View allAll Photos Tagged Consistent.
Consistent with restaurants in Japan, restaurants in Japantown have plastic displays of their food outside of their establishments.
Consistent entrance and neighborhood identification monuments help unify this planned community of 13,000 residents
Royal Auto Spa strives to elevate our clients driving experience by Protecting/Maintaining their vehicles on a consistent basis. Serving Reno, Sparks and all of Washoe County Nevada.
Thomas Contreras
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A Disciplined And Consistent Person Will Make It. One thing that I’ve always looked at in my business is consistency. Being consistent also requires discipline and it’s always a goal of mine to be the most disciplined person I can be in my business. That doesn’t mean I don’t have fun and take things too seriously – far from it! It means that I have the right attitude to stay the course and move forward. Even though this is a goal of mine, I must admit that it’s not always been easy sticking to it. We humans have weaknesses, especially when it comes to discipline. It feels too much like hard work doesn’t it? But it doesn’t have to be. Most of it is about attitude and perception of the meaning of discipline rather than work. Consistency And Discipline Work Together To Improve A Person. One of the main things about consistency and discipline is habit. To have a successful business or life, you need good habits. If you can be a consistent disciplined person in both your work and your pleasure, you can certainly create a lasting habit that will help you be successful. I love music, as you may already know, and to be good at music, you need discipline. I stopped participating in any musical activity for several years, which was a big mistake. This was because I lost the natural discipline and consistency I had when I was taking a more active part in this activity. Did this affect my business and my life? You bet it did! Because the discipline and consistency I needed was just based on “work”, it felt like a chore and I must admit I wavered. A LOT! I had a business fail on me. Yes, it was a job I wasn’t completely happy with and that played its part too. However, when I was doing something I LOVED alongside it, it was a little easier to “stay the course” as it were. Not ideal, but I was working in a disciplined way much more naturally when I was active in music too. My good habit had been broken because I wasn’t as enthusiastic about things. You improve when you have the natural habit of discipline because it also helps you to be more consistent. Consistent action leads to consistent results and ultimately leads to big reward. Discipline And Consistency Needs A Person To Love What They Do. I know many people HATE what they do. Some do love their job and some tolerate it. Doing something you love, whether it’s music or sport or anything else that requires a form of discipline can only help to make the job a little more tolerable. Now imagine doing a job you absolutely love AND be able to have a leisure activity you also love that requires the consistency and discipline you need to grow as a person. Habit is more easily broken than maintained. This is more evident, as in my case, when you stop doing something that really helps you to keep in that habit state. The key to being a naturally disciplined person revolves around good habits. Doing things you love in your life both in work and play will keep you going on the right path and you won’t even have to think about it. Barrie The post A Disciplined And Consistent Person Will Make It. appeared first on Online Marketing And mindset. Related posts: How to grow in business online – be disciplined If you wonder how to grow in business online, it’s… A Challenge Equals Consistency Equals Good Habits Having just completed a 90 day challenge, I believe that… Why Being Scared Of The Future Should Be Banned. It’s true that many are afraid of what the future… from Online Marketing And mindset ift.tt/1YEQtv0 via Article Source ift.tt/eA8V8J Online Marketing And mindset May 19, 2016 at 11:04AM
I’m pretty consistent.
I get a Gatorade, peanuts, and sometimes potato chips.
On special occasions I might treat myself to a large Slurpy (Cherry or the purple one).
Magazines…Cycle World or Weakly World News ( Trash is sometimes fun).
Their coffee is terrible.
Those slowly rotating hot-dogs… Never!
Should be classified as torture devices.
Beer and wine- last resort option.
Lotto- their strong point.
This is the place that has everything- fast and easy.
Open 24/7
A consistent number of unplanned and interested people gathered around our instruments to check out what was going on. Incredulity galore! We didn't put a Saturn sticker on the telescope's corrective plate, we swear! :-D
Consistently voted amongst the top 5 most beautiful flowering trees in the world.
Tenerife Magazine showcases Tenerife's exotics.
Photo by Jack Montgomery (snapjacs)
This tree consistently has new flushes of leaves that take many months to develop chlorophyll. For the first couple of years I lived here I assumed it was suffering a nutrient deficiency, but I have come to the tentative conclusion that it is in fact a genetic mutant.
The continuous rain had fogged my camera lens.
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This a second film with my Nikon F4 to test further of its numerous functions. In particular, I would like to test the DX ISO coding, the spot metering, and the motorized film rewind. During the first test film I used mostly my external lightmeter Minolta Autometer III to check that the metering of the camera was consistent with. Here, I decided I leave the Autometer at home and to use only the Nikon F4 metering.
The Nikon F4 was loaded with a Rollei RPX100 which is the former Agfa APX100 well-known for the particular large tone range. From view 1 to 24, the AF Nikkor lens 1:1.4 f=50mm was fitted with a Yellow screw-on 52mm filter and from view 25 to the end with a Hoya HMC anti-UV protection filter. A generic cylindric metal shade hood was used all the time.
The film sensitivity was set by the camera automatically from the DX code of the Rollei RPX100 35mm cartridge. The first test film was a Fomapan 200 which is not DX coded. The Nikon F4 allows a manual ISO setting. In the DX mode, if no cartridge is present or if a not DX-coded cartridge is inserted, a red LED is blinking and not action of the shutter is possible.
The spot metering in the Nikon F4 if located behind the mirror in the reflex chamber and combined with the CCD focus sensor. The the matrix and center averaged mode is operated by different photo-diodes in the removable DP-20 photometric viewer. I mostly used the spot metering mode in my usual way, privileging the shadows. I saw that the matrix mode gave very closed results. The measure were usually manually reported to the camera in the "M" mode except for one view (Nr. 3) where I left the Nikon choosing the shutter speed (approx. 1/3000s) according to the aperture (full aperture in this case f/1.4).
As for my medium-format session, I took a bit of time to note on a session ticket the main parameter (shutter speed, aperture, focusing distance). The weather was still very mild and sunny during all the session in the afternoon.
View Nr 31 : 1/60s f/2 focus at 2.4 m
Hoya HMC AUV 1A filter (x2)
"Spécialités Lyonnaises", November 8, 2024
Rue Saint-Jean
69005 Lyon
France
After completion, the film was rewound using the rewinding motor (lever R1 then lever R2). During the film rewind (manual or auto) the view counter decrements and I switched-off the R2 lever just arrived at zero. I terminated the process manual to keep the film leader outside the cartridge.
I then processed the film developed using 300 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 9min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta Auto Bellows with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version of Adobe Lightroom Classic version 14 and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG's together with some documentary smartphone color pictures.
The results show that the Nikon F4 spot metering is perfectly calibrated and consistent with my traditional way to determine the exposition. The DX coding. is operating correctly but no confirming indication of the ISO value is displayed on the camera (excepted the blinking red LED if the DX code is not correctly detected). As for all SLR's of this generation, a small window on the left-side of the camera back allows the reading of the film characteristics. All the light-tight foams are in perfect order for a camera of this age (35-year old).
Overall this second session with the Nikon F4 confirms that the camera is very pleasant to use despite its 1.7kg (fitted with its standard 1.4/50mm). The minimalistic Nikon neck strap remains comfortable and well proportionated to the camera. It's areal joy to use.
--------------
About the camera :
Maybe it would have been better not to ask for this question: « what’s new do you have at the moment?» to my local photo store, because Christine grab underneath the counter, stating « I have that … » . What a beast ! A Nikon F4 in the exact state of the Nikon brochure year 1990, presented with the standard AF Nikkor 1:1.4 f=50mm. I was already hooked by the machine. After two days, I decided to buy it even with some little common issues found on early Nikon F4 (see below), fortunately not affecting the whole, numberous functions of this incredibly complex professional SLR of the year 1990’s.
Nikon F4 came to the market on September 1988 starting with the serial number 2.000.000. Fully manufactured in Japan (modules came from 3 different Nikon factories) the F4's were assembled in Mito, Ibaraki (North to Tokyo) Nikon plant (no more in the mother factory of Tokyo Oi like the Nikon’s F). When I lived in Tokyo in 1990-1991, Nikon F4 was the top-of-the-line of Nikon SLR camera’s. I saw it in particular in Shinjuku Bic Camera store when I bought there, in December 1990 my Nikonos V.
Nikon F4 incorporates many astonishing engineering features as the double vertical-travel curtain shutter capable of the 1/8000s. Compared to the Nikon F3, the F4 was an AF SLR operated by a CCD sensor (200 photo sites). The film is automatically loaded, advanced with to top speed of 5,7 frame/s !! With the MB-21 power grip (F4s version). The F4 is a very heavy camera (1.7kg with the AF Nikkor 1.4/50mm), incredibly tough and well constructed. This exemplary is devoid of any scratches or marks, and in a condition proving that it was not used for hard professional appliances, for those it was however intended. The camera has still it original Nikon neck strap, the original user manual in French. The lens is protected by a Cokin (Franc) Skylight 1A 52mm filter and the original Nikon front cap. The two small LCD displays (one on the F4 body, one in the DP-20 finder) are both affected by the classical syndrome of « bleeding ». Fortunately, all information could still be read. One says that 70% of the early Nikon F4 suffer from this problem but also found on other models.
According its serial number and the production rate of about 5000 units/month, this Nikon F4s was probably manufactured in Mito, Ibaraki, Japan in May 1989.
This a second film with my Nikon F4 to test further of its numerous functions. In particular, I would like to test the DX ISO coding, the spot metering, and the motorized film rewind. During the first test film I used mostly my external lightmeter Minolta Autometer III to check that the metering of the camera was consistent with. Here, I decided I leave the Autometer at home and to use only the Nikon F4 metering.
The Nikon F4 was loaded with a Rollei RPX100 which is the former Agfa APX100 well-known for the particular large tone range. From view 1 to 24, the AF Nikkor lens 1:1.4 f=50mm was fitted with a Yellow screw-on 52mm filter and from view 25 to the end with a Hoya HMC anti-UV protection filter. A generic cylindric metal shade hood was used all the time.
The film sensitivity was set by the camera automatically from the DX code of the Rollei RPX100 35mm cartridge. The first test film was a Fomapan 200 which is not DX coded. The Nikon F4 allows a manual ISO setting. In the DX mode, if no cartridge is present or if a not DX-coded cartridge is inserted, a red LED is blinking and not action of the shutter is possible.
The spot metering in the Nikon F4 if located behind the mirror in the reflex chamber and combined with the CCD focus sensor. The the matrix and center averaged mode is operated by different photo-diodes in the removable DP-20 photometric viewer. I mostly used the spot metering mode in my usual way, privileging the shadows. I saw that the matrix mode gave very closed results. The measure were usually manually reported to the camera in the "M" mode except for one view (Nr. 3) where I left the Nikon choosing the shutter speed (approx. 1/3000s) according to the aperture (full aperture in this case f/1.4).
As for my medium-format session, I took a bit of time to note on a session ticket the main parameter (shutter speed, aperture, focusing distance). The weather was still very mild and sunny during all the session in the afternoon.
View Nr 6: 1/250s f/8 focus at 30 m
Yellow filter (x2)
Le "10 Quai Saint-Vincent"*, November 8, 2024
69001 Lyon
France
*This ordinary building appears in the François Truffaut's French film 'La Sirène du Mississipi" ( "Mississippi Mermaid", 1969) in its Lyon act. The film is a romantic crime drama film written and directed by François Truffaut and starring Jean-Paul Belmondo, Catherine Deneuve, and Michel Bouquet in the main roles. Adapted from the 1947 novel Waltz into Darkness by William Irish, the film follows a tobacco planter on the island of La Réunion who becomes engaged through correspondence to a woman he does not know. When she arrives, it is not the same woman in the photo, but he marries her anyway.
Shot in Southern France and on Réunion, Mississippi Mermaid was the 16th highest-grossing film of 1969 in France, with a total of 1,227,657 admissions. It was remade in 2001 as Original Sin, directed by Michael Cristofer and starring Angelina Jolie and Antonio Banderas.
After completion, the film was rewound using the rewinding motor (lever R1 then lever R2). During the film rewind (manual or auto) the view counter decrements and I switched-off the R2 lever just arrived at zero. I terminated the process manual to keep the film leader outside the cartridge.
I then processed the film developed using 300 mL of Adox Adonal (Agfa Rodinal) developer prepared at the dilution 1+25 for 9min at 20°C.
Digitizing was made using a Sony A7 camera (ILCE-7, 24MP) held on a Minolta Auto Bellows with the Minolta slide duplication accessory and Minolta Macro Bellow lens 1:3.5 f=50mm. The light source was a LED panel CineStill Cine-lite.
The RAW files obtained were inverted within the latest version of Adobe Lightroom Classic version 14 and edited to the final jpeg pictures without intermediate file. They are presented either as printed files with frame or the full size JPEG's together with some documentary smartphone color pictures.
The results show that the Nikon F4 spot metering is perfectly calibrated and consistent with my traditional way to determine the exposition. The DX coding. is operating correctly but no confirming indication of the ISO value is displayed on the camera (excepted the blinking red LED if the DX code is not correctly detected). As for all SLR's of this generation, a small window on the left-side of the camera back allows the reading of the film characteristics. All the light-tight foams are in perfect order for a camera of this age (35-year old).
Overall this second session with the Nikon F4 confirms that the camera is very pleasant to use despite its 1.7kg (fitted with its standard 1.4/50mm). The minimalistic Nikon neck strap remains comfortable and well proportionated to the camera. It's areal joy to use.
--------------
About the camera :
Maybe it would have been better not to ask for this question: « what’s new do you have at the moment?» to my local photo store, because Christine grab underneath the counter, stating « I have that … » . What a beast ! A Nikon F4 in the exact state of the Nikon brochure year 1990, presented with the standard AF Nikkor 1:1.4 f=50mm. I was already hooked by the machine. After two days, I decided to buy it even with some little common issues found on early Nikon F4 (see below), fortunately not affecting the whole, numberous functions of this incredibly complex professional SLR of the year 1990’s.
Nikon F4 came to the market on September 1988 starting with the serial number 2.000.000. Fully manufactured in Japan (modules came from 3 different Nikon factories) the F4's were assembled in Mito, Ibaraki (North to Tokyo) Nikon plant (no more in the mother factory of Tokyo Oi like the Nikon’s F). When I lived in Tokyo in 1990-1991, Nikon F4 was the top-of-the-line of Nikon SLR camera’s. I saw it in particular in Shinjuku Bic Camera store when I bought there, in December 1990 my Nikonos V.
Nikon F4 incorporates many astonishing engineering features as the double vertical-travel curtain shutter capable of the 1/8000s. Compared to the Nikon F3, the F4 was an AF SLR operated by a CCD sensor (200 photo sites). The film is automatically loaded, advanced with to top speed of 5,7 frame/s !! With the MB-21 power grip (F4s version). The F4 is a very heavy camera (1.7kg with the AF Nikkor 1.4/50mm), incredibly tough and well constructed. This exemplary is devoid of any scratches or marks, and in a condition proving that it was not used for hard professional appliances, for those it was however intended. The camera has still it original Nikon neck strap, the original user manual in French. The lens is protected by a Cokin (Franc) Skylight 1A 52mm filter and the original Nikon front cap. The two small LCD displays (one on the F4 body, one in the DP-20 finder) are both affected by the classical syndrome of « bleeding ». Fortunately, all information could still be read. One says that 70% of the early Nikon F4 suffer from this problem but also found on other models.
According its serial number and the production rate of about 5000 units/month, this Nikon F4s was probably manufactured in Mito, Ibaraki, Japan in May 1989.
The idol in Hindu worship does not have independent power or existence. The Bhagwata Purana says that Prahlad first worshipped Vishnu in His spiritual body-less form. Then he made an idol and worshipped him in a physical form. Thus the physical idol is a route or stepping stone to the Formless One God. This form of idol worship is consistent with Islam because it strengthens the One Formless God. It is like the Kaaba. Read the full post www.commonprophets.com/47-abraham-and-rama-did-not-worshi...
It has been a consistent series of plus 100 degree days here in Arizona. An ‘EXCESSIVE HEAT WARNING’ (an AZ oxymoron) was issued this week. So far for July everyday has been over 104 degrees and it has been as high as 114 twice. This past June we had 25 days out of 30 go over 100 degrees and even the month of May had a couple of days go over 100. It is so hot that any thing alive is thinking about where the next drink of water is coming from. That allowed me to click a capture of a bee rehydrating and it made me wonder do bees sweat.
Piano player in Washington Square Park. He’s one of the most consistent performers there, wheeling his grand piano down the street almost every Saturday and Sunday.
photograph by stacey lundeen. project #9 by Afke Benoit and Vanessa Yanow.
from the Consistent Variable Project - first attempt.
photograph by stacey lundeen. project #2 by Krystyna Szadkowska.
from the Consistent Variable Project - first attempt.
“Consistent Repetition is the Mother of Mastery and Super Success.” - Keith Middlebrook #KeithMiddlebrook #OliviaWilde
photograph by stacey lundeen. project #18 by Terry Lynn Smith.
from the Consistent Variable Project - first attempt.
Whenever my son plays with his Super Hero Legos the first thing he does is take the hair off. Every. Single. Time.
Response is consistent with psychological repression.
Despite the hospital being without power, oxygen and water, a BBC news report of November 15th, 2023 quotes Dr Ahmed Mokhallalati as saying, “If it was up to me, I would refuse (any Israeli aid)".
This could just be an angry, frustrated response with the doctor knowing full well that if it was up to him then he would accept any medical suppllies that would help his patients, no matter what their source.
On the other hand, it could be leakage from a compounded archeotrauma (alt archaeotrauma, the psychological wound human beings sustain when their spirit is broken) in someone who has been subjected to the same post-trauma ideological indoctrination as an Hamas terrorist.
Palestinians and Hames are not two different species, one is just more extreme than the other.
Also see Evolution and Psychology Research (just a bare-bones holding page at the time of writing, but one that outlines unconventional areas of interest).
An AI (artificial intelligence) image.
Consistent and clear navigation aids that help you find the content you want - faster than ever before.
Anonymity: To make sure that anonymity methods are employed consistently, the Director of Composition will anonymize all essays after they’re submitted and before they’re scored. Method: When an instructor submits an essay in print or electronically, it will likely include identifying features (e.g., names in headers, headings). Each essay will be assigned an alphanumeric code upon its receipt, and either scissors, whiteout, or black marker will be used to remove or obscure the original identifying features (names and section numbers). Any key linking the coded essays to original essays will be kept in the Director of Composition’s locked office.
Evaluation/Scoring: Instructors will meet for a single-day scoring session after the spring semester. The Director of Composition will lead scorers through a sample essay or two (or more) to calibrate/train them to use the scoring system reliably (see attached Score Sheet/rubric). Each essay will be evaluated by two scorers. Discrepancies between scorers will not be settled with additional evaluation. Rather, the sum of the two scores will serve as the student’s score for each category. With a 0-3 scale, a student will earn from 0 to 6 points for each outcome. Other strategies would be far more complicated and would impose and value inter-rater reliability artificially and unnecessarily.
Each student essay receives a numerical score of up to 6 points for each of the 5 outcomes, along with a total score of up to 30 points. We’ll use these scores for each outcome to make claims about students’ proficiency in each of the outcomes areas.
The Director of Composition will write a summary/explanation of the various assignments or projects that generated the essays for the data set.
It’s also possible to use some student demographic information to help us make distinctions among students’ achievement levels. We’d need to collect this information at the point when the instructor submits the essays from their sections. Gender, age, race, major, whether the student has taken the course previously, perhaps course grade (although we won’t have this info until the end of the semester, after the instructors have submitted essays). We may also look at students’ achievement scores by type of assignment/project, by individual instructor, by time of section, by rank/level of instructor, by locale (on-campus and dual-credit), and perhaps other variables
Not as consistent and cohesive in my opinion as "Demons and Wizards" but definitively one of the two must own Uriah Heep albums, unless you don't like their heavy rock sound and the unique voice of David Byron (after he left, Uriah Heep became a rather pedestrian heavy metal band). Their craft reaches its height on "July Morning" which brings together a greater subtlety in rhythm and timing, tremendous riffs and that voice. For More 5 Star Reviews Look At Yourself
photograph by stacey lundeen. project #12 by Helle Derrick.
from the Consistent Variable Project - first attempt.
FaithInvest and Christian Aid co-hosted a Liveable Futures conference in London, on 15 May 2023, focusing on how business networks, investors and development agencies can work more closely together to fund development for people and planet.
via Trends Today bit.ly/UZGIci
Andrea Stramaccioni : Inter Milan against Lazio Must be Consistent Now : Inter Milan have always performed well against the big teams. Inter Milan coach Andrea Stramaccioni want to look back when competing with Lazio.
In the current Serie A Inter Milan came in second with a gain of 34 points from 16 games, and four points behind Juventus who are in the first position.
Consistency presented at Inter Milan beat Fiorentina, AC Milan, Juventus and Napoli. This weekend La Beneamata will compete at home against Lazio is in fourth place.
Inter Milan always lose in the last two seasons while competing against Lazio at the Olimpico. This is not an easy job for Andrea Stramaccioni. Inter Milan are expected to beat Lazio to get three points.
“I prefer this way than the other way – the power of Inter who have shown when dueling with the team has given us confidence that we can perform well,” said Stramaccioni on Football Italia.
“My goal but Inter Milan Juventus instead., And that is what is on my mind today and tomorrow against Lazio. We have a very important test that we continue to perform consistently.”
The post Andrea Stramaccioni : Inter Milan against Lazio Must be Consistent Now appeared first on Trends Today.
The Plantation Course is consistently ranked as the #1 golf course in Hawaii by Golf Digest Magazine Golfweek Magazine. Every January, the Sentry Tournament of Champions is held at this course designed by renowned golf architects Ben Crenshaw and Bill Coore. The natural and dramatic elevation changes allows the 7,411 yard par 73 course challenging to avid golfers.
In addition to being a world-class course, the Bay Course has hosted more than 20 professional tournaments, including multiple PGA and LPGA Tour Events. Opened in 1975, it is known for having the only hole to play over the Pacific Ocean in Maui. Golfers of all skill levels appreciate this championship course for its gorgeous views and gentle rolling fairways.
photograph by stacey lundeen. project #26 by Aldo Barrios.
from the Consistent Variable Project - first attempt.
Un total de 78 estudiantes se benefician este curso de las ayudas de la Fundación Lucio de las Casas, consistentes en la dotación de material tecnológico básico a alumnado matriculado en titulaciones oficiales de Grado y Máster. La entrega de los dispositivos (38 ordenadores portátiles y 40 tablets) se ha hecho efectiva, el viernes 12 de enero, en un acto en la sede institucional, al que han asistido el Rector de la ULPGC, Lluís Serra, y el Vicerrector de Estudiantes, Alumni y Empleabilidad, David Sánchez.
Más información: www.ulpgc.es/noticia/2024/01/12/78-estudiantes-se-benefic...
.
Against Commercialisation and Exclusion, .
Communalism and Corporate loot, Central Panel.
Gender and Caste Violence, .
.
President: Akbar Chawdhary.
Strengthen the Struggles for Social .
4.9.12 Dignity and Inclusion, Campus Vice-President: Anubhuti Agnes Bara Democracy and People's Rights! Uphold the Politics of Commitment and Gen. Secy. Sandeep Saurav .
Consistent Struggle! Reject the Culture of Jt. Secy.: Sarfaraz Hamid .
Hollow Rhetoric and Sabotage! .
SLL&CS.
sss SIS Abhinay SAA.
.
Ashutosh.
Chintu .
Ashutosh Kumar Fatima Masuma Nasiri Sushil Yati.
.
Kritika Negi Geeta Kumari.
Pankaj Singh Kushwaha CSLG.
MadhubaniSen .
Habibullah.
Tiamongla lmchen AnantPrakash Narayan.
Rama Naga .
Vijay Kumar.
Ummul Kher.
Sunitaa Saikia .
Oppose the Discriminatory Move to Remove Foreign Languages From UPSC! .
In recent times, the UPSC had introduced several changes to its rules and regulations: passing an English language .
paper had been made mandatory, and having a regional language as the medium ofwriting the examination had been .
prohibited unless at least 25 students wanted it. While the UPSC was forced to withdraw these clauses after protests .
across the country, a newly introduced regulation restricting students from choosing foreign languages as an .
optional in the UPSC exam STILL CONTINUES! Therefore, under this clause, candidates cannotchoose subjects .
.
such as French, Chinese, Japanese etc. and even Arabic and Persian as their optional in the UPSC exam, since all .
'. This completely illogical and openly discriminatory clause-which discriminates .
these have been deemed to be 'foreign.
against students who are pursuing an education in several foreign languages-needs to be opposed. .
'merit', and discriminates against students from varied and deprived .
.
To begin with, it promotes a highly elite notion of .
subject-when these languages are being offered and being taught in several colleges and universities across thebackgrounds. There is absolutely no reason to debar students from choosing foreign languages as their optional .
countrv. Such clauses and regulations are simply intended to exclude rather than expand the scope of .
inclusion. Secondly, even Arabic and Persian, which have been taught in this country for centuries, have been .
languages. As a result, hundreds of students from Madarsa backgrounds, and who are pursuing a termed as 'foreign' higher education in these languages, will now not be able to choose the subject of their academic interest as an .
'modernising' Madarsa education and bringing mainstream'. And on the other hand, almostsimultaneously.
optional in the UPSC exam. On the one hand, there 'are tall claims of .
the students from madarsa backgrounds into the .
.
such discriminatory clauses are introduced which close several doors and options to such students! The intention of our policy-makers is crystal clear: they are forced by public pressure to give lip service to notions of .
inclusion'. but they ensure through hook or crook that the system remains as exclusionary and inaccessible as ever. .
'Recently, the IBPS had also introduced several discriminatory clauses, such as fixing 60% in UG as minimum .
eligibility and reduction in age ofcandidates from 30 to 28 for appearing in Bank P.O. exams. Itwas only after a spirited and widespread struggle (in which AISA played a leading role), that the IBPS was forced to withdraw these regulations. FYUP in Delhi University is doing immense damage to the career prospects of students and has miserably curtailed permanentfaculty posts endangering thejob prospects ofthousands ofresearch scholars aspiring .
for teaching profession. Clearly, whether it is the UPSC, FYUP or the IBPS, there are systemic attempts to curtail the scope of access to jobs. .
AISA has been spearheading several struggles on these issues. The JNUSU and the JNU student community .
will haveto strongly fight against this entire package of policy offensives designed by the neo-liberal govt of the day to stifle the opportunities of egalitarian education and dignified jobs. AISA demands that the UPSC's discriminatory .
move to exclude foreign languages as optional subjects in UPSC must be scrapped. .
Gujarat Fake Encounters: Now the Hitman Exposes the Masterminds! .
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Vanzara's Resignation Letter: Unfolding Truth About Modi's Murderous Regime Along with the 2002 communal pogrom, Gujarat's series offake encounterstoo have emerged as something that will haunt Modi in his bid to be PM. DG Vanzara, Modi's pet cop accused of several fake encounters, has written a stinging resignation letter, a letter that makes for ugly reading. It is not the letter of an honest and upright police officer protesting against a dishonest .
political regime. Itis notthevoice ofconscience. It is the letter ofa desperate, cornered hitman warning his mafia boss that he .
can reveal unpleasant secrets. In essence, what Vanzara's 10 page missive is doing warning Modi and the Gujarat Government: ' llmake sure you drown with us.' 'We sink or swim together. We did your dirtyjobs foryou. Ifyou don't protect us dirtycops, weA close reading ofVanzara's words and his silences reveals many interesting things. Let's look at some of them. .
Vanzara, accused in the lshrat Jehan, Sadiq Jamal, and Sohrabuddin Sheikh/Tulsiram Prajapati fake encounter cases, says, "I .
would like to categorically state in the most unequivocal wordsthat the officers and men o'f Crime Branch, ATS and Border Range, .
during the period ofyears between 2002 to 2007, simply acted and performed their duties in compliance ofthe conscious policy.
P.T.O. .
ofthis government." .
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