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Art for the Soul by RICHARD LAZZARA
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Projeto consistente na criação de uma identidade visual, papelaria básica e home page para a empresa focada em venda de móveis e decks produzidos com WPC, composto natural.
Projeto realizado pela Júnior Design em Setembro de 2010, cuja equipe era Deco Rizzi e Carolina Pizatto.
this never ceases to make me happy. i think my themes are pretty consistent: blurry, floral, women, kiddos, skies, polaroids, blank space, trees, weather...& yummy color, always the good, good colors...love these so much.
1. Untitled, 2. 109::365, 3. Untitled, 4. Tourmaline, 5. spring tonic, 6. Untitled, 7. cherry blossoms, 8. o elfo imaginário, 9. delancy, 10. blue skies are for losers, 11. white sky, 12. bus layers, 13. Untitled, 14. blumen, 15. nocturna :: side view, 16. all the beauty, 17. living in a snowdrift, 18. Untitled, 19. in the afternoon light | three, 20. Untitled, 21. needles, 22. Untitled, 23. snooze button, 24. a key to..., 25. Untitled, 26. wood block, 27. up, up, and away., 28. Egg cups, 29. pom pom flower fun, 30. madamllion, 31. DSC_0084, 32. if you go into the woods today, 33. fading out, 34. 9784569699950 small things for daily life made of felt, 35. Untitled, 36. that day, have a happy one
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"There should be no shame in consistent excellence."
—Dick Cantwell delivering keynote address, during the General Session, at ...
****************
The 2017 Craft Brewers Conference
Walter E. Washington Convention Center
Washington, D.C.
12 April 2017
▶ The conference extended over four days, 10-13 April 2017.
▶ More photos: here.
****************
"Dick Cantwell is among the most well-experienced and well-respected craft brewers, co-founding Elysian Brewing Company in 1996, where he served as head brewer until the company's sale to Anheuser-Busch InBev in 2015. During his tenure, Elysian was named Large Brewpub of the Year, three times at the Great American Beer Festival. In 2004, Cantwell received the Brewers Association's Russell Schehrer Award for Innovation in Craft Brewing. Cantwell has authored numerous articles for various beer publications and is the author of 'Barley Wine' (with Fal Allen), 'The Brewers Association's Guide to Starting Your Own Brewery' (2nd edition), and 'Wood & Beer: A Brewer's Guide' (with Peter Bouckaert). He is currently working on his most recent title, the subject being IPA. Cantwell recently completed his tenure as the BA's Quality Ambassador. Prior to that, Cantwell served on the Brewers Association Board of Directors from 2006 to 2013."
***************
▶ Photo by Yours For Good Fermentables.com.
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▶ Camera: Olympus Pen E-PL1.
▶ Commercial use requires explicit permission, as per Creative Commons.
.
the relationship between Ammu and Velutha, Roy has defined sexuality as 'that transcendence which takes individuals beyond history and society, straight into the real truth of their beings', overcoming barriers of class and caste by creating a 'phallocentric utopia'. This he argues, is consistent with the preoccupations of 'Euro-American fiction' from the 1920s onwards. To quote Ahmed, 'what is most striking about that final phallic encounter between Ammu and Velutha is how little it has to do with decision and how much it takes the shape of...'fatal attraction'. Now, the difference between decision and fatal attraction is that whereas decision, even the decision to accept suffering and/or death, is anchored in praxis, in social relationships chosen and lived in a complex interplay of necessities and freedoms, fatal attractions can never cope with such complexities and must be acted out simply in terms of a libidinal drive.' .
A number of points arise here. The relationship between Ammu and Velutha is from the outset permeated with an inescapable awareness of history and the social relations within which they have interacted with eachother since childhood. Even Velutha's first word 'Ammukutty' ('Little Ammu'), when they finally meet on the riverbank, takes us back to the time when Velutha, though several years younger than Ammu, used this pet-name while offering his hand-made gifts on his outstretched palm, as he had been taught, so Ammu would not have to touch him. Ammu is shown throughout the novel as conscious not only of her own sexuality, but of her emotional needs and capable of acting on this basis. But the couple's 'helplessness', their inability to take further 'decisions' is not, as Ahmed suggests, due simply to the overwhelming nature of sexual attraction, but a result of the powerlessness of both in real terms -it is this which prevents them from making plans beyond the promise to meet again 'Naaley' (tomorrow). It is precisely because he fails to recognise the extent of women's powerlessness (even upper caste, upper class women) in the face of the sanction of the feudal-patriarchal establishment, that Ahmed can find the murder of Velutha 'entirely credible' but the psychological and ultimately physical destruction of the courageous Ammu 'utterly contrived'. .
Finally, Ahmed appears to have rather tellingly used 'phallic' as a synonym for 'erotic' in his critique -in reality not only the approach to sexuality of the book as a whole, but the actual sexual encounter between the lovers described at the end of the book is markedly non-phallocentric, rendering Ahmed's parallel between Roy and D.H. Lawrence somewhat absurd. The role of the (much less explicitly conveyed) incestuous encounter between the twins within the novel as a whole is certainly open to question. But both this and the scene in which Ammu and Velutha make love are portrayed with a sensitivity and integrity which only serves to expose the debased sensibilities of those who have dubbed the book 'pornographic'. .
In terms of Roy's approach to the left, the fact that the novel focusses in on individual acts of resistance does not automatically imply, as Ahmed suggests, that the author is espousing a fully-fledged 'subaltern' theory in which wider organised forms of resistance are rejected. On the contrary,organised resistance, class struggle and the possibility of it is an ever-present backdrop to the events of the novel. For the twins and even their mother, misfits in an upper class family, its significance is half-understood -yet it is an intangible but potent source of inspiration, representing for them the potential for subversion and redressal of daily injustices which is epitomised by the somewhat symbolically drawn figure of Velutha, the young dalit carpenter, adored friend and mentor of the twins, and suspected 'Naxalite'. In one of the novel's most memorable passages, the twins, travelling with their mother, uncle and grand-aunt in their 'skyblue Plymouth' car are trapped at a railway crossing in the midst of a workers' demonstration: 'The marchers that day were party workers, students, and the labourers themselves. Touchables and Untouchables. On their shoulders they carried a keg of ancient anger, lit with a recent fuse. There was an edge to this anger that was Naxalite, and new. .
Through the Plymouth window, Rahel could see that the loudest word they said was Zindabad. And that the veins stood out in their necks when they said it.And that the arms that held the flags and banners were knotted and hard. Inside the Plymouth it was still and hot. Baby Kochamma's fear lay rolled up on the car floor like a damp, clammy cheroot. This was just the beginning of it. The fear that over the years would grow to consume her. That would make her lock her doors and windows.That would give her two hairlines and both her mouths. Hers, too, was an ancient, age-old fear. The fear of being dispossessed'. .
Roy has described this encounter from the perspective she knows -from within the bourgeois family. But her originality lies in the way she manages to show us the interconnections between the deep contradictions .
.
I am making this photostream a little serious and boring i believe. But I have to put this up just for the message that i inferred from this. The shop is a selling place for rag pickers. While I stood in front of the shop with a camera in my hand taking a snap, i was blocked by the owner who unfortunately was a lady (if i can call her that !!) with a big mouth. I had to speak in the sweetest of voices just to assure that i am doing her no harm and that i am incapable of scheming. This is how well you defend if you have little, i think.
I dont mean to say that the balance here symbolizes the present state of affairs as far a wealth is concerned in the country. But the situation is not so bright in the reality outside. We are far from finding a tool to making the balance look more balanced.
I've had consistent problems with the artistic-z jamming in the camera after the third shot, which happens no matter which of my sx70s I use. Sad to say I probably won't be buying it anymore, considering it's running me about ten bucks a shot.
After eight years of consistent advocacy and Ancestral Kommemoration rituals, on June 26, 2003, one of the two historical enslavement markets sites at the historical Forks of the Road was finally brought under public domain. The City of Natchez after relentless agitation from the Friends of the Forks of the Road succeeded in using $92,806.71 of a $200,000 State of Mississippi Department of Archives and History grant to purchase 0.388 acres or 16,884 square feet of land at the Forks of the Road. This particular site contained the older of the two “Negro Mart” shown on an 1853 City of Natchez street engineer hand drawn map.
The antecedents of the Carreras business began trading in the eighteenth century (the company's products and advertising materials consistently bore the motto 'Established 1788'), and forebears of the founder’s family were Spanish apothecaries. The founder of the business was a Spanish nobleman, Don José Carreras Ferrer, who fought in the Peninsular War under the Duke of Wellington (1808–1814). After serving and receiving the highest military honours, it is believed he was obliged to leave Spain on account of his political views.
In 1881, the first cigarette-making machine was patented in the United States by James Bonsack, and by 1883 one of the British manufacturers, W. D. & H. O. Wills, had pioneered the use of the Bonsack machine in England. Wills joined with twelve other companies to form the Imperial Tobacco Group, from which both Rothmans and Carreras chose to remain independent, and by 1901 the Bonsack machine, making 200 cigarettes a minute, was exclusively available only to members of this Group. Around this time another of the cigarette machine makers, Bernhard Baron, had returned to London from the United States in 1896 with a patent for a new machine which could make 450 cigarettes a minute. Baron's progress was watched with interest by Mr. Yapp who was by then running the Carreras business but who was keen to make cigarettes a paying venture.
Having been unable to sell his machines to the newly formed Imperial Tobacco Company, which had a monopoly on the Bonsack machines, Yapp was able to negotiate a business arrangement with Baron in 1903. On 6 June 1903, Carreras became a public company with Yapp and Baron as directors and, under the leadership of Bernhard Baron, heralded the beginnings of competition for the Imperial Tobacco Group and the new American maker, James Buchanan Duke, who was also capturing large slices of the British market with Ogden’s Guinea Gold, the first Virginia cigarette made in England. The original Carreras prospectus was heavily criticised in the City press, but within a short time, the shares were fully subscribed, particularly by members of the tobacco trade, who saw potential in the new venture. The Baron family had a reputation as good employers who treated their staff well.[citation needed] Bernhard Baron would walk amongst his employees daily, enquiring after their families, and his son, Louis, and his grandson, Maurice, also made regular visits to the factory floor. A tradition developed that on Bernhard's birthday, each December, all employees were given two weeks' wages and a cake to take home.
In 1904, an allied company was established. Called Carreras and Marcianus Ltd and operating from St James's Place, Aldgate EC3, the former Baron Machine Company works, the company’s purpose was to commence production of machine-made cigarettes. During the last six months of 1904 three brands made their debut, including Black Cat, the first cigarette in the United Kingdom to contain coupons that were redeemable for gifts.
In 1905 yet more brands were introduced such as Chick, Jetty, and Sweet Kiss and Carreras began coupon trading in Black Cat. The business prospered and in 1906 additional premises were opened nearby, introducing new brands such as Carreras Ovals and Seven Up. Baron chose many novel schemes for the promotion of Carreras’ pipe tobacco and cigarette brands. In 1909, the company introduced the Baron automatic pipe filler in cartridges, which revolutionised pipe smoking and sold by the millions.
In 1921, after the launch of Craven A, Carreras launched more brands such as Wall Arms, Piccadilly, and Turf. By 1927 the business had outgrown the Arcadia premises in City Road; the war had increased demand for cigarettes. In 1928, the famous Arcadia Works was opened in Mornington Crescent NW1, formerly a favourite residence of artists and writers. This building, which has become a major London landmark, was unusual in its design. It was the first factory in Britain to make use of pre-stressed concrete technology, and the first to contain air conditioning and a dust extraction plant. The company was also the first to provide full welfare services for its employees.[citation needed] The Arcadia Works was often visited by royalty, including the Duke of Windsor when he was the Prince of Wales, King George VI when he was the Duke of York, and the Duke of Kent. Many other important visitors from every part of the globe were entertained at Mornington Crescent. Leading to the entrance of the building were two large bronze cats.[3] Cast at the Haskins Foundry in London, these versions of the Egyptian god Bastet were each eight feet six inches tall and stood guard over Arcadia Works until 1959 when Carreras merged with Rothmans of Pall Mall and moved to a new factory in Basildon, Essex. The cats were separated, with one making the short journey to Essex, while the other went to be displayed outside the Carreras factory at Spanishtown, Jamaica.
Living Room Decor :
Illustration
Description
Repeat. Repeat. Repeat. Use consistent design elements throughout a space to keep the eye moving around the room.
- #LivingRoom
listfender.com/home/living-room/living-room-decor-repeat-...
The antecedents of the Carreras business began trading in the eighteenth century (the company's products and advertising materials consistently bore the motto 'Established 1788'), and forebears of the founder’s family were Spanish apothecaries. The founder of the business was a Spanish nobleman, Don José Carreras Ferrer, who fought in the Peninsular War under the Duke of Wellington (1808–1814). After serving and receiving the highest military honours, it is believed he was obliged to leave Spain on account of his political views.
In 1881, the first cigarette-making machine was patented in the United States by James Bonsack, and by 1883 one of the British manufacturers, W. D. & H. O. Wills, had pioneered the use of the Bonsack machine in England. Wills joined with twelve other companies to form the Imperial Tobacco Group, from which both Rothmans and Carreras chose to remain independent, and by 1901 the Bonsack machine, making 200 cigarettes a minute, was exclusively available only to members of this Group. Around this time another of the cigarette machine makers, Bernhard Baron, had returned to London from the United States in 1896 with a patent for a new machine which could make 450 cigarettes a minute. Baron's progress was watched with interest by Mr. Yapp who was by then running the Carreras business but who was keen to make cigarettes a paying venture.
Having been unable to sell his machines to the newly formed Imperial Tobacco Company, which had a monopoly on the Bonsack machines, Yapp was able to negotiate a business arrangement with Baron in 1903. On 6 June 1903, Carreras became a public company with Yapp and Baron as directors and, under the leadership of Bernhard Baron, heralded the beginnings of competition for the Imperial Tobacco Group and the new American maker, James Buchanan Duke, who was also capturing large slices of the British market with Ogden’s Guinea Gold, the first Virginia cigarette made in England. The original Carreras prospectus was heavily criticised in the City press, but within a short time, the shares were fully subscribed, particularly by members of the tobacco trade, who saw potential in the new venture. The Baron family had a reputation as good employers who treated their staff well.[citation needed] Bernhard Baron would walk amongst his employees daily, enquiring after their families, and his son, Louis, and his grandson, Maurice, also made regular visits to the factory floor. A tradition developed that on Bernhard's birthday, each December, all employees were given two weeks' wages and a cake to take home.
In 1904, an allied company was established. Called Carreras and Marcianus Ltd and operating from St James's Place, Aldgate EC3, the former Baron Machine Company works, the company’s purpose was to commence production of machine-made cigarettes. During the last six months of 1904 three brands made their debut, including Black Cat, the first cigarette in the United Kingdom to contain coupons that were redeemable for gifts.
In 1905 yet more brands were introduced such as Chick, Jetty, and Sweet Kiss and Carreras began coupon trading in Black Cat. The business prospered and in 1906 additional premises were opened nearby, introducing new brands such as Carreras Ovals and Seven Up. Baron chose many novel schemes for the promotion of Carreras’ pipe tobacco and cigarette brands. In 1909, the company introduced the Baron automatic pipe filler in cartridges, which revolutionised pipe smoking and sold by the millions.
In 1921, after the launch of Craven A, Carreras launched more brands such as Wall Arms, Piccadilly, and Turf. By 1927 the business had outgrown the Arcadia premises in City Road; the war had increased demand for cigarettes. In 1928, the famous Arcadia Works was opened in Mornington Crescent NW1, formerly a favourite residence of artists and writers. This building, which has become a major London landmark, was unusual in its design. It was the first factory in Britain to make use of pre-stressed concrete technology, and the first to contain air conditioning and a dust extraction plant. The company was also the first to provide full welfare services for its employees.[citation needed] The Arcadia Works was often visited by royalty, including the Duke of Windsor when he was the Prince of Wales, King George VI when he was the Duke of York, and the Duke of Kent. Many other important visitors from every part of the globe were entertained at Mornington Crescent. Leading to the entrance of the building were two large bronze cats.[3] Cast at the Haskins Foundry in London, these versions of the Egyptian god Bastet were each eight feet six inches tall and stood guard over Arcadia Works until 1959 when Carreras merged with Rothmans of Pall Mall and moved to a new factory in Basildon, Essex. The cats were separated, with one making the short journey to Essex, while the other went to be displayed outside the Carreras factory at Spanishtown, Jamaica.
FaithInvest and Christian Aid co-hosted a Liveable Futures conference in London, on 15 May 2023, focusing on how business networks, investors and development agencies can work more closely together to fund development for people and planet.
Pacific consistently ranks as an institution that provides students with a high return on investment. The latest U.S. News & World Report rankings, released in September, rated Pacific the No. 5 best value among California public and private universities in the "national university" category. And the Brookings Institution and The Economist last year both ranked Pacific the No. 3 best value college in California.
The 53rd annual Bon Odori Festival at Camp Zama was held Aug. 4. The festival is consistently the largest bilateral event of the year for U.S. Army Japan, this year attracting more than 30,000 visitors to the installation. The festival featured live entartainment, games for children, a variety of ethnic foods, bilateral sports, and a fireworks show.
About the United States Army Garrison Japan:
The United States Army Garrison Japan and its 16 supported installation sites are located in the island of Honshu and Okinawa in Japan. The USAG Japan mission is to support the Headquarters, U.S. Army Japan / I Corps (fwd) to ensure mission readiness and the quality of life of the Army community in a sustainable, transforming joint and combined environment.
The USAG-J area of responsibility spans 1,500 miles from north to south of Japan. Camp Zama, home for both HQ USARJ and USAG-J is located approximately 25 miles southwest of Tokyo in the cities of Zama and Sagamihara in Kanagawa Prefecture, Japan. The Camp Zama base cluster includes Sagamihara Housing Area and Sagami General Depot.
Akasaka Press Center is located in the center of Tokyo. The Akizuki/Kure area near Hiroshima is an ammunition depot. Yokohama North Dock is a port facility in the city of Yokohama, a major commerce port and a popular shopping area. USAG Torii Station is located 980 miles southwest of Camp Zama on the island of Okinawa.
We are the Army's home in Japan and the "Garrison of Choice" for Soldiers, Civilians and their Family members. We are committed in becoming the leader in the U.S. Army Installation Management Command by providing world-class installation services.
-----
To learn more about USAG Japan, please visit:
Official Website - www.usagj.jp.pac.army.mil
Facebook - www.facebook.com/usagj
Flickr - www.flickr.com/usagj
YouTube - www.youtube.com/usagjapan
Vimeo - www.vimeo.com/usagj
Twitter - www.twitter.com/usagjapan
Slideshare - www.slideshare.net/usagjapan
USARJ This Week on YouTube - www.youtube.com/usarjthisweek
Consistently ranked in the top 10 beaches in USA, Coast Guard Beach can be seen from Fort Hill B+B .
always consistent at @RickeysNovato SEARED RARE & ACCENTED W CILANTRO & PLUM VINAIGRETTES SERVED W JASMINE RICE & SAUTEED BABY BOK CHOY. fabulous choice by @CelesteW72 thanks for sharing #food #ahi (via Foodspotting)
The antecedents of the Carreras business began trading in the eighteenth century (the company's products and advertising materials consistently bore the motto 'Established 1788'), and forebears of the founder’s family were Spanish apothecaries. The founder of the business was a Spanish nobleman, Don José Carreras Ferrer, who fought in the Peninsular War under the Duke of Wellington (1808–1814). After serving and receiving the highest military honours, it is believed he was obliged to leave Spain on account of his political views.
In 1881, the first cigarette-making machine was patented in the United States by James Bonsack, and by 1883 one of the British manufacturers, W. D. & H. O. Wills, had pioneered the use of the Bonsack machine in England. Wills joined with twelve other companies to form the Imperial Tobacco Group, from which both Rothmans and Carreras chose to remain independent, and by 1901 the Bonsack machine, making 200 cigarettes a minute, was exclusively available only to members of this Group. Around this time another of the cigarette machine makers, Bernhard Baron, had returned to London from the United States in 1896 with a patent for a new machine which could make 450 cigarettes a minute. Baron's progress was watched with interest by Mr. Yapp who was by then running the Carreras business but who was keen to make cigarettes a paying venture.
Having been unable to sell his machines to the newly formed Imperial Tobacco Company, which had a monopoly on the Bonsack machines, Yapp was able to negotiate a business arrangement with Baron in 1903. On 6 June 1903, Carreras became a public company with Yapp and Baron as directors and, under the leadership of Bernhard Baron, heralded the beginnings of competition for the Imperial Tobacco Group and the new American maker, James Buchanan Duke, who was also capturing large slices of the British market with Ogden’s Guinea Gold, the first Virginia cigarette made in England. The original Carreras prospectus was heavily criticised in the City press, but within a short time, the shares were fully subscribed, particularly by members of the tobacco trade, who saw potential in the new venture. The Baron family had a reputation as good employers who treated their staff well.[citation needed] Bernhard Baron would walk amongst his employees daily, enquiring after their families, and his son, Louis, and his grandson, Maurice, also made regular visits to the factory floor. A tradition developed that on Bernhard's birthday, each December, all employees were given two weeks' wages and a cake to take home.
In 1904, an allied company was established. Called Carreras and Marcianus Ltd and operating from St James's Place, Aldgate EC3, the former Baron Machine Company works, the company’s purpose was to commence production of machine-made cigarettes. During the last six months of 1904 three brands made their debut, including Black Cat, the first cigarette in the United Kingdom to contain coupons that were redeemable for gifts.
In 1905 yet more brands were introduced such as Chick, Jetty, and Sweet Kiss and Carreras began coupon trading in Black Cat. The business prospered and in 1906 additional premises were opened nearby, introducing new brands such as Carreras Ovals and Seven Up. Baron chose many novel schemes for the promotion of Carreras’ pipe tobacco and cigarette brands. In 1909, the company introduced the Baron automatic pipe filler in cartridges, which revolutionised pipe smoking and sold by the millions.
In 1921, after the launch of Craven A, Carreras launched more brands such as Wall Arms, Piccadilly, and Turf. By 1927 the business had outgrown the Arcadia premises in City Road; the war had increased demand for cigarettes. In 1928, the famous Arcadia Works was opened in Mornington Crescent NW1, formerly a favourite residence of artists and writers. This building, which has become a major London landmark, was unusual in its design. It was the first factory in Britain to make use of pre-stressed concrete technology, and the first to contain air conditioning and a dust extraction plant. The company was also the first to provide full welfare services for its employees.[citation needed] The Arcadia Works was often visited by royalty, including the Duke of Windsor when he was the Prince of Wales, King George VI when he was the Duke of York, and the Duke of Kent. Many other important visitors from every part of the globe were entertained at Mornington Crescent. Leading to the entrance of the building were two large bronze cats.[3] Cast at the Haskins Foundry in London, these versions of the Egyptian god Bastet were each eight feet six inches tall and stood guard over Arcadia Works until 1959 when Carreras merged with Rothmans of Pall Mall and moved to a new factory in Basildon, Essex. The cats were separated, with one making the short journey to Essex, while the other went to be displayed outside the Carreras factory at Spanishtown, Jamaica.
This a second film with my Nikon F4 to test further of its numerous functions. In particular, I would like to test the DX ISO coding, the spot metering, and the motorized film rewind. During the first test film I used mostly my external lightmeter Minolta Autometer III to check that the metering of the camera was consistent with. Here, I decided I leave the Autometer at home and to use only the Nikon F4 metering.
The Nikon F4 was loaded with a Rollei RPX100 which is the former Agfa APX100 well-known for the particular large tone range. From view 1 to 24, the AF Nikkor lens 1:1.4 f=50mm was fitted with a Yellow screw-on 52mm filter and from view 25 to the end with a Hoya HMC anti-UV protection filter. A generic cylindric metal shade hood was used all the time.
The film sensitivity was set by the camera automatically from the DX code of the Rollei RPX100 35mm cartridge. The first test film was a Fomapan 200 which is not DX coded. The Nikon F4 allows a manual ISO setting. In the DX mode, if no cartridge is present or if a not DX-coded cartridge is inserted, a red LED is blinking and not action of the shutter is possible.
The spot metering in the Nikon F4 if located behind the mirror in the reflex chamber and combined with the CCD focus sensor. The the matrix and center averaged mode is operated by different photo-diodes in the removable DP-20 photometric viewer. I mostly used the spot metering mode in my usual way, privileging the shadows. I saw that the matrix mode gave very closed results. The measure were usually manually reported to the camera in the "M" mode except for one view (Nr. 3) where I left the Nikon choosing the shutter speed (approx. 1/3000s) according to the aperture (full aperture in this case f/1.4).
As for my medium-format session, I took a bit of time to note on a session ticket the main parameter (shutter speed, aperture, focusing distance). The weather was still very mild and sunny during all the session in the afternoon.
Documentary smartphone picture
November 8, 2024
69001 Lyon
France
After completion, the film was rewound using the rewinding motor (lever R1 then lever R2). During the film rewind (manual or auto) the view counter decrements and I switched-off the R2 lever just arrived at zero. I terminated the process manual to keep the film leader outside the cartridge.
I then processed the film developed using 300 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 9min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta Auto Bellows with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version of Adobe Lightroom Classic version 14 and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG's together with some documentary smartphone color pictures.
The results show that the Nikon F4 spot metering is perfectly calibrated and consistent with my traditional way to determine the exposition. The DX coding. is operating correctly but no confirming indication of the ISO value is displayed on the camera (excepted the blinking red LED if the DX code is not correctly detected). As for all SLR's of this generation, a small window on the left-side of the camera back allows the reading of the film characteristics. All the light-tight foams are in perfect order for a camera of this age (35-year old).
Overall this second session with the Nikon F4 confirms that the camera is very pleasant to use despite its 1.7kg (fitted with its standard 1.4/50mm). The minimalistic Nikon neck strap remains comfortable and well proportionated to the camera. It's areal joy to use.
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About the camera :
Maybe it would have been better not to ask for this question: « what’s new do you have at the moment?» to my local photo store, because Christine grab underneath the counter, stating « I have that … » . What a beast ! A Nikon F4 in the exact state of the Nikon brochure year 1990, presented with the standard AF Nikkor 1:1.4 f=50mm. I was already hooked by the machine. After two days, I decided to buy it even with some little common issues found on early Nikon F4 (see below), fortunately not affecting the whole, numberous functions of this incredibly complex professional SLR of the year 1990’s.
Nikon F4 came to the market on September 1988 starting with the serial number 2.000.000. Fully manufactured in Japan (modules came from 3 different Nikon factories) the F4's were assembled in Mito, Ibaraki (North to Tokyo) Nikon plant (no more in the mother factory of Tokyo Oi like the Nikon’s F). When I lived in Tokyo in 1990-1991, Nikon F4 was the top-of-the-line of Nikon SLR camera’s. I saw it in particular in Shinjuku Bic Camera store when I bought there, in December 1990 my Nikonos V.
Nikon F4 incorporates many astonishing engineering features as the double vertical-travel curtain shutter capable of the 1/8000s. Compared to the Nikon F3, the F4 was an AF SLR operated by a CCD sensor (200 photo sites). The film is automatically loaded, advanced with to top speed of 5,7 frame/s !! With the MB-21 power grip (F4s version). The F4 is a very heavy camera (1.7kg with the AF Nikkor 1.4/50mm), incredibly tough and well constructed. This exemplary is devoid of any scratches or marks, and in a condition proving that it was not used for hard professional appliances, for those it was however intended. The camera has still it original Nikon neck strap, the original user manual in French. The lens is protected by a Cokin (Franc) Skylight 1A 52mm filter and the original Nikon front cap. The two small LCD displays (one on the F4 body, one in the DP-20 finder) are both affected by the classical syndrome of « bleeding ». Fortunately, all information could still be read. One says that 70% of the early Nikon F4 suffer from this problem but also found on other models.
According its serial number and the production rate of about 5000 units/month, this Nikon F4s was probably manufactured in Mito, Ibaraki, Japan in May 1989.
Projeto consistente na criação de uma identidade visual, papelaria básica e home page para a empresa focada em venda de móveis e decks produzidos com WPC, composto natural.
Projeto realizado pela Júnior Design em Setembro de 2010, cuja equipe era Deco Rizzi e Carolina Pizatto.
Reinier Asmoredjo consistently chooses to have his work centered around love, life and positivity. His colorful acrylic paintings, which are usually a combination of figurative and abstract styles, unfailingly feature beautiful Surinamese women and elements from nature that symbolize the cycle of life, fertility and sexuality. Typical, and particularly meaningful in his imagery are the sun, birds, and heavily accentuated female lips and breasts.
What: 'IN THE FACE OF CHANGE'
Where: Readytex Art Gallery, Steenbakkerijstraat 30, Paramaribo, Suriname
When: November 6-28, 2020
PHOTO Courtesy Readytex Art Gallery (RAG), 2020
Mystery Tree—leaves consistent with honey locust, but purple and orange flowers inconsistent. Amorpha fruticosa is a species of flowering plant in the legume family (Fabaceae) known by several common names, including desert false indigo, false indigo-bush, and bastard indigobush. It is found wild in most of the contiguous United States, southeastern Canada, and northern Mexico, but it is probably naturalized in the northeastern and northwestern portion of its current range. The species is also present as an introduced species in Europe,[1] Asia, and other continents. It is often cultivated as an ornamental plant, and some wild populations may be descended from garden escapees.
The antecedents of the Carreras business began trading in the eighteenth century (the company's products and advertising materials consistently bore the motto 'Established 1788'), and forebears of the founder’s family were Spanish apothecaries. The founder of the business was a Spanish nobleman, Don José Carreras Ferrer, who fought in the Peninsular War under the Duke of Wellington (1808–1814). After serving and receiving the highest military honours, it is believed he was obliged to leave Spain on account of his political views.
In 1881, the first cigarette-making machine was patented in the United States by James Bonsack, and by 1883 one of the British manufacturers, W. D. & H. O. Wills, had pioneered the use of the Bonsack machine in England. Wills joined with twelve other companies to form the Imperial Tobacco Group, from which both Rothmans and Carreras chose to remain independent, and by 1901 the Bonsack machine, making 200 cigarettes a minute, was exclusively available only to members of this Group. Around this time another of the cigarette machine makers, Bernhard Baron, had returned to London from the United States in 1896 with a patent for a new machine which could make 450 cigarettes a minute. Baron's progress was watched with interest by Mr. Yapp who was by then running the Carreras business but who was keen to make cigarettes a paying venture.
Having been unable to sell his machines to the newly formed Imperial Tobacco Company, which had a monopoly on the Bonsack machines, Yapp was able to negotiate a business arrangement with Baron in 1903. On 6 June 1903, Carreras became a public company with Yapp and Baron as directors and, under the leadership of Bernhard Baron, heralded the beginnings of competition for the Imperial Tobacco Group and the new American maker, James Buchanan Duke, who was also capturing large slices of the British market with Ogden’s Guinea Gold, the first Virginia cigarette made in England. The original Carreras prospectus was heavily criticised in the City press, but within a short time, the shares were fully subscribed, particularly by members of the tobacco trade, who saw potential in the new venture. The Baron family had a reputation as good employers who treated their staff well.[citation needed] Bernhard Baron would walk amongst his employees daily, enquiring after their families, and his son, Louis, and his grandson, Maurice, also made regular visits to the factory floor. A tradition developed that on Bernhard's birthday, each December, all employees were given two weeks' wages and a cake to take home.
In 1904, an allied company was established. Called Carreras and Marcianus Ltd and operating from St James's Place, Aldgate EC3, the former Baron Machine Company works, the company’s purpose was to commence production of machine-made cigarettes. During the last six months of 1904 three brands made their debut, including Black Cat, the first cigarette in the United Kingdom to contain coupons that were redeemable for gifts.
In 1905 yet more brands were introduced such as Chick, Jetty, and Sweet Kiss and Carreras began coupon trading in Black Cat. The business prospered and in 1906 additional premises were opened nearby, introducing new brands such as Carreras Ovals and Seven Up. Baron chose many novel schemes for the promotion of Carreras’ pipe tobacco and cigarette brands. In 1909, the company introduced the Baron automatic pipe filler in cartridges, which revolutionised pipe smoking and sold by the millions.
In 1921, after the launch of Craven A, Carreras launched more brands such as Wall Arms, Piccadilly, and Turf. By 1927 the business had outgrown the Arcadia premises in City Road; the war had increased demand for cigarettes. In 1928, the famous Arcadia Works was opened in Mornington Crescent NW1, formerly a favourite residence of artists and writers. This building, which has become a major London landmark, was unusual in its design. It was the first factory in Britain to make use of pre-stressed concrete technology, and the first to contain air conditioning and a dust extraction plant. The company was also the first to provide full welfare services for its employees.[citation needed] The Arcadia Works was often visited by royalty, including the Duke of Windsor when he was the Prince of Wales, King George VI when he was the Duke of York, and the Duke of Kent. Many other important visitors from every part of the globe were entertained at Mornington Crescent. Leading to the entrance of the building were two large bronze cats.[3] Cast at the Haskins Foundry in London, these versions of the Egyptian god Bastet were each eight feet six inches tall and stood guard over Arcadia Works until 1959 when Carreras merged with Rothmans of Pall Mall and moved to a new factory in Basildon, Essex. The cats were separated, with one making the short journey to Essex, while the other went to be displayed outside the Carreras factory at Spanishtown, Jamaica.
The antecedents of the Carreras business began trading in the eighteenth century (the company's products and advertising materials consistently bore the motto 'Established 1788'), and forebears of the founder’s family were Spanish apothecaries. The founder of the business was a Spanish nobleman, Don José Carreras Ferrer, who fought in the Peninsular War under the Duke of Wellington (1808–1814). After serving and receiving the highest military honours, it is believed he was obliged to leave Spain on account of his political views.
In 1881, the first cigarette-making machine was patented in the United States by James Bonsack, and by 1883 one of the British manufacturers, W. D. & H. O. Wills, had pioneered the use of the Bonsack machine in England. Wills joined with twelve other companies to form the Imperial Tobacco Group, from which both Rothmans and Carreras chose to remain independent, and by 1901 the Bonsack machine, making 200 cigarettes a minute, was exclusively available only to members of this Group. Around this time another of the cigarette machine makers, Bernhard Baron, had returned to London from the United States in 1896 with a patent for a new machine which could make 450 cigarettes a minute. Baron's progress was watched with interest by Mr. Yapp who was by then running the Carreras business but who was keen to make cigarettes a paying venture.
Having been unable to sell his machines to the newly formed Imperial Tobacco Company, which had a monopoly on the Bonsack machines, Yapp was able to negotiate a business arrangement with Baron in 1903. On 6 June 1903, Carreras became a public company with Yapp and Baron as directors and, under the leadership of Bernhard Baron, heralded the beginnings of competition for the Imperial Tobacco Group and the new American maker, James Buchanan Duke, who was also capturing large slices of the British market with Ogden’s Guinea Gold, the first Virginia cigarette made in England. The original Carreras prospectus was heavily criticised in the City press, but within a short time, the shares were fully subscribed, particularly by members of the tobacco trade, who saw potential in the new venture. The Baron family had a reputation as good employers who treated their staff well.[citation needed] Bernhard Baron would walk amongst his employees daily, enquiring after their families, and his son, Louis, and his grandson, Maurice, also made regular visits to the factory floor. A tradition developed that on Bernhard's birthday, each December, all employees were given two weeks' wages and a cake to take home.
In 1904, an allied company was established. Called Carreras and Marcianus Ltd and operating from St James's Place, Aldgate EC3, the former Baron Machine Company works, the company’s purpose was to commence production of machine-made cigarettes. During the last six months of 1904 three brands made their debut, including Black Cat, the first cigarette in the United Kingdom to contain coupons that were redeemable for gifts.
In 1905 yet more brands were introduced such as Chick, Jetty, and Sweet Kiss and Carreras began coupon trading in Black Cat. The business prospered and in 1906 additional premises were opened nearby, introducing new brands such as Carreras Ovals and Seven Up. Baron chose many novel schemes for the promotion of Carreras’ pipe tobacco and cigarette brands. In 1909, the company introduced the Baron automatic pipe filler in cartridges, which revolutionised pipe smoking and sold by the millions.
In 1921, after the launch of Craven A, Carreras launched more brands such as Wall Arms, Piccadilly, and Turf. By 1927 the business had outgrown the Arcadia premises in City Road; the war had increased demand for cigarettes. In 1928, the famous Arcadia Works was opened in Mornington Crescent NW1, formerly a favourite residence of artists and writers. This building, which has become a major London landmark, was unusual in its design. It was the first factory in Britain to make use of pre-stressed concrete technology, and the first to contain air conditioning and a dust extraction plant. The company was also the first to provide full welfare services for its employees.[citation needed] The Arcadia Works was often visited by royalty, including the Duke of Windsor when he was the Prince of Wales, King George VI when he was the Duke of York, and the Duke of Kent. Many other important visitors from every part of the globe were entertained at Mornington Crescent. Leading to the entrance of the building were two large bronze cats.[3] Cast at the Haskins Foundry in London, these versions of the Egyptian god Bastet were each eight feet six inches tall and stood guard over Arcadia Works until 1959 when Carreras merged with Rothmans of Pall Mall and moved to a new factory in Basildon, Essex. The cats were separated, with one making the short journey to Essex, while the other went to be displayed outside the Carreras factory at Spanishtown, Jamaica.
As someone who thinks that they have an unusually consistent sweating habit, it has become clear to me that over the years if you are drinking just pure water you'll never get everything you need to have healthy exercise. Practically every time i go to the park i kill thousands of calories and just drinking water is not healthy enough, so to fix this i usually reach for something full of electrolytes, for instance Gatorade. What I like most about WAT-AAH! is the fact i can drink water in a pure state but still get those extras. This is very important in making an effective drink for activities and WAT-AAH! Nails it.
By consistently maintaining, safeguarding, and examining your Compare Invisalign Prices London, Chatfield Dental Braces offered custom-fitted trays, empowers the aligners to gradually reposition your teeth. Through meticulous care, these transparent guides will unveil the blossoming of your new smile, akin to a flower in spring—a downstream reward resulting from the diligent upstream care provided by Chatfield Dental Braces, Invisalign London. Read more<<< rb.gy/g7okyu
Henry consistently jumped higher than Emma's head...she was looking up at him just saying "Wow", "Jump Henry" and "Go Higher". Needless to say Henry had a good time.
The antecedents of the Carreras business began trading in the eighteenth century (the company's products and advertising materials consistently bore the motto 'Established 1788'), and forebears of the founder’s family were Spanish apothecaries. The founder of the business was a Spanish nobleman, Don José Carreras Ferrer, who fought in the Peninsular War under the Duke of Wellington (1808–1814). After serving and receiving the highest military honours, it is believed he was obliged to leave Spain on account of his political views.
In 1881, the first cigarette-making machine was patented in the United States by James Bonsack, and by 1883 one of the British manufacturers, W. D. & H. O. Wills, had pioneered the use of the Bonsack machine in England. Wills joined with twelve other companies to form the Imperial Tobacco Group, from which both Rothmans and Carreras chose to remain independent, and by 1901 the Bonsack machine, making 200 cigarettes a minute, was exclusively available only to members of this Group. Around this time another of the cigarette machine makers, Bernhard Baron, had returned to London from the United States in 1896 with a patent for a new machine which could make 450 cigarettes a minute. Baron's progress was watched with interest by Mr. Yapp who was by then running the Carreras business but who was keen to make cigarettes a paying venture.
Having been unable to sell his machines to the newly formed Imperial Tobacco Company, which had a monopoly on the Bonsack machines, Yapp was able to negotiate a business arrangement with Baron in 1903. On 6 June 1903, Carreras became a public company with Yapp and Baron as directors and, under the leadership of Bernhard Baron, heralded the beginnings of competition for the Imperial Tobacco Group and the new American maker, James Buchanan Duke, who was also capturing large slices of the British market with Ogden’s Guinea Gold, the first Virginia cigarette made in England. The original Carreras prospectus was heavily criticised in the City press, but within a short time, the shares were fully subscribed, particularly by members of the tobacco trade, who saw potential in the new venture. The Baron family had a reputation as good employers who treated their staff well.[citation needed] Bernhard Baron would walk amongst his employees daily, enquiring after their families, and his son, Louis, and his grandson, Maurice, also made regular visits to the factory floor. A tradition developed that on Bernhard's birthday, each December, all employees were given two weeks' wages and a cake to take home.
In 1904, an allied company was established. Called Carreras and Marcianus Ltd and operating from St James's Place, Aldgate EC3, the former Baron Machine Company works, the company’s purpose was to commence production of machine-made cigarettes. During the last six months of 1904 three brands made their debut, including Black Cat, the first cigarette in the United Kingdom to contain coupons that were redeemable for gifts.
In 1905 yet more brands were introduced such as Chick, Jetty, and Sweet Kiss and Carreras began coupon trading in Black Cat. The business prospered and in 1906 additional premises were opened nearby, introducing new brands such as Carreras Ovals and Seven Up. Baron chose many novel schemes for the promotion of Carreras’ pipe tobacco and cigarette brands. In 1909, the company introduced the Baron automatic pipe filler in cartridges, which revolutionised pipe smoking and sold by the millions.
In 1921, after the launch of Craven A, Carreras launched more brands such as Wall Arms, Piccadilly, and Turf. By 1927 the business had outgrown the Arcadia premises in City Road; the war had increased demand for cigarettes. In 1928, the famous Arcadia Works was opened in Mornington Crescent NW1, formerly a favourite residence of artists and writers. This building, which has become a major London landmark, was unusual in its design. It was the first factory in Britain to make use of pre-stressed concrete technology, and the first to contain air conditioning and a dust extraction plant. The company was also the first to provide full welfare services for its employees.[citation needed] The Arcadia Works was often visited by royalty, including the Duke of Windsor when he was the Prince of Wales, King George VI when he was the Duke of York, and the Duke of Kent. Many other important visitors from every part of the globe were entertained at Mornington Crescent. Leading to the entrance of the building were two large bronze cats.[3] Cast at the Haskins Foundry in London, these versions of the Egyptian god Bastet were each eight feet six inches tall and stood guard over Arcadia Works until 1959 when Carreras merged with Rothmans of Pall Mall and moved to a new factory in Basildon, Essex. The cats were separated, with one making the short journey to Essex, while the other went to be displayed outside the Carreras factory at Spanishtown, Jamaica.
This a second film with my Nikon F4 to test further of its numerous functions. In particular, I would like to test the DX ISO coding, the spot metering, and the motorized film rewind. During the first test film I used mostly my external lightmeter Minolta Autometer III to check that the metering of the camera was consistent with. Here, I decided I leave the Autometer at home and to use only the Nikon F4 metering.
The Nikon F4 was loaded with a Rollei RPX100 which is the former Agfa APX100 well-known for the particular large tone range. From view 1 to 24, the AF Nikkor lens 1:1.4 f=50mm was fitted with a Yellow screw-on 52mm filter and from view 25 to the end with a Hoya HMC anti-UV protection filter. A generic cylindric metal shade hood was used all the time.
The film sensitivity was set by the camera automatically from the DX code of the Rollei RPX100 35mm cartridge. The first test film was a Fomapan 200 which is not DX coded. The Nikon F4 allows a manual ISO setting. In the DX mode, if no cartridge is present or if a not DX-coded cartridge is inserted, a red LED is blinking and not action of the shutter is possible.
The spot metering in the Nikon F4 if located behind the mirror in the reflex chamber and combined with the CCD focus sensor. The the matrix and center averaged mode is operated by different photo-diodes in the removable DP-20 photometric viewer. I mostly used the spot metering mode in my usual way, privileging the shadows. I saw that the matrix mode gave very closed results. The measure were usually manually reported to the camera in the "M" mode except for one view (Nr. 3) where I left the Nikon choosing the shutter speed (approx. 1/3000s) according to the aperture (full aperture in this case f/1.4).
As for my medium-format session, I took a bit of time to note on a session ticket the main parameter (shutter speed, aperture, focusing distance). The weather was still very mild and sunny during all the session in the afternoon.
Documentary smartphone picture
November 8, 2024
69001 Lyon
France
After completion, the film was rewound using the rewinding motor (lever R1 then lever R2). During the film rewind (manual or auto) the view counter decrements and I switched-off the R2 lever just arrived at zero. I terminated the process manual to keep the film leader outside the cartridge.
I then processed the film developed using 300 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 9min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta Auto Bellows with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version of Adobe Lightroom Classic version 14 and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG's together with some documentary smartphone color pictures.
The results show that the Nikon F4 spot metering is perfectly calibrated and consistent with my traditional way to determine the exposition. The DX coding. is operating correctly but no confirming indication of the ISO value is displayed on the camera (excepted the blinking red LED if the DX code is not correctly detected). As for all SLR's of this generation, a small window on the left-side of the camera back allows the reading of the film characteristics. All the light-tight foams are in perfect order for a camera of this age (35-year old).
Overall this second session with the Nikon F4 confirms that the camera is very pleasant to use despite its 1.7kg (fitted with its standard 1.4/50mm). The minimalistic Nikon neck strap remains comfortable and well proportionated to the camera. It's areal joy to use.
--------------
About the camera :
Maybe it would have been better not to ask for this question: « what’s new do you have at the moment?» to my local photo store, because Christine grab underneath the counter, stating « I have that … » . What a beast ! A Nikon F4 in the exact state of the Nikon brochure year 1990, presented with the standard AF Nikkor 1:1.4 f=50mm. I was already hooked by the machine. After two days, I decided to buy it even with some little common issues found on early Nikon F4 (see below), fortunately not affecting the whole, numberous functions of this incredibly complex professional SLR of the year 1990’s.
Nikon F4 came to the market on September 1988 starting with the serial number 2.000.000. Fully manufactured in Japan (modules came from 3 different Nikon factories) the F4's were assembled in Mito, Ibaraki (North to Tokyo) Nikon plant (no more in the mother factory of Tokyo Oi like the Nikon’s F). When I lived in Tokyo in 1990-1991, Nikon F4 was the top-of-the-line of Nikon SLR camera’s. I saw it in particular in Shinjuku Bic Camera store when I bought there, in December 1990 my Nikonos V.
Nikon F4 incorporates many astonishing engineering features as the double vertical-travel curtain shutter capable of the 1/8000s. Compared to the Nikon F3, the F4 was an AF SLR operated by a CCD sensor (200 photo sites). The film is automatically loaded, advanced with to top speed of 5,7 frame/s !! With the MB-21 power grip (F4s version). The F4 is a very heavy camera (1.7kg with the AF Nikkor 1.4/50mm), incredibly tough and well constructed. This exemplary is devoid of any scratches or marks, and in a condition proving that it was not used for hard professional appliances, for those it was however intended. The camera has still it original Nikon neck strap, the original user manual in French. The lens is protected by a Cokin (Franc) Skylight 1A 52mm filter and the original Nikon front cap. The two small LCD displays (one on the F4 body, one in the DP-20 finder) are both affected by the classical syndrome of « bleeding ». Fortunately, all information could still be read. One says that 70% of the early Nikon F4 suffer from this problem but also found on other models.
According its serial number and the production rate of about 5000 units/month, this Nikon F4s was probably manufactured in Mito, Ibaraki, Japan in May 1989.
Taking actions consistent with your commitments is the true measure of going from having a dream to making it come true. I hear Real Estate Agents say things like I love helping Home Buyers; and I say: Great; Show me how you do that! And their answer… read more: bit.ly/Ynjpf4
Product Description
Consistent 128GB SSD
A solid-state drive, or SSD, is a type of computer storage device. This non-volatile storage medium uses solid-state flash memory to store persistent data. Traditional hard disc drives (HDDs) are being replaced in computers by SSDs, which perform the same basic operations as a hard drive. SSDs, on the other hand, are substantially faster.
A typical hard drive is made up of a spinning disc and a read/write head mounted on a mechanical arm known as an actuator. A hard disc drive (HDD) uses magnetic technology to read and write data. The magnetic characteristics, on the other hand, can cause mechanical failures.
SSDs are frequently used by companies that operate with large volumes of data (such as programming environments or data analysis), as access times and file transfer rates are crucial
- SSD write cache is enabled, Low power consumption, Laptop and Desktop
- 2.5Inch,/SATA 6 Gb/s interface, ATA modes supported
- Sequential 128KB Read and Write speeds up to 540MB/s and 500MB/s respectively
- Boot up faster. Load files quicker. Improve overall system responsiveness
Gaming computers have always pushed the boundaries of current computing technology, necessitating the purchase of very expensive hardware for the sake of gaming performance. This is especially true in terms of storage.
Product information
Technical Details
Brand
Consistent
Manufacturer
Consistent Infosystem Pvt. Ltd.
Form Factor
2.
This a second film with my Nikon F4 to test further of its numerous functions. In particular, I would like to test the DX ISO coding, the spot metering, and the motorized film rewind. During the first test film I used mostly my external lightmeter Minolta Autometer III to check that the metering of the camera was consistent with. Here, I decided I leave the Autometer at home and to use only the Nikon F4 metering.
The Nikon F4 was loaded with a Rollei RPX100 which is the former Agfa APX100 well-known for the particular large tone range. From view 1 to 24, the AF Nikkor lens 1:1.4 f=50mm was fitted with a Yellow screw-on 52mm filter and from view 25 to the end with a Hoya HMC anti-UV protection filter. A generic cylindric metal shade hood was used all the time.
The film sensitivity was set by the camera automatically from the DX code of the Rollei RPX100 35mm cartridge. The first test film was a Fomapan 200 which is not DX coded. The Nikon F4 allows a manual ISO setting. In the DX mode, if no cartridge is present or if a not DX-coded cartridge is inserted, a red LED is blinking and not action of the shutter is possible.
The spot metering in the Nikon F4 if located behind the mirror in the reflex chamber and combined with the CCD focus sensor. The the matrix and center averaged mode is operated by different photo-diodes in the removable DP-20 photometric viewer. I mostly used the spot metering mode in my usual way, privileging the shadows. I saw that the matrix mode gave very closed results. The measure were usually manually reported to the camera in the "M" mode except for one view (Nr. 3) where I left the Nikon choosing the shutter speed (approx. 1/3000s) according to the aperture (full aperture in this case f/1.4).
As for my medium-format session, I took a bit of time to note on a session ticket the main parameter (shutter speed, aperture, focusing distance). The weather was still very mild and sunny during all the session in the afternoon.
View Nr 29 : 1/60s f/2.8 focus at 1.8 m
Hoya HMC AUV 1A filter (x2)
La Tribu des Gônes, November 8, 2024
Rue Saint-Jean
69005 Lyon
France
After completion, the film was rewound using the rewinding motor (lever R1 then lever R2). During the film rewind (manual or auto) the view counter decrements and I switched-off the R2 lever just arrived at zero. I terminated the process manual to keep the film leader outside the cartridge.
I then processed the film developed using 300 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 9min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta Auto Bellows with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version of Adobe Lightroom Classic version 14 and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG's together with some documentary smartphone color pictures.
The results show that the Nikon F4 spot metering is perfectly calibrated and consistent with my traditional way to determine the exposition. The DX coding. is operating correctly but no confirming indication of the ISO value is displayed on the camera (excepted the blinking red LED if the DX code is not correctly detected). As for all SLR's of this generation, a small window on the left-side of the camera back allows the reading of the film characteristics. All the light-tight foams are in perfect order for a camera of this age (35-year old).
Overall this second session with the Nikon F4 confirms that the camera is very pleasant to use despite its 1.7kg (fitted with its standard 1.4/50mm). The minimalistic Nikon neck strap remains comfortable and well proportionated to the camera. It's areal joy to use.
--------------
About the camera :
Maybe it would have been better not to ask for this question: « what’s new do you have at the moment?» to my local photo store, because Christine grab underneath the counter, stating « I have that … » . What a beast ! A Nikon F4 in the exact state of the Nikon brochure year 1990, presented with the standard AF Nikkor 1:1.4 f=50mm. I was already hooked by the machine. After two days, I decided to buy it even with some little common issues found on early Nikon F4 (see below), fortunately not affecting the whole, numberous functions of this incredibly complex professional SLR of the year 1990’s.
Nikon F4 came to the market on September 1988 starting with the serial number 2.000.000. Fully manufactured in Japan (modules came from 3 different Nikon factories) the F4's were assembled in Mito, Ibaraki (North to Tokyo) Nikon plant (no more in the mother factory of Tokyo Oi like the Nikon’s F). When I lived in Tokyo in 1990-1991, Nikon F4 was the top-of-the-line of Nikon SLR camera’s. I saw it in particular in Shinjuku Bic Camera store when I bought there, in December 1990 my Nikonos V.
Nikon F4 incorporates many astonishing engineering features as the double vertical-travel curtain shutter capable of the 1/8000s. Compared to the Nikon F3, the F4 was an AF SLR operated by a CCD sensor (200 photo sites). The film is automatically loaded, advanced with to top speed of 5,7 frame/s !! With the MB-21 power grip (F4s version). The F4 is a very heavy camera (1.7kg with the AF Nikkor 1.4/50mm), incredibly tough and well constructed. This exemplary is devoid of any scratches or marks, and in a condition proving that it was not used for hard professional appliances, for those it was however intended. The camera has still it original Nikon neck strap, the original user manual in French. The lens is protected by a Cokin (Franc) Skylight 1A 52mm filter and the original Nikon front cap. The two small LCD displays (one on the F4 body, one in the DP-20 finder) are both affected by the classical syndrome of « bleeding ». Fortunately, all information could still be read. One says that 70% of the early Nikon F4 suffer from this problem but also found on other models.
According its serial number and the production rate of about 5000 units/month, this Nikon F4s was probably manufactured in Mito, Ibaraki, Japan in May 1989.
The antecedents of the Carreras business began trading in the eighteenth century (the company's products and advertising materials consistently bore the motto 'Established 1788'), and forebears of the founder’s family were Spanish apothecaries. The founder of the business was a Spanish nobleman, Don José Carreras Ferrer, who fought in the Peninsular War under the Duke of Wellington (1808–1814). After serving and receiving the highest military honours, it is believed he was obliged to leave Spain on account of his political views.
In 1881, the first cigarette-making machine was patented in the United States by James Bonsack, and by 1883 one of the British manufacturers, W. D. & H. O. Wills, had pioneered the use of the Bonsack machine in England. Wills joined with twelve other companies to form the Imperial Tobacco Group, from which both Rothmans and Carreras chose to remain independent, and by 1901 the Bonsack machine, making 200 cigarettes a minute, was exclusively available only to members of this Group. Around this time another of the cigarette machine makers, Bernhard Baron, had returned to London from the United States in 1896 with a patent for a new machine which could make 450 cigarettes a minute. Baron's progress was watched with interest by Mr. Yapp who was by then running the Carreras business but who was keen to make cigarettes a paying venture.
Having been unable to sell his machines to the newly formed Imperial Tobacco Company, which had a monopoly on the Bonsack machines, Yapp was able to negotiate a business arrangement with Baron in 1903. On 6 June 1903, Carreras became a public company with Yapp and Baron as directors and, under the leadership of Bernhard Baron, heralded the beginnings of competition for the Imperial Tobacco Group and the new American maker, James Buchanan Duke, who was also capturing large slices of the British market with Ogden’s Guinea Gold, the first Virginia cigarette made in England. The original Carreras prospectus was heavily criticised in the City press, but within a short time, the shares were fully subscribed, particularly by members of the tobacco trade, who saw potential in the new venture. The Baron family had a reputation as good employers who treated their staff well.[citation needed] Bernhard Baron would walk amongst his employees daily, enquiring after their families, and his son, Louis, and his grandson, Maurice, also made regular visits to the factory floor. A tradition developed that on Bernhard's birthday, each December, all employees were given two weeks' wages and a cake to take home.
In 1904, an allied company was established. Called Carreras and Marcianus Ltd and operating from St James's Place, Aldgate EC3, the former Baron Machine Company works, the company’s purpose was to commence production of machine-made cigarettes. During the last six months of 1904 three brands made their debut, including Black Cat, the first cigarette in the United Kingdom to contain coupons that were redeemable for gifts.
In 1905 yet more brands were introduced such as Chick, Jetty, and Sweet Kiss and Carreras began coupon trading in Black Cat. The business prospered and in 1906 additional premises were opened nearby, introducing new brands such as Carreras Ovals and Seven Up. Baron chose many novel schemes for the promotion of Carreras’ pipe tobacco and cigarette brands. In 1909, the company introduced the Baron automatic pipe filler in cartridges, which revolutionised pipe smoking and sold by the millions.
In 1921, after the launch of Craven A, Carreras launched more brands such as Wall Arms, Piccadilly, and Turf. By 1927 the business had outgrown the Arcadia premises in City Road; the war had increased demand for cigarettes. In 1928, the famous Arcadia Works was opened in Mornington Crescent NW1, formerly a favourite residence of artists and writers. This building, which has become a major London landmark, was unusual in its design. It was the first factory in Britain to make use of pre-stressed concrete technology, and the first to contain air conditioning and a dust extraction plant. The company was also the first to provide full welfare services for its employees.[citation needed] The Arcadia Works was often visited by royalty, including the Duke of Windsor when he was the Prince of Wales, King George VI when he was the Duke of York, and the Duke of Kent. Many other important visitors from every part of the globe were entertained at Mornington Crescent. Leading to the entrance of the building were two large bronze cats.[3] Cast at the Haskins Foundry in London, these versions of the Egyptian god Bastet were each eight feet six inches tall and stood guard over Arcadia Works until 1959 when Carreras merged with Rothmans of Pall Mall and moved to a new factory in Basildon, Essex. The cats were separated, with one making the short journey to Essex, while the other went to be displayed outside the Carreras factory at Spanishtown, Jamaica.
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