by Vollert operating for Leonhard Weiss. It uses Bluetooth controlled Circuitcube motors for drive and decoupling.
My contribution to the Neo Classic Space 30th Anniversary Extravaganzapalooza.
Big, huge thanks to my online buddy nnenn for whipping this up in photoshop, then dealing with my complaints about it! It looks beautiful.
Also a big huge thanks to James and the crew over at NCS for inviting me to participate. It was fun, and I sure do miss all my Classic Space stuff.
As you can tell, I also owe a debt to Peter Reid for the cockpit idea. I wouldn't have gotten anywhere without it. I think it helps tie this creation in with his, and helps keep the MOCs sort of more or less uniform. Sort of. The main idea for the body I lifted right off of several MOCs by nnenn
More here already moderated.
A k a ljushuvud.
Contribution to the group Fotosöndag [web | flickr group] on the theme of lighting (ljussatt).
Images of the three photos the picture is composed of, as well as a walkthrough of what was done, is found here.
Just received my copy. Crabs with beach trash homes featured June 2018 In National Geographic.The editors did an outstanding job on Planet or Plastic.#planetorplastic #okinawa #hermitcrabs #scientific #plasticpollution
- - Documenting my published work, check out more in my publication and contribution folder
www.youtube.com/watch?v=qs9NuiLEZM8
The project by Shawn Miller -
abcnews.go.com/US/national-geographic-launches-effort-red...
okinawanaturephotography.com/crabs-with-beach-trash-homes...
www.nationalgeographic.com/magazine/2018/06/plastic-plane...
www.bbc.com/news/science-environment-44215881
www.boredpanda.com/plastic-crisis-impact-on-wildlife-nati...
www.eurthisnthat.com/2018/05/20/national-geographic-issue...
www.washingtonpost.com/national/health-science/the-amount...
abcnews.go.com/US/national-geographic-launches-effort-red...
www.natureknows.org/2018/05/national-geographics-newest-i...
www.natgeotraveller.in/for-animals-plastic-is-turning-the...
www.artfido.com/national-geographic-releases-planet-or-pl...
pulptastic.com/national-geographic-plastic-pollution-guilt/
www.newsliveupdates.com/this-national-geographic-cover-be...
This was how I rolled in early 2012.
I remember the time and place and events very vividly.
Being a traveling tranny is not without it's complications especially when your mode of travel is air. I mean how much can you get in one bag and will my spiked heel puncture my boobs and will those pesky TSA baggage inspectors take a peek inside and make a note of the name on the claim tag and use it to blackmail me in the future. In any event I don't really worry about that stuff I just hope I get their safe and all my visual aids arrive with me.
On this particular night I was in the last training week for my 30th Marathon and I had arrived early and taken a 6 mile run rushed to get a shower and get ready for whatever was to come. I had a great spacious room with a few nice appointments like artificial plants, leather pillows and wine glasses. Believe it or not it was a Hilton Property. Leather pillows? So I got dolled all sensible like, looked at myself in the mirror and was pleased and confident. I made my way out in search of a healthy drive thru and settled on baja fish tacos from Baja Fresh. The girl at the window seemed confused by the name on the AMEX not matching the face in the car. I assured her it was me and my parents named all the girls with boys names including my sister Frank. She handed me food with a smile and I drove back to my spacious room. I really wanted to go out and be seen but it was getting late and I decided to t snap a few pics and call it a night.
Another challenge of being an air traveling transvestite is being prepared. This particular trip I had everything I needed except something to remove my french nails. Having an early morning meeting the option to leave them on was really no option at all. Oh well I guess I'll be seen after all. I had noticed a Walgreens earlier so I made my way to it. Park car, take deep breath, purse on shoulder go inside. I walked in and an older lady asked "can I help you find anything?" (Now I need to stop for a second and explain, I've been out and about many many times dressed as a woman, most times if I just act normal no one seems to notice me If I have to speak well sometimes I can pass sometimes I don't but it takes a lot of concentration and is not second nature for me.) I answered "acetone" "I'm not sure what that is" I answer back "it's for removing fake nails!" "Oh yes" she directed me and we walked together me in flat sandal still 3 heads taller than her. She then said to me "they're so pretty, why do you want to take them off?" I just looked at her and said "you really don't know do you?" "Know What?" "well I'm not a woman" she just stared at me for a while and finally realized what I had said to her. "Oh My God, I would have never known" I wanted to hug her. She was so sweet and complimentary when others may have just been happy to get me out of the store and be done with my perverted foolishness but she thought I was in her words a Doll. It didn't end there, she wanted to show me off to Karen in the Pharmacy a tall leggy brunette. She was bubbly and almost flirtatious and asked If she could take a picture. I told her only if she was in it too. Inez the sweet little lady took our picture together with Karen's phone and I'm sure within seconds of leaving the store my picture was plastered all over Karen's Social Network.
All in all it was a fun evening.
This would be my contribution to throwback Thursday.
The contribution made by Indian Railways locomotive No. 17879 to urban air pollution could not be ignored. It was re-starting Train 386NR, the 10:55 Rewari Junction to Delhi Junction from Garhi Harsaru Junction station.
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This is part of my contribution to this year's Brick to the Past model, The Jacobite Risings: The Fight for Britain's Throne. To be fair this is a team effort with James Pegrum providing the landscape and me providing and setting up the armies. Simon Pickard also provided a load of troops.
Troops provided by the French included the Royal Scots (Royal Ecossais), who were originally formed as bodyguards for Valois Charles VII of France in 1418. The Royal Scots did not arrive in Scotland until late in the Campaign, landing in Montrose on 7th December 1745.
The Jacobite Risings: The Fight for Britain’s Throne is a LEGO model of a series of uprisings, rebellions and wars that occurred predominantly in Scotland, but also spread into Ireland and England, between 1689 and 1746. Following the deposition of James II of England and VII of Scotland in the Glorious Revolution, the aims of the risings were to return the Stuart monarch, and later his descendants, to the thrones of England and Scotland (and after 1707, the Kingdom of Great Britain). They take their name from Jacobus, the Latin form of James.
While conflict broke out in 1689, 1715, and 1719, the most famous rising is probably the last, that of 1745. During the “Forty-five" Charles Edward Stuart, also known as the Young Pretender or Bonnie Prince Charlie, led an army from the Scottish Highlands as far south as Derby before retreating north to be decisively defeated at the Battle of Culloden in 1746. Culloden was the last pitched battle to be fought on British soil and marked the end of any serious attempt to restore the house of Stuart to the throne.
The Jacobite Risings: The Fight for Britain’s Throne is a Brick to the Past creation built by Dan Harris, James Pegrum, Simon Pickard, Tim Goddard and Steve Snasdell. It was unveiled for the first time at the Bricktastic in July 2017 and went on display again at The Great Western Brick Show in October. It is now on display at Stirling Castle until February 2nd 2018.
Ulf Andersen's and my contribution to a Medieval Layout which will be part of a ca. 2 x 7,5 meter Christmas display at Salling Department Store, Downtown Aarhus.
4K UHD Video: youtu.be/lvySwjmWNPE
My contribution to 52 weeks, this week being colour. Had so much fun photographing and making this!
For those who want to know. I used a CD and used kitchen down lights to highlight the colours. I then set a long exposure and zoomed in and out and wobbled the camera as well. In photoshop I used a extraction filter after darkening the darks then overlaid and even cut out some of the shapes to give that zoom out feeling. I noticed the backgrounds overlapped and at first I tried to clean them up but then I saw the patterns they were making so I left them and enhanced the redishness of them.
EU Commissioner for Crisis Management Janez Lenarčič was awarded a state award for his personal contribution to the support of Ukraine.
Thank you for the unprecedented volume of humanitarian aid to our country from the European Union!
My contribution for Day 3's prompt...scrap a photo without journaling. I loved this pic of my middle daughter, but didn't know what to do for it, so this prompt was perfect. I never scrap without journaling so I thought this would be difficult, but the picture just spoke to me.
...the Department of Motor Vehicles on Teutonia Avenue, I suggest that afterwards you celebrate the rare sweetness of bureaucratic liberation by going two doors north to YICK'S INN. You might miss it as, from a cosmetic standpoint, it is the most unprepossessing looking of restaurants. Who could be captivated by it? If one is prone to over-thinking, the idea might occur that its complete plainness is a celebration of a paradox. The facade of the place is intentionally so lacking in ornamentation that it manages to immediately catch attention. If done on purpose, this would be a fine strategy. But I doubt that the jarring sameness of the place is planned, and I believe this for a good reason: to survive and flourish as it has since the Carter administration, YICK’S doesn’t need inventive marketing, or for that matter, any marketing at all. The place has been under chef Jimmy’s ownership for untold generations. It captivates for the simple reason that it has always seemed to exist; it is such an entrenched part of Milwauee’s north-side culinary scene that one could well-imagine it was there before the city around it put down stakes. Who needs fancy-pants?
YICK’S (take-out only!) is permanent.
Upon closer inspection, especially if you have a hankering for the hyper-Americanized Chinese restaurant food of the last century, the temptation may arise to give the place a try. Since that cuisine was part of my childhood, I did precisely that. Entering YICK’S door turned out to be one of the best decisions I have ever made; right up there with quitting the clarinet in middle-school, a decision I every day thank God for helping me make. Yet one more reason to be a theist.
“Go in...don’t be shy,” I heard a faint voice, more distant than the sands of old Egypt advise. When the sands of old Egypt start cracking wise, it’s best to pay attention.
I went in there.
Before getting to what YICK’S does best, it would be negligent not to mention the sign that prominently greets and informs the patron upon entering. This text defines the spirit of the eatery’s place in the cosmic scheme of things.
PLEASE READ BEFORE YOU ORDER
THIS IS NOT A FAST FOOD RESTAURANT.
EVERYTHING IS MADE TO ORDER
PEASE DON'T RING THE BELL AND LEAVE NOW.
ONCE YOU HAVE PLACED AN ORDER AND WE HAVD STARTED PROCESSING YOUR FOOD, “NO REFUND”
NO CHANGE WILL BE MADE, NO EXCEPTION.
IF YOU WANT SOME FAST FOOD, WE SUGGEST YOU TRY THE FOLLOWING RESTAURANTS. THEIRS MAY BE FASTER, BETTER AND CHEAPER.
CHINA ONE 64TH AND BROWN DEER, CHINA ONE 74TH AND APPLETON CHINESE CHEF 78TH AND APPLETON, WONG’S WOK, CAPITAL AND APPLETON, HONG KONG EXPRESS 74TH AND GOOD HOPE, ROYAL WOK GREEN TREE AND GREEN BAY, WOK2GO SHERMAN AND BRADLEY, YENS CHINA 78TH AND GOOD HOPE.
And then a reassuring coda:
WE ARE NOT RELATED! GOOD LUCK!
This is a remarkable, and in some ways, inspiring passage. It brings to mind some ancient rabbinic advice that I have been conveniently trying to avoid for a good part of my inattentive life. YICK’S, I am happy to report , did me a favour. It helped me start to pay more attention. As it tuns out, the restaurant has made more contributions to my spiritual growth than attending High-Holy Day services at Congregation Shalom.
“And when you pray know who before you stand….” I can’t vouch for Jimmy’s theological stance when he is in the kitchen. But his words on that sign tell me that he knows where he is, he knows what he is doing, and he knows the glory of making the best damned fried rice in Milwaukee County.
Rebbe Jimmy.
Enough of the religious digression...this is a restaurant review.
At the risk of losing the curious reader who wants to get to “the meat and potatoes”, I must confess something: the only food I have sampled on the menu is the Fried Rice. The wisdom needed to approach the egg rolls is not yet with me. Not yet. Perhaps not in this lifetime. If I roll the cubes right, maybe in the next.
How is the fried rice? Is it “authentic.”? This last is a word I have recently begun to move away from using in any critical discussion. It tends to make critics even more insufferable than they already are, and may even inspire viola players to consider using a machete rather than horsehair bow to inflict harm.
“I am what I am” a voice adumbrates from the depths of the “take out” carton. Who could refuse to see what that “am” looks like? Not me, bubba. Here it is: a magisterial conglomeration of grains that when delved into, separates into wise counterpoints, breaks down further into pleasing intervals (mostly major sixths to those who want to know the specifics), and lastly arrives into individual pitches, seminal, golden and browned.
Maestro Jimmy.
poss contribution (#2) to MM challenge for 27/4/20, theme: Windowsill
something red after last week's yellow - I know there is no logical progression there either but...
This is an old carafe that is usually used as a vase but just for today it's been washed and filled with.... ok, yes, fruit squash! And no, I didn't drink it afterwards.
The later pictures from the session are at 1:1 and show less than a quarter of the detail here but I felt the whole design was needed, even with bubbles - it's still only about an inch across
This is part of my contribution to this year's Brick to the Past model, The Jacobite Risings: The Fight for Britain's Throne. To be fair this is a team effort with James Pegrum providing the landscape and me providing and setting up the armies. Simon Pickard also provided a load of troops.
The Jacobite Risings: The Fight for Britain’s Throne is a LEGO model of a series of uprisings, rebellions and wars that occurred predominantly in Scotland, but also spread into Ireland and England, between 1689 and 1746. Following the deposition of James II of England and VII of Scotland in the Glorious Revolution, the aims of the risings were to return the Stuart monarch, and later his descendants, to the thrones of England and Scotland (and after 1707, the Kingdom of Great Britain). They take their name from Jacobus, the Latin form of James.
While conflict broke out in 1689, 1715, and 1719, the most famous rising is probably the last, that of 1745. During the “Forty-five" Charles Edward Stuart, also known as the Young Pretender or Bonnie Prince Charlie, led an army from the Scottish Highlands as far south as Derby before retreating north to be decisively defeated at the Battle of Culloden in 1746. Culloden was the last pitched battle to be fought on British soil and marked the end of any serious attempt to restore the house of Stuart to the throne.
The Jacobite Risings: The Fight for Britain’s Throne is a Brick to the Past creation built by Dan Harris, James Pegrum, Simon Pickard, Tim Goddard and Steve Snasdell. It was unveiled for the first time at the Bricktastic in July 2017 and went on display again at The Great Western Brick Show in October. It is now on display at Stirling Castle until February 2nd 2018.