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Maria siede su un cuscino a terra, secondo il modello iconografico noto come Madonna dell’Umiltà (dal latino humus, terra). La Vergine nutre il figlio Gesù offrendogli il seno, così che l’iconografia della Madonna dell’Umiltà si fonde con quella della Madonna del latte, secondo una consuetudine diffusa nella pittura toscana soprattutto nel XIV secolo. Entrambi i modelli sottolineano il ruolo privilegiato di Maria quale intermediatrice fra Dio e l’umanità. Il tema sembra particolarmente adatto per un’immagine sacra esposta alla devozione e destinata ad un piccolo oratorio o ad un altare secondario di una chiesa, come suggeriscono anche le dimensioni non troppo grandi del dipinto di Masolino.
La tavola è danneggiata nella parte destra, dove il supporto mostra in alto un’integrazione moderna ed è presente un esteso rifacimento del fondo oro e della superficie pittorica. Nonostante ciò, l’immagine della Madonna col Bambino risulta nel complesso ben leggibile, caratterizzata dall’andamento fluente delle vesti, di gusto tardogotico, e dalla morbidezza dei teneri incarnati. La maggioranza degli studiosi attribuisce il dipinto a Masolino, di cui questa Madonna dell’Umiltà sarebbe una delle opere più antiche oggi note.
Non si conosce l’originale provenienza del dipinto. Proveniente dal mercato antiquario inglese, fu acquistato nel corso degli anni Trenta del secolo scorso da Alessandro Contini Bonacossi, che intorno al 1942 lo vendette al gerarca nazista Hermann Göring. Rintracciato da Rodolfo Siviero in Germania nel 1947, è stato restituito allo Stato italiano nel 1954 e, nel 1988, assegnato alla Galleria degli Uffizi.
Mary sits on a cushion on the ground, according to the iconographic model known as the Madonna of Humility (from the Latin humus, earth). The Virgin feeds her son Jesus by offering him her breast, so that the iconography of the Madonna of Humility blends with that of the Madonna del latte, according to a widespread custom in Tuscan painting, especially in the fourteenth century. Both models underline the privileged role of Mary as an intermediary between God and humanity. The theme seems particularly suitable for a sacred image exposed to devotion and intended for a small oratory or a secondary altar of a church, as also suggested by the not too large dimensions of Masolino's painting.
The panel is damaged on the right side, where the support shows a modern integration at the top and there is an extensive makeover of the gold background and the painted surface. Despite this, the image of the Madonna and Child is on the whole clearly legible, characterized by the flowing trend of the clothes, of late Gothic taste, and the softness of the tender complexions. Most scholars attribute the painting to Masolino, of which this Madonna of Humility would be one of the oldest known works today.
The original provenance of the painting is unknown. Coming from the English antiques market, it was bought during the 1930s by Alessandro Contini Bonacossi, who around 1942 sold it to the Nazi hierarch Hermann Göring. Tracked down by Rodolfo Siviero in Germany in 1947, it was returned to the Italian state in 1954 and, in 1988, assigned to the Uffizi Gallery.
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Prompt - 16:9 64K cinematic gothic dark-fantasy featuring CHARLY4 with her locked facial identity: soft oval-heart facial geometry, high rounded cheekbones, petite refined chin, large blue-grey almond eyes, small elegant straight nose, full natural lips, dark shaped brows, warm natural complexion, and extremely long voluminous dark-brunette layered waves. Create an entirely original Witch’s Moon concept, NOT a duplication of the reference. Charly4 reclines confidently sideways upon an ancient ruined stone terrace overlooking a mist-covered mountain lake, one hand resting against the weathered altar while the other raises an ornate antique-bronze jeweled chalice. She wears an elaborate black lace witch ensemble with embroidered corsetry, layered asymmetric fabrics, tall intricately buckled boots, dark gemstone jewelry and a dramatic broad-brimmed black witch hat decorated with deep crimson roses, dried botanicals and antique ornaments. A sleek black cat with luminous golden eyes sits alert beside her while a raven perches among occult books, candles, roses, an antique lantern, crystal sphere and weathered skulls. Behind her dominates an enormous icy-blue full moon breaking through turbulent clouds, silhouetting circling ravens and bats. Across the lake, a magnificent distant Gothic castle glows with scattered amber windows above cliffs, bridges and a moonlit waterfall. Cold blue-grey moonlight contrasts with warm candle and brazier illumination, drifting fog, subtle embers, realistic stone, lace, leather, feathers and hair, cinematic atmospheric depth, sophisticated gothic beauty, ultra-detailed fantasy realism, ULTRA SHARP ULTRA CRISP focus, HDR, no text, fonts, logos or watermark.
Pic and Prompt by Adrian
“Elephant lephant phant”
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I would guess he has spent a lifetime working outdoors. Given that this was taken at Ballinasloe horse fair I would bet money on his being a farmwer.
Gian Lorenzo Bernini (Naples, December 7, 1598 - Rome, November 28, 1680) - portrait of a child (1638) - oil on canvas 33.5 x 28 cm - Galleria Borghese, Rome
Il dipinto, proveniente dalla raccolta del principe Chigi, venne acquistato dallo Stato Italiano nel 1919.
È un ritratto estremamente importante sia per documentare la poco nota attività pittorica del Bernini sia per l’intera ritrattistica del Seicento. Si tratta di un ritratto familiare, un bambino di circa 12 anni di cui non conosciamo l’identità, eseguito come puro esercizio pittorico in cui l’incarnato vibrante e la folta capigliatura è vicina alla resa delle superfici scolpite dall’artista.
It is an extremely important portrait both for documenting the little-known pictorial activity of Bernini and for the entire portraiture of the seventeenth century. It is a family portrait, a child of about 12 years of age whose identity we do not know, executed as a pure pictorial exercise in which the vibrant complexion and thick hair is close to the rendering of the surfaces sculpted by the artist.
Leonardo da Vinci (Anchiano, April 15, 1452 - Amboise, May 2, 1519) - Madonna of the Carnation also known as the Madonna with Vase, Madonna with Child or Virgin with Flower (around 1473) - oil on panel dimensions 62 × 47.5 cm - Alte Pinakothek, Munich
Alcune evidenti derivazioni da Verrocchio confermano l'appartenenza dell'opera alla fase giovanile del pittore: l'impianto compositivo, la delicatezza quasi trasparente degli incarnati, la sobria ma realistica gestualità tra madre e figlio, nonché lo zoccolo su cui si trova il vaso, decorato da girali che ricordano l'ara nell'Annunciazione. Il volto di Maria ricorda da vicino quello presente nell'Annunciazione degli Uffizi. Altri elementi contengono invece, in nuce, stilemi dell'artista maturo: il paesaggio roccioso, il panneggio giallo annodato come un vortice, l'acconciatura raffinata della Vergine che venne riutilizzata nella Leda con il cigno.
Some evident derivations from Verrocchio confirm the belonging of the work to the painter's youthful phase: the compositional structure, the almost transparent delicacy of the complexions, the sober but realistic gestures between mother and son, as well as the plinth on which the vase is located, decorated with swirls reminiscent of the altar in the Annunciation. Mary's face closely resembles that present in the Annunciation of the Uffizi. Other elements instead contain, in a nutshell, stylistic features of the mature artist: the rocky landscape, the yellow drapery knotted like a vortex, the refined hairstyle of the Virgin who was reused in the Leda with the swan.
Turbulent Landscape.
Wütenden Patienten einflussreichen reagierenden Opfer der Wahnsinnigen hedgerows Verstärkung wahnhafte Richter,
Asilos psicologicos impetus complexiones ignorantes opiniones progresivas desnudas perturbadoras leyes,
нумеричке воркхоусес психијатрије истрага органске терапије механичке технике управлениа,
الافتراضات الفنية معين التناقض وغير قابل للحل واقع الإنتهاك الشيطانية رغبات عصاب,
catalizzatore internazionalismo intensificato documenti manifesti disinibite menti materialistiche aggressivi,
Парадоксальные сражения социалисты коммунисты разочарованные интеллектуалы индивидуалистический художник коммунализм искусства,
Sinônimo expressionistas revolucionário ultramoderno direção antinaturalista experimentando elementos,
transnationale bevoegdheden inheemse ontwikkelingen internationalist fenomeen significant vertalingen nieuwe,
цуцалсан тухай мэдэгдлийг хэмжээ тайлбар дуу хоолойг далд шүүмжлэгчид зохион байгуулах, муу чиглэлийг нөлөөлөх,
政治家多層野生の攻撃幻滅世代急進的な巨大なアイデアネガティブ主義の年.
Steve.D.Hammond.
I hope the fellow & his lady see this photo. They were just passing by in Centerport search of the Bald Eagle as I was.
The Bald Eagle NEVER SHOWED UP for St. Patricks Day!!
And I even wore Green on Green that day, but with my dark Sicilian Complexion the Bald Eagle must have saw that this guy with the black box is an IMPOSTOR very easily.
Rasgos físicos de la salamanquesa
La salamanquesa común mide entre 12 y 16 cm., es de complexión robusta y cuerpo aplanado, con el dorso cubierto de escamas. La cabeza, ancha y ligeramente triangular, acaba en un hocico redondeado y está coronada por unos prominentes ojos de pupilas verticales, que se dilatan en la oscuridad para mejorar la visión. La cola, larga y espinosa, es regenerativa y si la pierde volverá a salir. Sus dedos planos contienen unas pequeñas láminas adhesivas que le permiten sujetarse en superficies verticales y totalmente lisas como el cristal, o incluso boca abajo.
The outdoor type - you don't get that complexion working in an office.
Best viewed on black. Press L.
for Robyn
Request for peachy complexion, eyeshadow that goes well with blue eyes and not to emphasize her teeth.
It was autumn 2021, another day in Bruxelles. What to wear? Where to go? She settled for a comfortable sweater, a warm cup of coffee. Her fine complexion reflected clearly in the polished sides of the dimly lit booth. Having noticed all of this she asked me to take her picture.
Finally got a ‘Holy Grail’ I had been searching for since I started collecting many years ago; - The elusive ‘Beautiful Bride’ Barbie from 1976. Apparently, she was a limited release to select department stores and wasn’t as widely available as the later Superstar faced one from 1978. I also took a comparison shot with my Deluxe Quick Curl Barbie who was also from 1976, as they often get confused with each other. (I’ve even seen a few of these Quick Curls dressed up in the wedding gown- which was also available separately as ‘Fashion Originals’ #9149 – by some sellers who try to pass her off as the pricier Beautiful Bride, whether unintentionally or not!) First off, as you can see, Beautiful Bride’s eyes are painted completely differently, and most importantly, she has rooted eyelashes (the 1st doll in the U.S. to have them since 1972) …. Her hair is also side-parted as opposed to Quick Curl’s centre parting, and of course, is of a much softer texture as it doesn’t have those wires that are in Quick Curl’s flip. I was thrilled to see that this bride still has her hair string intact! Beautiful Bride is also much paler than Quick Curl’s peaches-and-cream complexion, (though that could be due to age, as most of them do fade.) She now takes pride of place in the bridal salon of the 1976 Fashion Plaza!
so there's been many a controversy about magazines lightening certain models'/singers' complexions, well here I've done the reverse in the name of art and beauty. The world has people of all shades, sizes and personalities, that is the beauty. I cannot even begin to understand those who are wrapped up in prejudice and hatred, rather than hate them I pity them for there is a gorgeous world out there and they are imprisoned inside a narrow mind.
Pink, beautiful pink
Is the colour which inspires.
The colour pink inspires, to be in love
And to dream of the beauty of the beautiful things.
The colour pink is beautiful in its complexion
And makes you want it more.
Pink, the colour pink is beautiful indeed and inspires
To be in love as love is truly Pink.
ROHIT SAPRA
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The nicest girl of the village. Hoba Haru village
Himba women are famous for covering their body and hair with a paste made of butter, ochre (hematite powder) and ashes, called otjize, which is supposed to protect them from the sun and the insects. The red complexion it gives to women’s skin, is considered a sign of beauty. Body decoration is important in Himba culture, especially for women. They wear jewelry made of shell, metal, bone or skin. Women usually go topless (as well as men) and wear a skirt made of goat skin. Adult women also wear heavy iron or copper necklaces, that can weigh several kilos, and beaded anklets to protect their legs from venomous animal bites. Himba dress codes and hairstyle rules are very complex. Himba hairstyles are really meaningful as they enable to identify their social status. Pre-pubescent girls wear 2 plaits in front of their faces. Replacing them with many strands hanging all over the head, means the girl is in her puberty period. A girl with long tied back braids is considered ready for marriage. Once married, an « erembe » (a piece of goat leather) is tied to the top of her head.
Although mariage is important in Himba culture, extra marital relations are encouraged. Polygamy is the rule for men and women also, who can have other partners in addition of their husband. This free sexuality in Himba culture might be explained by the fact that, children are needed in order to raise cattle. Sexual relations before marriage are authorized, maybe in order to make polygamy more accepable. Boys are generally circumcised before puberty in (around the age of 7 or 8), to make them eligible for marriage and leave the camp on this occasion during a few days, Girls also leave when they have their first periods. Weddings are arranged when boys are about nineteen and girls around thirteen.
Despite their traditional autarky and remoteness Himbas get in touch with modern culture, and unfortunately with one of its worse plagues : AIDS. The sexual pratices of the Himba increase the risk of infection, a few cases have been reported. HIV virus is spreading mainly through cultural norms. This is all the more worrying for namibian authorities as Himbas are not aware of what AIDS is, and have difficulty understanding they could be ill and even die, as it takes time for the effects of the virus to become apparent in human host. A disease that might kill them in several years is not a major concern for them, especially for the elders.
© Eric Lafforgue
A Common Warthog boar photographed in the Salient, Aberdares NP, Kenya.
The volcanic soils here are very red hence this guy's ruddy complexion!
Re-worked and framed by a friend.
I found this little Swift Crab Spider (Mecaphesa celer) on one of my Black-Eyed Susan (Rudbeckia hirta) flowers up front! This is the same species as my brutal beauty in the backyard, so all the same facts from my other posts apply!
Worth pointing out is how small in stature this señorita is! This shot was captured at 1:1, and she's swallowed by the negative space. I only saw her due to her creamy complexion, so I'm sure I'll lose track once she begins to blend in to the blooms.
This portrait of a petite predator was photographed with my Vivitar (Komine) 90mm f2.8 Macro. This photo is uncropped. This stunning sentry on my Susans is around 4-5mm long!
G'day! My last assignment for this semester! ♥ Earthen Mood is the name of the room, concept is nature with elegance, embracing our complexion with the world. x Later tonight I'll be submitting some Second Life images! xox
Prompt
Conceptual portrait photography, side profile, individual, voluminous hair, light beige, ethereal appearance, feathery texture, sheep's wool, fluffy, abstract cloud shape, pom-pom or artificial sheep's head emerging, obscuring face, surreal, pale skin, smooth texture, flawless complexion, highlights on shoulders, cheekbones, mouth open, revealing pinkish-purple lips, expression, background, smooth light gray, plain
Elderberry is one of the most commonly used medicinal plants in the world.
Traditionally, Indigenous people used it to treat fever and rheumatism, while the ancient Egyptians used it to improve their complexions and heal burns.
It’s still gathered and used in folk medicine across many parts of Europe.
Today, elderberry is most often taken as a supplement to treat cold and flu symptoms.
©SWJuk (2021)
All rights reserved
Thank you for taking the time to view fave & possibly make a comment. Your view on my images & my narrative is always appreciated. Thank you. Happy Days Happy Ways Happy Weekend to one & all 🙏
Foundation: I've tried the more basic Miracle Touch by MF today and it's good, but noticeably cheaper looking, and despite shaving I still have a dark complexion.
Today's new test: An eyebrow gel to fill out the parts that are missing on the right eybrow.
Not sure about: The red lip liner - it makes my lips look a bit strange...either that or I have to get used to the look.
Have a lovely Saturday my bunnies xx
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“One step at a time, It’s like learning to fly.”
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Ingrid and Morticia couldn’t look more different (height, age, complexion, style, etc) but they have the exact same hair!
for some reason mattel decided to use the same fibre, color, length, and pattern of hair on both these dolls — and it’s lovely and soft, not complaining, but it just struck me as funny.
(funnier somehow because they arrived at my house around the same day)
they do also have a bit similar taste in clompy shoes, and both wear glasses. so there's that, too.
A closer up view of Kamila than the last posting. Taken at the same session. Kamila has a wonderful complexion and this photo has had absolutely no blemish removal / skin-smoothing type of work at all.
Age: 40 Mouth: Medium
Height: 5' 4" Chin: Round
Forehead: High Hair: Blonde
Eyes: Blue Complexion: Fair
Nose: Aquiline Face: Oval
"Natalie Barney was born in Dayton, Ohio to Albert Clifford Barney and Alice Pike Barney. Both parents came from extraordinary wealth and provided Natalie with every possible advantage. Like most young women in her class in the height of Victorian Imperialism, she was haphazardly educated and encouraged to promote her personal charms in the pursuit of a suitable husband. Extremely independent in her ideas, Natalie questioned such convention and proceeded to live her life in accordance with her beliefs. Her pursuits included French culture, French literature, Greek literature and romancing women. Of these enterprises, her quest for women has been the most notorious. Her endeavers in French and Greek influenced her earliest writings: Quelques portraits-sonnets de femmes, Cinq petits dialogues grecs. These works focused on the idealization of Pre-Raphaelite feminine beauty and romantic love between women. Her most acclaimed works, Pensees d'une amazone, Traits et portraits, Souvenirs Indiscrets, Selected Writings, Adventures of the Mind, and A Perilous Advantage reflect the witicisms and observations of the salon room. Her darkest novel, The One Who is Legion, was influenced by her intimate relationship with Romaine Brooks. The theme of the book may also reflect Ms. Barney's attempt to resolve Renee Vivien's death. "
Coco's soft full lips highlight her satiny, smooth complexion.
Bonus styling with hair, eye & makeup change with same skin & shape to show her in her full beauty! All vendor photos are taken in CalWL & unedited for true rendering of skin & shape.
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"I got nothing against no Viet Cong. No Vietnamese ever called me a nigger. " ~Muhammad Ali, 1967, on refusing to fight in Vietnam
Local artist DeLavega did his thing on two abandoned chairs in the street outside my house. More Delavega here and here.
Here's a shot by GammaBlog of the same chairs yesterday.
"The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it."
~Joseph Conrad, Heart of Darkness
Don McCullin 81, widely regarded as the world’s greatest living photographer, is known primarily as one of the most highly regarded conflict photographers of the late twentieth century, having produced some of the most iconic and defining images of wars in Vietnam, Cyprus, Beirut and Biafra. The exhibition of his work at the Rencontres d’Arles 2016 brings together, for the first time, the wealth and depth of his photographic practice beyond the limits of conflict, exploring his long standing practice as a documentary and landscape photographer. Even outside the frame of war, McCullin’s work reflects some of the most pressing social issues of our time, always portrayed using a photographic language of great beauty and subtlety. Perhaps his greatest talent, however, has been his ability to capture a diversity of subjects from a consistent standpoint. From his local surroundings in London, to foreign conflicts and tragedies, or returning to the peaceful landscape of the Somerset levels, there is a universal way in which McCullin reveals the world around us .
See exhibits during these meetings of photography, it's to discover international stars of the picture as DonMcCullin (St. Anne’s Church) … the photos are incredibly rich evoking poverty eras (70s) in Ireland or Britain, gray complexion and dark views give a wave to the terrible soul by the magisterial beauty and cruelty of the lack of money of the poor! Arles honors photographer exposing photos taken in Palmyra (from the book Southern Frontiers edition Jonathan Cap )
beautiful asian long haired girl posing next to a red high tech supercar with headlights shining, girl has a heart shaped face with a smooth complexion, girl is slim and athletic wearing a body hugging jumpsuit, environment setting is a beautiful long empty road lined with trees full of autumn leaves, scene is lit with beautiful soft light, use a nikon D850, 8K resolution, 24mm f/1.2mm lens, photorealistic scene, --v 5a
Kuna tribe woman, from San Blas islands, Panama. Like many people in those islands, she is albino. I know there is an explanation with the DNA etc but in all my trips i always met albinos people in the most remote areas..
She also has a sister who is albino. In Kunas culture, they are not seen as a bad sign, like in many others places..