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Pince déchiqueteuse...
Découverte d'une casse de péniches en Ile de France.
Les bâteaux destinés à la destruction connaissent après le déchiquetage une nouvelle vie.
Des artistes talentueux ont recouvert les carcasses avec des tags aux couleurs vives.
Cette friche industrielle offre un fabuleux décor où la nature reprend ses droits...
Discovery of a broken craft in Ile de France.
The boats destined for destruction after shredding know a new life. Talented artists have covered the carcass with these brightly colored tags.
This brownfield site offers a fabulous setting where nature comes back ...
Restos del Velero Lord Lonsdale en el Estrecho de Magallanes, monumento Historico DS N°12 de 7 de Enero de 1974. Construido en 1899 en el astillero Bigger, de Londonderry, Irlanda, para la firma de J. H. Iredale, tenÃa un registro de 1.889 toneladas, luego fue transferido a la firma de Peter Iredale & Porter.
En viaje de Hamburgo en el mar Báltico a Mazatlán en el oeste mexicano, se incendió en Puerto Stanley de la isla Falkland el 6 de octubre de 1909 y tuvo que ser hundida para apagar el fuego. Luego fue adquirida por un comerciante de magallanes quien la volvió a vender a la firma Braun & Blanchard, quienes finalmente la utilizaron como pontón lanero en el Estrecho de Magallanes, hasta su desguace. La proa con el mastil bowsprit (bauprés) y un tramo del casco son los restos de este Cliper que aun existen, lamentablemente el mascaron desapareció.
OLYMPUS DIGITAL CAMERA
Old lenses: A funny lot; reveal their character at full open. Typified here by chromatic aboration, blurred and fuzzy edges and the lack of auto focus. Shot at 200mm this is the capacity of this makinon 80-200mm on the olympus mount. Still it has its own interpretaion of conveying an image if that is at all possible.
Rear view of a front half of a 56 chevy 4 door. A hidden gem of a salvage yard that I put off way to long before I visited. Location not disclosed at owners request.
181 second exposure, protomachines flashlight set to green and purple.
Click on the image, because it's best BIG on BLACK!!!
Green paper clip on a bamboo table mat.
Taken using a Fuji Finepix S2000HD camera long unused until today!
-within salt sea-
white star
~flash~
*1980*
_neptune_
:::spells and clips sun:::
^^candy house 1970^^
Pentacon Six TL
MC BIometar 120mm f2.8
Cinestill 800T
Rollei Digibase C-41 Kit
Epson V800
Trying out the new Cinestill 800T 120 with some tungsten light in its natural habitat, shooting some still lifes around the house lol.
Clip 1: www.youtube.com/watch?v=iiiznDpoapQ
Clip 1 is a karate posing video. This clip uses anticipation by slowly moving the hand down the arm to prepare the audience for the fast movements. The more complicated movement when animating would be the arms and hands as they moving fast and changing from several poses in a short amount of time. There’s some follow through and overlapping when the movement of the hands come to a still because there’s still movement in the hands. The legs would be secondary animation because it isn't the most important the movement but it adds appeal and draws the audience into the animation more.
Clip 2: youtu.be/Z2s9ZlenQm8
Clip 2 is from The Artist tap dancing scene. The movement is very fluid and they also use their arms to add to the emotion in their movement, which adds to the appeal. The arms have similar movement to the legs, which exaggerates the movements The anticipation, when they freeze and stare at each other, could have had more timing to make the anticipation stand out. The clips uses slow in and out as they slide their leg it starts out with more spacing and then it decrease as the leg closes. This would add more realism if I was to animate this clip because movement doesn’t have the same speed throughout the start to the end. There’s a moment is the clip when the man goes behind a table which covers his legs and feet movement which would mean I would have to take reference of the woman dancing to apply it to his lower body movement.
Clip 3: youtu.be/H-fJC5EN8LY
Clip 3 is a mime artist performing. The arm and leg is the main body movement for this clip. The movement is very stiff as if you was pulling a robotic arm that was triggering it’s leg to raise. A set driven key would make animating the arm and then triggering the leg to move would make the animation process more efficient. The comparison between the stiff movement and the arc movement of the arm turning around fits perfectly together. The clip has follow through and overlapping on the arm as the lower part of the arm is swinging. This would make an animation more realistic and creates flowing movement which is more interesting for the audience.
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This is my next "clip" picture for my 365 project with the weekly theme "1 object - 7 pictures".
Here comes my next "clip" picture in a muddy puddle.
Captured with a Nikon Df and a manual Nikkor Ai 35mm Æ’1:2 with a 3 x ND Filter, post processed in Lightroom using VSCO.
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