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Un rayon de soleil au milieu de ces branches à attirer mon regard et ce moineau y trônait en bonne place.
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Est une espèce de petits passereaux de la famille des Passeridae.
C'est un petit oiseau assez trapu, mesurant environ 16 cm de long pour un poids allant de 24 à 39,5 g. Les femelles et les jeunes oiseaux sont pâles, colorés de brun et de gris, tandis que les mâles ont le teint plus vif, avec des marques noires, blanches et brunes. Granivore, il se nourrit majoritairement de céréales et d'autres graines, mais se montre opportuniste, consommant divers invertébrés, les insectes en premier lieu, qui servent par ailleurs d'alimentation de base aux oisillons.
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Is a species of small passerines in the family Passeridae.
It is a small, fairly stocky bird, measuring around 16 cm in length and weighing between 24 and 39.5 g. Females and young birds are pale, colored brown and gray, while males are brighter in complexion, with black, white and brown markings. Granivorous, it feeds mainly on cereals and other seeds, but is opportunistic, consuming various invertebrates, primarily insects, which also serve as a basic diet for the nestlings.
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**🎬 Prompt :**
Portrait cinématographique hyperréaliste d’une femme aristocratique à l’allure impériale, assise sur un trône baroque richement sculpté en bois doré, dans une salle de palais somptueuse éclairée à la bougie. Elle porte une robe de velours rouge profond aux broderies noires et dorées, avec un corset finement ornementé, évoquant une noblesse ancienne ou une reine gothique. Son cou est paré d’un collier imposant serti de pierres rouges scintillantes assorties à ses boucles d’oreilles pendantes.
Son visage est parfaitement symétrique, à la peau pâle et lumineuse, avec des traits délicats mais une expression intense, presque hypnotique. Ses yeux vert émeraude brillent d’une lueur surnaturelle, fixant directement la caméra avec autorité et mystère. Ses lèvres rouges contrastent fortement avec son teint, renforçant son aura dramatique.
Sa coiffure est élégamment relevée, composée de boucles structurées dans un style inspiré du XVIIIe siècle. L’arrière-plan est richement décoré : lustres en cristal scintillants, chandeliers multiples diffusant une lumière chaude et dorée, rideaux épais en velours, architecture classique aux détails ornés.
L’éclairage est cinématographique, avec un jeu de clair-obscur accentué : lumière chaude venant des bougies créant des reflets dorés sur les surfaces, ombres profondes ajoutant du contraste et du mystère. Profondeur de champ faible avec un arrière-plan légèrement flou (bokeh lumineux), mettant en valeur le sujet principal.
Ambiance : sombre, royale, mystérieuse, gothique romantique, inspirée des films historiques et fantastiques.
Style : ultra-détaillé, photoréaliste, rendu 8K, textures riches (velours, métal, pierre), éclairage volumétrique, HDR.
Caméra : plan rapproché centré, angle frontal, objectif 85mm, faible profondeur de champ.
Qualité : netteté extrême, détails fins de la peau, des tissus et des bijoux.
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**🎬 Prompt:**
Hyper-realistic cinematic portrait of an aristocratic woman with an imperial presence, seated on an ornate baroque throne carved from gilded wood, inside a lavish palace hall illuminated by candlelight. She wears a deep crimson velvet gown with intricate black and gold embroidery, featuring a finely structured corset, evoking an ancient nobility or gothic queen aesthetic. Around her neck rests a luxurious statement necklace adorned with sparkling red gemstones, perfectly matching her dangling earrings.
Her face is flawlessly symmetrical, with pale, luminous skin and delicate yet striking features. Her expression is intense and captivating, almost hypnotic. Her emerald green eyes glow subtly with an otherworldly intensity, staring directly into the camera with authority and mystery. Her rich red lips contrast sharply against her complexion, enhancing the dramatic mood.
Her hairstyle is elegantly styled in an elaborate updo, composed of structured curls inspired by 18th-century aristocratic fashion. The background is richly decorated with shimmering crystal chandeliers, numerous candle holders casting warm golden light, heavy velvet curtains, and classical architecture with ornate detailing.
The lighting is cinematic, emphasizing strong chiaroscuro: warm candlelight creating golden highlights across surfaces, contrasted with deep shadows that add depth and intrigue. Shallow depth of field with a softly blurred background (luminous bokeh), keeping full focus on the subject.
Mood: dark, regal, mysterious, gothic romantic, inspired by historical and fantasy films.
Style: ultra-detailed, photorealistic, 8K rendering, rich textures (velvet, gold, gemstones, stone), volumetric lighting, HDR.
Camera: centered close-up shot, frontal angle, 85mm lens, shallow depth of field.
Quality: extreme sharpness, highly detailed skin texture, fabric, and jewelry.
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--v 6 --style raw --ar 2:3 --q 2 --s 100 --chaos 3 --uplight --seed 777
Old portrait from Falun, Sweden, of a woman and her two young daughters. Early 20th century - unfortunately no additional information available.
The girls in white are very likely dressed in their Sunday bests, the woman's clothes are more ordinary by comparison. But then again, her sunburnt complexion hints of a woman used to out-door work and as such probably not very well off (and this is at a time, when finally going to the photographer was something a lot of people, including at least the upper parts of the working class, could do and often did), so this might still very well be the best she had, good and practical clothes, but perhaps not so very grand nor fashion forward.
© Leanne Boulton, All Rights Reserved
Posed street portrait taken for my 100 Strangers project in Glasgow, Scotland.
This picture is #82 in my 100 strangers project. Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page
Coming to the close of a grey, wet and windy day on a street shoot I spotted Shannon listening to some tunes outside of the Gallery of Modern Art in the city. I simply loved her outfit, beret and her beautiful locks of hair that complimented the colours so well. I approached, with a slight wave and, after she had removed her earbuds, introduced myself and asked if she would like a portrait.
Shannon, a television and theatre actor from Glasgow, who has coincidentally worked in the show Outlander as has one of my previous 100 Strangers, was waiting for her friend in town and I decided to make the most of the location at the GoMA rather than relocate.
Light was atrocious with a heavy overcast sky and using natural light only, a higher ISO than I would like was used - though grain is so easy to remove from images on the 5D MkIII sensor.
I added a little warmth in post and edited initially in Lightroom with some frequency separation work in Photoshop to clean up the image, although her skin was immaculate and needed little work. I have forwarded the images on to Shannon and I hope that she likes them. It was a pleasure to meet her, albeit briefly, and I wish her the very best in her continued acting career.
I have a couple more images I may post at some point in the future but I loved the pure honesty of this one, such a natural smile captured during the brief shoot. Enjoy!
This young woman approached me near a market in Jaisalmer and wanted to sell me some trinkets. When I saw her ruddy complexion and piercing eyes, I offered her money instead to take her portrait. She obliged, and gave me this haunted look that I'll never forget. Some faces look great with a smile, while others are more suited for a serious tone. I'm glad she didn't smile for me that day.
Puno, Peru
The feast of the "Virgen de la Candelaria" begins on the eve of the 2nd of February and last until the first Sunday after that day, and ends one week after continuing with the celebration of the Carnivals. On February 9th the folklore parade is celebrated. The groups, which paraded days before, on the 2nd, now return for a procession before the Virgin, who will gaze them from the atrium of the church. Then, folk groups set off through the city, dancing tirelessly until sunset. At the end of the week the feast ends in the cemetery, for the paying of respects of the dead.
The statue of the Virgin is small, and it represents a virgin of very white complexion and blushed cheeks. This Virgin is harbored in the Church of San Juan El Bautista.
In the afternoon the virgin statue leaves the church, and more than forty groups attired in the costumes and masks classic in the culture of altiplano dance, join crowd.
On the main day, February 2, the virgin is led through the city in a colorful procession comprising priests, altar boys, the faithful, Christians and pagans carefully maintaining the hierarchy. This is the moment when the troupes of musicians and dancers take the scene, performing and dancing throughout the city.
From GO2PERU's Website
Simple Flowers.
Volumes teintes classique reflux prières silencieuses belles douces feuilles bonheur tons bleus confiés respiration jaunes tiges conflictuelles,
slumrande nyanser melodiösa ögonblick roman sinnen uppfostrade ögon samlade gröna håglösa lila mörka klostret röda hänförande slumrar,
tormentas musicales lujosa dulzura miradas pesadas placeres sonrientes expresiones de escucha pausada sorpresas introspectivas variaciones profundas,
agitação artística sensibilidades poderosas símbolos artes formas imensas visões intercambiáveis naturezas intensas energias emoções subjetivas,
complexiones contradictiones examinantes efficiunt significantes interpretationes quintessentiae spectaculares profunditates micantes delectationes anonymi creationes,
親密な認識を理解するサルドニック文学は主題を高めます巨大な花瓶は蜂の鳴き声を鳴らします鳥ジャングルの森大空の愛.
Steve.D.Hammond.
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Procesiona el Jueves Santo en Salamanca, es impresionante ver a mas de 100 chicas, muchas de complexión pequeña, soportando un peso tremendo durante el largo recorrido.
PARA MI AMIGA SONIA .. . que es una de las chicas que lleva el paso.
óleo sobre lienzo
Skyrim
Rudy ENB
Tamriel Reloaded HD
ELFX
Fair Skin Complexion
Swordmaster Armor - part of Deadly Trio mod
Ophelia Accessories
Eidolon's Edge
Imaginator
Los galgos o lebreles, pertenecen a una raza canina que se caracteriza por ser muy ágil, ya que puede alcanzar hasta los 70 km/h. Su complexión delgada, sus piernas tan alargadas y su amplio campo visual, los convierte en los perros ideales para competir en carreras de velocidad. Aunque hay muchos tipos de galgos, todos comparten esas similitudes.
El origen de esta raza canina se remonta a la época faraónica de los egipcios. En el arte egipcio hemos ido descubriendo que estos perros aparecen en grabados, esculturas y pinturas. Hace miles de años a estos animales ya se les usaba por su velocidad.
Hoy en día, la raza del galgo se extiende alrededor de todo el mundo, si bien hay una gran parte que habita en el sudoeste de Asia. Los lebreles no son solo animales para competencia de velocidad o para cazar; también son grandes mascotas. Es un perfecto animal de compañía para vivir en casa, pues es bastante tranquilo y tímido.
Busardo ratonero
(Buteo buteo)
Probablemente, la clave del éxito de una de las rapaces más abundantes de Europa sea la absoluta falta de especialización en cualquiera de las facetas de su biología. En efecto, el busardo ratonero es un ave acomodaticia, que puede reproducirse satisfactoriamente en infinidad de hábitats y de climas, que preda sobre un espectro amplísimo de la fauna local y que manifiesta una notable tolerancia hacia el hombre y las modificaciones que este impone en el medio.
Descripción
Clasificación:
Orden Accipitriformes;
Familia Accipitridae
Longitud
46-58 cm
Envergadura
110-132 cm
Identificación
Es una rapaz de mediano tamaño, complexión robusta y coloración muy variable, que posee un aspecto bastante rechoncho cuando se la observa posada. En vuelo exhibe unas alas relativamente cortas y muy anchas y una cola no demasiado larga, que frecuentemente despliega en abanico, gracias a lo cual el ave puede practicar durante largo rato un vuelo sostenido que alterna con cernidos ocasionales. Su plumaje presenta numerosas variaciones individuales, por lo que se pueden observar desde individuos muy claros hasta ejemplares bastante oscuros. No obstante, la coloración más típica del adulto es de un tono marronáceo bastante homogéneo en las regiones dorsales y ligeramente más clara en las ventrales, donde aparece una franja pectoral blanquecina de desigual extensión. En vuelo se hacen patentes unas amplias manchas relativamente claras —muy barradas— coincidentes con las rémiges primarias y secundarias en su cara ventral. Las alas muestran el borde posterior recorrido por una banda oscura, al igual que la cola, que puede aparecer variablemente barrada. El joven presenta las partes inferiores de desiguales tonos marrones y las coberteras dorsales con bordes pálidos; además, su cola está finamente barrada, pero carece de la ancha banda terminal propia de los adultos. Visto ventralmente, no se aprecia con nitidez el reborde posterior oscuro de las alas, y tanto estas como el cuerpo dan la sensación de estar más estriados que barrados. Finalmente, a diferencia de los adultos, que poseen el iris de color oscuro, el del joven es bastante claro.
Portrait of a gorgeous young woman posing in the street, bridge Alexander III.
Suprbe shooting du week end dernier avec Clara LS et Cédric Brunck un grand merci à eux deux.
Photographe : Jean-marc Payet Jmlpyt Photography
Modèle : Clara LS site web www.claramodele.fr/
Yesterday, I showed a re-edited snapshot of Danica back in August 2011. Today, it is Jonathan's turn. But this one didn't require much re-editing. I think I cropped it a little bit and brightened the eyes.
. As if by magic turning mud into flowers
..
"Le lotus, ami des eaux dormantes, plonge ses racines dans la fange. Le bel élan de ses tiges porteuses de larges feuilles évidées comme des coupes, la carnation lumineuse de ses fleurs ne laissent rien soupçonner de cette origine innommable. Ainsi incarne-t-il aux yeux des Chinois la pureté triomphante, qui transmue comme par enchantement la boue en fleurs"
(François Cheng, poète français né en Chine en 1929)
‘The lotus, a friend of still waters, plunges its roots into the mire. The beautiful slenderness of its stems, which bear broad leaves hollowed out like cups, and the luminous complexion of its flowers give no hint of this unspeakable origin. To the Chinese, it is the embodiment of triumphant purity, transforming mud into flowers as if by magic’.
Best viewed LARGE
There's nothing like a good blast of hail to bring a rosy glow to your complexion.
“There is no beautifier of complexion, or form, or behavior, like the wish to scatter joy and not pain around us.”
― Ralph Waldo Emerson
Today I had the pleasure to meet a flickr friend-what a joy it was....the lovely Karen also known as Vintage Findings
This portrait captures a stunning young woman with fair skin and blonde hair, her smile radiating warmth and charm. She is elegantly dressed in a dark blue dress adorned with an intricate floral pattern, which beautifully complements her complexion. The sunlight cascades down, illuminating her straightened hair and adding a natural glow to her appearance. She stands gracefully on a finely crafted porch, leaning against a pillar with her hands gently overlapping on the railing, exuding an air of poise and sophistication. The overall composition of the photograph highlights her beauty and the serene ambiance of the setting.
Thanks for viewing my portraits album:
Philip Mould:
Known as La Belle Jennings, the sitter was one of the most celebrated beauties at the court of Charles II. Gramont compares her with Aurora, or the goddess of spring and says of her: Miss Jennings ... had a complexion more dazzlingly fair than had ever yet been seen. Her tresses were a perfect blond.'
Frances was one of nine children (four sons and five daughters) of Richard Jennings of Holywell House, near St.Albans by his second wife Frances, daughter of Sir Giffard Thornhurst, Bart, of Agnes Court, Kent. Her younger sister Sarah was later to marry John Churchill and became the famous Duchess of Marlborough.
At the age of about 15, Frances became a Maid of Honour to the Duchess of York and her appearance at court caused a sensation. The French Ambassador Courtin described her thus: She is small but has a fine figure, a splendid complexion, hair like Madame de Longueville''s (you will remember), quick brilliant eyes and the finest and whitest skin I have ever seen.
Frances and her fellow Maids of Honour gained a reputation of some notoriety for their behaviour at Court. Samuel Pepys records the incident of Miss Jennings and Miss Price disguising themselves as orange girls:
What mad freaks the Mayds of Honour at Court have that Mrs.Jenings, one of the Duchesse's mayds, the other day dressed herself like an orange wench and went up and down and cried oranges; till falling down, or by such accident, though in the evening, her fine shoes were discerned and she put to a great deale of shame.
Her admirers included James, Duke of York, Marquis de Berni, Henry Jermyn and Richard Talbot but all of them were rejected. She was almost alone among her competitors in maintaining a reputation of chastity. In the spring of 1666 she married George Hamilton, an officer and a Roman Catholic. The King showed his approval by bestowing on Hamilton a pension of £500 a year and their first child, a daughter Elizabeth, was born a year later.
As a result of increased religious tension following the Great Fire, Catholics were forced to retire from the English army. As a consequence, Hamilton and 200 other Catholics in the Lifeguards transferred their services to France but not before he was knighted by the King in 1667. The Hamiltons quickly established themselves at the French Court. Hamilton raised a regiment of 1,500 Irish recruits and successfully took part in the victories at Sintzheim and Entzheim but was later killed at the Battle of Savarne in 1676. Frances was widowed with three children and Madame de Sevigne wrote that she was inconsolable and ruined beyond all hope. 4 The diarist John Evelyn met her in the same year at the house of the Countess of Berkeley, whose husband was Ambassador Extraordinary at Paris:
There was in my Lady Ambassadress's company Lady Hamilton, a sprightly young lady, much in the good graces of the family, wife of that valiant and worthy gentleman, George Hamilton, not long after slain in the wars. She had been a Maid of Honour to the Duchess, and now turned papist.
She petitioned the English court and secured for herself an annuity and the title of the Countess of Bantry. In 1679 she married in Paris, Colonel Richard Talbot, one of her early suitors at the Court of Charles II, but continued her court duties, attending the Queen at the Coronation in Westminster Abbey on 23 April 1685 and in the earlier lists of Queen Mary's household she appears as a Lady of the Bedchamber. Three months after the accession of James II, her husband was elevated as the Earl of Tyrconnel and given command of the army in Ireland.
His activities in Ireland aroused considerable controversy and as Commander of the Army in Ireland he disarmed the Protestants and filled the ranks with Catholics. He succeeded Clarendon as Viceroy in January 1687 and the following year he sent three thousand Irish troops to England. He fought courageously when his cause was shattered at the Battle of the Boyne. Tyrconnel decided to continue the struggle and returned to Ireland in 1691 but he died suddenly of apoplexy in Limerick after the defeat of Aughrim.
Frances was with the exiled court of James and Mary at St.Germain, when her husband died. She spent the following years in France, England and Holland before finally settling in Dublin where she lived in a house in Paradise Row, Arbor Hill, near Phoenix Park. She founded a nunnery in King Street for the Order of Poor Clares. She died as a result of falling out of bed and was buried in a vault in St.Patrick's Cathedral.
By Tyrconnel she had two daughters, of whom lady Charlotte was married to the Prince of Vintimiglia. Three of her daughters by Hamilton, Elizabeth, Frances and Mary married respectively Viscounts Ross, Dillon and Kingsland and were well known in Ireland as the Three Viscountesses.
William Shakespeare
Shall I compare thee to a summer's day?
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date.
Sometimes too hot the eye of heaven shines,
And often is his gold complexion dimmed;
And every fair from fair sometime declines,
By chance, or nature's changing course, untrimmed:
But thy eternal summer shall not fade
Nor lose possession of that fair thou ow'st,
Nor shall Death brag thou wand'rest in his shade
When in eternal lines to time thou grow'st.
So long as men can breathe or eyes can see,
So ling lives this, and this gives life to thee.
Created with ChatGPT
Prompt - 16:9 64K ultra-photorealistic cinematic photograph of a hidden Mediterranean café alley in warm late-afternoon sunlight. Weathered terracotta stone walls, faded blue wooden shutters, arched doorway, amber lanterns and abundant bougainvillea cascading overhead in magenta, coral and deep violet. Small marble café tables, wrought-iron chairs, fluttering white linen, tiny flower vases, ceramic coffee cups and a wooden pastry case filled with golden pastries. A chalkboard displays elegant handwritten Italian daily specials.
Foreground: CHARLY4, matching the uploaded reference identity exactly—preserve her facial geometry, hazel-green eyes, complexion, freckles, full natural lips and extremely long voluminous wavy dark chestnut-brown hair. She sits naturally at a café table wearing an elegant flowing white sundress, one hand resting beside a steaming ceramic coffee cup, gazing thoughtfully toward the distant sea. A black-and-white English shorthair cat rests peacefully at her feet.
The alley opens toward a spectacular Mediterranean coastline with crystal-clear turquoise water, white sailing boats and hazy mountains beneath a brilliant blue sky. Golden sunlight filters through bougainvillea, producing physically accurate dappled shadows across cobblestones, translucent petals and fabric. Authentic stone texture, individual hair strands, natural skin pores, realistic flower detail, linen weave, ceramic reflections and atmospheric perspective. Phase One XF IQ4 150MP, Schneider Kreuznach 80mm LS, f/5.6, ISO 100, 1/250 sec, natural HDR exposure blending, true optical depth, crisp micro-contrast, cinematic color science, IMAX/Netflix live-action still, National Geographic photographic realism. 8-head adult anatomical proportions. Absolutely no illustration, painting, CGI, 3D-render or artificial plastic appearance.
Pic and Prompt by Adrian
Airavatesvara Temple is named after Lord Indra’s elephant, Airavat, who, when cursed by Sage Durvasa, lost his white colour. Airavat then prayed to Lord Shiva to get back his complexion. Lord Shiva heard his prayer and asked him to take a dip into the temple water tank, which turned Airavat back into white and freed him from the curse.
Magnetic eyes, striking features, and sophisticated beauty: Rebecca by Le Voltage gives the face a bold and incredibly realistic charm. The luminous complexion and delicate details enhance every expression, making this skin perfect for elegant, sensual, or contemporary looks.
Available in Velour and Not Found skin tones, Rebecca is shown here on the LeLutka Avalon head and is compatible with all LeLutka EvoX heads. ✨
Normal / Browless option. Shape included.
Le Voltage inworld mainstore: maps.secondlife.com/secondlife/Timida/111/82/502
Other outfit details on my BLOG:
www.suggestions-by-tilly-opaline.com/blog/3293414_rebecca...
Mignonne, allons voir si la rose
Qui ce matin avait éclose
Sa robe de pourpre au Soleil,
A point perdu cette vesprée
Les plis de sa robe pourprée,
Et son teint au vôtre pareil.
P. de Ronsard
Sweetheart, let’s see if the rose
That this morning had open
Her crimson dress to the Sun,
This evening hasn’t lost
The folds of her crimson dress,
And her complexion similar to yours.
P. de Ronsard
Merci pour vos favoris.
Many thanks for your faves.
From here one has panoramic views of the Sorrentine Peninsula and Mount Vesuvius
This photo was taken using a non-digital Zeiss camera.
Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed,
And every fair from fair sometime declines,
By chance, or nature's changing course untrimmed:
But thy eternal summer shall not fade,
Nor lose possession of that fair thou ow'st,
Nor shall death brag thou wander'st in his shade,
When in eternal lines to time thou grow'st,
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.
~William Shakespeare
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Lise Watier portfolio highlights
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Urban decay Alice in Wonderland Shadowbox: Madhatter,Queen, Curiouser, White Rabbit, Underland
Urban Decay liquid eyeliner: ecstasy
benefit browszings brow shaping kit: light
Lash Stilletto: brownish black
Sally Hansen Lip inflation: sheer pink
walmart Halloween lashes, blue party wig from school and carnival
Revlon Colorstay Lipstick: sheer nude
A real tomboy this one.She loves playing parts and leading actors.The poor kid is so sick of her hair,it is so short.Too short actually.When her mommy would let her she would have it rerooted.
Tootles is a loner.She likes to go fishing but she hardly catches anything with those skinny plastic arms.She is rather outdoory,loves camping and collecting bugs in jars and does a bit of bird watching.
She loves barbecues and is a ferocious meat eater..but the meals should or must come with corn cobs and fries.She hates dresses and rather lounge around in shorts and pants..oh one thing though..please dont mention her still visible yellow complexion.she is rather sensitive about it still..
This wonderful colors of the sky was shot in Passig Islet in Sta. Cruz, Davao del Sur. Really having fun shooting. Thank you for viewing guys!
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Tutti Belli mainstore: maps.secondlife.com/secondlife/Malkine/65/174/802
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