View allAll Photos Tagged Compact,
To me, it would seem that a dandelion bloom would be somehow different than this. I think that it's because a dandelion's fibers are all so scattered, at first glance, that it seems unlikely that they start out so orderly. Then the reasoning kicks in that dandelions use air dispersal to get their offspring away from the parent plant. Of course, then, there isn't a random combination of structures. They must be grown specifically to take advantage of being both light and fluffy.
Still with me? Gone to take a snooze?
Olympus OM2 w/ 135mm f/3.5
Fujicolor Superia X-Tra 400, expired 05/2019
Home Developed in Argentix.ca C-41 kit (Unicolor)
Pakon F135
The family Aulopidae (flagfins) has four genera; Aulopus, Hime, Latropiscis and Leptaulopus. The sergeant baker is endemic to Australia and used to be bundled in with a few other Atlantic and Pacific species in the Aulopus genus. It is now the only species in the genus Latropiscis - isn't it special!
These tiny leaves are sort of peculiar. I don't know if the plant is dehydrated or if it's just a part of the physiology of the plant, but the stem of the leaf looks rather flat, doesn't it? Plants are such bizarre creatures in the first place when you compare them to animals.
Almost exclusively do they not rely on other animals for direct nutrition. Almost all of them are rooted in one way or another to a substrate. Their gross anatomy is so unlike ours.
Then again. Earth teems with plants. Maybe we're the odd ones.
Canon Powershot SX70 HS IS
Metering Mode - Spot
C1 M
IS
Image stabilizer
very snappy Bridgecamera
Schnappschuss Kamera
●
art meets Photography
effiart 2021
################
1365 mm
Canon Powershot SX70 HS
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Yes, Zoomer (bridge-cameras) need ample Light.
==============================
Excellent IBIS -
5.0 stops
Super Bildstabilisierung (5 Stufen besser für die verwacklungsfreie Belichtung)
Enhanced basic functionality for quicker, easier Shooting
with Dual Sensing IS* aka DS.
Intelligent IS mit Dual Sensing IS und 5-achsigem Advanced Dynamic IS
up to five stops better
(SX70 5.0 stops)
(SX60 3.5 stops)
IBIS, In Body image stabilizer,
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With the addition of a new eye sensor,
the camera automatically switches to the EVF display simply by bringing the camera up to the eye.
The PowerShot SX70 HS is capable of continuous shooting at up to
10 fps with One Shot AF
and Servo AF up to 7,4 fps,
ensuring that you will not miss picture-perfect moments in sports, wildlife, or any other scenes with fast-moving subjects.
With improved Contrast AF, focus is established quickly even in dark scenes.
Zoom Framing Assist: Supports setting of angle-of-view during telephoto shooting
On the PowerShot SX70 HS, telephoto shooting is supported by three Zoom Framing Assist functions:
Zoom Framing Assist – Lock
Reduces camera shake at the telephoto end. On the PowerShot SX70 HS, this function has been enhanced with Support for subject tracking, allowing you to shoot at the intended angle-of-view.
Zoom Framing Assist – Seek
Helps you to reacquire lost subjects by temporary zooming out, finding the subject, and then zooming in onto it at the original angle-of-view.
Zoom Framing Assist – Auto
Detects an approaching face and automatically adjusts the zoom to keep the face at a constant size on the screen.
Hersteller:
Canon
Modell:
PowerShot SX70 HS
Die neue Premium-Bridge-Kamera von Canon
°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°
Kameratyp:
Bridge
Markteinführung:
11 / 2018
Gewicht:
608g (betriebsbereit)
UVP:
549,00 Euro
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Serienbilder pro Sekunde:
10,0 Bilder pro Sekunde
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Sucher:
Ja
Suchertyp:
elektronisch
Sucherauflösung:
2.360.000 Bildpunkte
Bildfeldabdeckung:
100%
Dioptrienausgleich möglich:
Ja
-
ISO Empfindlichkeit:
100, 200, 400, 800, 1600, 3200
Auto ISO: 100 - 800
Featuring DSLR-style looks and handling, a 7.5 Vari-Angle LCD screen, 20.3 Megapixel sensor and 4K Ultra High Definition video, the
Canon PowerShot SX70 HS is an ideal all-in-one camera,
capable of handling all types of shooting scenario, without the need to carry multiple lenses.
Bessere haptische Bedienung: wie DSLR EOS Bedienung
Am leistungsfähigen Sucher orientiert +
Zoom-Wippe auf dem Objektiv
The PowerShot SX70 HS inherits the
design of EOS cameras and features a button layout optimised for EVF shooting.
Controls such as the shutter button, electronic dials and zoom button on the lens barrel have also been designed to ensure optimum ease-of-use during viewfinder shooting.
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In addition to sharp JPEGs, the Canon PowerShot SX70 HS can capture images in
RAW or compact RAW format,
opening a world of professional post-production techniques, providing limitless ways to impress with optimised photographs.
CMOS-Sensor 1/2,3" 6,2 x 4,6 mm (Cropfaktor 5,6)
The theme for today in the Kerrisdale Cameras daily photo challenge is “Compact”. I struggled with this one until I saw one of my daughters CD’s (Compact Disc) sitting on the table reflecting light from a nearby window #kcphotochallenge
Web: www.sollows.ca
Instagram: www.instagram.com/jsollows
Twitter: www.twitter.com/jimsollows
Press L to view larger and on black!
Check the comments to see the set up shot!
The Minolta CLE (Compact Lightmeter Electronic) is what I consider one of the best (film) rangefinders one can buy. It is also the smallest/lightest (only 400g!) M mount rangefinder you can buy (Next to the Leica/Letiz/Minolta CL). This little guy was also the most advanced Leica M mount camera for 21 years until Leica came out with the M7 back in 2001. One of the reasons why people think Leica discontinued the CL and CLE only after a few years was because it was pretty much destroying the market for Leica M rangefinders because of its much more consumer friendly price, hence the nickname the Cheap Leica.
I wonder why its taken me so long to actually take a photo of my CLE, I've had it for quite the time now, guess I just never bothered. I've really been wanting to get back into film, especially since I have about 20 rolls of film just sitting in my fridge right now. So I've been taking out the CLE with me more frequently now a days. I am much more comfortable using Rangefinders then I am SLRs, they just feel more natural to me, not to mention the fact they are more discrete, much smaller/lighter (camera and lenses) and much quieter too. Though the CLE is one of the louder rangefinders I've ever used, though its still quieter then most SLRs. One day... I'll get myself a Leica M9, I've already got my whole lens line up all I need is a digital rangefinder now!
I wanted to throw some film canisters in this photo but it felt to busy after that so I took them out. My most used film for colour is Kodak Portra 160VC, and more black and white its a toss up between Fuji Neopan 100 or Kodak TMAX 100.
Strobist Info
Nikon SB-800 (Main)camera right on a 32x32" softbox at 1/32 power
Nikon SB-800 (Rim) camera right behind the subjects with a gobo, bare at 1/64 power
Nikon SB-80DX (Kicker) camera left bare at 1/64 power
White fill card camera left in front of the subjects
Oh yea and if you want to see the terrible film scans head over to my Facebook page, I'll be posting all my film shots over there. I should really just use the deicated film scanner we have at school...
Follow me on...
Konica Autoreflex T3
Fuji Superia 100 expired (date unknown)
AR Hexanon 1.8/40
PP in Pixlr-O-Matic
I must be one of the very few people who don't like the Petri Color 35. There, I've said it. Don't get me wrong, from the collector's standpoint it is a great camera: Great looks, intuitive design, a marvel of camera engineering, all this from a maker of budget cameras who tried (and partially succeded) to come up with a "Rollei 35 killer" at a time when Rollei was still a premium name in the camera business.
Me, I like to judge cameras as a user first and the Color 35 has a very serious drawback for a viewfinder guess-focus camera: There is no way to focus the lens without bringing the camera to your eye, as there is no distance scale on the retracting lens barrel. You have to either keep the camera at eye level throughout focusing (with the added risk of getting your finger in your eye while turning the focusing knob at the back) in order to watch the needle move over the distance indicators in the viewfinder, or use it hyperfocally which somehow defeats the whole purpose of having manual control over aperture and thus DOF. All this led me to sell the Color 35 I had and declare the original Rollei 35 (which gives you the opportunity to fully control every aspect of shooting without the need to bring the camera at eye level other than at the exact moment of framing) as the undisputed winner of this duel.
Now to the camera pictured here: After the commercial success of the Color 35, Petri decided to release another camera based on it, retaining some of its virtues (compact size, retractable lens) but replacing the fully manual exposure with a fully automatic one which would make the camera much more appealing to the casual user. This way, the Petri Color 35E (for "Electronic") was born. Wisely enough, Petri added a distance indicator on the lens barrel, correcting the fundamental drawback of the Color 35. With time, the name changed a bit, the camera also existed as "Petri 35E" then renamed "Petri Micro Compact" which also involved a change in finish from the classic chrome to black. The latter can also be found as "Carena Micro Compact".
Sadly, as the camera evolved, it slowly lost the good build quality that characterised the first Color 35, probably reflecting the gradual decline of Petri into bankruptcy. Although the size is identical to the Color 35 and features like the completely removable back or the freely rotating strap lugs remain, almost all metal has been replaced by plastic, resulting in an overall feel very close to a toy camera, much worse than what pictures of the camera online suggest at first glance. Everything feels very flimsy and easily breakable. The VF is decent but without any exposure or distance indicators at all and the only amenity to the user is a battery test button. Perhaps the early Color 35E model retains some of the quality of its mechanical sibling, but working ones are rather uncommon to find at low prices, probably a spill-over effect from the reputation and collectability of the original Color 35.
The small size of the Black Hills Central's Baldwin 2-6-6-2 tank locomotives--38 foot wheelbase-- can really be seen from above--in this aerial view, #108 has topped the steep initial climb out of Hill City and is now winding between the hills on a light downgrade before the drop into Keystone.
strobist info : 2 speelihgt behind the model, left n right for side light. 1 speedlight on my back upper right(with umbrella octagon softbox). and 1 more speedlight with square softbox on my below left.
What a moment!
Two at the same time. One on my front, one on my back.
Shots with compact sony manual mode.
Mississippi River. New Orleans.
IMO: 9612882
MMSI: 636092680
Call Sign: D5AD8
Flag: Liberia [LR]
AIS Vessel Type: Cargo - Hazard D (Recognizable)
Gross Tonnage: 88586
Deadweight: 94374 t
Length Overall x Breadth Extreme: 299.97m × 45.63m
Year Built: 2012
Status: Active
One of my very early photographic efforts taken with a Hanimex Compact non SLR camera of dubious quality and using black and white film sees Tinsley allocated 25019 drifting along the Up Goods approaching Derby station with a special class 8 freight (8Z60) sometime in 1974.
Locomotive History
25019 is one of a batch of twenty five locomotives of sub class 25/0 which were a transition between the 75mph, 1160hp Class 24 and the 90mph, 1250hp Class 25/1. These twenty five locomotives received the up-rated 6LDA28B Sulzer engine giving 1250hp but were fitted with the same traction motors as the Class 24. All twenty five locomotives were built at Darlington Works and 25019 entered traffic as D5169 in December 1961 and like the rest of the sub class was allocated to Thornaby MPD. This sub class were not boiler equipped so would live out there careers mostly on freight duties. It would spend the next five years in the North East with a short spell at Gateshead in 1967 before transfer to Holbeck in December 1967. After a brief return to the North East (Gateshead) in April 1972 it transferred to Tinsley three months later. Its next move was to Scotland in February 1976 with a transfer to Eastfield and its final transfer was to Haymarket in January 1980. The first Class 25/) withdrawals (25016/17/20/22/24) took place in January 1976 when they were due for classified repair and they were the first non accident damaged class 25’s condemned. Withdrawals of the Class 25/0 locomotives continued over the next couple of years with a further six being withdrawn, however before they were complete non accident damaged withdrawals commenced on the Class 25/1 locomotives in August 1977. This proved to be a reprieve for the remaining Class 25/0 locomotives as the next fourteen withdrawals came from the Class 25/1 or 25/2 fleets until 25008 was withdrawn in June 1980, almost a three years gap in Class 25/0 withdrawals. Once Class 25/0 withdrawals had recommenced the remaining Class 25/0 locomotives were quickly withdrawn with 25019 being withdrawn three months later in September 1980. After withdrawal 25019 was moved to Swindon Works during October 1980 and was broken up during January 1981.
Hanimex Compact, Ilford FP4
Car: BMW 316 Compact (E36/5)
Date of first registration: 6th March 1995.
Registration region: Newcastle-Upon-Tyne.
Latest recorded mileage: 61,125 (MOT 9th November 2018).
Date taken: 19th March 2019.
Album: Street Spots
Car: BMW 316i Compact.
Year of manufacture: 1999.
Date of first registration in the UK: 20th May 1999.
Place of registration: Chelmsford.
Date of last MOT: 7th April 2021.
Mileage at last MOT: 100,621.
Last change of keeper: 9th August 2020
Date taken: 3rd June 2021.
Album: Carspotting 2021
It started with the LC-A, that I got in a 2nd hand shop in Budapest 2 years ago, I took it to test it the next days on my way by train across Bulgaria/Romania to Istambul, and I finally figured out that P&S were the way to travel without worries. always ready, and in a simple pocket. SET
Eventually the lc-a fell and so I could try to fix the frame counter it had to get a new dress.
Also, missing some shots because of the zone focus it was not ideal, so I started looking for some cheep AF ones, and they had to be as pocketable as the lc-a, on that area the mju II is the winner.
I don't think this collection will grow much more, unless I stumble upon some expensive models or so, for very cheap (ricohs gr, minolta TC-1 etc...) I'm happy with these ones for now, let's see what comes next.
(1 week after)
I just came back from the fleamarket with some more P&S cameras, Mju I (another),
Ricoh FF70(it's a DOA after all), Fuji HD-M, Konica EU-min and a Porst 135AE
#2 UPDATE
additions : Olympus XA2, Ricoh FF-1, Leica C2-zoom, Nikon AF600, Rollei 35B
A very basic Compact. Top spotting points if you see one of these now.
Plate comes back to a Piaggio T5 (a scooter?)
From where I sit at this moment, Orkney seems so remote. It's easy to forget that it sits just off John o' Groats and was a bit of Scotland nibbled away and submerged at the end of the Last Glacial Period. Prior to that, the lowered sea levels left Doggerland high and dry — a convenient stepping stone for humans to repopulate Britain from the rest of Europe. Yes, I've been to the very north of the archipelago, to North Ronaldsay. Today I'm away to South Ronaldsay — ironically juxtaposed at opposite ends from its northern namesake. This won't take me to Orkney's most southerly isle, Stroma, which to be honest has less water between it and Scotland that it has between itself and the rest of Orkney.
Here's a reminder of how compact these islands are. This is the northern tip of Glimps Holm looking back across Lamb Holm to Mainland. By now I've crossed two of the causeways constructed as navigation barriers in WWII. There are what appears to be military installations, there on the cliffs of Lamb Holm. In the middleground lie relics of the block ships sunk here early in WWI. I think this was the SS Numidian, an almost 5000 ton steel hulled steamer scuttled here on 30 December 1914. She was sunk in the company of SS Aorangi, SS Thames and SS Minieh with, I think, Numidian in the shallow water near this spot. I could be wrong. If you need a better answer there's a kind of trainspotters' guide to the wrecks of Scapa Flow.
Orkney is so user-friendly. It's a small place, compact, packed to the gunwales with history; so much that with sea level rise its, Plimsoll line is in peril of disappearing beneath the waves. Getting about is quick and easy; all that and it has a village named Twatt.
Exposure Mode - Auto
only a pets snapshot
1/6 s
F 4.5
handheld
no Flash
aka 56 mm
indoor
Metering Mode - Multi-segment
low light - dim light
ISO 800 - here a problem with Long Exposure, handheld
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Die Bildqualität !
miserabel hier
Gerade im Extrembereich und unter extremen Bedingungen (Dämmerung, Dunkelheit), erweisen sich übertriebene Pixelzahlen in Zusammenhang mit lichtschwachen Objektiven als Nachteil.
Sorry: Falsche Kamera verwendet -
Besser die G7XII nehmen.
F1.7
=========
BETTER here:
hope i could help
That said:
For low light and sports
pets and Kids, animal, ...
i use G7X Mark II - F 1.7
or Nikon DSLR - F1.8