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A southbound Jubilee line train accelerates away from St John's Wood passing the station clock. A similar timepiece is on the northbound platform.
The clock in the middle of Grand Central holds a secret. The little point at the top is a compass that's aligned to true north, so the four sides of the clock line up perfectly with the four compass points of the building.
L'horloge au milieu de Grand Central détient un secret. Le petit point au sommet est une boussole, de sorte que les quatre côtés de l'horloge s'alignent parfaitement avec les quatre points cardinaux.
على ارتفاع أكثر من ٦٠٠ متر تم التصوير من الجو من طوافه عسكرية .. رافقني في الرحله اخي العزيز الفوتوغرافي عبيد الفريدي .. لا اخفيكم الموقف رهيب والتجربه مخيفه لكنها ممممممتعه
Yet another funky appartement building at Aarhus Ø. It is called Kampanilen and is by B.I.G. (Bjarke Ingels Group).
Dolmabahçe Clock Tower (Turkish: Dolmabahçe Saat Kulesi) is a clock tower situated outside Dolmabahçe Palace in Istanbul, Turkey. The tower was ordered by Ottoman sultan Abdülhamid II (1842–1918) and designed by the court architect Sarkis Balyan between 1890 and 1895.
The clock tower was added to Dolmabahçe Palace, and stands in front of its Treasury Gate on a square along the European waterfront of Bosphorus next to Dolmabahçe Mosque. Designed in Ottoman neo-baroque style, the four-sided, four-story tower stands on a floor area of 8.5 × 8.5 m (28 × 28 ft) at a height of 27 m (89 ft). Its clock was manufactured by the renowned French clockmaker house of Jean-Paul Garnier, and installed by the court clock master Johann Mayer. In 1979, the original mechanical clock was converted partly to an electrical one. On two opposite sides of the tower, the tughra of Sultan Abdul Hamid II is put on
The Earl Layman Street Clock is incumbently installed at First Avenue South and South Main Street in the historical Pioneer Square district of Seattle. It was commissioned in 1907 by Young’s Credit Jewelers, and was installed during 1922 in front of their Third Avenue and Seneca Street store.
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Voigtländer Nokton VM 21mm f/1.4 ASPH + Fujifilm X-T2 GS.
51-365
After all the finals hysteria, I think I have a little time in my hands to post more 365 photos... =S yes I've been absent A LOT! ... but... I promise to keep it updated as posible =D
PS: the clock in the photo is real...
wait!!.. Thenari and I suddently realize that one of his photos and this photo of mine kida look a like.. or as they were from a serie!... Look! ...what do you think?
Rynek Staromiejski, Toruń, at night. Pomnik Mikołaja Kopernika - Copernicus Monument and the Ratusz (Old Town Hall). The monument to astronomer Nicolaus Copernicus (1473-1543), a native of Toruń, was installed in 1853.
Medieval Town of Toruń UNESCO World Heritage site. Inscribed in 1997.
IMG_5809
This used to be the office of the Communication Workers Union but it has now been repurposed as accommodation.
An old time clock complete with time cards in an old abandoned manufacturing plant. How many of you can remember punching a card before and after shift? I can, back in the '70s. There were no computers or smartphones back then.
20/365 This is a really old clock my Dad found thrown out in a shed. Now it hangs proudly in our kitchen. Like most things in our house it doesnt work.
The World Clock (Weltzeituhr) in Berlin is a prominent landmark located in Alexanderplatz, unveiled in 1969 as part of the square’s redesign during the GDR era. Designed by Erich John, the clock features a cylindrical structure with a rotating display of 24 time zones, representing cities from around the world, and a solar system model atop it. Today, it serves as a popular meeting spot and a symbol of Berlin’s dynamic, interconnected history.
The Clock Tower of Sighișoara was a town hall and a prison. The following engraving was found near the Torture Chamber's window: "Morgen werde ich..." ("Tomorrow I will..."), which might be a prisoner's last message, on his last day alive.
Christian Ackermann
Last quarter of the seventeenth century.
Church of the Holy Spirit
Tallinn, Estonia
Christian Ackermann was born in Königsberg. He worked in Riga, Stockholm, and Gdańsk, before becoming active in Tallinn from about 1672 until his death in 1710. In 1675, Ackermann moved to Tallinn and acquired his own workshop. He probably died either in 1710 or a short time later from plague.
Christian Ackermann was one of the greatest masters of the Baroque style in Estonia. He brought strong Central European influences to Northeast Europe, in particular the motifs of the Baroque and masterful Acanthus ornaments.