View allAll Photos Tagged Composition
This photograph perhaps fits into the "minimalist" category, with
certainly nothing extraneous or busy intruding into the composition. But what elements are here stopped me in my tracks with respect to their quality and subtlety. This was a very wide-open and free-spirited scene and, with the sun having set only minutes earlier here, the light was just too lovely to pass up.
So, pass it up I did not, nor would it have been wise or prudent
to do so.
This little pond is just on the outskirts of the charming town known as Burkittsville, Maryland, with the Potomac River and the Virginia state line only about six or seven miles south of this location. Before moving to Montana in 2016, I lived in northern Virginia near the town of Taylorstown, skirting Catoctin Creek, and spent 16 years in an old farm house surrounded by a landscape much like this one. A bit more of the rolling hills feature in the landscape there, however.
Compositionally Challenged Week 32 - My Favorite Things
Left to right-Male Bullock’s oriole, taken 8/5/19, f7.1, 1/1000, ISO 800
Bunny, taken 8/7/19, f7.1, 1/100, ISO 400
Male Calliope hummingbird, taken 8/3/19, f5.6, 1/500, ISO 800
We treasure the warmer months when we get to see an abundance of birds and bunnies.
250221 RB67_001-crp-1
Composition nr.4
Mamiya RB67 90mm f/3.5 -- CineStill Bww ISO200 in HC-110 dil.E, 7' @20C
Self developed; negative scanned with EpsonV850
... taken from the dinghy dock in Ganges Harbour on Salt Spring Island, BC, Canada - an ongoing:-)) series... to introduce you to the many faces of this beautiful island, my new home!
I can't believe it's been that long since I have posted any photos here to share with you, my dear flick friends!
After a few times back and fourth to Vallarta and our intensive ongoing house&studio renovation here on the island, I am now settled in nicely... and finally also with a with a big computer again :-))
I sincerely hope you are all well!
Sending you my best!!
XXUte
Compositionally Challenged: Week 14 Know Your Camera
Taken from Windsor, Ontario, Canada
"Landscape" auto setting.
No post-processing.
For Project 52 Pro: Breaking the Rules
I think the balance in the composition lends itself to a dead-center subject. This is normally a compositional "no-no"; Rick Sammon likes to say "dead center is deadly".
Brittainy Terry at Red Rocks, outside Las Vegas, Nevada, on a rather dramatic afternoon. Key-shifted to highlight this.
Strobist: Quadra "A" head in the PortaLite (held by our able assistant, Jamie), camera left, f/5.6 (matching the sky exposure). Triggered by Skyport.
PP in LR4/CS6.
MM ##806843
Abstract graphical compositions sometimes happen 'naturally'...
See more Seascapes here
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A composition that came to my mind as I was working on a background for a pro pic... Stock from deviant.
I hope you will like it ;-))
Huile sur toile, 130 x 195 cm, 1939, Kunstsammlung Nordrhein-Westfalen, Düsseldorf.
La principale caractéristique de cette composition est un océan noir immobile, sur le fond duquel les couleurs et les formes émergent isolément. La magnificence de ces formes colorées conduit à des réflexions créées par Matisse une décennie plus tard. Le mouvement des formes est clairement dirigé vers le haut, de part et d'autre de l'axe central, qui traverse l'objet ressemblant à un livre et se situant plus près de la partie supérieure de la toile. En général, la composition suscite la sensation d'un espace extérieur avec des objets qui s'envolent. Kandinsky a toujours exprimé une grande aversion pour la couleur noire et c'est très symbolique qu'il ait choisi cette même couleur comme dominante pour sa dernière composition.
Kandinsky a comparé la peinture d'images abstraites au processus de composition musicale et a qualifié ses principales œuvres conceptuelles de compositions, par opposition à ses moindres improvisations. La composition X est la dernière des 10 compositions qu'il peint de son vivant (il a alors 73 ans). Fait inhabituel pour lui qui attachait une signification spirituelle aux couleurs et aux formes géométriques, la couleur prédominante du tableau est le noir, ce qui suggérait pour lui la clôture et la fin des choses. Flottant sur le fond noir se trouvent une variété de formes géométriques dont la signification est laissée au spectateur (cf. wikipédia).