View allAll Photos Tagged CoffeeMug

.... This mug was located on the HMCS Toronto's bridge, the public tour crowd was soooo thick, I couldn't get a good photograph of the bridge interior, except for this Royal Canadian Navy mug!

Not only did Ed replace my favorite coffee mug, he got the whole set! 💙

YEP, nothing fancy here, just playing with the camera and one sb600 flash on camera. Oh and no edits here, SOOC

I'm loving time in my studio to create art. This morning's work is this raw edged collaged coffee cup. I was reminded recently in a discussion in another group about my love of all things coffee in both fabric and paint. This was created with bits from my scrap bin and quilted with black thread. #cy365 #captureyour365 #currentlyloving

for the coffee mugs photo pool - my other fave mug, a gift from my friend gillian

Drink: Coffee

 

Food: Homemade chocolate cake

 

Book: The Bottle Factory Outing by Beryl Bainbridge (1980 impression, Fontana Books)

On one of my several trips up to Syracuse, I took the thruway to get there. I saw this travel plaza had a McDonald's in it, so I decided to check it out.

i didn't take a Polaroid all week long, and i just can not believe that and i just realized that today was the last day of 'Roid week and bam took these thirty minutues before 'Roid week was over... :') POLAROIDS YOU MAKE ME SWOON.

blog post

this is a shelf above my bed, i wish these were in color.

brown wall. green shelf. purple star.

Dream catchers in which i need to get more of because i adore them

My favorite vintage necklace that i got at a garage sale.

a jar full of fortunes from fortune cookies.

the jar next to my starbucks cup i write dreams i want to accomplish and i am trying to fill it up all the way so when i am 50 i can look back and see how many came true ok cheesy i know but i am allowed to be

its thundering right now and i am just so happy

A French drip coffee maker and two cow coffee mugs. Tried to use the coffee maker once—nothing but disaster. The filter, one I had to improvise, didn't work, and the coffee grounds leaked through. The mugs work fine, and for some reason or other, they make their own cream! Unfortunately, I only take my coffee black. That's what I get for living in the dairy state.

 

Balance is the enemy of art —Richard Eyre

 

(for Poetography, Theme 111--Balance; Literary Reference in Pictures)

I don't believe anyone would fancy eating these .... they are actually lovely little smelly bath soaps!

 

This afternoon I didn't go out for my walk as it is really very cold, a problem we get living close to the sea!! However, I did manage to burn a good number of calories at my RPM and Yoga classes, this morning!

 

366/2024 - The Future Is Now ~ 366/010

 

Stay Safe and Healthy Everyone!

 

Thanks to everyone who views this photo, adds a note, leaves a comment and of course BIG thanks to anyone who chooses to favourite my photo .... Thanks to you all!

This is my collection of CoffeeMug pouches. So far I have sold two in my Etsy Shop and one to a friend.

ONE POUND DINER MUG....

 

These old diner mugs bring back great memories from an earlier way of life. I remember hanging out at our local diner on main street in Kings Park, Long Island, New York, back in the late 60's and having a late night or early morning cup of coffee from cups like this. I found this coffee mug on eBay and it came with a very interesting story.

 

As a young man, the eBay seller sold Collier Encyclopedias and Great Books of Literature door-to-door in the Western states up and down and west of the Rockies back in 1973. His cousin asked him to pick up an authentic coffee mug from a genuine greasy spoon diner along his route. Some of the coffee cups went to his cousin and some stayed in his cupboard. Recently, he decided to clean house and sell his diner cups. In his eBay listing he said, "You can be assured the mug you purchase was picked up in a greasy spoon somewhere in Utah, Montana, the Dakotas, Wyoming or Colorado."

 

The eBay seller did quite well selling the books and made enough money to get through to the spring semester of school without needing an outside job. He said, "I went to the San Francisco Conservatory of Music and finally graduated with a Bachelor of Music degree.... I went on to perform with the San Francisco Opera Company for nearly 10 years. But I always remember that summer selling encyclopedias door to door in the West -- a great way to learn about other people, rural life in America, and about yourself as well. Please enjoy your mug, it has a colorful background!"

  

Color - off white, 3 1/2"H x 3 1/4" diameter, heavy guage porcelain, 1 pound 2 oz.

 

Now that I have a new camera to experiment with, I will be posting lots of mundane photos, like my coffee mug. Just what you all were hoping for, I'm sure.

start with the coffee and stop by the telegraph .... :D :D

 

bangalir naki ek cup darun gondho wala cha chara din suru hoena .. amar o hoena ... kintu cha na ... besh kora coffee kalo r teto ... :P :P

Well I stayed home from class today, because last night I had a fever. Turns out when I woke up this morning I was feeling perfectly fine. I could have gone to school :(

Funny how even when I don't go to class, I wake up relatively early. I was up today by 8AM lol. I love waking up early on sunny days!

 

Anyways, I've been wanting to do this shot for a while, and it turned out even better than I had imagined it - I hadn't considered the reflections before, definitely a positive surprise.

There's a story to sort of go along with the shot.

 

A few weeks ago, I was in one of those funny t-shirt websites, and I came across this one, that says "this is my otter shirt" as opposed to other shirt. I showed it to my dad and he loved it lol. Well, a few days later, I got up in the morning, walked into the kitchen for my breakfast, and on the counter was a note that had the drawing of an otter - looked more like a beaver, but whatever- and read "It's just an otter day!" in relation to Paul McCartney's song It's just another day, that I love. Totally made me start the day with a smile, I love my dad for this!

The note is hanging up on my wall :)

 

+2 in comments, including the note

editorial illustration

Psychedelic West German coffee mugs. I shouldn't have--but couldn't resist.

Drawing challenge: beetle, wearing hat with huge feather, with a dog on a leash.

 

Difficulty was in wrapping my head around the scale of a beetle versus a dog and a leash…

The beetle could be smaller but… no, then the flexi leash becomes a bug catapult.

Coffee mug collection: "I like to dip my coffee in my cookies!" says the Cookie Monster

The sunlight was hitting my desk just right so I had to catch it!

I bought this gorgeous coffee mug for my mom years ago. She never use it. It's always on the shelf in our living room! :) But today I just had to borrow it for my morning shot! Opps ... ;D

 

Have a great sunny day guys!

I was having lunch in a local 50's style diner when I spotted a rack of coffee cups on a shelf behind the counter. I asked the owner if I could buy one and he said, "Sure, five dollars."

 

This cup has the look and feel of the heavy diner mugs from the 1960's. On the bottom it says "Homer Laughlin China, U.S.A. Lead free." I searched the internet and learned that this company was established in the 1800's. it has a very interesting history......

 

COMPANY HISTORY FROM WEBSITE

 

Homer and Shakespeare Laughlin, two brothers from East Liverpool, Ohio, formed a partnership in 1871 to sell pottery ware, which was made in the factories located in their hometown.

 

The pottery industry in East Liverpool had begun in the 1840’s, manufacturing yellow ware from the rich deposits of local clay and utilizing the Ohio River to transport their products throughout the region. By 1870, public preference was shifting from the relatively crude yellow ware to a more sophisticated white ware that was being imported from England. Local potters saw the need for change and the East Liverpool City Council offered $5,000 in seed money to someone who would build and operate a pottery for the production of white ware.

 

The Laughlin Brothers submitted a proposal which was accepted by the Council and a two-kiln plant was built on the banks of the Ohio River in 1873. The plant was built on land purchased from Benjamin Harker for $300. Mr. Harker’s pottery was located next door.

 

The Laughlin Brothers quickly gained a reputation for quality and, in 1876, their white granite ware won an award at the United States Centennial Exposition in Philadelphia. By 1877, Shakespeare, the younger brother, was ready to move on to pursue other interests. The business was continued as an individual enterprise as the Homer Laughlin China Works. The business continued to prosper through the 1880’s and became one of the better known manufacturers of ceramic dinnerware and toilet ware in the United States.

 

The Wells & Aaron Families

 

In 1889, a young bookkeeper from Steubenville, Ohio, William Edwin Wells, answered a classified newspaper advertisement and was hired to manage the books of the growing establishment. In a very short time, Mr. Wells was managing the business and Mr. Laughlin was able to spend time traveling with his wife.

 

By 1897, Homer Laughlin had decided to retire to California where his son had just graduated from Stanford University. He offered to sell the business to Mr. Wells and a financial partner, Louis I. Aaron of Pittsburgh. The sale was consummated on December 7, 1897.

 

With new ownership came accelerated growth. Within two years, a second plant was built in the East End of East Liverpool, expanding further to three East End plants by 1903. Key customers contributing to the company’s rapid growth included the F. W. Woolworth Company, the country’s fastest growing variety (5 & 10 cent) store chain, and the American Cereal Company of Chicago, who was packing oatmeal bowls in Mother’s Oats boxes as fast as Homer Laughlin could produce them.

  

The Move to Newell, WV

 

The partners saw the need for further expansion but there was no more room at the East End location. In 1902, a tract of land on the opposite side of the Ohio River was purchased from the Newell family. A subsidiary company, the North American Manufacturing Company was formed to develop the town, which would become Newell, West Virginia. Building lots were laid out, a water and sewer system was installed, and electric power was secured. A suspension bridge was built across the Ohio River, connecting the new community with East Liverpool and a trolley line was built to transport pottery workers across the river. During 1905 and 1906, the company constructed plant #4, which at that time, was the largest pottery plant ever built in the world. Homer Laughlin now had a combined production capacity of 300,000 pieces of ware per day (10% of the U. S. production capacity). The company’s headquarters were moved to the Newell location at the beginning of 1907.

    

The 1910’s

 

In 1911, Louis Aaron retired and was succeeded as president of Homer Laughlin by his son, Marcus Aaron. Rapid growth continued and, in 1914, plant #5 was opened with 16 additional kilns, giving the company a total of 78 ware kilns and 60 decorating kilns.

 

In January, 1917, W. E. Wells wrote to the Woolworth Company to recap their business for the year of 1916. He stated “I think that I may safely say that this is the first time in history that the purchases of any one concern from any one pottery firm have reached the million (dollar) mark in one year”. At an average price of 72 cents per dozen, that amounted to 16.7 million pieces of ware sold to one customer in one year.

 

The 1920’s

 

The early 1920’s marked the beginning of the most revolutionary change that had ever hit the pottery industry. Until that time, a pottery’s size was measured by the number of ware kilns that it possessed. Intermittent bottle kilns had a limited production capacity due to the length of time that it took to load the kiln, brick up the doorway, fire the kiln and bring it up to the desired temperature, fire the ware for the desired length of time, then cool the kiln, reopen the doorway and, after cooling, empty the kiln by hand. All of this required more than a week to fire a limited amount of ware. The only way that a pottery could increase it’s capacity was to build more kilns.

 

In the early 1920’s, continuous firing tunnel kilns were introduced to the industry. These kilns maintained their full firing temperatures constantly while cars entered one end, one after another and, three days later, fired ware exited the other end of the kiln. This was a revolutionary change in production time and the potteries with the financial resources rushed to build these new kilns.

 

In 1923, Homer Laughlin announced that they would build yet another new plant, this time with tunnel kilns. Plant #6 fired it’s first kiln in 1924. At about this same time, the intermittent kilns at plants 4 & 5 were replaced with tunnel kilns. In 1927, plant #7, equal in size to plant 6, was opened.

 

It was decided that it would not be practical to remodel the old plants in the East End and they were phased out in favor of the largest Laughlin plant yet. Plant #8 opened in December, 1929 with 800 employees in that plant alone. Initially, all of plant #8 production was allocated to make ware for Woolworth’s. Total capacity was now equal to 160 upright kilns.

 

1930’s & 1940’s

 

Almost coincidental with the opening of the last great Newell plant was the retirement of W. E. Wells in January, 1930. He was replaced as general manager by his eldest son, Joseph M. Wells, Sr.

 

The company had hired Frederick Hurten Rhead as design director in 1927, a post which he would hold until his death in 1942. Rhead’s 15 year reign proved to be the most prolific period of new product introductions in the company’s history. Rhead designed Virginia Rose as well as the several Eggshell shapes. Rhead’s most famous accomplishment, however, was Fiesta.

Marcus Aaron retired as president of the company in 1940 and was succeeded by his son, Marcus Lester Aaron. M. L. Aaron would serve as president for the next forty-eight years.

 

With Fiesta leading the way, The Homer Laughlin China Company continued to flourish until the onset of World War II. During the war years, much of the company’s production was shifted to the production of china for our armed forces. After the war, production returned to normal and the company reached it’s peak production year in 1948. More than 3,000 workers were employed to produce over ten million dozen pieces of ware.

  

The 3rd Generation from 1950’s—1990’s

 

The 1950’s saw a large increase in imported dinnerware which was produced in countries with very low labor costs. This competition took it’s toll on the American industry and many potteries did not survive the decade. Homer Laughlin’s management decided to shift their emphasis from consumer dinnerware to commercial ware for the hotel and restaurant trade. 1959 saw the introduction of Homer Laughlin’s “Best China” brand vitrified hotel china.

 

J. M. Wells, Sr. retired at the end of that year, turning over the management of the company to the third generation of his family in the person of Joe Wells, Jr.

 

The sixties and seventies were difficult years for the American pottery industry, with low-cost imports carving out market share in the retail markets at the expense of domestic companies. Homer Laughlin’s hotel ware was gradually becoming a prominent player in the foodservice china industry, eventually overtaking retail dinnerware in sales volume.

 

In the early eighties, the company began to produce lead-free china, something that would become very important as the country became more environmentally conscious. Using lead-free glazes and a vitrified china body, Fiesta was reintroduced in new and updated colors. As this new version of their most famous product was being launched, Joe Wells, Jr. retired in 1986 and was replaced as executive vice president by his son, Joe Wells III. At the end of 1988, M. L. Aaron retired as company president and was succeeded by his son, Marcus (Pete) Aaron II. The company was now in the hands of the fourth generation of each family.

  

The New Century

  

As Fiesta began to flourish in the retail sector and Homer Laughlin was becoming a leading force in the foodservice china industry, the aging factories were undergoing many changes. State-of-the-art computerized kilns were installed throughout plants 6, 7 and 8. Much-needed new forming and glazing equipment was installed and a self-contained “plant within a plant” was built at Plant #8. Homer Laughlin was preparing to enter the new millennium as the industry leader in both the foodservice and retail businesses.

 

By 2002, ownership of the company was shared by third, fourth and fifth generation members of the Wells and Aaron families and others. Many of the shareholders were scattered throughout the country and had little involvement with the business. In an effort to consolidate resources and provide improved direction for the company, Joe Wells III, together with his sisters, Jean Wicks and Elizabeth McIlvain, purchased the interests of the other stockholders. In June, 2002, Joe Wells III was elected president and chief executive officer.

 

Since the re-organization, the company has experienced continued growth and is poised to move forward with the Wells Family’s pledge to continue producing quality, American-made china and provide jobs for potters of the Ohio Valley.

 

NOTE: Mug purchased on October 9, 2012

A selection of garden herbs in a mug on the windowsill.

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