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The Sandugo was a blood compact, performed in the island of Bohol in the Philippines, between the Spanish explorer Miguel López de Legazpi and Datu Sikatuna the chieftain of Bohol on March 16, 1565, to seal their friendship as part of the tribal tradition. This is considered as the first treaty of friendship between the Spaniards and Filipinos. "Sandugo" is a Visayan word which means "one blood".
Shouting the classic compact 35. Since it got wet the light meter doesn’t work but the cheap AliExpress one seems to so we will give that a go
1995 BMW 316i Compact.
Fitted with a 1991cc engine.
Previously registered M53 WVW.
11 previous keepers.
Compact Diaper Bag which attaches to a stroller or can be carried as a wristlet. Phone and zip pocket on the outside, four slip pockets on the inside. See my profile for details
Designed by Charles and Ray Eames the Vitra Sofa Compact was originally a design intended for their own house in California, but finally went into series production. Unusually high and divided into two horizontal strips, the backrest lends the sofa an interesting profile and clearly sets it apart from the weightiness of traditional sofas. The sofa can be folded up, making it easy to transport. Made from a chromed tubular metal frame with polyurethane foam upholstery. --------- (PAR_0507_3339 - Image copyrighted).
Vintage compacts and lipstick holders in a cabinet that once held hotel keys and messages for hotel guests.
Got my Canon 7D repaired. Here is a shot of the bent pin before I took it into the shop. The bent pin pretty much made my camera useless so it had to be fixed. If you want to find out how much it cost to repair, you can read about it on my site:
therenderq.com/repair-cost-of-canon-7d-bent-pin-in-compac...
My '95 E36 Compact.
Unfortunately, the EXIF is missing. Note that this is an 8s long exposure lit only by a street lantern.
I did some heavy post processing on this one: desaturated all but the coloured applications (I like the rim logos best), meddled with highlights and shadows and got rid of all noise to give it a smooth look.
This 35mm compact has travelled with me as a faithful companion since buying it new in Bonsers, Newcastle in 1983. The 40mm - 80mm + Macro lens is not only a joy to use but also produces sharp, consistent results, although with a degree of chromatic aberration.
This camera has an electronically controlled semi-mechanical focal-plane shutter, travelling the short way across the frame. In automatic mode, the camera selects the best shutter speed for the chosen ASA rating and ƒ-stop. The shutter speed is indicated in the viewfinder so twiddling the aperture to maintain a usable shutter speed is a breeze.
I am in the habit of using it in manual mode, where the shutter speed is selected by a pair of buttons on the top, and displayed in the viewfinder. The centre weighted metering still operates and gives a helpful indicator in the viewfinder.
Here you can see the battery (4x AA cells) operated film winder attached to the base of the camera and providing an ergonomically good grip that makes this a fast, pleasurable camera to use.
The camera uses a couple of hearing aid type batteries (LR44) that last for years. However, although the auto and manual shutter speeds cease to work in the case of battery failure, there is a mechanical 1/125s setting that will still allow the camera to function. (ASA 200, Normal daylight, 1/125s ƒ/11 is a good starting point for exposure guesswork)
The sunny 16 rule says, take the reciprocal of the ASA film speed for the shutter speed, then ƒ/16 would be the setting for a bright sunny day with distinct shadows; ƒ/11 would be correct for slightly overcast with blurry edged shadows; ƒ/8 for overcast and no shadows; ƒ/5.6 for dull about to rain dimness; or ƒ/4 for early evening gloom. For example, ASA 200 gives 1/200s ASA 400 gives 1/400s
I can remember when film boxes used to carry this quick calculator. You can mix and match the ƒ-stop and shutter speed. Remember, reducing the shutter speed by half (1/500th to 1/250th) doubles the light entering the camera. So Increase the ƒ-stop to compensate (say, ƒ/8 to ƒ/11). One goes up, the other goes down. Each step ether doubles or halves the light, dependent on the direction.
Photographic Information
Taken on 19th July, 2008 at 2147 hrs with an Olympus E-10 digital single lens reflex camera, post-processed in Adobe Photoshop CS5.
© Timothy Pickford-Jones 2008
Valla de ocultación formada por lamas verticales color blanco de compacto fenolico con protección UV de 10mm de espesor. Postes para empotrar de acero inoxidable. Altura de la valla 1m00. Aplicación en comunidades, viviendas y chalets. www.vinuesavallasycercados.com