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HEBREW CLOCK IN KAZINCZY STREET SYNAGOGUE, BUDAPEST

Product photography for a client that needed clean and simple shots of different items, this was a part of a clock collection with a kinds of clocks, old and new.

Paper clock created from two simple pieces of chipboard and a clock face.

R2R DACs from a Teensy driving the XY vector display. More details: www.nycresistor.com/2012/09/03/vector-display/

I 3d printed a fully mechanical clock on my DIY 3d printer. Got it working this evening. :) I learnt a lot, but now to make it better!

#3dprinting #clock #maker #DIY #geeetech

Single Nixie clock made from a former brass table clock using a PIC16F628A and Russian 74141 decoder. Based on the circuit and software found here www.electronixandmore.com/nixieclocks/3.html.

Contact Graeme Power

powerclocks@hotmail.com if you can help/send me pictures of any 400 Day Anniversary clock for a proposed publication about these beautiful clocks, anything and everything, nothing rejected.

Check out my Bikes, Clocks and Kerosene Lamp memorabilia, This enormous and very heavy clock has its own shelf purpose built to hold it, it weigs in at over 40 kilos and doesnt like to be moved, keeps excellent time and is a stand out amongst the other 400 day Clocks in the room, it has an A Series movement and serial number under 1000 dating it to about 1906 and amongst the first Grivolas Clocks ever made commercially, I am allways on the look out for parts and quirky clocks Ansonia Swingers, Banjo (weight Driven ) Clocks English Grandfather Clock Movements with Small Brass Dials, French Clocks, you name it I am interested contact me at powerclocks@hotmail.com I will not answer any questions on serial numbers of any clock shown in my gallery, I have my reasons, if you buy a clock from me you may decide whether to divulge this information to the wider community yourself.

 

Photos on my flickr Site are The Property of and Copyright to Graeme Power

 

powerclocks@hotmail.com The use of this image without my consent in writing is denied.

 

I am happy to converse with like minded souls on any subject but I do not give out Serial numbers for any Clocks on my site, if you ask I will not reply.

Original Kundo 6 glass 400 day torsion clock. (later produced with a quartz movement)

A Grandfather’s Clock

 

112” x 25” x 12” (284 cm x 64 cm x 30 cm)

 

Opening bid: PHP 10,000

 

Lot 702 of the Leon Gallery auction in October 2020. Please see www.leon-gallery.com for more details.

Structure Synth / Sunflow

 

The clock images are experiments for a Timestretch.com logo for my blog. I posted an article on Structure Synth to kick things off.

 

www.timestretch.com/article/structure_synth_tutorial

 

Stinging Eyes sent me a message about my previous clock image, and mentioned some banding he'd observed. I'd noticed this too, and decided to find a good solution. The image above was rendered using the hdr export format, which exports each pixel in 32 bits per channel. The image files it outputs are huge, but by using Photoshop to dither and convert them back down to standard 8 bits per channel, some banding in the grayscale ramps can be reduced. I can still see some banding in the image above, but I assure you, the PNG file exported directly form Photoshop shows a big improvement!

New approach to the S2 clock project in evidence here.

 

So far the brief/analysis/specification pages are produced in much the same way as ever. The radical shift is in the generation of ideas approach. Here we borrowed an idea outlined in Kurt Rowland's 1968 book "The Shapes We Need". Amongst other things Rowland explores spatial relationships and really gets to the heart of aesthetics and visual beauty. Some things just look right and others don't. Why is this? Rowland seems to have a some good theories about this. This book was part of a series he released in the late 60's. I understand these textbooks were standard issue in Glasgow Secondary Schools Art Departments at the time. I don't know of any art teachers that used them much apart from my mother. Anyway this little card based exercise suited our purposes perfectly.

 

The current S2 course has seeen alot of changes over the last five years. We'll distribute the cours notes on the S2 Course page at: designandtechnologydepartment.co.uk in due course.

Interesting view of the old post office clock tower from the hill in Rosalind Park, Bendigo

Vancouver's Gastown famous clock.

New approach to the S2 clock project in evidence here.

 

So far the brief/analysis/specification pages are produced in much the same way as ever. The radical shift is in the generation of ideas approach. Here we borrowed an idea outlined in Kurt Rowland's 1968 book "The Shapes We Need". Amongst other things Rowland explores spatial relationships and really gets to the heart of aesthetics and visual beauty. Some things just look right and others don't. Why is this? Rowland seems to have a some good theories about this. This book was part of a series he released in the late 60's. I understand these textbooks were standard issue in Glasgow Secondary Schools Art Departments at the time. I don't know of any art teachers that used them much apart from my mother. Anyway this little card based exercise suited our purposes perfectly.

 

The current S2 course has seeen alot of changes over the last five years. We'll distribute the cours notes on the S2 Course page at: designandtechnologydepartment.co.uk in due course.

resin clock that I made at work as a sample

War memorial clock tower at Semaphore.

After an earlier shower, the puddle provided a nice reflection of the clock at the entrance of Bang Sue Grand Station

Clock on a post in Glendale, Ohio.

In the Mathematisch-Physikalischer Salon (Royal Cabinet of Mathematical and Physical Instruments) in the Zwinger

Paper clock created from two simple pieces of chipboard and a clock face. The fin locks into the base of the body to make it stand.

DCF77 Master Clock

Uses Arduino ATMEGA 328 IC, 1" Max2719 controlled 7 segment display with I2C 4x20 Yellow LCD information display.

Displays auto activated by PIR detector and auto brightness is set by LDR.

The DCF77 signal is decoded using the fantastic new DCF77 library written by Udo Klein.

home.btconnect.com/brettoliver1/Master_Clock_MK2/Master_C...

Petit Palais - Petit Palace

Paris, France

New approach to the S2 clock project in evidence here.

 

So far the brief/analysis/specification pages are produced in much the same way as ever. The radical shift is in the generation of ideas approach. Here we borrowed an idea outlined in Kurt Rowland's 1968 book "The Shapes We Need". Amongst other things Rowland explores spatial relationships and really gets to the heart of aesthetics and visual beauty. Some things just look right and others don't. Why is this? Rowland seems to have a some good theories about this. This book was part of a series he released in the late 60's. I understand these textbooks were standard issue in Glasgow Secondary Schools Art Departments at the time. I don't know of any art teachers that used them much apart from my mother. Anyway this little card based exercise suited our purposes perfectly.

 

The current S2 course has seeen alot of changes over the last five years. We'll distribute the cours notes on the S2 Course page at: designandtechnologydepartment.co.uk in due course.

For more details have a look at the project Website.

alan-parekh.com/projects/gear-clock/

Wasn't going to do the obvious spiral but then just couldn't help but give it a go .

Designer Open Gear Wall Clock

Clock in Inokashira Park in Kichijoji, Misashino City, Tokyo. The clock is adjacent to a concession stand on the north side of the pond.

This clock, which I purchased from a local flea-market years ago, chimes every once-in-a-while - EVEN THOUGH IT HASN'T BEEN WOUND!!

See the February 2011 issue of PolymerCAFÉ for instructions on making this clock. My blog post gives additional info on finding the supplies.

New approach to the S2 clock project in evidence here.

 

So far the brief/analysis/specification pages are produced in much the same way as ever. The radical shift is in the generation of ideas approach. Here we borrowed an idea outlined in Kurt Rowland's 1968 book "The Shapes We Need". Amongst other things Rowland explores spatial relationships and really gets to the heart of aesthetics and visual beauty. Some things just look right and others don't. Why is this? Rowland seems to have a some good theories about this. This book was part of a series he released in the late 60's. I understand these textbooks were standard issue in Glasgow Secondary Schools Art Departments at the time. I don't know of any art teachers that used them much apart from my mother. Anyway this little card based exercise suited our purposes perfectly.

 

The current S2 course has seeen alot of changes over the last five years. We'll distribute the cours notes on the S2 Course page at: designandtechnologydepartment.co.uk in due course.

mis ojos salen como felices xD

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