View allAll Photos Tagged Complexion
Saffron and Sweet almond oil have been used for centuries to improve skin and complexion. Almond oil makes a highly effective natural skin moisturizer while Indian and Ayurvedic medicine links saffron to lightening complexion. In fact, some pregnant women consume significant quantities of saffron to try to lighten their baby's skin color.
Everyone has been doing the “toon” filter on Snap Chat. If only I actually looked like this! That complexion tho!
PRIYA AHUJA
[ACTOR/MODEL]
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VITALS : 33-24-36
HEIGHT : 5ft 4 inches
WEIGHT : 47 Kgs
COMPLEXION : Fair
Edgar Anido, dancer with NYC's Complexions Contemporary Ballet, works with UMKC Conservatory dance students during his artist residency, Sept. 2013.
photos: Janet Rogers, UMKC
Carlos approaches me, he is Brazilian and has a smooth golden complexion and soft brown eyes. He has the confidence of man who is comfortable in his own skin.
He knows I am a photographer and he leans in conspiratorially and whispers... “Do you want to go inside?”
My eyes light up. He places a finger to his lips and winks at me.
“Not yet. We will wait a few minutes more until it is a little bit more full.”
he says and then he wanders nonchalantly away.
The balloon in front of us is almost entirely yellow. Like a great growing beast with its mouth yawning towards us.
I look across to Carlos to make sure he hasn’t forgotten me.
“A couple more minutes.” he mouths back to me, winking again.
Carlos leads us between the basket and the network of ropes that attatches it to the balloon. He holds the ropes apart as we step through and enter the vast yellow cavern. It’s like standing in an enormous circus tent.
Stan and I both take a shot simultaneously.
“I win.” says Stan, gloating.
He has the fish-eye on his camera and I am limited by 24mm. I just can’t compete with that. There is no point us both shooting, so I let my camera drop to my side and pose for a few frames instead.
(Balloon photo by Stan Kessanis)
We get it as a robbery-in-progress at 71st and Stony Island. We're only a few blocks away and we're the first car on the scene. I get a basic description of the offender, and put it out over the air for the other units: male Black, medium height, medium build, medium complexion, wearing a black hoodie and blue jeans, bla bla bla. Needless to say, I've just described half the population in a five mile radius.Since this guy only has a two minute head-start on us, we might as well conduct our own grid search and see if we can grab him ourselves.
Well, two minutes later we spot this guy who's an exact match, and he's even holding a paper bag with the Curch's Chicken logo o it. According to the owner, the robber had put the money and his gun in that type of bag when he ran out...so, this must be him, right?"
fKenny has slowed the car down to a crawl, and we're coming up on him on the passenger side. I've lowered my window all the way down and I'm lining him up in my sights, ready to blast him if he twitches.
"Drop the bag, drop it now!"
He looks puzzled, like he doesn't understand the command. In my mind, he's trying to decide whether to run or to shoot it out with us, you know, that "fight or flight" thing.
"Drop the bag and let me see your hands," I yell at him again. Meanwhile Kenny has exited the driver-side and he's now also lining the offender up in his sights.
When he does finally make his move, he does the exact opposite of what we're telling him to do. He brings up his left hand that's holding the bag, and slowly sticks his right hand into the bag. I yell at him again, but he seems to be oblivious to any of our commands.
Everything is moving in slow...slow motion now, and I watch him intently as he begins to pull his right hand back out.
"It's alright, " I tell myself, "I'm in control."
My finger has begun to squeeze the trigger to that point of no return, the mark where it will trip the hammer, launching a 45-caliber hollow-point bullet at a thousand feet per second. There's no doubt in my mind: that bullet will take his life.
At this stage, a fraction of a millimeter from using deadly force, I am still in control. I still have time to react, and I do not have to go any further until I actually see a gun coming out of that bag. One thing's for sure: I am not about to shoot some mope who may not be armed with anything more than a chicken wing. I must see a gun before I can take his life.
When his right hand finally clears the top of the bag, it is holding a wallet, not a gun. Man, we are pissed off now. I can understand a criminal who doesn't want to go beck to prison, and I'd be more that happy to accommodate the macho-type who's told all his buddies that he'll "never be taken alive." I can also understand the dope fiend who is so coked up that he truly believes he's invincible, and is now going to demonstrate that to the rest of the world. But I do find it difficult to deal with someone who will use me to throw away his life - without even intending to - just through sheer stupidity.
I'm hollering at him now, struggling to contain my pent-up anger and frustration: it's not easy to get all that adrenaline back into storage. I'd feel a lot better if I could kick the shit out of him, but that's not an option, unless he gives us a reason to.
We put him in the cage and take him back to the restaurant, just to be on the safe side, but the owner confirms what we suspect: he's definitely not the robber we're looking for. Nevertheless, we take him into the District to run him on the computer and to tie up some loose ends. At the very least, we'll need to fill out a Contact Card, explaining why we stopped him in the first place.
A little while later, when we've regained our composure, we ask numb-nuts why he reacted the way he did. He's not quite sure, but, after talking to him for a while, a semblance of logic begins to emerge. It appears that all of his recent dealings with the police have involved traffic situations, and each time he had to locate his wallet, take out his driver's license, and hand it over to the officer. When we confront him, even through he's on foot this time, he falls back on wheat has saved his ass the other times: his wallet and his license.
In some ways, he reacted the way we do when we suddenly find ourselves in life or death situations, and our training takes over. Sometimes your training will save your life, other times it can get you killed. In this case, his "training" almost got him killed, and almost got us fired, or worse.
I'm serious: do you really think anyone would have believed us? Of course not: nobody could be that stupid, could they?
* * * * * * * * *
Church's Chicken seems to be just about the only thing that's still as it was 22 years ago. As for the story, it features a timeless phenomenon, encountered by police officers anywhere and everywhere: people do some really stupid shit, endangering their own life as well as yours in the process.
I was fortunate: I never pulled the trigger in any of these situations, but other officers have not been so lucky. What follows in the wake of such a shooting, can be very ugly, especially if the case involves a White police officer shooting a Black male. Just as in the above scenario, the actions of the young man will defy all logic, making it so much easier to believe that the officer shot him because he was Black. Keep that in mind the next time you see a story like that on the nightly news.
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The Beautiful Lottie Locke The star of a Club shoot organised by David Rann of Fotofilia Studios.
The location is around the Jewellery Quarter of Birmingham.
✔✔10 Hours Fast Delivery ✔✔Express Service ✔✔100% Satisfaction ✔✔ Professional Editing I Can Do any Photoshop Job, Every type of editing in PHOTOSHOP available: Photos, Images, Pictures advanced skin retouching ,Remove Background, Change background, Remove Objects from Pictures, Slim Body, Retouching, Whiten teeth, Improve complexion, Remove blemishes, Enhance color, Adjust lighting/contrast, Fix clothing, Adjust posture, Slimming, Remove flash glare, Remove/add people/objects, Remove shadows, braces, Change background, Color/tint B&W photo. Banner, Graphics Designs, Covers, Designs, Facebook Timeline, Timeline Covers with Industry best software and Plugins. If you need any other Photoshop job than we can also Do that For you.
Photo/Image/Picture Editor:
We would like to take this opportunity of briefly introducing M/s. The SaaDo Design Service Center (TSDSC), which is a well-established company for the past 05 years, with business transactions being carried out in International. The company deals with a varied range of design namely.
Photoshop & Photography
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Not sure if this is the same lady violinist I snapped a couple of weeks back or not, but like the woman in that one the sunlight seems to make her complexion literally glow.
On the seventh night we celebrate Goddess Kalaratri. This form of Durga has a complexion dark as night which symbolises infinity. Goddess Kalaratri is the Devi that accepts everything from the Devotee, not only the good, but all the negative qualities. She just absorbs them.
paramahamsavishwananda.com
bhaktimarga.org
The Beautiful Lottie Locke The star of a Club shoot organised by David Rann of Fotofilia Studios.
The location is around the Jewellery Quarter of Birmingham.
Garza real
Ardea cinereaFamilia: Ardeidos – ArdeidaeAspecto: Garza grande, de complexión robusta, predominantemente de color gris, con un pico recto, fuerte, en forma de daga. Las garzas pueden diferenciarse de las grullas durante el vuelo, y a menudo también cuando están de pie, por la forma en que encorvan su cuello.Tamaño: Largo 84-102 cm, envergadura alar 155-175 cm, peso 930-1.150 g.Nido: Una gran pila desarreglada de ramas, generalmente construido muy alto en un abeto o pino. Las aves pueden usar el mismo nido durante muchos años.Reproducción: Pone 6 huevos en mayo, incubados de forma alternada por los padres, en 4 a 6 períodos, durante 25 a 28 días. Las aves jóvenes aprenden a volar aproximadamente a los 50 días. Muchas garzas reales anidan en colonias.Distribución: Ave migratoria de verano que se reproduce poco en Finlandia (solo hay alrededor de 100 parejas). En los últimos años, los avistamientos de invierno se han vuelto más comunes.Migración: Pasa el invierno en el oeste y sur de Europa. La migración de otoño puede tener lugar entre mediados de agosto y principios de noviembre, y las aves regresan de marzo a mayo.
Alimentación: Acecha inmóvil a lo largo de costas, lista para emboscar, en espera de que peces y animales acuáticos pequeños estén a su alcance.Sonidos: Un chillido fuerte, molesto, similar al llamado de la pagaza piquirroja.
La garza real tiene partes superiores de color gris claro, y partes inferiores de color blanco grisáceo. Su cabeza es mayormente blanca, excepto por una raya negra que se extiende desde encima de sus ojos hasta la parte posterior de su cuello, donde algunas de sus plumas se alargan para formar una cresta. Los adultos con plumaje de apareamiento pueden tener un color rosáceo a los lados del cuello, y algunas filas de rayas oscuras en el cuello y el pecho. La garza real tiene el pico de color amarillo o naranja amarillento, patas de color marrón opaco e iris amarillo.
Las aves inmaduras generalmente se parecen a las adultas, pero su capuchón y su cuello son más grises (y el cuello no tiene color rosáceo). Su pico es más pardusco y el iris es blanco.
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