View allAll Photos Tagged Cognition
Lappy setup for Cognition 2 - October 2008.
Live - loops and samples
Logic - Effects
Pd - Controls samples in Live after analysing attacks and pitch of vibraphone
Shu Long starts to have clear cognitive power these few days (just turns 4 months old). He now make noise with a purpose (other than milk request) AND he starts to realise moving his toe and seeing it moves is something he can match together!!! It was so funny watching him discover this amazing thing
During PBS’ YOUR INNER FISH session at the Television Critics Association Winter Press Tour in Pasadena CA on Tuesday, January 21, 2014, host Neil Shubin, series producer
David Dugan, evolutionary biologist Karen Sears and executive producer
Michael Rosenfeld discuss how the genetic legacy of prehistoric animals can be seen today in our own DNA.
(Premieres Wednesdays, April 9-23, 10:00-11:00 p.m. ET.)
All photos in this set should be credited to Rahoul Ghose/PBS
technology background in blue end red and profile of a man with gears and a light bulb made in3d software
Tricks of the Mind | March 2013TRICKS OF THE MIND - March 2013
If you can't view this email, please click here.
Hi,
A question we're often asked is what is Mind Magic? Mind Magic is using magic (of the conjuring variety) to create the illusion that you can read minds, influence people and demonstrate paranormal & extraordinary powers, e.g. ESP, moving objects with the power of your mind and predicting the future.
It is sometimes called mentalism, although we use the term Psychological Artistry, and has been shown to be popular in the programmes of Derren Brown and other magicians. The workshops we run not only reveal these often guarded tricks and secrets, but merge them with psychology and neuroscience so that we can use and apply these approaches in therapy, coaching, business etc. For more information on these workshops, please see mindsways.com/SMS/
All of our workshops, Sleight of Mind Set and The Fascination all use Mind Magic tricks, tools and techniques and Psychological Artistry. There is one overriding theme within them all; that is the Show Not Tell principle. The Show Not Tell principle is all about making people experience and feel the message rather than just be told. The Show Not Tell principle is about engaging through emotions, not just logic and reasoning. The intellect finds the logic to justify what the emotions have decided.
To see more information about The Fascination, please see mindsways.com/the-fascination. For more on Sleight of Mind Set workshops, please go to mindsways.com/SMS/ and for more about the Show Not Tell principle, please look at mindsways.com/SNT/
TRICKS OF THE MIND
The real power of Mind Magic and Psychological Artistry lies not with just the tricks, but the effect that the delivery of the tricks have on people. On the workshops and in the packs we give you the tricks, however, learning to use them and turn them into effects is where the real power lies.
Delivering these effects, you can evoke the making of the extraordinary. By combining the tricks with the energy of your words, your message and your personality, you make yourself stand out, stimulate fascination and create interest in you. This is when the real magic happens, in the minds of others. To see what other's have said about the workshops, please see mindsways.com/about/what-people-say/
To see a few interesting examples of how magic can be used in communication, please see mindsways.com/the-fascination# PsychologicalTED
WHAT IS PSYCHOLOGICAL ARTISTRY?
To start with there are many definitions of psychology, but the one that sums it up for me is "the science of how we think". Next is the Artistry part, again, there have been many definitions but I like to think that artistry is a blend of:
Creating connection, rapport and emotions
Telling stories
Gaining and holding attention
Producing insights
Displaying human nature
Cognition
Show, Not Tell
Multiple Moments of Interest, Interaction and Insights (MMI's)
Therefore, Psychological Artistry is the blending of these two to create a method for successful communication. Psychological Artistry is where science and art meet Mind Magic.
Psychological Artistry is a route to form:
New Ideas
New Voices
New Questions
New Perspectives
New Expressions for our Passions
New Experiments
Expanded horizons
Emotional Engagement
Using Psychological Artistry is a way to express your personality, it:
Improves personal delivery
Increases your visibility
Enhances personal image and style
Powerful differential
Creates presence and raises profile
Increases perceptual awareness
Learning Psychological Artistry and Mind Magic is all about gaining access to valuable and guarded secrets.
Interesting examples of how all is not as it appears are the McGurk effect and Prof. Richard Wiseman's "The Incredible Colour Changing Card Effect", a well-known Fred Astaire clip and Rory Sutherland's Perspective Is Everything talk. Please take a look here or go to mindsways.com/SMS. These illustrate both the power and the approach of Psychological Artistry. I would love to know what you think.
MINDFUL ILLUSIONS
Understanding how powerful a role illusions can play in our life is extremely important. We can get dragged into the illusion that we cannot change ourselves, and this can affect us very deeply. We have to keep in mind that these beliefs are based on neuro-pathways that have wired themselves together in our past, and though they may even dominate our thoughts now, brain plasticity means we do not have to have this in our future. To see more about this, please mindsways.com/SMS#InfiniteMind
The SNT kit, which you get included in the price for the Sleight of Mind Set workshop, clearly illustrates that this previous wiring does not have to equal the future. It clearly shows us that we cannot believe what we see, but we see what we believe. For more on the SNT kit, please see mindsways.com/SNT/
THE ART OF CRITICAL THINKING
Our mind is our greatest strength, but is also the root of many of our flaws and weaknesses. We are emotional beings and do not always follow logic and critical thinking. However, logic and critical thinking are learned skills that still play an important role in our lives. This is another benefit of learning about Mind Magic and Psychological Artistry, because logic and critical thinking are skills and abilities that can be deliberately practised and developed through Mind Magic.
We all have flaws in thinking, including;
Logical fallacies
False assumptions
Unreliable memories
Rule of thumbs thinking
Beliefs through illusions
These fallacies are all used and highlighted by magicians. Learning and understanding Mind Magic is about applying a rational and logical system to our emotional situation. It is this ability that allows you to demonstrate you value, engage people on a deeply interesting level and help others which dramatically increases with your understanding of Mindful Illusions, Mind Magic and Psychological Artistry.
THE WORKSHOPS
All the workshops start at 10:00 a.m. and finish at 4:30 p.m. These are being held around the country, in:
Sleight of Mind Set
Scunthorpe | 29th March 2013
London | 2nd May 2013 (NEW DATE)
Birmingham | 7th May 2013 (NEW DATE)
To register your place on the Sleight of Mind Set, please go to mindsways.com/SMS#BookNow
The Fascination
London | 2nd April 2013
Bath | 10th April 2013
Birmingham | 16th April 2013
To register your place on The Fascination, please see mindsways.com/the-fascination#BookNow
REGISTER YOUR PLACE NOW
In the workshops, we will explore how Psychological Artistry and Mind Magic provide important insights into how we think, how we learn and how we experience the world, whilst training you in the tricks of the trade. As part of this workshop, you are supplied with whole new sets of routines and ideas in The Fascination Pack. This pack has been purpose-built to combine the psychology of fascination with the allure of Mind Magic.
To register your place on either of the workshops, please go to mindsways.com/SMS and mindsways.com/the-fascination
Thanks,
George
P.S. Both the SNT kit and The Fascination Pack are available separately. To see more, please go to mindsways.com/SNT and mindsways.com/TFP
07976 356 082
Iverley Road, Halesowen, United Kingdom, B63 3EP
Copyright © 2013 MindSways. All Rights Reserved.
www.mindsways.com | twitter.com/mindsways | sms@mindsways.org
If you no longer wish to recieve these updates, please click here to unsubscribe.
The grey parrot (Psittacus erithacus), also known as the Congo grey parrot, Congo African grey parrot or African grey parrot, is an Old World parrot in the family Psittacidae. The Timneh parrot (Psittacus timneh) once was identified as a subspecies of the grey parrot, but has since been elevated to a full species.
Taxonomy
The grey parrot was formally described in 1758 by the Swedish naturalist Carl Linnaeus in the tenth edition of his Systema Naturae. He placed it with all the other parrots in the genus Psittacus and coined the binomial name Psittacus erithacus. Linnaeus erroneously specified the type locality as "Guinea": the locality was later designated as Ghana in West Africa. The genus name is Latin for "parrot". The specific epithet erithacus is Latin and is derived from the Ancient Greek εριθακος (erithakos) for an unknown bird that was said to mimic human sounds, perhaps the black redstart. The species is monotypic: no subspecies are recognised.
The Timneh parrot was formerly treated as a subspecies of the grey parrot but is now considered to be a separate species based mainly on the results from a genetic and morphological study published in 2007. Although Linnaeus placed all the parrots known to him in the genus Psittacus, only the grey parrot and the Timneh parrot are now assigned to this genus.
Description
The grey parrot is a medium-sized, predominantly grey, black-billed parrot. Its typical weight is 400 g (14 oz), with an approximate length of 33 cm (13 in), and a wingspan of 46–52 cm (18–20+1⁄2 in). The grey colour on the head and wings is generally darker than its body. The head and body feathers have slight white edges. The tail feathers are red.
Due to selection by parrot breeders, some grey parrots are partly or completely red. Both sexes appear similar. The colouration of juveniles is similar to that of adults, but typically their eyes are dark grey to black, in comparison to the yellow irises around dark pupils of the adult birds, and their undertail coverts are tinged with grey. Adults weigh 418–526 g (14+3⁄4–18+1⁄2 oz).
Grey parrots may live for 40–60 years in captivity, although their mean lifespan in the wild appears to be shorter—approximately 23 years. They start breeding at an age of 3–5 years and lay 3-5 eggs per brood.
Distribution and habitat
The grey parrot is native to equatorial Africa, including Angola, Cameroon, the Congo, Gabon, Ivory Coast, Ghana, Kenya, and Uganda. The species is found inside a range from Kenya to the eastern part of the Ivory Coast. Current estimates for the global population are uncertain and range from 630,000 to 13 million birds. Populations are decreasing worldwide. The species seems to favor dense forests, but can also be found at forest edges and in more open vegetation types, such as gallery and savanna forests.
A population study published in 2015 found that the species had been "virtually eliminated" from Ghana with numbers declining 90 to 99% since 1992. They were found in only 10 of 42 forested areas, and three roosts that once held 700–1200 birds each, now had only 18 in total. Local people mainly blamed the pet trade and the felling of timber for the decline. Populations are thought to be stable in Cameroon. In the Congo, an estimated 15,000 are taken every year for the pet trade, from the eastern part of the country, although the annual quota is stated to be 5,000.
Grey parrots have escaped or been deliberately released into Florida, U.S., but no evidence indicates that the population is breeding naturally.
Behaviour and ecology in the wild
Little is known about the behaviour and activities of these birds in the wild. In addition to a lack of research funding, it can be particularly difficult to study these birds in wild situations due to their status as prey animals, which leads them to have rather secretive personalities. It has been shown that wild greys may also imitate a wide variety of sounds they hear, much like their captive relatives. In the Democratic Republic of the Congo, two greys sound-recorded while roosting reportedly had a repertoire of over 200 different calls, including nine imitations of other wild bird songs and one of a bat.
Feeding
Grey parrots are mainly frugivorous, with most of their diet consisting of fruit, nuts, and seeds, including oil palm fruit. They sometimes also eat flowers and tree bark, as well as insects and snails. In the wild, the grey parrot is partly a ground feeder.
Breeding
Grey parrots are monogamous breeders who nest in tree cavities. Each mated pair of parrots needs their own tree for their nest. The hen lays three to five eggs, which she incubates for 30 days while being fed by her mate. The adults defend their nesting sites.
Grey parrot chicks require feeding and care from their parents in the nest. The parents take care of them until 4–5 weeks after they are fledged. Young leave the nest at the age of 12 weeks. Little is known about the courtship behaviour of this species in the wild.[9] They weigh 12–14 g (7⁄16–1⁄2 oz) at hatching and 372–526 g (13+1⁄8–18+1⁄2 oz) when they leave their parents.
Conservation
Natural predators for this species include palm-nut vultures and several raptors. Monkeys target eggs and the young for food.
Humans are by far the largest threat to wild grey populations. Between 1994 and 2003, more than 359,000 grey parrots were traded on the international market. Approximately 21% of the wild population was being harvested every year. Mortality rates are extremely high between the time they are captured and they reach the market, ranging from 60 to 66%. This species also is hunted for its meat and for its body parts, which are used in traditional medicines. As a result of the extensive harvest of wild birds, in addition to habitat loss, this species is believed to be undergoing a rapid decline in the wild and therefore, has been rated as endangered by the International Union for Conservation of Nature.
In October 2016, the Convention on the International Trade of Endangered Fauna and Flora (CITES) extended the highest level of protection to grey parrots by listing the species under Appendix 1, which regulates international trade in the species.
In 2021, the Kenyan government held a short amnesty, during which grey parrot owners could pay a fee to obtain a permit for their birds and facilitate legal ownership. Following the expiry of this time period, it is now illegal to own this species without a permit.
In captivity
The species is common in captivity and regularly kept by humans as a companion parrot, prized for its ability to mimic human speech, which makes it one of the most popular avian pets. An escaped pet in Japan was returned to his owner after repeating the owner's name and address.
Grey parrots are notorious for mimicking noises heard in their environment and using them tirelessly. They are highly intelligent birds, needing extensive behavioral and social enrichment as well as extensive attention in captivity or else they may become distressed. Feather plucking is a common symptom seen among such distressed grey parrots, affecting up to 40% of captive individuals. They may also be prone to behavioural problems due to their sensitive nature. Social isolation hastens stress and aging.
The grey parrot is a highly social species which relies on a flock-type structure, even when raised in captivity. Because they are so dependent on the other birds within their flock, much of their speech and vocal ability is acquired through interaction with the humans with whom they reside. Both wild and captive parrots have been shown to use contact calls, which allow them to interact with their flock mates and communicate information about their location, detection of predators, availability of food, and safety status. In addition, contact calls are used to form strong social bonds with their flock mates, or in the case of captive greys, with their human housemates. In captivity, they have been shown to display communicative competence, meaning they not only use human language correctly, but also in such a way that is appropriate for the social situation which they are in.
Diet
In captivity, they may be fed bird pellets, a variety of fruits such as pear, orange, pomegranate, apple, and banana, and vegetables such as carrot, cooked sweet potato, celery, fresh kale, peas, and green beans. They also need a source of calcium.
Disease
Grey parrots in captivity have been observed to be susceptible to fungal infections, bacterial infections, nutritional insufficiency, malignant tumors, psittacine beak and feather disease, tapeworms, and blood-worms. Young grey parrots are more commonly infected by psittacine beak and feather disease than adults. Infected birds show symptoms such as loss of appetite, fluffy feathers, sluggishness, and reduced walking abilities due to brittle bones.
Grey parrots are more likely to have rhinitis,[clarification needed] an inflammatory and infectious disease of the nasal cavity. Birds may exhibit signs like wheezing, sneezing, nasal snuffling, and swelling or occlusion of the nares. Treatment options include gentle debridement and nasal irrigation.
Intelligence and cognition
Grey parrots are highly intelligent and are considered by many to be one of the most intelligent species of psittacines. Many individuals have been shown to perform at the cognitive level of a four- to six-year-old human child in some tasks. Several studies have been conducted, indicating a suite of higher-level cognitive abilities. Experiments have shown that grey parrots can learn number sequences and can learn to associate human voices with the faces of the humans who create them. It has been reported that grey parrots are capable of using existing known English words to create new labels for objects when the bird does not know the name of the object. For example "banerry" ("banana" + "cherry") for "apple", "banana crackers" for "dried banana chips" or "yummy bread" for "cake".
The American scientist Irene Pepperberg's research with Alex the parrot showed his ability to learn more than 100 words, differentiating between objects, colours, materials and shapes. Pepperberg spent several decades working with Alex, and wrote numerous scientific papers on experiments performed, indicating his advanced cognitive abilities. One such study found that Alex had the ability to add numbers as well as having a zero-like concept, similar to that of young children and apes.
In addition to their striking cognitive abilities, grey parrots have displayed altruistic behavior and concern for others. Researchers found that while blue-headed macaws were unlikely to share a nut with other members of their own species, grey parrots would actively give their conspecific partner a nut, even if it meant that they would not be able to get one themselves. When the roles were reversed, their partners were overwhelmingly likely to return the favor, foregoing their own nut to their partner's benefits. This indicates not only a display of selflessness but also an act of reciprocity.
A 2012 study demonstrated that captive grey parrots have individual musical preferences. When presented with the opportunity to choose between two different pieces of music via a touch screen monitor located in their cage, the two birds in the test consistently chose different songs, to which they then danced and sang along. Some pet grey parrots have also been observed using the music feature of smart speakers (such as Alexa or Amazon Echo) to verbally request playback of specific favored songs.
Some research has shown that foot preference can be linked to the number of words a particular parrot may know and use. Researchers found that grey parrots who prefer to use their right foot showed a marked increase in the number of words within their lexicon as compared to parrots who were left-footed. Scientists postulate that parrots may have lateralization of brain function, much like mammals do.
In two murder trials, one in 1993 and another in 2017, there was consideration to use the deceased victim's pet grey parrot's "testimony" as evidence due to the pet parrot's witnessing and repeating the victim's last words. In the 1993 murder trial of Gary Joseph Rasp, the defendant was accused of murdering Jane Gill. Public defender Charles Ogulnik wanted to use Jane's pet grey parrot Max as evidence to prove Gary's innocence due to Max repeating Jane's last words "Richard, no, no, no!". In the 2017 murder trial of Glenna Duram, the defendant is accused of murdering her husband Martin Duram. The prosecutor was exploring the possibility of using the couple's pet parrot Bud as evidence when Bud kept repeating Martin's last words "Don't fucking shoot."
Mutations
Grey mutations occur naturally in the wild, such as the Blue Ino (albino), the Incomplete Ino, and the Blue varietals. The Blue Ino is all white. The Incomplete Ino has light pigmentation. The Blue has a white tail.
Breeders from South Africa, Australia, New Zealand, and Scandinavia have bred greys intensively since the 1800s. These bred varieties include the Red Pied, F2 Pied, Grizzles, Ino, Incomplete, Parino, Lutino, Cinnamon, and Red Factor. South African bird breeder Von van Antwerpen and New Zealand partner Jaco Bosman selected F2 Pieds and created the first Red Factor Greys. They are rare, may be predominantly red-pigmented, and vary in price depending upon the extent of the red plumage displayed.
History
The domestication of grey parrots has a history dating to 2000 B.C., depicting native birds in Egyptian hieroglyphics as pets. They were used for values by the Greeks and the Romans who kept them in birdcages. The grey parrots, due to recent years of illegal trading, have been classified as Endangered in 2016 by the IUCN Red List.
Jesmonite,graphite, ginseng extract, griffinola seed extract, Aulterra, powdered silver, aluminium, styrofoam, polyester, polystyrene
a five metre long pan dimensional/electromagnetically active object/being, whose materials/ingredients include dietary supplements, and no ferrous metals
with Sam Burford, Rose Horridge, Mary Cork, Ian Marshall, Phil Brown, Graham Westfield, David Cook,jonni Kemp, Marcus Bowerman, Andy Best, Andrew Mark, Matt Walsh, Bronwen Buckeridge, Abby Simpson, Becca Djan, Nimrod Vardi, Stan Grant, Gabriel Basha, Matt Lloyd, Faye Aaronson, Brendan Giles, Carolina Tirado, Yeter Aydemir
supported by Metropolitan Works and Arts Council England
Hearts and Minds, A Foundation in Liverpool
1st July 2010 - 14th August 2010
A robot from the Institute of Human and Machine Cognition (IHMC) located in Pensacola, Florida, makes its way through the simulated disaster course on its way to a second place finish during the Defense Advanced Research Projects Agency (DARPA) Robotics Challenge (DRC). during the Defense Advanced Research Projects Agency (DARPA) Robotics Challenge (DRC). Twenty-four teams and their robots from around the world have 60 minutes to complete eight tasks along a simulated disaster course located at the Fairplex in Pomona, California.
Healthy and natural nutrition for the brain is very important not only for memory and cognitive functioning, but...For more information visit naturalhomecures.net/mangosteen/diseases/m-to-p/natural-h...
Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...
www.google.com/search?q=brecht+corbeel
Support me on:
Free images:
Follow me on:
www.instagram.com/brechtcorbeel/
www.artstation.com/brechtcorbeel
www.flickr.com/photos/brechtcorbeel/
www.facebook.com/brecht.corbeel
www.pinterest.com/bcorbeel/pins
www.linkedin.com/in/brecht-corbeel-a81b82184/
#visionary #illustration #2danimation #digitalpainting #conceptart #characterdesign #visualdevelopment #conceptdesign #characterartist #photoshop #environmentdesign #story #storytelling #movie #gaming #industry #Photo #Photography #work #talk #3d #cg #blender #brechtcorbeel #psyberspace #psyberverse #Xrystal #Aescermonium #rapthraeXeum #Xomplex #Xaethreal #Xrapthreum
The Sleight of Mind Set Workshops | MindSways - April 2013
SEEING THROUGH ILLUSIONS
Is this email not displaying correctly?
View it in your browser.
Hi,
The Sleight of Mind Set Workshop is a one day, intimate learning experience where we will guide you through a number of principles. You'll learn the Principles of Mind Magic, the Framework of Mind Magic; we'll Explore Why and How Illusions Work, look at the role of MMI's (Multiple Moments of Interest, Interaction & Insight) and Thinking Fallacies. Most importantly though, you will Learn And Be Given a Number of Easy and Practical Tricks (with supporting materials) that you can take away with you and start performing and adding to your delivery the next day.
We wanted to make sure you'd get the best out of the one day experience, so we've packed months of one-to-one training sessions and years of our own experience into the day. The themes of the day are Innovation & Creativity, Practically Applied Advantage, Emotional Engagement, Show, Not Tell and the importance of Mystery, Magic and Surprise. For more information on the day, please see mindsways.com/SMS/ and for a brochure of what the day is about, please look at mindsways.com/SMS/#Brochure
TAPPING INTO POPULARITY
On the day we talk about the enduring allure and popularity that mystery, the paranormal and Mind Magic has. Magic is never far out of the popular sphere with Derren Brown filling theatres and drawing large TV audiences. Part of the popularity is down to the fact that it "May just be real". This is also shown by the new blockbuster film, Now You See Me.
This new film is based on the premise of what if the impossible was real. Starring Morgan Freeman, Michael Caine, Mark Ruffalo, Jesse Eisenberg and Isla Fisher, the film shows the hold that magic has over our imagination. It also gives us an insight into how popular magic is, and a fascinating glimpse into what it would be like to have real powers. To see more about the film, please go to mindsways.com/SMS/#NowYouSeeMe.
Today, to stand out we need the personal touch and the sleight of mind set workshop is about tapping into this popularity of mind magic and adding value through your delivery and the personal touch.
Our aim is to make day informative, entertaining and practical for you. People have attended for many reasons including:
Curiosity (just how was that done)
Learning something new
Interest in how the mind works
Adding variety to enliven their presentations
New and different approaches
Something to impress others with
An increased reputation
A channel for their passion and fascination
Wider perspectives and experiences
The real power of Mind Magic and Psychological Artistry lies not with just the tricks, but the effect that the delivery of the tricks have on people, tapping into the emotions of mystery combined with the personal touch and firing off the silent questions. On the workshops and in the SNT kit, we give you the tricks, however, learning to use them with what you do is where the real power lies.
By delivering these tricks, you can evoke the making of the extraordinary. By combining the tricks with the energy of your words, your message and your personality, you make yourself stand out, stimulate fascination and create interest in you. This is when the real magic happens, in the theatre of the minds.
In communications theory the saying "it's not us, its them" has great importance. Likewise in Psychological Artistry and in our Sleight of Mind Set workshops these take on a very important role. For more on this, please go to mindsways.com/SMS/
THE FEEDBACK - What People Say
The feedback from the workshops have been extremely positive, with people (from last weeks workshops) saying things like:
"It really was most enjoyable and enlightening"
"Fantastic day... a great eye opener!"
"Another great course, with plenty to think about and over"
The workshops have been enjoyed and shown to be beneficial to many people over the past year. The events have been attended and proved to be relevant to people from a wide range of backgrounds including entrepreneurs, business consultants, health professionals, coaches of life, performance and sports, therapists, hypnotherapists, trainers etc.
This is an unorthodox approach to understanding human behaviour, illustrating and promoting our messages, and this is where the real power lies. As Marty Neumeier says in ZAG " Be Different - NO Really Different". For more on what people say, please see mindsways.com/WPS/
THEATRE OF THE MIND - Tricks on 3 Levels
On the workshop we uncover tricks, look at making a trick into an effect and making the effect into a piece that works for you. The three levels we work on are:
Effect of a trick - triggers "how did you do that?"
Analysis of a trick - triggers "why does this trick work? Why does the effect happen?"
Practicality of a trick - explores how you can use the tricks
This involves using a combination of Psychology, Neuroscience, Smart Thinking and the ideas, tools and techniques from Mind Magic. The principles and lessons are useful in understanding our belief systems, how we think and act. It is in our minds that we experience emotions, thoughts and actions. These are in turn determined by the silent questions we ask ourselves.
We use Mind Magic effects as a reflection of how the mind works. We use the 3 levels above as a lens to increase our understanding how our minds control our actions, emotions and thoughts. It is through this that our minds tell us stories that justify our actions. For more on this, please see mindsways.com/SMS/
WHAT IS PSYCHOLOGICAL ARTISTRY?
Psychological Artistry is the blending of the science of how we think, and the combination of:
Creating connection, rapport and emotions
Telling stories
Gaining and holding attention
Producing insights
Displaying human nature
Cognition
Show, Not Tell
Multiple Moments of Interest, Interaction and Insights (MMI's)
to create a method for successful communication. Therefore, Psychological Artistry is where science and art meet Mind Magic.
THE WORKSHOPS
All the workshops start at 10:00 a.m. and finish at 4:30 p.m. These are being held around the country, in:
London | 2nd May 2013
Birmingham | 7th May 2013
Doncaster | 31st May 2013
Bath | 22nd June 2013
Glasgow | 2nd July 2013
To register your place on the Sleight of Mind Set, please go to mindsways.com/SMS#BookNow
REGISTER YOUR PLACE NOW
In the workshop, we will explore how Psychological Artistry and Mind Magic provide important insights into how we think, how we learn and how we experience the world, whilst training you in the tricks of the trade.
On the Sleight of Mind Set Workshop, you will get:
The SMS Pack :- The materials you need to perform the tricks we go through on the day
The SNT Kit :- The Show, Not Tell Kit. For more information on this, please go to mindsways.com/SNT/
The Presentation :- A copy of the presentation we use on the day for your reference
The eBook :- Access to written material on the tricks, including scripts and tips on performance
Follow-up Support :- Email and phone access to the trainers for further training or advice
To register your place on the Sleight of Mind Set Workshop, please go to mindsways.com/SMS
George
P.S. The SNT kit is available separately. To see more, please go to mindsways.com/SNT/
P.P.S. The Fascination and The Fascination Pack is also available. For more, please see mindsways.com/the-fascinationand mindsways.com/TFP
07976 356 082
Iverley Road, Halesowen, United Kingdom, B63 3EP
Copyright © 2013 MindSways. All Rights Reserved.
www.mindsways.com | contact@mindswaysinfo.com
If you no longer wish to recieve these updates, please click here to unsubscribe.
Mindless copying of sentences is not fun with handwriting. Nonetheless, to my amazement, it seems as though many primary schools in Hong Kong coerce their students into completing these cognition-effacing exercises.
If the objective of this book is to teach students to write letters, then logically, so long as a student can accurately reproduce each individual letter, there is no point in having them copy bunches of letters - words - within even greater bunches of letters - sentences - complete with capital letters and punctuation; so there must be another reason; and that students at this tender primary age must begin, sooner rather than later, the tedious rote learning process involving mindless copying and pedagogical dubiousness endemic to Hong Kong is my conjecture.
It's a shame that most Hong Kong primary school students aren't learning spelling strategies in English lessons - this is a Scholastic Book from the US - and instead are treated to beguiling calligraphy activities which treat English words as though they were Chinese pictograms, this whole-language English literacy approach being the absolute worst way to build a literacy base in a human being!
The transfer and multiplication of financial wealth, amongst the captains of educational publishing and the lieutenants of the education bureau, is not a conspiracy theory but a harmful, if not shameful, truth, a boy's father told me. He and his son both hate the skull-numbing reproduction of the Roman alphabet whose pedagogical value has yet to be substantiated by anyone!
I was very lucky to be invited along to this local teaching conference, and to hear the keynote talk from Prof. Susan Gathercole, head of the MRC Brain & Cognition Science Unit in Cambridge. She briefly introduced different kinds of memory, and then focused on working memory and child development, and the implications for the classroom. Excellent!
Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...
www.google.com/search?q=brecht+corbeel
Support me on:
Free images:
Follow me on:
www.instagram.com/brechtcorbeel/
www.artstation.com/brechtcorbeel
www.flickr.com/photos/brechtcorbeel/
www.facebook.com/brecht.corbeel
www.pinterest.com/bcorbeel/pins
www.linkedin.com/in/brecht-corbeel-a81b82184/
#visionary #illustration #2danimation #digitalpainting #conceptart #characterdesign #visualdevelopment #conceptdesign #characterartist #photoshop #environmentdesign #story #storytelling #movie #gaming #industry #Photo #Photography #work #talk #3d #cg #blender #brechtcorbeel #psyberspace #psyberverse #Xrystal #Aescermonium #rapthraeXeum #Xomplex #Xaethreal #Xrapthreum
Mokonzie demonstrates that body size does matter when trying to reach a goal by Nardie Hanson, postgraduate researcher in the School of Biosciences
In this photo Mokonzie an infant bonobo reaches toward an out-of-reach food goal. The goal represents a food resource in the canopy that requires complicated manipulation to get to the reward. It forms part of a study looking at how apes choose supports and plan routes during canopy locomotion. For large primates moving around the canopy environment is risky due to the possibility of falling and careful selection of supports (branches) and planning may be used to ensure efficient and safe travel. We provided bonobos, siamangs, and humans with a choice of two ropes to access a food reward. We manipulated the ropes’ distance from the goal, and flexibility and recorded which was selected in a route to the goal. We know apes select tools based on their suitability for a particular task, such as long flexible sticks for extracting termites from a termite mound. If apes are selecting supports during canopy travel in the same way, it could provide evidence for an understanding of physical properties (such as distance and rigidity) of supports. This is important in our understanding of how cognition (complex mental planning and processing) in primates evolved.
There were only 10 subjects and I did not manage to explain the test too well so three subject did *worse* in the first trial but there was successive proactive inhibition as the subjects were given memory tests on sets of three modes of transport as icons, and a release from proactive inhibition on the forth trial when that fourth trial used words as opposed to icons as used on the previous three trials.
That Westerners gain a release from proactive inhibition when they are shown a fourth trial with pictures, but not a fourth trial with words, following pictures, (Hopkins, et al. 1973) is due to the fact I believe that Westerners will chant (Vygoski) the words for the pictures that they are shown so showing pictures uses up their short term memory for words. Japanese however, as demonstrated by Kim (2002) do not speak to themselves when they are shown visual problems, so when the fourth trial is words (as above) then their short term memory for words is not proactively inhibited.
I also predict the reverse reversal, wherein Japanese will not experience a release from proactive interference when they are presented with a sequence of words to remember followed by pictures because when presented with words they will supply the pictures, "chanting" or rather imaginging, or flashing them to their internal-external other.
The Japanese Other is internal-external. It is inside the Japanese psyche but outside the Japanese head since it can see their face, and yet has X-ray eyes because it can see their imaginings, underwear, truck "madonna" and car interiors.
I wrote all the following before then deleted it by mistake. What follows (who cares!) is a rehash.
Ther are phenomenological or (proto?) physical limits to self deception.
The nexus, important-point, is deception.
But there are ways that one can decieve oneself that seem (to me now) to be governed by almost Kantian "proto-physical" or "phenomenological" imperatives.
There are physical, proto-physical, or phenomenological difference beteween eyes and ears: eyes can be seen but ears can not normally be heard because they do not make sounds.
There are therefore proto-physical, or phenomenological facts that limits the extent, and ways in which one can decieve oneself.
I can not deceive myself into thinking that I am seen from any other than an external view point. On the other hand, I can deceive myself into thiinking that I am heard from an internal ear-point.
Perhaps the grammatological (? of grammar) requirement that
there be a subject if there is an object is of the same order as the above.
Kim, H. (2002). We talk, therefore we think? A cultural analysis of the effect of talking on thinking. Journal of Personality and Social Psychology.
Hopkins, R. H., Edwards, R. E., Tamayo, F. M. V., Holman, M. A., & Cook, C. L. (1973). Presentation modality and proactive interference in short-term retention using a mixed-morality distractor task. Memory & Cognition, 1(4), 439–442.
link.springer.com/article/10.3758%2FBF03208905
Wickens, D. D. (1973). Some characteristics of word encoding. Memory & Cognition, 1(4), 485–490. Retrieved from link.springer.com/article/10.3758/BF03208913
Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...
www.google.com/search?q=brecht+corbeel
Support me on:
Free images:
Follow me on:
www.instagram.com/brechtcorbeel/
www.artstation.com/brechtcorbeel
www.flickr.com/photos/brechtcorbeel/
www.facebook.com/brecht.corbeel
www.pinterest.com/bcorbeel/pins
www.linkedin.com/in/brecht-corbeel-a81b82184/
#visionary #illustration #2danimation #digitalpainting #conceptart #characterdesign #visualdevelopment #conceptdesign #characterartist #photoshop #environmentdesign #story #storytelling #movie #gaming #industry #Photo #Photography #work #talk #3d #cg #blender #brechtcorbeel #psyberspace #psyberverse #Xrystal #Aescermonium #rapthraeXeum #Xomplex #Xaethreal #Xrapthreum
Free Preview Lecture
"Diabetes Tale and Pharmacology via Social Cognitive Theory" Online Course on Udemy.
Discount Coupon: www.udemy.com/diabetes-tale-and-pharmacology-via-social-c...
What you'll learn:
Social Cognitive Theory, Type 1 Diabetes Story and Treatment, Type 2 Diabetes Story and Treatment, Diagnostic Examinations for Diabetes, Impaired fasting glucose (IFG) and Impaired glucose tolerance (IGT), Insulin Usage, Oral Antihyperglycemic Agents, Pharmacodynamic and Chemical Merits.
Who this course is for:
People from whole of the world, who have an interest in the following approaches: 1) Clinical Pharmacology, 2) Diabetes Care, 3) Principles of Organization Behavior, 4) Health Education & Behavior, 5) Health Promotion, 6) Nutrition, 7) Human Learning, 8) Endocrinology and Metabolism, 9) Medical Sciences, 10) Clinical Pharmacokinetics, 11) Autoimmunity, 12) Clinical Chemistry, 13) Social learning and Cognition, 14) Clinical Therapy, 15) Biochemistry, 16) Pathology, 17) Laboratory Sciences, 18) Epidemiology and 19) Etiology. And this course contains sixty-seven resource.
By Maram Abdel Nasser Taha Shtaya - Pharmacist and American Studies Instructor who is teaching on Udemy.
poster art adapted from gustav dore' wood print. james mcashan 2010.
"eosphoro" (greco) phosphorus.
the chemical in lecithin (egg yolks) and most food.
ATP (adenosine triphosphate) is necssary for most life forms and for energy conversion.
Phosphate glows after the light source stops. it makes light last longer.
it has been used for fireworks and flares (fire and brimstone of hell).
"lucifer" means "bringer of light". ancient stories like "prometheus", warn of fire because of the terrible danger.
"light" also means knowledge or cognition.
some people are taught to fear intelligence, even to kill it.
in the myth, satan was fired from "heaven" by a jealous boss god, who represents an ego problem. some primitive persons control people by domination, submission, and violence, not by equality and intelligent free cooperation.
my idea is that to damn even satan to eternal suffering or to death was evil. life is short and only had once.
we do not want "gods" to have the power to cheat us of our time and our joy,
as we see them do.
eternal damnation is psychotic.
every person can know good and enjoy their short time here. it is our right.
caution: some people may lie about any thing.
good is not only what someone says is good. it is real.
release your self from evil in any form. save as many from it as you can. - james mcashan
Prize caps for Broken Hearts and Bicycle Parts Number 5 alleycat/fundraiser put on by the Sopo Bicycle Cooperative in Atlanta. If you're in that neck of the woods on March 6-7, go check it out!
One good example of this is piano playing. In one study (Pascual-Leone 1995), carried out over five days, three groups of adult human volunteers, none of whom could play the piano, were divided into respective activities. The controls merely stared at the piano, whilst the second group were taught five-finger piano exercises. Astonishingly, even over five days, you could see a remarkable difference in the scans of the brains of those who had learnt to play the piano. But more remarkable still were those who were merely tasked with imagining they were playing the piano: in their case the brain scans showed almost identical patterns to those of the subjects who physically did the playing
The results were astonishing. The area of motor cortex had expanded in the imaginary players in the same way that it had in the players who physically pounded piano keys. Pascual-Leone stated that, "Mental practice resulted in a similar reorganization of the brain."
A Structural Magnetic Resonance Image of a human brain is used to ensure the proper placement of Near Infrared Spectroscopy (fNIRS) sensors in the Non-Invasive Brain Stimulation (NIBS) Team laboratory at Wright Patterson Air Force Base, Ohio, Jul 19, 2016. Researchers in the NIBS lab at the Air Force Research Laboratory, led by Dr. Richard A. McKinley, Ph.D., are exploring how directed electrical stimulation to the human brain affects cognition, fatigue, mood and other areas with the end goal of improving warfighter awareness, memory and focus. (U.S. Air Force photo by J.M. Eddins Jr.)
Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...
www.google.com/search?q=brecht+corbeel
Support me on:
Free images:
Follow me on:
www.instagram.com/brechtcorbeel/
www.artstation.com/brechtcorbeel
www.flickr.com/photos/brechtcorbeel/
www.facebook.com/brecht.corbeel
www.pinterest.com/bcorbeel/pins
www.linkedin.com/in/brecht-corbeel-a81b82184/
#visionary #illustration #2danimation #digitalpainting #conceptart #characterdesign #visualdevelopment #conceptdesign #characterartist #photoshop #environmentdesign #story #storytelling #movie #gaming #industry #Photo #Photography #work #talk #3d #cg #blender #brechtcorbeel #psyberspace #psyberverse #Xrystal #Aescermonium #rapthraeXeum #Xomplex #Xaethreal #Xrapthreum
This is our sweet four-year-old granddaughter. In addition to having Down syndrome, also has been diagnosed with autism. She is such a little trouper and smiles through all of the obstacles she encounters. We are so proud of her and all that she has already accomplished. A 15% increase in cognition could help our little sweetheart to communicate with and interact more with us and her very loving little brother, Gavin, who is 10 1/2 months younger than she. Gavin is always by his sister's side protecting and guiding her with love. He would love for Chloe to be able to communicate more and play with him. — Sharon, NE
Writing a book here: open.spotify.com/show/3mMrq70ofFvPputOjQIiGU?si=kwclM6f8Q...
www.google.com/search?q=brecht+corbeel
Support me on:
Free images:
Follow me on:
www.instagram.com/brechtcorbeel/
www.artstation.com/brechtcorbeel
www.flickr.com/photos/brechtcorbeel/
www.facebook.com/brecht.corbeel
www.pinterest.com/bcorbeel/pins
www.linkedin.com/in/brecht-corbeel-a81b82184/
#visionary #illustration #2danimation #digitalpainting #conceptart #characterdesign #visualdevelopment #conceptdesign #characterartist #photoshop #environmentdesign #story #storytelling #movie #gaming #industry #Photo #Photography #work #talk #3d #cg #blender #brechtcorbeel #psyberspace #psyberverse #Xrystal #Aescermonium #rapthraeXeum #Xomplex #Xaethreal #Xrapthreum
Schopenhauer’s philosophy visually explained (as far as I understand it with my limited knowledge)
The empirical consciousness is like a glass with many facets.
The world of perception – or rather the (human) perception of the world – is like a glass with many facets.
Space, time and causality are properties of the empirical consciousness, not of the world, the world substance, the thing-in-itself. They are the modes of human cognition.
As a glass with many facets divides the object into many separated objects, space, time and causality divide the world substance, the will to life and reproduction, into many separated individuals and many separated individual wills. The causality divides into subject and object.
Space, time and causality are mere illusions caused by human limitation, by the limitation of the empirical consciousness.
Any individual has an object/subject mode.
An object cannot exist without a subject and vice versa.
There is no bridge between the world as representation and the world as idea. Man cannot transcend the glass with the many facets or the Veil of Maya. But he can get a glimpse of the world behind the glass or veil by means of aesthetic contemplation, compassion for the suffering of his neighbor and finally by an ascetic way of living.
A glass with many facets – extract from Schopenhauer’s “The World as Will and representation” where he wonders over the plurality and yet the uniformity of the world:
If we start from the knowledge of the particular, and not from that of the Idea, there is something astonishing, and sometimes even terrible, in the absolute uniformity of the laws of nature. It might astonish us that nature never once forgets her laws; that if, for example, it has once been according to a law of nature that where certain materials are brought together under given conditions, a chemical combination will take place, or gas will be evolved, or they will go on fire; if these conditions are fulfilled, whether by our interposition or entirely by chance (and in this case the accuracy is the more astonishing because unexpected), to-day just as well as a thousand years ago, the determined phenomenon will take place at once and without delay. We are most vividly impressed with the marvellousness of this fact in the case of rare phenomena, which only occur under very complex circumstances, but which we are previously informed will take place if these conditions are fulfilled. For example, when we are told that if certain metals, when arranged alternately in fluid with which an acid has been mixed, are brought into contact, silver leaf brought between the extremities of this combination will suddenly be consumed in a green flame; or that under certain conditions the hard diamond turns into carbonic acid. It is the ghostly omnipresence of natural forces that astonishes us in such cases, and we remark here what in the case of phenomena which happen daily no longer strikes us, how the connection between cause and effect is really as mysterious as that which is imagined between a magic formula and a spirit that must appear when invoked by it. On the other hand, if we have attained to the philosophical knowledge that a force of nature is a definite grade of the objectification of will, that is to say, a definite grade of that which we recognise as our own inmost nature, and that this will, in itself, and distinguished from its phenomena and their forms, lies outside time and space, and that, therefore, the multiplicity, which is conditioned by time and space, does not belong to it, nor directly to the grade of its objectification, i.e., the Idea, but only to the phenomena of the Idea; and if we remember that the law of causality has significance only in relation to time and space, inasmuch as it determines the position of the multitude of phenomena of the different Ideas in which the will reveals itself, governing the order in which they must appear; if, I say, in this knowledge the inner meaning of the great doctrine of Kant has been fully grasped, the doctrine that time, space, and causality do not belong to the thing-in-itself, but merely to the phenomenon, that they are only the forms of our knowledge, not qualities of things in themselves; then we shall understand that this astonishment at the conformity to law and accurate operation of a force of nature, this astonishment at the complete sameness of all its million phenomena and the infallibility of their occurrence, is really like that of a child or a savage who looks for the first time through a glass with many facets at a flower, and marvels at the complete similarity of the innumerable flowers which he sees, and counts the leaves of each of them separately.
William Alexander Månesøn. Prince of the Blue Moon.
Prova de doutoramento em Psicologia, “Does insecure attachment lead to (mis)wired brains? Emotion, cognition and attachment: an outlook through psychophysiological pathways” por Catarina Gonzalez da Silva no Auditório Afonso de Barros do ISCTE-IUL a 7 de Junho de 2011 pelas 11:30. Fotografia de Hugo Alexandre Cruz do Gabinete de Comunicação e Imagem.
The Sleight of Mind Set Workshops | MindSways - April 2013
SEEING THROUGH ILLUSIONS
Is this email not displaying correctly?
View it in your browser.
Hi,
The Sleight of Mind Set Workshop is a one day, intimate learning experience where we will guide you through a number of principles. You'll learn the Principles of Mind Magic, the Framework of Mind Magic; we'll Explore Why and How Illusions Work, look at the role of MMI's (Multiple Moments of Interest, Interaction & Insight) and Thinking Fallacies. Most importantly though, you will Learn And Be Given a Number of Easy and Practical Tricks (with supporting materials) that you can take away with you and start performing and adding to your delivery the next day.
We wanted to make sure you'd get the best out of the one day experience, so we've packed months of one-to-one training sessions and years of our own experience into the day. The themes of the day are Innovation & Creativity, Practically Applied Advantage, Emotional Engagement, Show, Not Tell and the importance of Mystery, Magic and Surprise. For more information on the day, please see mindsways.com/SMS/ and for a brochure of what the day is about, please look at mindsways.com/SMS/#Brochure
TAPPING INTO POPULARITY
On the day we talk about the enduring allure and popularity that mystery, the paranormal and Mind Magic has. Magic is never far out of the popular sphere with Derren Brown filling theatres and drawing large TV audiences. Part of the popularity is down to the fact that it "May just be real". This is also shown by the new blockbuster film, Now You See Me.
This new film is based on the premise of what if the impossible was real. Starring Morgan Freeman, Michael Caine, Mark Ruffalo, Jesse Eisenberg and Isla Fisher, the film shows the hold that magic has over our imagination. It also gives us an insight into how popular magic is, and a fascinating glimpse into what it would be like to have real powers. To see more about the film, please go to mindsways.com/SMS/#NowYouSeeMe.
Today, to stand out we need the personal touch and the sleight of mind set workshop is about tapping into this popularity of mind magic and adding value through your delivery and the personal touch.
Our aim is to make day informative, entertaining and practical for you. People have attended for many reasons including:
Curiosity (just how was that done)
Learning something new
Interest in how the mind works
Adding variety to enliven their presentations
New and different approaches
Something to impress others with
An increased reputation
A channel for their passion and fascination
Wider perspectives and experiences
The real power of Mind Magic and Psychological Artistry lies not with just the tricks, but the effect that the delivery of the tricks have on people, tapping into the emotions of mystery combined with the personal touch and firing off the silent questions. On the workshops and in the SNT kit, we give you the tricks, however, learning to use them with what you do is where the real power lies.
By delivering these tricks, you can evoke the making of the extraordinary. By combining the tricks with the energy of your words, your message and your personality, you make yourself stand out, stimulate fascination and create interest in you. This is when the real magic happens, in the theatre of the minds.
In communications theory the saying "it's not us, its them" has great importance. Likewise in Psychological Artistry and in our Sleight of Mind Set workshops these take on a very important role. For more on this, please go to mindsways.com/SMS/
THE FEEDBACK - What People Say
The feedback from the workshops have been extremely positive, with people (from last weeks workshops) saying things like:
"It really was most enjoyable and enlightening"
"Fantastic day... a great eye opener!"
"Another great course, with plenty to think about and over"
The workshops have been enjoyed and shown to be beneficial to many people over the past year. The events have been attended and proved to be relevant to people from a wide range of backgrounds including entrepreneurs, business consultants, health professionals, coaches of life, performance and sports, therapists, hypnotherapists, trainers etc.
This is an unorthodox approach to understanding human behaviour, illustrating and promoting our messages, and this is where the real power lies. As Marty Neumeier says in ZAG " Be Different - NO Really Different". For more on what people say, please see mindsways.com/WPS/
THEATRE OF THE MIND - Tricks on 3 Levels
On the workshop we uncover tricks, look at making a trick into an effect and making the effect into a piece that works for you. The three levels we work on are:
Effect of a trick - triggers "how did you do that?"
Analysis of a trick - triggers "why does this trick work? Why does the effect happen?"
Practicality of a trick - explores how you can use the tricks
This involves using a combination of Psychology, Neuroscience, Smart Thinking and the ideas, tools and techniques from Mind Magic. The principles and lessons are useful in understanding our belief systems, how we think and act. It is in our minds that we experience emotions, thoughts and actions. These are in turn determined by the silent questions we ask ourselves.
We use Mind Magic effects as a reflection of how the mind works. We use the 3 levels above as a lens to increase our understanding how our minds control our actions, emotions and thoughts. It is through this that our minds tell us stories that justify our actions. For more on this, please see mindsways.com/SMS/
WHAT IS PSYCHOLOGICAL ARTISTRY?
Psychological Artistry is the blending of the science of how we think, and the combination of:
Creating connection, rapport and emotions
Telling stories
Gaining and holding attention
Producing insights
Displaying human nature
Cognition
Show, Not Tell
Multiple Moments of Interest, Interaction and Insights (MMI's)
to create a method for successful communication. Therefore, Psychological Artistry is where science and art meet Mind Magic.
THE WORKSHOPS
All the workshops start at 10:00 a.m. and finish at 4:30 p.m. These are being held around the country, in:
London | 2nd May 2013
Birmingham | 7th May 2013
Doncaster | 31st May 2013
Bath | 22nd June 2013
Glasgow | 2nd July 2013
To register your place on the Sleight of Mind Set, please go to mindsways.com/SMS#BookNow
REGISTER YOUR PLACE NOW
In the workshop, we will explore how Psychological Artistry and Mind Magic provide important insights into how we think, how we learn and how we experience the world, whilst training you in the tricks of the trade.
On the Sleight of Mind Set Workshop, you will get:
The SMS Pack :- The materials you need to perform the tricks we go through on the day
The SNT Kit :- The Show, Not Tell Kit. For more information on this, please go to mindsways.com/SNT/
The Presentation :- A copy of the presentation we use on the day for your reference
The eBook :- Access to written material on the tricks, including scripts and tips on performance
Follow-up Support :- Email and phone access to the trainers for further training or advice
To register your place on the Sleight of Mind Set Workshop, please go to mindsways.com/SMS
George
P.S. The SNT kit is available separately. To see more, please go to mindsways.com/SNT/
P.P.S. The Fascination and The Fascination Pack is also available. For more, please see mindsways.com/the-fascinationand mindsways.com/TFP
07976 356 082
Iverley Road, Halesowen, United Kingdom, B63 3EP
Copyright © 2013 MindSways. All Rights Reserved.
www.mindsways.com | contact@mindswaysinfo.com
If you no longer wish to recieve these updates, please click here to unsubscribe.
#Cognition #and #Communication #in #the #Evolution #of #Language nu voor maar: € 77,96 Bespaar: %50!
Uitgegeven door: #Anne #Reboul
#eBook #bestseller #Free / #Giveaway #boekenwurm #ebookshop #schrijvers #boek #lezen #lezenisleuk #goedkoop #webwinkel
Bestel hem nu! www.boekshop.net/cultuurgeschiedenis/126671-cognition-and...
In each of 1a, 1b, 1c and 1d in the above image, which of the two (left or right) figures resembles most the figure above them? This is a test of happiness!
Fredrickson & Branigan（2005）had subjects watch videos of penguins, nature, abstract sticks, a climbers fall, and bullying to promote: pleasure, contentment, the absence of emotion, fear and anger respectively.
Subjects were then shown the four diagrams 1a, 1b, 1c and 1d above which show a single figure above two others and asked which of the two, left or right most resembles the one above. The right hand figure is made up of the same fundamental building block ■ or ▲, whereas the left hand figure is made of the opposite building block but is arranged holistically in the same way as the figure above.
It was found that the more positive emotions resulted in more holistic (left hand) resemblances as per the graph below (with the emotions in the same order as given above). This suggests that those that see the world holistically are happier and those that see it parts, may be in a more negative affective state.
Due to the higher suicide rate in Japan, and naff surveys purporting to guage the well-being of a nation based on one culturally laden question, one is often led to believe that the Japanese are bunch of unhappy people. I think this is very misleading. The higher suicide rate in Japan is due in large part to less negative appraisals of choosing the time and place of ones own death. It is further noted that East Asians in particular and Japanese in general tend to see the world in a more holistic way (Masuda & Nisbett, 2001; McKone et al., 2010). I think that this may be in part because the Japanese are in fact happier.
Fredrickson & Branigan（2005）は、ペンギン・自然・抽象的な模様・登山家の事故とイジメのビデオを使って、喜び・満足・無感情・恐怖と怒りの感情を被験者に持たせ、どれだけ全体的⇔局所的な注意を行っているかを調べた。下記のそれぞれの1a, 1b, 1c, 1dにおいて、上にある形状は下の右か左のどちらに似ているかという質問に対して
全体的局所的
1 a左右
1 b左右
1 c左右
1 d左右
それぞれの４つの設問の下にある２つの形状の右側は、上の物と同じ■か▲かの構成部員からできているから局所に似ているが、左側の形状は構成部員が違っているが全体的には上と同じ三角か四画の配置になっているので全体的に似ている。
その結果
つまり、肯定的感情があるときは全体的な類似性（つまり左側）を選択することが多いです。
Bibliograp;hy
Fredrickson, B. L., & Branigan, C. (2005). Positive emotions broaden the scope of attention and thought‐action repertoires. Cognition and Emotion, 19(3), 313–332. doi.org/10.1080/02699930441000238
Masuda, T., & Nisbett, R. E. (2001). Attending holistically versus analytically: comparing the context sensitivity of Japanese and Americans. Journal of Personality and Social Psychology, 81(5), 922. Retrieved from psycnet.apa.org/journals/psp/81/5/922/
McKone, E., Aimola Davies, A., Fernando, D., Aalders, R., Leung, H., Wickramariyaratne, T., & Platow, M. J. (2010). Asia has the global advantage: Race and visual attention. Vision Research, 50(16), 1540–1549. doi.org/10.1016/j.visres.2010.05.010
7/77
Feng Jianfeng, Professor, Fudan University, People's Republic of China speaking during the Session “Rethinking Cognition with Fudan University” at the Annual Meeting of the New Champions in Tianjin, People's Republic of China 2018. Copyright by World Economic Forum / Faruk Pinjo
Smokers attempting to quit often light a cigarette to cope with strain up. Currently an interdisciplinary staff of Yale researchers indicates that a treatment permitted for managing hypertension that how to quit smoking promotes cognition and lowers tension, guanfacine, exhibits promise as a
This is an era in which technology blankets the entire world and all societies, and underlies people’s cognition and behavioral patterns. Until this point, we took technology for granted as a mere tool, but now we live in a world where unperfected technology interacts with itself so rapidly as if it were mutating into something we have no control of. As humans lose their grip on technology, we are being questioned about the meaning of life as human beings.
Without exception, we are all now aware that modern civilization is being shaken by what we cannot “see,” such as the overly standardized social system which lacks diversity and tolerance, and the vulnerability of our overcrowded cities, in their constant pursuit of greater efficiency. There are no spectators. It’s time for us to start the Digital New Deal.
The previously unseen forces of time, sound, resonance, ecosystems, social bodies, bonds and life have also brought new sensations to our inherent cognitive powers. Knowing that we can now perceive the world by using all the functions of our bodies, we can receive wisdom, have the courage to live, and perceive those areas of human life that are unchanged. The time has come to redefine the world itself under these new conditions.
TOMURA Asako
Director of Garden TOKYO, Japan Media Arts Festival Overseas Promotion
September 2021
Credit: Garden Tokyo
For centuries garlic has been used as a medicinal and culinary
substance in India, China, Greece and other countries. It has beenused
as a salve for everything from headachesto colds to infections and
healing wounds. To some, however, the strong flavour of garlic is not
very appealing; in fact repelling.Therefore, although garlic is a
widely available spice, it is not very popular in some households.
Garlic does not make significant nutritional contribution to the diet
because the quantities added to recipes are small. But even these nano
amounts make a big difference to one's health.
The biological benefits and the distinct odour of garlic are
attributed to the many sulphur containing compounds; one of which is
Alliin. This compound is converted to Allicin when garlic is crushed.
Allicin is, perhaps, the principal bioactive compound present even in
processed garlic.
Limited evidence supports an association between garlic consumption
and a reduced risk of colon, prostate, oesophageal, larynx, oral,
ovary and other cancers. This is due to diallylsulde, a potent
bioactive component. Besides, the plant can also accumulate selenium,
a trace element known to possess anti-cancer properties, from the
soil.
Curtailing cardiac diseases
One inexpensive way of curtailing cardiovascular diseases is to use
generousamounts of garlic in cooking. Garlic consumption inhibits the
progression of cardiovascular diseases. It can bring about small
reductions in blood pressure. Some studies have shown it to modestly
lower cholesterol levels, which is also a protection against cardiac
diseases. Animal experiments have associated garlic ingestion with
reduction in triglyceride and LDL cholesterol, both of which
contribute to atherosclerosis and heart diseases. Garlic, like
aspirin,can reduce the tendency ofblood to coagulate and form clots.
Many human studies on garlic have shown it has the ability to dissolve
blood clots. Pharmaceutical supplements are often used by patients
with cardiac and vascular diseases.
Garlic can reduce homocysteine levels in blood. This toxic compound
damages the cells that line the blood vessels, induces blood clots,
loss of cognition and causes death of nerve cells.People with dementia
and Alzheimer's disease have elevated blood homocysteine levels.
Damage to nerve cells in Alzheimer's disease is also due to elevated
oxidative stress induced by free radicals. By scavenging freeradicals,
garlic offers protection from neuronal death, dementia and Alzheimer's
disease.
Garlic is also called ‘Russianpenicillin'. Fresh — but not stored or
cooked garlic — is an antimicrobial agent against a variety of
micro-organisms, including H. Pylori, implicated in gastriccancers.
Topical applicationof garlic is effective in treating ringworm. Many
studies have shown that garlic has antifungal and antiviral effects.
Adverse effects
Are there any adverse effects associated with taking garlic? In some,
it can cause mild stomach discomfort, especially when taken on an
empty stomach. Add garlic to meals or sprinkle it on pasta, soups or
even sambhar and chutneys. Swallow a clove of crushedgarlic with
water. The common side effect is “Garlicky Breath”.
Since garlic is also a blood thinner, people who take aspirin should
be careful when including garlic regularly in their diets.
Alsodiscontinue garlic at least aweek before any surgery.
How much? One clove of medium-sized garlic daily provides health
boosting effects. Numerous over-the-counter supplements are available
as are enteric-coated tablets. Those who don't like the strong flavour
can try deodorised capsules. It is indeed the cornerstone of good
health.
Knowledge without sense is double folly.
— Gracian
Typeface: Roswell
Merchandise available: www.redbubble.com/shop/ap/120542884
Results from the experiment. An average fixation map was created for all the iHybrids. Maps were created by collapsing z-scored fixation durations across all correct trials of the experiment. This fixation map was then split into separate maps (b) showing fixation durations when responses were based on local face identifications and fixation durations when responses were based on global face identifications. Subtracting the fixation map for global identification responses from the fixation map for local identification responses resulted in a difference map. On the local and global maps shown here, white contours surround regions of significantly longer fixation durations than were observed for other areas; on the difference map, white contours indicated regions of significant differences between the local and global maps (i.e., fixation bias). The graph (c) shows the conditional probability of identification responses (local face or global face) as a function of the location of the first fixation (in the eye-mouth region or in the center of the face). Error bars show standard errors of the mean.
A prova de agregação, ramo da Psicologia, pela Doutora Margarida Garrido, subordinada à lição "Socially Situated Cognition: An Approach to Investigate the Distributed, Situated and Embodied Nature of Person Perception", teve lugar na sala C2.05 - Instituto Universitário de Lisboa, a 15 de janeiro de 2021.
Fotografia de Hugo Alexandre Cruz.