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2017 July 23
Mexico
SINACTRAHO started the campaign to collect 10 thousand signatures for contract in Mexico.
Source & photos: Marcelina Bautista
We checked into the delivery suite expecting to be able to deliver in-room like last time. But once her water broke the nurse quickly wheeled her to the OR as the baby was coming too fast to set up in-room delivery.
File name: 08_06_030327
Title: Jim Loscutoff and Walter Brown
Creator/Contributor: Jones, Leslie, 1886-1967 (photographer)
Date created: 1955-04-22
Physical description: 1 negative : film, black & white; 4 x 5 in.
Summary: Image shows Jim Loscutoff and Walter Brown at the Boston Garden on April 22, 1955, the year the Celtic’s drafted him. He is in Boston to sign his first contract.
Genre: Film negatives; Portrait photographs
Subject: Basketball players; Offices; Boston Celtics (Basketball team)
Notes: Original data provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve: Two unidentified men, n.d.; Corrected title and date, as well as summary, based on information supplied by a Flickr user and verified by library staff, January 6, 2015.
Collection: Leslie Jones Collection
Location: Boston Public Library, Print Department
Rights: Copyright Leslie Jones.
Preferred credit: Courtesy of the Boston Public Library, Leslie Jones Collection.
Sector: Public space | Location: Irving TX United States
Architect/Specifier: 4240 Architecture
Products: Roller Shades FR, CD Model
Photography: ©Bob Perzel
Perzel Photography Group
651-686-0877
Eagan, Minnesota
perzelpg@comcast.net
10/06/2010-- Executive Director Ian Yaffe and E.W. Littlefield, Inc. President Dana Littlefield sign contracts for the construction of Hand in Hand Apartments. Board Member Eric Kelley, WBRC Architect Dan Miller, and USDA Bangor Office Representatives Scott Emery and Brian Wilson are also present. Photo by Joanne Halpin, Downeast Coastal Press.
The ICC-FIDIC Conference on International Construction Contracts was held in Sao Paulo, Brazil from 10-11 February 2020.
I wanted to try something a little different with my final contract. Increasing some edits. Hope you guys like it.
U.S. Army 1st Lt. Joel Silver discusses a contract with a local leader June 13. When the contract is approved, the 1st Brigade Combat Team, 10th Mountain Division will hire local contractors and men from the village to build eight buildings for a high school, a well and a water tower. (U.S. Air Force photo by Airman 1st Class Robert Hicks)
Historic Richmond Town, Staten Island
Richmondtown, in which this building is located, is an unusual survival of an early town and county center. It represents a cross section of development, varying from the late seventeenth to the late nineteenth century. Historically and geographically the center of Staten Island, Richmondtown is about seven miles from St. George and is located in LaTourotte Park.
The town is in process of restoration and reconstruction. Certain notable buildings on Staten Island, which would otherwise have been lost, have been moved to Richmondtown to insure their preservation. Some reconstructions are planned to fill in historical gaps. Some modern buildings, in character with their surroundings, will also be added to provide necessary services. Streets within the area will be closed to vehicular traffic; peripheral highways will give access to parking fields and to the visitors' entrance.
The houses will eventually be completely furnished and shops equipped with tools to show how previous generations lived and worked. Quiet tree-lined streets, gardens and orchards will form an -attractive part of the setting of the town.
The Richmondtown Restoration,which includes this house within its boundaries, is the only project of its kind in the metropolitan region. It is administered by the Staten Island Historical Society under a contract between the Society and the -New York City Department of Parks.
The Treasure House is so called from a large sum of money found secreted in the walls in the 1850's. Reputedly seven thousand dollars in British coins was discovered at that time, thought to have been left there during the Revolution.
It is a building which stands or. its original site, showing four stages of growth. The earliest and middle section, a. one-story frame building, was built in 1700 by Samuel Grasset who lived, operated a leather business and made leather within the house and in adjacent buildings to be reconstructed. The building was raised one story about 1770 and, after the- Revolution, was used briefly .as a courthouse while the Second Courthouse was being built.
At this time, an addition was made to the north end of the building and, in 1860, one to the south. Both additions are in architectural harmony with the original structure. This building is an interesting example of early domestic architecture of frame and rubble stone construction. It has clapboard sides and a fine early example of a spring eave extending along the 1700-1795 front.
History
The first European colonists settled in the area that is now known as Richmondtown in about 1680, the date of the first land grant. In 1695 a combined church, school and home for the lay reader and school teacher, known as the Voorlezer, was built by the congregation of the Dutch Reformed Church. In 1696 the Dutch received a lease of land in Cocclestown (Richmondtown) upon which stood the Voorlezor's house.
This hamlet was probably known as Cocclestown bocause of the heaps of oyster and clam shells or "coccles" left there by the departing Indians.
Many of the buildings we see in Richmondtown today were built in the early part of the eighteenth century Including a church, a county house, a jail and several houses. The Revolution had little effect on this quiet community, except for the fact that the building and church were destroyed because the Dutch were believed be sympathetic to the rebel cause.
In 1898 Staten Island became a borough of the City of New York, and the many county functions and offices which had been at Richmondtown were moved to St. George. By 1920 all the remaining offices had also been transferred.
- From the 1969 NYCLPC Landmark Designation Report
The 925th Contracting Battalion held a change of command ceremony for outgoing commander, Lt. Col. Jessie K. Griffith III and incoming commander, Lt. Col. Rickey J. Torres July 3, 2019 on Fort Drum, NY. (U.S. Army photo by Pfc. Tiffany Banks.)
As an effort to document the lives and the struggle of Indonesian domestic workers to be recognized as workers, the International Labour Organization (ILO), in collaboration with JALA PRT and the Jakarta’s Independent Journalist Alliance (AJI Jakarta) launched a book titled “We Will Not Be Silent: 31 Stories of Domestic Workers Behind the Domestic Walls” on Thursday, 10 August 2017, at Wisma Antara, Jakarta.
In the launch, seven leading Indonesia public figures will lend their voices to the plight of domestic workers who have to work long hours with low wages and without employment contract, day off and leave, social protection and legal protection. Selected stories will be read out by Director General for Employment Placement and Expansion of Ministry of Manpower, Maruli Hasoloan, Lukman Sardi (actor), Morgan Oey (actor), Nia Dinata (director/producer), Sari Nila (presenter) and Giwo Rubianto (Chair of Kowani).
For further information about ILO activities on the promotion of decent work for domestic workers in Indonesia, please visit: www.ilo.org/jakarta/whatwedo/projects/WCMS_210965/lang--e...
Copyright: ILO (2017)
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 IGO License. To view a copy of this license, visit creativecommons.org/licenses/by-nc-nd/3.0/igo/deed.en_US
Insurance & Contract Dry Cleaning Cardiff, Cwmbran & Cowbridge
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“Do you consider yourself spiritual?”
“I do consider myself to be spiritual. Erm, I believe in a greater force. Erm, I think that god or whatever name you want to call it, I think it’s all pointing towards the same thing. Erm, and that there is, definitely non-physical erm forces, that guide and govern the physical reality.”
-Aina Roxx
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Yesterday, I asked a friend to check on Jean. When she arrived, Jean was dressed to the nines, happy, and looking as if she was headed out.
In fact, she was. On her own. She had convinced a kindly neighbor to jumpstart her car, which not only would likely have killed the battery permanently (hybrids can only be started so many times), but also could have killed herself (or worse, someone else). It's been well over 2 years since Jean has been behind the wheel. Her confusion over receiving her handicapped placard in the mail and believing it to be a driver's license makes clear she is a danger.
My friend explained to the neighbor that he could not start the car for her and that her driver's license had long ago been revoked. He agreed to refrain from doing so. Jean lost it. I mean really lost it. Lost it like she used to when we were kids. Screaming, threatening, saying nasty things. My friend said she really now understood what she was loathe to believe about the kind, spirited, funny, intellectual, lady she knew as my mother. It was not pretty.
The key, wrapped around her wrist, could not be secured. She was not letting go. So, we are (meaning I am) faced with a task I didn't want to do: move the car. This has been tried before. It's going to require, in my estimation, a either a thief that can hot-wire the car, or a cop willing to protect me when I try to wrest the damn key from her and get the tow truck to take in the vehicle. It's not the deal I wanted, but it's the one I have to make.
The photograph above is of Art Rosett, my contracts professor in law school. He was one of my favorites, and he died recently. He was also my Torah study professor. Sometimes he would give us difficult scenarios that involved a contract going off-kilter and, using the Socratic method, he would question us about how to get the contract back on track. Each time we'd make a suggestion, he'd bring up another problem our suggestion would give rise to. It was as if we were in a giant whack-a-mole (but with no stuffed toy at the end)., Finally, he would say, "Listen, you guys aren't looking at the obvious. Sometimes you gotta void the contract."
There's a contract we as children make with our parents. The contract is that they will tell us what to do until we're a certain age, and then we will leave. We'll visit on holidays, bring the grandchildren, and generally "stay in touch." There WILL be good times, a few disagreements, and a lot of tolerance for who we are. We will visit them in the hospital if they go, and we'll remodel their bathroom and pull up the throw rugs so they won't trip. When the time comes, we'll get them the care they need and they will be grateful to have such loving children. We will memorialize them when they are gone, mourning their loss and celebrating their lives.
The contract does not contain a clause that says, in the event of Alzheimer's, surviving parent (hereinafter, "Parent") will grow to hate attendant child (hereinafter "Child"). Child will only have access to Parent through third party intermediaries. Further, Parent may, in the event of Alzheimer's, choose to take no medication, ignore all symptoms, and spend her remaining years angry, frightened, depressed, and confused. Upon death of said Parent, Child will be left with the memory that Parent forgot that once they were close.
Nope, there's no fucking clause like that. Contract: voided.
For my Contract 1 photo’s with Peterco Agency Studios, based in the northern suburbs of Illinois, I decided to photograph the soda Coca Cola in a glass bottle. My goal was to not just showcase the product, but to capture the spirit and the vivid appeal of the soda. The project required me to experiment with different lighting techniques—natural light, constant light, and flash. Each method illuminated the soda bottle in unique ways, against a simple, background that kept the focus firmly on the product.
After capturing all my 60 photos, I moved on to the post-processing. Starting with Adobe Bridge, I sorted through my CR3 Raw photos, selecting the best images for further editing. Next, I went into Adobe Camera Raw, to make detailed adjustments, enhancing the vibrancy, contrast, and clarity of the Coca Cola bottle to bring out their best features. The finishing touches were applied in Adobe Photoshop, where I made subtle edits to perfect the images. Finally, I got my nine perfect photos three from each lighting category. Each photo was tagged according to the Contracts specifications, showcasing not only the beauty of the product but also my skills in capturing and enhancing it through my lens.
The Social Contract was a policy by the Labour government of Harold Wilson in 1970s Britain.
In return for the repeal of 1971 Industrial Relations Act, food subsidies, and a freeze on rent increases, the Trade Union Congress ensured that its members would cooperate with a programme of voluntary wage restraint (from Wikipedia).
The graffiti suggests not everyone agreed with it, it was later changed to "smash the social contraceptive" suggesting not everyone agreed with the graffiti.
I photographed some of my lawn contracts the last couple of days. I'm pretty happy with how nice my lawns are looking. I am also still learning the settings on my camera so not all the photos took as well as I would have liked but all things in time. :D
And now to string the bow.
The Amazing Jim made this for us, it is a device to string a bow with a steel prod, called a Ziebank.
At the very bottom you can see a jack, the bottom of the stock rests on the jack. The prod presses against the thick dowels.
She has a contract with us: we may photograph her as needed (when she is not sleeping, busy, grooming, being groomed by the dog, playing with toys, etc).
Her compensation: feed her when SHE want it, she gets to sleep on pillows that aren't covered, and she gets treats when she demands them.
I think cats have a union.
Day 42:365