View allAll Photos Tagged Compilation,
i thought it was time to compile a couple of my favourite photos on here!
1. 87/365 - by the time I recognize this moment, this moment will be gone 2. West Underwater 3. Heavenisnt2faraway 4. human 5. darya 6. Too skinny in South East England 7. dancing 8. Today's my birthday, 186/365 9. - 10. - 11. - 12. hannahsquint 13. - 14. wishing on a shooting star 15. Taylor 16. Sunshine on a Framey Day
After just a couple of days without checking the trail cameras, it's clear that there's been a surge of wildlife activity. We've had sightings of a wandering coyote, an adorable snowshoe hare, and a very vocal juvenile gray jay, along with its attentive parents. The coyote stands out as the most active creature, appearing at all hours, both day and night. This is a crucial moment for the young hare, as it needs to stay vigilant against such a formidable predator. Be sure to turn up your volume to really immerse yourself in this experience—listen to the young jay squawking and the coyote scratching the ground. Connecting with these recent wildlife moments can deepen your appreciation for nature.
This is a look into a brochure that introduces a collection of 130 CDs, called "Musik in Deutschland 1950-2000", published by the "Deutscher Musikrat" two decades ago.
But who, may you well ask, is the "Deutscher Musikrat"? The name sounds uncannily Orwellian, as if it were a secretive government agency that dictates what kind of music should be made and heard in Germany. The reality is not quite that sinister. "Rat" doesn’t mean "rat". It is an NGO, they have a website and they have even answered my e-mail. But they do have the mysterious smell of a secret society. After 20 years I still don’t really know who they are and what they are up to.
I know only one thing: The CDs promoted here constitute a monument to German post-war music and I am proud to own the whole set. No other country has done that. It would take almost a week to listen to the 1750 pieces of music - 6 days and 17 hours non-stop. If these were vinyl records the set would comprise of more than 200 LPs. Every CD comes with a booklet of up to 32 pages with informative text, scores of scores, photos and almost all the lyrics. The booklets alone would be a valuable document for everybody interested in modernist culture. Reading them I learnt a lot not only about music, but also about poetry, literature, dance, theatre, film and other forms of art.
The curators of the collection were careful to present composers from both German states without bias and prejudice. Thanks to this you can hear many gems that would otherwise be forgotten and impossible to find, even in the age of the mouse click. Where else can you hear "Socialist Realism"? I knew examples of Socialist Realism in painting, sculpture and architecture but never heard Socialist Realism music before – but, hey, now I can listen to recitals of Stalinist propaganda as well as speeches of Lenin and Honnecker put into grandiose song arrangements.
Where else can you hear music from an electronic opera, written by the Chinese-born composer Boris Blacher in 1966? And where else can you enjoy a live recording of a hilarious Wolf Vostell performance of 1969?
This is all good news. Now for the snags.
It is always easy to complain about the selection on a music compilation. It goes without saying that not all 1750 pieces are good and there a hundreds that I don’t care much about, but let’s not dwell on this, because there are less forgivable problems:
Every booklet starts with an introduction that says that the curators had to do a "strict selection", but it does not disclose what their selection criteria were (secret society again!). May there be a clue in the title of the collection "Musik in Deutschland 1950-2000" perhaps? No! All criteria in that name are violated. Many of the featured musicians and composers are not German, some recordings were made in other countries and some works were created long before 1950. The most recent work is "Fälschung" by Orm Finnendahl - written in 2003 (but a great piece, so it’s fine with me)! Some tracks are not even music. At one point Oskar Pastior is reading his poems, one of the aesthetic nadirs of the set, if you ask me.
Could it be that the selection focuses on what was widely heard by the people of Germany after the 2nd World War? Wrong again! I am sure that 99% of Germans have never listened to any of the music in this collection. This is because it has a strong focus on what most people would call "classical music" (I personally would prefer to call it "music by modernist composers" or "art music" because much of it is not "classical" at all) which is enjoyed by only a small minority of music lovers. True, there is one box with jazz and one with pop music, but the jazz is mostly of the "artsy" kind (often not very different from the “classical” music of the same period) and the pop box is only an afterthought and not really part of the set (it is, for example, not mentioned in the brochure shown above). I have no problem with this, but I still don’t know what the selection criteria were.
The worst mistake in any music compilation would be to include a song more than once, particularly when strict selection criteria are claimed. But even this mistake has been made - twice: The "Fünf Neapolitanische Lieder" by Hans Werner Henze are presented twice, and so are 2 "Hölderin Fragments" by Wolfgang Rihm, although on different CDs and performed by different singers.
Even worse are the editing problems. The booklets are informative and well written, but look cheap. A terrible sans-serif typeface is used throughout and typos are not unheard of. Formatting is awful. The captions are printed onto the photos with disregard of the background and often impossible to decipher. It is obvious that the authors are experts, but no professional editor was involved. The beautiful line "it was evening all afternoon" by Wallace Stevens is clumsily translated as "Es war den Nachmittag über Abend" instead of the more accurate and elegant "Am ganzen Nachmittag war Abend", to give just one example of the many mistranslations.
The whole set is organised in a complex multi-layered system, which is explained at the back of each CD. It says that there are 19 boxes of CDs, structured in 6 categories and 26 sub-categories. That sounds simple. But the actual CDs are difficult to align with this system. At the same time there is another underlying structure: Every category (or sub-category?) is sub-divided into „Serie“ and „Portraits“. Don’t waste your precious time trying to understand the difference, because whatever the rationale behind this is, it brakes down with the box "Angewandte Musik", if not earlier. It is obvious that the concept of this project has changed several times during its short lifetime and there were multiple attempts to categorise the music - all failed. The names of the categories and the discs must have changed several times as well, and some CDs were announced but have never materialised (e.g. "Musizieren im Alltag") whereas others do exist but seem to never have been part of the plan (e.g. "Free Jazz" - appropriately, because free jazz abhors planning). The names of some CDs even change between the cover and the disc inside. A CD called "Solo & Klavier" contains a few songs with guitar (instead of piano).
It seems that the publishers were overwhelmed by their own complex system and the multiple layers of categories they tried to establish.
However, by far the worst problem with this collection is the marketing - how it was sold. When it all started at the beginning of the millennium the discs were sold one by one. I first bought one, to see if it is any good and then more and more. When I had a few dozen CDs they stopped selling them individually and you could only buy whole boxes, containing 5 to 10 discs each. At that time I had decided to collect the whole set, which meant that I had to start buying boxes with CDs that I already owned. That was annoying - but it got worse. In 2010 they stopped selling the boxes and you could only buy the whole set. I had already bought 14 of the 19 boxes at that stage.
So, with a heavy heart and after long hesitation, I bought the whole set in 2011 although at that time only a third of the CDs were still missing in my shelf. Shortly after that, the whole series was taken off the market and became unavailable in any form. I don’t regret the purchase, it’s a great thing to have, even in a time when CDs have become an obsolete format. Today some of the CDs are sold on the second hand market for more money than I paid for the entire set of 130 items, even if you include the money I wasted on the single discs and boxes.
Any reference to this comprehensive compilation has been deleted from the Musikrat’s website although this must have been one of the most impressive and interesting projects they have ever done. I cannot imagine how many hours of hard work went into this, but in the end it must have been a huge financial disaster for everybody involved. I’m sure they had a grandiose vision when it all started, with ideas aplenty, but the implementation lacked continuity, leadership and there was no demand. Although they finally managed to publish all 130 CDs it is, in hindsight, an excellent case study of an over-ambitious and failed endeavour. We can learn from this, not only about business and project management, but about human nature.
Some statistical analysis: The most extensively featured composer is Hans Werner Henze with 57 works, adding up to more than 5 hours playing time. Paul Dessau comes second with 50 pieces in the set, but they are mostly short (3½ minutes on average) so he comes only 7th when considering playing time (a bit less than 3 hours). Friedrich Schenker is second in terms of time (3½ hours of his music can be heard in the collection) and the Argentinian Mauricio Kagel comes third with 3 hours and 17 minutes. He and Wolfgang Rihm both have 36 pieces of music in the compilation.
Mr. Karlheinz Stockhausen, the most famous German post-war composer, is an also-run with only 10 works in the set. They add up to 2 hours, which is not much, if you compare him to less-known composers like Georg Katzer (2½ hours) and Friedrich Goldmann (3 hours). I can think of 2 reasons. One is probably the restrictive copyright protection of the Stockhausen œuvre (the same reason why Kraftwerk is conspicuously absent in the pop box). But I believe another one to be the determination of the curators to represent both German states equally, which led to an over-representation of the East-German music scene, simply because there was less of it. Just as Wartburg would be more dominant than Borgward in a book about the German post-war car industry that tries to represent both German states in a balanced way.
Having listened to the whole set several times, I am now able to draw wide-reaching, sweeping and judgemental conclusions about German post-war culture. Here are examples:
(1)
At first the differences between the cultures of capitalist West Germany and the East German one-party-state seem obvious. A superficial listening suggests that the East was being restricted by political diktat and a closed society, while the West was open for experimentation and inspiration from everywhere and everything. But after a while you realise that the reality was more complicated and on this compilation you find surprisingly daring works from the East as well as a fair share of conservative dullness from the West. Overall, I found it more interesting to note what the two states had in common. For example:
(2)
The old prejudice that German culture is heavy and humourless is, all in all, confirmed. It is difficult to find any light-hearted melody in this set. Admittedly, there is some humour, some of it by composers of non-Germanic provenance (Ligeti and Kagel), but this is clownish stuff that hasn’t stood the test of time and wasn't really funny in the first place.
(3)
More than in any other epoch, in post-war Germany composers felt the need to put their works into a political and sociocritical context – on both sides of the fence. Even creators of completely abstract instrumental compositions tried to express sophisticated views with their music, which is, most of the time, not obvious to the listener until he reads the booklet.
(4)
In the West as well as in the East two types of artists dominate: Leftist intellectuals and confessing Christians. And surprisingly it’s the Christians who are often more daring in their musical experiments. Even more surprisingly, Marxist views are as dominant among western composers as they are in the East. An opera about free trade, entrepreneurship and representative democracy would have been as taboo in 1960s Western Germany as it would have been in the East. I know why, but I stop now. I talk too much...
A compilation of time-lapse sequences from 2017 and 2018 captured from the area surrounding my home town Tønsberg.
Music is from Moby and his website: www.mobygratis.com
Ah, there is a limit of 3 minutes!! Here is the full video on Youtube: youtu.be/zkw2hVr_edc
I'm back? Thanks to not being able to really do anything, I've kinda emerged from my Dark Age and I picked up Pirates of Barracuda Bay.
So, I love Barracuda Bay. It's probably my favorite set to date. But, when you reassemble it into the Black Seas Barracuda, it doesn't make a lot of sense belowdecks... So, I set out to try to make it a little more seaworthy!
I tried to challenge myself by mostly using parts included and not making too many sweeping changes, keeping it mostly cohesive. I did have to kill Emmet's Couch Mech for the parts to make the bunk beds though.
Enjoy! Please Like, Comment, and Subscribe for more! Thank you!
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Lowkey Videos 2016
I have been posting shots from this session over the past week or so. I looked at the whole set again and decided that I really like almost all of them. So rather than post more individual shots here is the complete compilation.
PS if you like this one you should look at the others in the PStream
ony A7R RAW Photos of Tall, Thin Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens ! Lightroom 5 .3 !
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Beautiful Hero's Journey Mythology Swimsuit Bikini Model Goddesses! Pretty, pretty, girls!
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As the Great Mick Jagger satted, "Pretty, pretty, pretty, pretty, girl
Pretty, pretty
Such a pretty, pretty, pretty girl." -Beast of Burden Sexy, hot, and cute too!
Epic Goddess Straight Out of Hero's Journey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's journey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Journey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
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Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Journey from Johnny Ranger McCoy!
Sony A7R RAW Photos of Tall, Thin Pretty Brunette Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens ! Lightroom 5.3 !
Pretty goddess reading the Great Books & Classics! Herman Melville's Moby Dick, Homer's Iliad, Homer's Odyssey, and Shakespeare!
Modeling the new black & gold & "Gold 45 Revolver" Gold'N'Virtue swimsuits with the main equation to Moving Dimensions Theory on the swimsuits: dx4/dt=ic. Yes I have a Ph.D. in physics! :) You can read more about my research and Hero's Journey Physics here:
herosjourneyphysics.wordpress.com/ MDT PROOF#2: Einstein (1912 Man. on Rel.) and Minkowski wrote x4=ict. Ergo dx4/dt=ic--the foundational equation of all time and motion which is on all the shirts and swimsuits. Every photon that hits my Nikon D800e's sensor does it by surfing the fourth expanding dimension, which is moving at c relative to the three spatial dimensions, or dx4/dt=ic!
With the Johnny Ranger McCoy Celtic Cross on the back of the bikini! All the best on your epic hero's journey from JR MCCOY!
Contains a total of 7200 images from:
Greece, Canada, Jersey
You can see my most interesting photo's on flickr here
Not satisfied with the official offering, I've made my own compilation, this just features songs from the first season.
Disc 1
1. Long Hard Times To Come / Gangstagrass feat. T.O.N.E.-z
2. Say Ho / Phase 73 (from Street Beats - From The Sublime Vaults) E1
3. Someday I'll Be Forgiven For This / Justin Townes Earle (from Midnight At the Movies) E1
4. Detroit City / Brandon Calhoon (from Detroit City EP) E1
5. It Took A Long Time / Koko Taylor (from From The Heart of a Woman) E1/E11
6. San Soleil / Miike Snow (from Miike Snow) E1
7. Old & Gray / Paul Chesne (from Wet Dog Man) E1
8. I Got The Same Old Blues / J.J.Cale (from Okie) E1
9. When It's Cold Outside / The Buttless Chaps (from Cartography) E1
10. Haunted / Tom Heyman E2
11. I'd Leave Me Too / Audrey Auld (from The Fallen) E2
12. Castleneck / Cliff Wagner & The Old # 7 (from Hobo's Lullaby) E2
13. Kim's Blues / Primo Jim E3
14. I Am You / Kim Taylor E5
15. Voodoo Woman / Koko Taylor E5
16. Nancy / The Deep Dark Woods (from Winter Hours) E5
17. As I Roved Out / The Deep Dark Woods (from Winter Hours) E5
Disc 2
1. Rumble In The Sky / The Deep Dark Woods (from Hang Me Oh Hang Me) E5
2. Black Cloud / Mr. Rudy Day E7
3. You Lefty Me Lefty / United Steel Workers of Montreal (from Broken Trucks and Bottles) E7
4. Change / Sean Walsh (from American Music) E8
5. Ten Million Slaves / Otis Taylor (from Recapturing the Banjo) E8
6. It Should Rain / Gene Casey & the Lone Sharks (from What Happened) E9
7. Stand By Your Man / Beverley Staunton E9
8. Good Thoughts / Sim Redmond Band E10
9. Why Did Ya / Johnny Vernazza E10
10. Jello On A Rollercoaster / Mike Gordreau E10
11. I Got A Thing For You / Jim Bianco E10
12. Flowers on My Grave / The Revenants (from Artists & Whores) E10
13. Suicide King / The Revenants E11
14. Homesick / Ryan Kickland (from Wood Carvings) E11
15. Hang Me, Oh Hang Me / The Deep Dark Woods (from Hang Me Oh Hang Me) E13
16. You'll Never Leave Harlan Alive / Brad Paisley (from Part II) E13
you'll probably notice my preference for Country / Americana tracks
Fully ventilated wig for Kokichi, my unfinished LoongSoul ZhuZhao! Initially didn't bond well with the guy because of aesthetic differences and cranium size, but am so glad I didn't give up on him.
FYI, his character is Adhara and Guórén's son, hence Kokiden's younger brother.
St Editha, Tamworth, Staffordshire.
Grade l listed.
One of the largest parish churches in Staffordshire, especially notable for its Norman work and for its monuments.
--------------------------------------
High Altar & Reredos.
Reredos was designed by by Sir George Gilbert Scott in 1852. It was carved by John Birnie Philip, cusped arcading with marble shafts flanking five cusped gabled arches with mosaics by Antonio Salviati of Venice (1816-1890), 1887-1893. They commemorate:
St George, St Nicholas, The Ascension, St Katherine and St Editha.
--------------------------------------
CHURCH OF ST EDITHA, CHURCH STREET, TAMWORTH
Heritage Category: Listed Building
Grade: I
List Entry Number: 1207856
Details
SK 2004 SE; 670-1/7/57
TAMWORTH, CHURCH STREET (north side), Church of St. Editha
11/05/50
GV
I
Former collegiate church. C9 origins shown in plan of former crossing tower; Norman crossing arches and chancel south wall and part of north wall; Early English north porch; most of church mid to late C14 following fire of 1345; late C14-early C15 west tower; C15 clerestories and roofs; extensively restored by B. Ferrey and G.G. Scott, 1850s, and W. Butterfield, c1871. Moulded plinths and plain parapets. 3-bay chancel with crossing and 7-bay clerestory over both; 4-bay north chapel and north transept; 2-bay south chapel and vestry; nave with clerestory and 5-bay aisles; west tower. Chancel has plinth and 6-light east window with king mullion and Perpendicular tracery, mid C14 crocketed hood mould with stops, flanking niches with crocketed ogee hoods and offset diagonal buttresses; C14 two-light south windows and C19 four-light clerestory windows, most with crocketed ogee hoods, plain parapet; north chapel has hollow-chamfered plinth and 7-light Perpendicular east window and 4-light north windows with head stops to hoods between offset buttresses; north transept has 4-light window, embattled parapet; south chapel has offset buttresses flanking windows with renewed tracery of unusual form, blocked east window, gabled vestry has straight-headed windows, of three round-headed lights to east and of 2+2 lights and three traceried lights to south, plain south door. North aisle has plinth and plain parapet, 3-light windows with Geometrical tracery between offset buttresses and 2-storey porch with round-headed entrance with C20 glazed infill and door, 1st floor light with crocketed hood with stops, stair turret in buttress to right, 5-light transomed west window with Perpendicular tracery interrupted by tower buttress; south aisle has plinth and 3-light windows with early Perpendicular tracery between offset buttresses, end gabled buttresses with stack to east, crocketed pinnacle to west, pointed entrance with continuous leaf-trail moulding, entrance to crypt, slate sundial to plain parapet, clerestory as to chancel, 4-light west window with pinnacle to parapet. 3-stage tower has gabled angle buttresses incorporating stair turrets, plinth and string courses, C19 west entrance has hollow-chamfered architrave with arms of diocese and province to spandrels and Tudor flower, paired doors, embattled parapet to wall passage below 6-light window with Perpendicular tracery; C19 south-west stair entrance has niche with St George; 4-light transomed south window with Perpendicular tracery, small lights to second stage; bell stage has paired Y-tracery louvred openings, cornice with gargoyles, embattled parapet with crocketed pinnacles with wind vanes and truncated spire.
INTERIOR: chancel has three unglazed 2-light windows to north over three mid-C14 arched tomb recesses with cusping, all open to north chapel; east window flanked by two tiers of niches with crocketed ogee heads, similar niches alternate with clerestory windows, panelled roof has stop-chamfered members, with bosses to sanctuary; crossing has round-headed north and south arches with flat responds, jambs of west arch have chevron moulding with C15 cusped panels to former arch abutments, squint to south aisle; north chapel has glazed C19 screen with brattishing, C15 panelled roof with bosses, 1882 sedilia and piscina project with cusped arches and gables, niches flank east window; transept has C19 panelled roof; south chapel has C14 two-bay west arcade with filleted quatrefoil piers, north wall has round-headed entrance to chancel with blocked deeply splayed window above and shafted buttress to vestry, C14 south piscina, C15 roof with few bosses; aisles have C15 panelled roofs with bosses, pointed entrance to porch with rib vaulting; similar panelled roof to nave, arcades with quatrefoil piers with fillets, clerestory as to chancel, C19 west wall has unglazed traceried opening over doorway with continuous moulding; tower has rib vault and deeply splayed windows and blind arch to north; crypt has single-chamfered vaulting.
FITTINGS: chancel has 1852 reredos by G.G. Scott and J.B. Philip, cusped arcading with marble shafts flanking five cusped gabled arches with mosaic, 1887, by Salviati, encaustic tiles to sanctuary, C19 traceried rail; crossing has stalls with C20 book rests; north chapel has late C19 traceried timber altar and reredos with riddel posts; south chapel has free-standing organ; nave has rich C19 timber pulpit with detached shafts, 1854 font by G.G. Scott, octagonal with shafted pier and enriched panels.
MEMORIALS: chancel has three tombs to recesses: to east, Sir Baldwin de Freville, d.c1400, and wife, chest with figures under gablets with pinnacles, inscription to cornice and two effigies to top; C15 tomb, chest with cusped panels and shields and moulded square balusters to angles, effigy of woman with kennel head-dress; to west, Sir John Ferrers, d.1512, and wife, chest with Tudor flower and shields, Tudor flower to cornice and 2 effigies, the male now without legs; to north a wall tablet to Elizabeth Adderley, d.1661, oval panel with flanking scrolls and foliage with cartouche to apron and segmental pediment with swan-neck pediment above; to south tablet to Henry Michel, d.1629, and wives, round-headed panel; Thomes Willington, d.1696, cartouche with Latin inscription and flanking drapery, apron in form of drapery with further inscription and armorial bearing above; Francis Blick, d.1842, rich Gothic Revival tablet in form of niche; north chapel has tomb recess with effigy of priest, Baldwin de Witney, d.1369; C14 floor slab with indents for missing brasses; transept has fragment of C15 effigy of knight; wall tablet to members of Comberford family, d.1671-1725, in form of drapery with Latin inscription; south chapel has wall tablet to Elizabeth Hood, d.1899, in early C19 style with stole and weeping figure by draped urn and willow; north aisle has war memorial wall slabs; tablet to John Horner, d.1769, obelisk with putto and portrait medallion and apron with palms; other C18 tablets to west wall; tower has large monument to John Ferrers, d.1680, and his son, Humphrey, d.1678, by Arnold Quellin of Grinling Gibbons' studio, chest with cartouches flanking trophy of arms supporting tablet with Latin inscription, flanked by free-standing kneeling figures in Roman armour, top sarcophagus with gadrooning, festoons, putti and flaming urn, with free-standing armorial bearing to front; tablet to John Clarke, d.1818, weeping figure by tomb with armorial bearing. Stained glass: medieval fragments to vestry east window; chancel east window, 1870, by Wailes; good south clerestory windows, 1873, by Ford Madox Brown for Morris and Co; good north chapel east window, 1874, by E.Burne-Jones for Morris and Co., also 2 windows to north, 1901 and 1925, and 2 windows by Messrs Camm, 1939 and 1940; 2 north aisle windows by H. Holiday, 1919, and one by G.E. Smith, 1945; 3 south aisle windows by H. Holiday for Powell and Son, 1881-6; also C19 windows to transept and south chapel. One of the largest parish churches in Staffordshire, especially notable for its Norman work and for its monuments.
(Buildings of England: Pevsner N: Staffordshire: London: 1974-: P.274-77; Pace GG: The Collegiate and Parish Church of St Editha, Tamworth: Tamworth).
Listing NGR: SK2078604090
This List entry has been amended to add the source for War Memorials Register. This source was not used in the compilation of this List entry but is added here as a guide for further reading, 30 October 2017.
Legacy
The contents of this record have been generated from a legacy data system.
Legacy System number: 386462
Legacy System: LBS
Sources
Books and journals
Pace, G G, The Collegiate and Parish Church of St Editha Tamworth
Pevsner, N, The Buildings of England: Staffordshire, (1974), 274-77
Websites
War Memorials Register, accessed 30 October 2017 from www.iwm.org.uk/memorials/item/memorial/13745
1. Sweet Dreams / Eurythmics
2. Wham Bam / Taylor Tennessee
3. Barton Hollow / The Civil Wars
4. Little Red Riding Hood / The Brooke
5. Pretty Thing / Dylan Dray
6. Sweet Dreams (Are Made of This) / Marilyn Manson
7. Danse Macabre / Leopold Stokowski & National Philharmonic Orchestra
8. Hook Shot / Wolfgang Gardner
9. Drop Down / Designer Drugs
10. The Terror / Designer Drugs
11. Hit the Drummer / DJ Dan
12. Deep Dark Secret / The Deep Eynde
13. Money Maker / The Black Keys
14. Sweetest Kill / Broken Social Scene
15. This Fire / Franz Ferdinand
16. Angel / Massive Attack
17. Season of the Witch / Donovan
18. Best Days / Eric Hutchinson
19. Use You Like I Used To / The Spell
running time 79 minutes
Sony A7 R RAW Photos of Pretty Sandy-Blond Bikini Swimsuit Model Goddess! Carl Zeiss Sony FE 55mm F1.8 ZA Sonnar T* Lens! Lightroom 5.3! Pretty blue eyes and long, long legs! Long as the day!
And here're a couple of HD video movies I shot of the goddess with the 4K Sony:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Check out my greatest hits compilation, and let me know what you think:
www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Jou...
As the Great Mick Jagger stated, "Pretty, pretty, pretty, pretty, girl
Pretty, pretty
Such a pretty, pretty, pretty girl." -Beast of Burden Sexy, hot, and cute too!
Epic Goddess Straight Out of Hero's Journey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's journey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Journey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosjourneymythology
New instagram! instagram.com/45surf
Pretty Swimsuit Bikini Model Goddess! :)
Join/like my facebook page! www.facebook.com/45surfHerosJourneyMythology
Follow me on facebook! facebook.com/elliot.mcgucken
Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Journey from Johnny Ranger McCoy!
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
May the 45surf goddesses inspire you along am artistic journey of your own making!
Nikon D800 photos of a Swimsuit Bikini Model Goddess! She's a Hollywood Stunt Double! You've seen her in movies!
And here're a couple of HD video movies I shot of the goddess with the Nikon D800:
Enjoy! Be sure to watch in the full 1080P HD!
The epic goddess was tall, thin, fit, tan, and in wonderful shape (as you can see).
Check out my greatest hits compilation, and let me know what you think:
www.elliotmcguckenphotography.com/45surf/45SURF-Heros-Jou...
As the Great Mick Jagger satted, "Pretty, pretty, pretty, pretty, girl
Pretty, pretty
Such a pretty, pretty, pretty girl." -Beast of Burden Sexy, hot, and cute too!
Epic Goddess Straight Out of Hero's Journey Mythology! Pretty Model! :) Tall, thin, fit and beautiful!
Welcome to your epic hero's journey! The beautiful 45surf goddess sisters hath called ye to adventure, beckoning ye to read deeply Homer's Iliad and Odyssey, whence ye shall learn of yer own exalted artistic path guided by Hero's Journey Mythology. I wouldn't be saying it if it hadn't happened to me.
New 500px!
500px.com/herosjourneymythology
New instagram! instagram.com/45surf
Pretty Swimsuit Bikini Model Goddess! :)
Join/like my facebook page! www.facebook.com/45surfHerosJourneyMythology
Follow me on facebook! facebook.com/elliot.mcgucken
Nikon D300 Photos of Beautfiul Sexy Hot Brunette!
She was a beauty--a gold 45 goddess for sure! A Gold 45 Goddess exalts the archetypal form of Athena--the Greek Goddess of wisdom, warfare, strategy, heroic endeavour, handicrafts and reason. A Gold 45 Goddess guards the beauty of dx4/dt=ic and embodies 45SURF's motto "Virtus, Honoris, et Actio Pro Veritas, Amor, et Bellus, (Strength, Honor, and Action for Truth, Love, and Beauty," and she stands ready to inspire and guide you along your epic, heroic journey into art and mythology. It is Athena who descends to call Telemachus to Adventure in the first book of Homer's Odyssey--to man up, find news of his true father Odysseus, and rid his home of the false suitors, and too, it is Athena who descends in the first book of Homer's Iliad, to calm the Rage of Achilles who is about to draw his sword so as to slay his commander who just seized Achilles' prize, thusly robbing Achilles of his Honor--the higher prize Achilles fought for. And now Athena descends once again, assuming the form of a Gold 45 Goddess, to inspire you along your epic journey of heroic endeavour.
ALL THE BEST on your Epic Hero's Journey from Johnny Ranger McCoy!
Shot with the Nikon D800 and Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens.
Modeling the Gold 45 Revolver Gold'N'Virtue swimsuit. :)
A laid-back,classic, socal lifestyle shoot!
Reading the Great Books and Classics inclduing Homer, Shakespeare, and Herman Meville's Moby Dick!
With the black 45SURF surfboard!
May the 45surf goddesses inspire you along am artistic journey of your own making!
I've uploaded 9 VN images today, yes 9!,and this is a compilation of them. If you have the time I'd be pleased, if you visited a few: click on the image notes to view the individual pics.
On my several trips to Vietnam (except the last!) I've collected a lot of shots, which I've archived with the intention of eventually loading, over time, onto Flickr. The problem was that with the new cam, I've accumulated a heck of a lot more images than anticipated, so I've decided to clear my archives.
Have a great day, almost the weekend, and Easter!
Short video of all my night time lapse work of this year. Please watch it in HD, or even better at 'Vimeo'.
Garth Brooks, is an American country pop singer-songwriter. His integration of pop and rock and roll elements into the country genre through multi-platinum recordings and record-breaking live performances earned him immense worldwide popularity. This progressive approach has allowed Brooks to dominate the country single and album charts, while also crossing over into the mainstream pop arena.
According to the RIAA, he is the best-selling solo albums artist in the United States, ahead of Elvis Presley and second to The Beatles, with 136 million domestic units sold. He is also one of the world's best-selling artists of all time, having sold more than 160 million records.
Brooks has released six albums that achieved diamond status in the United States, those being: Garth Brooks (10× platinum), No Fences (17× platinum), Ropin' the Wind (14× platinum), The Hits (10× platinum), Sevens (10× platinum) and Double Live (21× platinum). Since 1989, Brooks has released 20 records in all, which include: 10 studio albums, 1 live album, 3 compilation albums, 3 Christmas albums and 3 box sets, along with 77 singles. He won several awards in his career, including 2 Grammy Awards, 17 American Music Awards (including the "Artist of the '90s") and the RIAA Award for best-selling solo albums artist of the century in the United States.
Brooks retired from recording and performing from 2001 until 2009. During this time, he sold millions of albums through an exclusive distribution deal with Walmart and sporadically released new singles. In 2005, Brooks started a partial comeback, giving select performances and releasing two compilation albums.
In 2009, he began Garth at Wynn, a periodic weekend residency show at Las Vegas' Encore Theatre from December 2009 to January 2014. Following the conclusion of the residency, Brooks announced his signing with Sony Music Nashville in July 2014. In September 2014, he began his comeback tour, The Garth Brooks World Tour, with wife and musician Trisha Yearwood. His most recent album, Man Against Machine, was released on November 11, 2014, exclusively to his online music store, GhostTunes.
Brooks was inducted into the Country Music Hall of Fame on October 21, 2012. 5/1/16