Fashion design is the art of the application of design and aesthetics or natural beauty to clothing and accessories. Fashion design is influenced by cultural and social latitudes, and has varied over time and place. Fashion designers work in a number of ways in designing clothing and accessories such as bracelets and necklace, because of the time required to bring a garment onto the market, must at times anticipate changing consumer tastes.

Fashion designers attempt to design clothes which are functional as well as aesthetically pleasing. They must consider who is likely to wear a garment and the situations in which it will be worn. They have a wide range and combinations of materials to work with and a wide range of colors, patterns and styles to choose from. Though most clothing worn for everyday wear falls within a narrow range of conventional styles, unusual garments are usually sought for special occasions such as evening wear or party dresses.

Some clothes are made specifically for an individual, as in the case of haute couture or bespoke tailoring. Today, most clothing is designed for the mass market, especially casual and every-day wear.

Structure[edit]

Fashion designers can work in a number of many ways. Fashion designers may work full-time for one fashion as 'in-house designers' which owns the designs. They may work alone or as part of a team. Freelance designers work for themselves, selling their designs to fashion houses, directly to shops, or to clothing manufacturers. The garments bear the buyer's label. Some fashion designers set up their own labels, under which their designs are marketed. Some fashion designers are self-employed and design for individual clients. Other high-fashion designers cater to specialty stores or high-fashion department stores. These designers create original garments, as well as those that follow established fashion trends. Most fashion designers, however, work for apparel manufacturers, creating designs of men’s, women’s, and children’s fashions for the mass market. Large designer brands which have a 'name' as their brand such as Abercrombie & Fitch, Justice, or Juicy are likely to be designed by a team of individual designers under the direction of a designer director.

Designing a garment[edit]

Fashion designers work in different ways. Some sketch their ideas on paper, while others drape fabric on a dress form. When a designer is completely satisfied with the fit of the toile (or muslin), he or she will consult a professional pattern maker who then makes the finished, working version of the pattern out of card or via a computerized system. The pattern maker's job is very precise and painstaking. The fit of the finished garment depends on their accuracy. Finally, a sample garment is made up and tested on a model to make sure it is an operational outfit.

Fashion design is generally considered to have started in the 19th century with Charles Frederick Worth who was the first designer to have his label sewn into the garments that he created. Before the former draper set up his maison couture (fashion house) in Paris, clothing design and creation was handled by largely anonymous seamstresses, and high fashion descended from that worn at royal courts. Worth's success was such that he was able to dictate to his customers what they should wear, instead of following their lead as earlier dressmakers had done. The term couturier was in fact first created in order to describe him. While all articles of clothing from any time period are studied by academics as costume design, only clothing created after 1858 are considered as fashion design.

It was during this period that many design houses began to hire artists to sketch or paint designs for garments. The images were shown to clients, which was much cheaper than producing an actual sample garment in the workroom. If the client liked their design, they ordered it and the resulting garment made money for the house. Thus, the tradition of designers sketching out garment designs instead of presenting completed garments on models to customers began as an economy.

The garments produced by clothing manufacturers fall into three main categories, although these may be split up into additional, more specific categories

Haute couture[edit]

Main article: Haute couture

Until the 1950s, fashion clothing was predominately designed and manufactured on a made-to-measure or haute couture basis (French for high-sewing), with each garment being created for a specific client. A couture garment is made to order for an individual customer, and is usually made from high-quality, expensive fabric, sewn with extreme attention to detail and finish, often using time-consuming, hand-executed techniques. Look and fit take priority over the cost of materials and the time it takes to make.[1][2] Due to the high cost of each garment, haute couture makes little direct profit for the fashion houses, but is important for prestige and publicity.[3]

Ready-to-wear (pret-a-porter)[edit]

Main article: Ready-to-wear

Ready-to-wear clothes are a cross between haute couture and mass market. They are not made for individual customers, but great care is taken in the choice and cut of the fabric. Clothes are made in small quantities to guarantee exclusivity, so they are rather expensive. Ready-to-wear collections are usually presented by fashion houses each season during a period known as Fashion Week. This takes place on a city-wide basis and occurs twice a year. The main seasons of Fashion Week include, spring/summer, fall/winter, resort, swim, and bridal.

Mass market[edit]

Main article: Mass market

Currently the fashion industry relies more on mass market sales. The mass market caters for a wide range of customers, producing ready-to-wear garments using trends set by the famous names in fashion. They often wait around a season to make sure a style is going to catch on before producing their own versions of the original look. In order to save money and time, they use cheaper fabrics and simpler production techniques which can easily be done by machine. The end product can therefore be sold much more cheaply.[4][5][6]

There is a type of design called "kutch" design originated from the German word "kitschig" meaning "ugly" or "not aesthetically pleasing." Kitsch can also refer to "wearing or displaying something that is therefore no longer in fashion."[7] Often, high-waisted trousers, associated with the 1980s, are considered a "kitsch" fashion statement.[8]

Income[edit]

Globe icon.

The examples and perspective in this section may not represent a worldwide view of the subject. Please improve this article and discuss the issue on the talk page. (December 2010)

Median annual wages for salaried fashion designers were $61,160 in May 2008. The middle 50 percent earned between $42,150 and $87,120.[9] The lowest 10 percent earned less than $32,150, and the highest 10 percent earned more than $124,780. Median annual earnings were $52,860 (£28,340) in apparel, piece goods, and notions - the industry employing the largest numbers of fashion designers.[10]

The world's largest computerized facade on the Al Bahr towers in Abu Dhabi

Equipment: Celestron NexStar 8SE Computerized Telescope, CGEM Mount, 80mm PHD guide scope.

Camera: Canon T1i

Exposure: 2'40" x ISO1600 x 3 frames

This is a LEGO radiotherapy playset with a medical linear accelerator (LINAC), a CT scanner (computer tomograph) for treatment planning, and a control room for both LINAC and CT scanner.

Belville figures comprise the staff; brick separators receive their treatments - they suffer from diseases that require radiotherapy.

The control room (middle) is manned with a medical physicist, responsible for treatment planning, and an RT nurse at the CT scanner. In addition there is a brick separator on a stretcher waiting for his treatment.

(There is some indication that the staff are somewhat nerdy.)

The LINAC room is on the left side. There are two cameras for patient surveillance.

A shelf contains some masks, a wingboard, and a knee cushion. A radiation-shielding door provides access from the control room. It may be opened and closed.

A brick separator is currently being treated.

The LINAC has an on-board imaging system and a portal vision; both can be deployed. The gantry can be rotated, and the patient table may be swiveled.

The CT room is to the right; another brick separator is being scanned. The patient table is movable.

Modularity in technology and management[edit]

The term modularity is widely used in studies of technological and organizational systems. Product systems are deemed “modular”, for example, when they can be decomposed into a number of components that may be mixed and matched in a variety of configurations.[1][2] The components are able to connect, interact, or exchange resources (such as energy or data) in some way, by adhering to a standardized interface. Unlike a tightly integrated product whereby each component is designed to work specifically (and often exclusively) with other particular components in a tightly coupled system, modular products are systems of components that are “loosely coupled.”[3]

In The Language of New Media, Lev Manovich proposes five “principles of new media”—to be understood “not as absolute laws but rather as general tendencies of a culture undergoing computerization.”[4] The five principles are numerical representation, modularity, automation, variability,and transcoding. Modularity within new media represents new media as being composed of several separate self-sufficient modules that can act independently or together in synchronisation to complete the new media object. In Photoshop, modularity is most evident in layers; a single image can be composed of many layers, each of which can be treated as an entirely independent and separate entity. Websites can be defined as being modular, their structure is formed in a format that allows their contents to be changed, removed or edited whilst still retaining the structure of the website, this is because the websites content operates separately to the website and does not define the structure of the site. The entire Web, Manovich notes, has a modular structure, composed of independent sites and pages, and each webpage itself is composed of elements and code that can be independently modified.[5]

Organizational systems are said to become increasingly modular when they begin to substitute loosely coupled forms for tightly integrated, hierarchical structures.[6] For instance, when the firm utilizes contract manufacturing rather than in-house manufacturing, it is using an organizational component that is more independent than building such capabilities in-house: the firm can switch between contract manufacturers that perform different functions, and the contract manufacturer can similarly work for different firms.[citation needed] As firms in a given industry begin to substitute loose coupling with organizational components that lie outside of firm boundaries for activities that were once conducted in-house, the entire production system (which may encompass many firms) becomes increasingly modular. The firms themselves become more specialized components. Using loosely-coupled structures enables firms to achieve greater scope flexibility and scale flexibility.[6] The firm can switch easily between different providers of these activities (e.g., between different contract manufacturers or alliance partners) compared to building the capabilities for all activities in house, thus responding to different market needs more quickly. However, these flexibility gains come with a price. Therefore the organization must assess the flexibility gains achievable, and any accompanying loss of performance, with each of these forms.

Modularization within firms leads to the disaggregation of the traditional form of hierarchical governance.[7][8][9] The firm is decomposed into relatively small autonomous organizational units (modules) to reduce complexity. Modularization leads to a structure, in which the modules integrate strongly interdependent tasks, while the interdependencies between the modules are weak. In this connection the dissemination of modular organizational forms has been facilitated by the widespread efforts of the majority of large firms to re-engineer, refocus and restructure. These efforts usually involve a strong process-orientation: the complete service-provision process of the business is split up into partial processes, which can then be handled autonomously by cross-functional teams within organizational units (modules). The co-ordination of the modules is often carried out by using internal market mechanisms, in particular by the implementation of profit centers. Overall, modularization enables more flexible and quicker reaction to changing general or market conditions. Building on the above principles, many alternative forms of modularization of firms are possible. However, it is crucial to note that modularization is not an independent and self-contained organizational concept, but rather consists of several basic ideas, which are integral parts of other organizational concepts. These central ideas can be found in every firm. Accordingly, it is not sensible to characterize a firm as "modular" or as "not modular", because firms are always modular to a greater or lesser degree.

Graphic and Frame, made with 'Ljómi' ! 2007© All rights reserved. View On Black

Original Photo: Melody Kozmeniuk at

flickr.com/photos/melodykozmeniuk/2036626578/

©Melody Kozmeniuk/Finn Traalle Jacobsen

The L. C. Smith & Corona company has been experiencing a decline in sales since the mid 1980s due to the increasing adoption of computerized word processing.

This is a Photo that Sri Sathya Sai materialized for a Christian Devotee from a computerized print of the Shroud of turin. I will give details later on this awesome story.

Continuing where I left off:

After the bhajans there was a guest speaker from England, Dr. Carol Bruce Llam. She had some photos with her, pictures of the Master Jesus. These striking and unusual prints captured my attention, since I am a Christian, Jesus occupies a special place in my heart. I felt as if Sai Baba was making me really feel at home on my first visit.

Carol Bruce related an intriguing story about the source of these photos: A Christian devotee of Sai Baba went to India seeking His blessings.. During Darshan she held in her right palm a rosary with a crucifix and in her left a print of picture taken from an NASA computerized photograph depicting the face appearing on the Shroud of Turin. Baba brushed aside the the crucifix and said to her, "why do you worship a suffering Christ? " wouldn't you prefer to worship the risen and glorified Christ?" The devotee totally amazed and speechless could only shake her head energetically several times in the affirmative.

Sai Baba waved his hand over the NASA computer print and the print became blank and enlarged in size, He waved His hand again over the now blank print and as if in a dark room observing a photograph coming to life or similarly seeing a polaroid developing, what occurred defied all known scientific and material laws. Before the eyes of the astonished devotee, Sai Baba formed the image of Jesus the Christ after the resurrection. Some students who have obtained copies of this photograph have indicated that it generates powerful beneficial energies in the environment in which it is placed.

Best view www.flickr.com/photo_zoom.gne?id=166346784&size=o

Patriots Point Naval and Maritime Museum

An inertial guidance assembly (white unit) in its test fixture being electronically tested by an automated computerized test console

The park's first rollercoaster. The ride is still in operation, although it has been re-tracked at least once and can no longer operate with all four trains. They computerized it and no computer can run all four trains like a well trained operator was able to do.

Old NS CTC board in the Greenville SC dispatchers office. Taken June 1990. This office has been replaced twice over with a new state of the art computerized dispatcher center.

CT scan of brain showing 3cm benign meningioma

You can hear the computerized voice now..."The Next Stop Will Be 7&I - County Center" after which you hear "The Next Stop Will Be 7&K - Saint Rose". Take 2.

©2002-2011 FranksRails.com Photography

jubao.cc

Contacts:Sophy

jubao01@jubao.cc

msn:jubao_tec@hotmail.com

skype:jubaotec

tel:86-595-82050111

glove dotting machine,glove dotting machines,pvc glove dotting machine,glove dotting machinery,PVC GLOVE DOTTING AND PRINTING MACHINE,best quality glove dotting machine,glove making machine,glove machinery, PVC glove dotting coating machine, PVC Cloth coating and dotting machine, computerized glove dotting machine

Computerized learning facility in a private school in South Korea

Remember back when computers were all the rage for finding the right mate? Select a date, select a mate, compatibility rating, all of the romance that had existed without electronic assistance suddenly became computer-generated. The above photo was taken in the 80s when the internet was at its dawning and PCs were still strange

The begin screen of PALS – the first computerized library system at UOW running on the Univac 1106 mainframe computer.

this has been a busy week, with Zack graduating on Sunday.

this is the first day of my vacation, so i can't think of a more interested way to get it started.

this weeks words:

Idea

Envelope

Ingot

Jeroboam

Kransky

Literature

Quarter

Urban

Xylophone

Yoghurt

Goethe

Zaire

What do you call the computerized banking machine that dispenses money?

Spinal Decompression Therapy is FDA cleared and has been clinically proven for pain associated with herniated or bulging discs even after failed surgery. It is a non-surgical, computerized traction therapy for the relief of back and leg pain or neck and arm pain. If you, or anyone you know are interested in laser spine surgery in Boise, Idaho, or would like more information please call Advantage Walk-In Chiropractic @ (208) 375-2225.

Address:- 3211 N. Milwaukee St., Boise, ID 83704

Phone:- (208) 375-2225

Website:- walkinchiro.com

A forgotten Art in an age of computerized printing….

“Computerization” / 12″ x 12″ / acrylic, paper, pencil, yes!, canvas

©2011 Braydon Fuller

This work is available under the terms of an Attribution-ShareAlike license.

Download 600dpi / TIFF / Zip Archive / 112MB

More at: The Post-Software Movement

Diefenbunker: Canada's Cold War Museum

OTTAWA SEMI-AUTOMATIC EXCHANGE (OSAX)

Inevitably, computerization replaced earlier communications technologies. The OSAX computers were cutting edge and top secret in the early 1980s.

The original Burroughs 4800 mainframe computers, similar to the ones here, were enormous, both in terms of size and relative processing power. They handled more than 100,000 messages per month, and connected the Bunker to Canadian and allied military bases around the globe.

The room rests on a raised platform. Underneath, cables connect the computers and a ventilation system cools the hard-working equipment. Once the doors are closed, the OSAX is what the military calls a "TEMPEST room", shielded from floor to ceiling in metal to prevent electronic eavesdropping.

The computers' sole connection to the outside world was via secure optic fibre; data was stored on large magnetic tapes. The average smartphone has more computing power-but just try to get a signal in the Bunker.

Teletype machines were also in use in OSAX. Starting in the early 1990s, large computers were phased out in favour of PCs.

“…there were a lot of places in here that were restricted... OSAX was the most restricted area."

Janet Puddicombe, Teletype Operator/Communicator

(1981-1987)

Opened in 1964, the Burke Baker Planetarium has presented astronomical programs to millions of visitors from school groups to the general public. The computerized SkySkan DigitalSky starfield projector is the most advanced in the world, simulating stars, planets, comets, nebulous objects and other special effects, including three-dimensional flights through space. A state-of-the-art digital stereo sound system enhances the Dome Theatre's special effects.

Houston, Texas

Text stolen from: hmns.org

Newspaper photo from May 12, 1983 issue of Burlington county Times. This opening was a big event here for movie fans since this was the first multiplex in the area. Features here were state of the art projectors, seats that conformed to people's shapes, computerized ticket system and a huge concession stand.

Best Large-These flowers peak for only 2 weeks per year...you feel like you are walking in heaven...except for the ants....here in Infra Red...by little digital beings that paint with computerized paint brushes powered by peanuts and Monster energy drinks.

Every season has its own glory (James Watkins)

Every season has its own glory,

Every purpose has its own time,

Every moment has its own story,

Every story has its own line.

I have walked deep into cities,

Shining brightly never to fail,

Listened to heart cries,

Lost in the morning,

Standing on corners

Stagnant and stale.

Where is the hope

That brought forth the laughter?

Where is the song?

The music unveiled?

Why are the choices so

Wasted and bitter?

Gathered in hatred,

Broken and pale.

I have seen (new) stars on the mountains,

Fed on the movement of heaven and earth-

Fired up frameworks

Of perfect perspective,

Fueled by the turning of terrible truth.

Come now and sing of mists in the forest,

Sensual sonnets of songs in the dirt-

Come and behold the delicate balance

Of seasons and reasons and rhythms

And birth.

There are the voices lost in confusion,

Crushed in the thriving, deepening swale-

Calloused and cold the circling convenience,

Crippled commotion emotions prevail.

Beacons of quiet in last true performance,

Heralded nature in singular cause-

Perfect and pure

Though wasted and slandered.

Washed by confessional

Smoldering awe.

Severed connections, squandered projections-

Revered reflections, stammering tongues-

Coined by controlling contriving convections,

In different directions now written in stone.

Now is the time to look to the heavens,

Now is the moment to take up the cause,

Now is the voice of blazing amazement,

Borne on the winds of the gathering storm.

Listen to stream, listen to forest,

Listen to flower, and staggering fawn-

Listen to voices rolling like thunder,

Drink of the waters

And dance with the dawn.

Wrapped in the garments of natural beauty,

Facing the force of burgeoning call-

Strong in the seasons of life and creation,

Firm on foundations that never will fall.

James Watkins 09-01-08

Sagrada Família or Basílica i Temple Expiatori de la Sagrada Família (Catalan) or Basílica de la Sagrada Familia (Spanish) or Basilica of the Holy Family, is a large still largely unfinished church building in the Eixample district of Barcelona, Catalonia, Spain. Designed by the Catalan architect Antoni Gaudí (1852–1926), his work on Sagrada Família is part of a UNESCO World Heritage Site. On 7 November 2010, Pope Benedict XVI consecrated the church and proclaimed it a minor basilica. On 19 March 1882, construction of the Sagrada Família began under architect Francisco de Paula del Villar. In 1883, when Villar resigned, Gaudí took over as chief architect, transforming the project with his architectural and engineering style, combining Gothic and curvilinear Art Nouveau forms. Gaudí devoted the remainder of his life to the project, and he is buried in the crypt. At the time of his death in 1926, less than a quarter of the project was complete. Relying solely on private donations, the Sagrada Família's construction progressed slowly and was interrupted by the Spanish Civil War. In July 1936, revolutionaries set fire to the crypt and broke their way into the workshop, partially destroying Gaudí's original plans, drawings and plaster models, which led to 16 years of work to piece together the fragments of the master model. Construction resumed to intermittent progress in the 1950s. Advancements in technologies such as computer aided design and computerized numerical control (CNC) have since enabled faster progress and construction passed the midpoint in 2010. However, some of the project's greatest challenges remain, including the construction of ten more spires, each symbolizing an important Biblical figure in the New Testament. It was anticipated that the building would be completed by 2026, the centenary of Gaudí's death, but this has now been delayed due to the COVID-19 pandemic. The basilica has a long history of splitting opinion among the residents of Barcelona: over the initial possibility it might compete with Barcelona's Cathedral, over Gaudí's design itself, over the possibility that work after Gaudí's death disregarded his design, and the 2007 proposal to build a tunnel nearby as part of Spain's high-speed rail link to France, possibly disturbing its stability. Describing the Sagrada Família, art critic Rainer Zerbst said "it is probably impossible to find a church building anything like it in the entire history of art", and Paul Goldberger describes it as "the most extraordinary personal interpretation of Gothic architecture since the Middle Ages". The basilica is not the cathedral church of the Archdiocese of Barcelona, as that title belongs to the Cathedral of the Holy Cross and Saint Eulalia (Barcelona Cathedral). The Basílica de la Sagrada Família was the inspiration of a bookseller, Josep Maria Bocabella, founder of Asociación Espiritual de Devotos de San José (Spiritual Association of Devotees of St. Joseph). After a visit to the Vatican in 1872, Bocabella returned from Italy with the intention of building a church inspired by the basilica at Loreto. The apse crypt of the church, funded by donations, was begun 19 March 1882, on the festival of St. Joseph, to the design of the architect Francisco de Paula del Villar, whose plan was for a Gothic revival church of a standard form. The apse crypt was completed before Villar's resignation on 18 March 1883, when Antoni Gaudí assumed responsibility for its design, which he changed radically. Gaudi began work on the church in 1883 but was not appointed Architect Director until 1884. On the subject of the extremely long construction period, Gaudí is said to have remarked: "My client is not in a hurry." When Gaudí died in 1926, the basilica was between 15 and 25 percent complete. After Gaudí's death, work continued under the direction of his main disciple Domènec Sugrañes i Gras until interrupted by the Spanish Civil War in 1936. Parts of the unfinished basilica and Gaudí's models and workshop were destroyed during the war by Catalan anarchists. The present design is based on reconstructed versions of the plans that were burned in a fire as well as on modern adaptations. Since 1940, the architects Francesc Quintana, Isidre Puig Boada, Lluís Bonet i Gari and Francesc Cardoner have carried on the work. The illumination was designed by Carles Buïgas. The director until 2012 was the son of Lluís Bonet, Jordi Bonet i Armengol. He has been introducing computers into the design and construction process since the 1980s. In 2012, Barcelona-born Jordi Faulí i Oller took over as architect of the project. Mark Burry of New Zealand serves as Executive Architect and Researcher. Sculptures by J. Busquets, Etsuro Sotoo and the controversial Josep Maria Subirachs decorate the fantastical façades. The central nave vaulting was completed in 2000 and the main tasks since then have been the construction of the transept vaults and apse. As of 2006, work concentrated on the crossing and supporting structure for the main steeple of Jesus Christ as well as the southern enclosure of the central nave, which will become the Glory façade. The church shares its site with the Sagrada Família Schools building, a school originally designed by Gaudí in 1909 for the children of the construction workers. Relocated in 2002 from the eastern corner of the site to the southern corner, the building now houses an exhibition. Chief architect Jordi Faulí announced in October 2015 that construction was 70 percent complete and had entered its final phase of raising six immense steeples. The steeples and most of the church's structure are to be completed by 2026, the centennial of Gaudí's death; as of a 2017 estimate, decorative elements should be complete by 2030 or 2032. Visitor entrance fees of €15 to €20 finance the annual construction budget of €25 million. Computer-aided design technology has been used to accelerate construction of the building. Current technology allows stone to be shaped off-site by a CNC milling machine, whereas in the 20th century the stone was carved by hand. In 2008, some renowned Catalan architects advocated halting construction to respect Gaudí's original designs, which, although they were not exhaustive and were partially destroyed, have been partially reconstructed in recent years. In 2018, the stone type needed for the construction was found in a quarry in Brinscall, near Chorley, England. The main nave was covered and an organ installed in mid-2010, allowing the still-unfinished building to be used for liturgies. The church was consecrated by Pope Benedict XVI on 7 November 2010 in front of a congregation of 6,500 people. A further 50,000 people followed the consecration Mass from outside the basilica, where more than 100 bishops and 300 priests were on hand to distribute Holy Communion. Gaudí's original design calls for a total of eighteen spires, representing in ascending order of height the Twelve Apostles, the Virgin Mary, the four Evangelists and, tallest of all, Jesus Christ. Nine spires have been built as of 2021, corresponding to four apostles at the Nativity façade and four apostles at the Passion façade and the Virgin Mary spire. According to the 2005 "Works Report" of the project's official website, drawings signed by Gaudí and recently found in the Municipal Archives, indicate that the spire of the Virgin was in fact intended by Gaudí to be shorter than those of the evangelists. The spire height will follow Gaudí's intention, which according to the report will work with the existing foundation. The Evangelists' spires will be surmounted by sculptures of their traditional symbols: a winged bull (Saint Luke), a winged man (Saint Matthew), an eagle (Saint John), and a winged lion (Saint Mark). The central spire of Jesus Christ is to be surmounted by a giant cross; its total height (172.5 meters (566 ft)) will be less than that of Montjuïc hill in Barcelona, as Gaudí believed that his creation should not surpass God's. The lower spires are surmounted by communion hosts with sheaves of wheat and chalices with bunches of grapes, representing the Eucharist. Plans call for tubular bells to be placed within the spires, driven by the force of the wind, and driving sound down into the interior of the church. Gaudí performed acoustic studies to achieve the appropriate acoustic results inside the temple. However, only one bell is currently in place.

The completion of the spires will make Sagrada Família the tallest church building in the world—11 meters taller than the current record-holder, Ulm Minster, which is 161.5 meters (530 ft) at its highest point. The Church will have three grand façades: the Nativity façade to the East, the Passion façade to the West, and the Glory façade to the South (yet to be completed). The Nativity Façade was built before work was interrupted in 1935 and bears the most direct Gaudí influence. In 2010 an organ was installed in the chancel by the Blancafort Orgueners de Montserrat organ builders. The instrument has 26 stops (1,492 pipes) on two manuals and a pedalboard. To overcome the unique acoustical challenges posed by the church's architecture and vast size, several additional organs will be installed at various points within the building. These instruments will be playable separately (from their own individual consoles) and simultaneously (from a single mobile console), yielding an organ of some 8,000 pipes when completed. Together with six other Gaudí buildings in Barcelona, part of la Sagrada Família is a UNESCO World Heritage Site, as testifying "to Gaudí's exceptional creative contribution to the development of architecture and building technology", "having represented el Modernisme of Catalonia" and "anticipated and influenced many of the forms and techniques that were relevant to the development of modern construction in the 20th century". The inscription only includes the Crypt and the Nativity Façade.

Auto Body Repair Shop

Next Auto Body ,

1378 Los Angeles Avenue ,

Simi Valley,CA,93065,USA ,

Phone: 805-581-6170 ,

Fax: 805-526-2126 ,

Contact Person:Christian Udaeta ,

Contact Email: nextautobody@sbcglobal.net ,

Website: thenala.com/directory/next-auto-body-shop ,

You Tube URL: www.youtube.com/watch?v=SM3gh-BKJgo

Visto desde Asunción, Paraguay - 4:30 A.M.- 27/12/2011

The almost one-mile long Bogazici Bridge across the Bosporus was the fourth longest suspension bridge in the world when it opened in 1973. It now ranks 21st. The computerized LED lighting system was installed in 2007.

Auto Body Repair Shop

Next Auto Body ,

1378 Los Angeles Avenue ,

Simi Valley,CA,93065,USA ,

Phone: 805-581-6170 ,

Fax: 805-526-2126 ,

Contact Person:Christian Udaeta ,

Contact Email: nextautobody@sbcglobal.net ,

Website: thenala.com/directory/next-auto-body-shop ,

You Tube URL: www.youtube.com/watch?v=SM3gh-BKJgo

A computerized portrait.

A milestone has been reached in the creation of the first-ever computerized inventory of Chinese historical records and artifacts in BC, which will showcase the rich cultural history of Chinese Canadians in the province.

Learn more: www.newsroom.gov.bc.ca/2015/04/inventory-pilot-demonstrat...

These little Gnomes are the cutest I've seen in a long while. The simple graphic style and their enthusiasm for numbers makes them even more adorable!

Detail of a multiplication card set No. 8122 designed to be used with "Charlie The Lovable Teaching Robot." Copyright 1980, Educational Insights. I found the box of cards for 50 cents at a thrift store. Apparently, Charlie was the forerunner to the Leapster-style children's computerized learning machines.

At the Cancer Center at Wise Regional we are proud to provide our patients with access to the most sophisticated diagnostic technology including PET/CT scans. This advanced imaging tool combines positron emission tomography (PET) with computerized tomography (CT) that allows oncologists to precisely pinpoint the location of cancer.

Equipment: Celestron NexStar 8SE Computerized Telescope, NexImage Solar System Imager, Star Pointer

Camera: Canon PowerShot A610

Shutter Speed: 1/15 s

Location: Valencia, Venezuela

Date/Time: Dec 02, 2009 at 01:17

An amazing display of computerized control of each single stream of rain to form images. Difficult to capture due to low lighting..

This was the first year for this inflatable Santa that we picked up on sale at Walgreen's.

Our 2010 Christmas lights in Round Rock, Texas consisted of 14,260 LED lights using around 1400 watts and less than 12 amps of electricity. The Christmas lights were synchronized to music by computer that people listen to on 106.9 FM. Lights were shown on CNN, GMA, KVUE, Fox New's O'Reilly Factor, and our local Fox station.

CNC plasma cut sample shown in raw mild steel. One of 1000 designs available. See www.rusticironcreations.com for more details.

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Needlepoint map features dots indicating Ramada locations around the nation. Map reminds me of the old weatherboards on local TV newscasts that were marked with grease pencils or magnetic symbols in the days before computerized maps became the standard.

Ramada's "Welcome Home" campaign was designed to promote the chain's hotels as offering a more old-fashioned home-like image against archrival Holiday Inns' "No Surprises" campaign of the same period.

Ramada Inns ran a companion TV ad to this slick in the U.S. on network television (CBS, NBC and ABC) during 1973 and 1974 with "Welcome Home" theme. That commercial (previously posted here but now gone due to removal from YouTube for use violation) was filmed at the old Ramada Inn on East Van Buren in Phoenix, which was across the street from Ramada's corporate headquarters complex. The hotel itself was demolished several years ago and is now a vacant field.

Just outside the windows, the village garden with colorfull flowers - From roll of film - Digital PC work computerized Photo, with layers, and different alterations - to look like an art drawing.)

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Camera: CANON AE1

The dahlia is named after Swedish 18th-century botanist Anders Dahl. Until recently they were also named in Germany as "georgine" by the botanist Carl Ludwig Willdenow, after the naturalist Johann Gottlieb Georgi of St. Petersburg.

Kingdom: Plantae

Division: Magnoliophyta

Class: Magnoliopsida

Order: Asterales

Family: Asteraceae

Genus: Dahlia

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Here we see an active FRED/HOT link. Rear 88 is the brake pipe pressure on the rear car. EM Enabled indicates FRED and the HOT are armed. Charge used indicates how much of the battery charge has been used. This can be deceiving with air powered FREDs as they are always charging when there is air in the brake pipe.

Auto Body Repair Shop

Next Auto Body ,

1378 Los Angeles Avenue ,

Simi Valley,CA,93065,USA ,

Phone: 805-581-6170 ,

Fax: 805-526-2126 ,

Contact Person:Christian Udaeta ,

Contact Email: nextautobody@sbcglobal.net ,

Website: thenala.com/directory/next-auto-body-shop ,

You Tube URL: www.youtube.com/watch?v=SM3gh-BKJgo

These little Gnomes are the cutest I've seen in a long while. The simple graphic style and their enthusiasm for numbers makes them even more adorable!

Detail of a multiplication card set No. 8122 designed to be used with "Charlie The Lovable Teaching Robot." Copyright 1980, Educational Insights. I found the box of cards for 50 cents at a thrift store. Apparently, Charlie was the forerunner to the Leapster-style children's computerized learning machines.